Posts tagged with "University of Michigan Taubman College of Architecture and Urban Planning":
The conference will focus on design work and research carried out in the fields of practice and academia that relate to "procedural design, designed environments and autonomous machines". More specifically, ACADIA 2016 will concentrate on contemporary trends in computational design that has been used to develop "quasi-cognitive machines" and "integration of software, information, fabrication and sensing to generate mechanisms for interfacing with the physical realm." Papers that touch on relative disciplines such as material science, biology, art, computer graphics, civil engineering, and human-computer interaction have been called to contribute to the discussion.
"Every year the ACADIA conferences bring together a world-class group of designers, architects, engineers, fabricators and thinkers exploring the intersection of computation, digital technologies and architecture," said Johnson. "In North America it has become the event to present, explore and debate emerging ideas in the field."This years event will be held at the University of Michigan Taubman College in Ann Arbor, Michigan and the conference itself will run from October 27 - 29, 2016.
It evolved from a small group of artists in New York to a large group of folks across the country … neighbors have started to talk about performances or people in their families who perform that might get involved. And so we've really expanded from an immediate, emergency kind of dialogue to one that's about culture and talent that's already in the neighborhood, and how it can have a stage there at the House Opera.McEwen bought the two-story home for just $1,200 in a public auction, paid off its delinquent property taxes, and got to work raising money for its second act. So far the project has received financial support from Graham Foundation, Knight Foundation, Taubman College – University of Michigan, and the Michigan Economic Development Corporation, as well as numerous individual benefactors including Mark Gardner, Theaster Gates and Dr. Larry Weiss.
BREAKING: Davidson and Ponce de Leon to Curate the U.S. Pavilion Exhibition in the 15th International Architecture Biennale in Venice
Two students in the University of Michigan's Taubman College of Architecture + Urban Planning designed a textural, horizontal installation with complete transparency.When Harold-Sprague Solie and Geoffrey Salvatore developed their decorative 12- by 5-foot ceiling installation Stalactites for a graduate course with Tsz Yan Ng at the University of Michigan's Taubman College of Architecture + Urban Planning, the goal was to produce a design and fabrication process with an accompanying detailed set of documents. "We wanted to take the focus away from just the object at the end and go through a set of drawings to help [the viewer] understand the installation and bring him or her into it," said Salvatore. He expressed the desire for complete transparency, since architecture tends to conceal the labor details, and explained that this process helps expose some of the hidden logic of the project. So while the drawings began as aids for viewing and understanding the project, they became useful as Solie and Salvatore went through the design process. "[As we worked] we'd have these drawing to fall back on; to rediscover ideas, to catch mistakes and reveal things we'd have missed," Solie said. "It was important to work back and forth between the physical process and the [digital] drawing process," Salvatore added. The overall project was modeled in Rhino, while the drawings were produced and tweaked in Adobe Illustrator. The piece itself is composed of four truncated pyramidal units made from Bristol board, the largest of which measures 12 inches on each side at a height of 9 3/4 inches, while the smallest measures 6 inches on each side at a height of 2 5/8 inches. Each shape was drawn to include fastening tablature that eliminates fastening materials. "Each piece has a male and female tab and each tab on each side allows it to aggregate with other pieces," Solie said. "They're organized around the largest piece that has six connections, as opposed to three on the others, and are arranged in a way that supports a universal connector." Starting with the originating piece, Solie and Salvatore worked their way out from the center. "That allowed later orientation of individual pieces for the form we wanted," Salvatore said. "We had seven of the big main pieces and the other pieces radiated out from that." Part of the advantage of working with a firm paper like Bristol board was the flexibility it afforded for mock ups, of which there were plenty. "We went from fabrication to drawing, then back to the fabrication, back to drawing," Solie said of the process. "There's a logic to the aggregation to avoid dead ends. We'd mock up a set of 10 or 15 and once we'd hit a dead end we'd go back and solve the problem." Each of the four patterns were laser-cut onto the Bristol paper, which maximized efficiency. In addition to reducing manufacturing waste, each element can be nested when unfolded. Originally, the team experimented with Yuppo, a thin gauge plastic, but had to abandon the material because the tabbing was problematic and did not support their desire to refrain from introducing other materials. The paper's lightweight made it easy to hang Stalactites 10 feet off the ground, though the designers predict alternative materials like light plastics or aluminum could be suitable.