Posts tagged with "University of Kansas":

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University of Kansas will rename its architecture school, lose “Planning” in its title

In a brief message on its new website, the school of architecture at the University of Kansas (KU) announced the change of its name from the School of Architecture, Design & Planning to the School of Architecture & Design. “On the face of it, it might seem like a simple change,” said Dean Mahesh Daas in the online announcement. “But since we seldom have the opportunity to revisit what we call ourselves, we invested a tremendous amount of time and energy into this decision. The new name just better reflects our vision, which is to be 'the pioneering force for global impact through design.'" The name was culled from over 100 alternatives that were gathered by students, faculty, alumni, and staff at a January brainstorming session. Along with the new name, the school rebranded its website with a new URL (www.arcd.ku.edu) and is referring to itself as Arch/D for short. As Daas pointed out, the name of a school is often meant to express the school’s vision. For instance, The Frank Lloyd Wright School of Architecture recently announced a name change to the School of Architecture at Taliesin. That name change came with the school’s financial break from the Frank Lloyd Wright Foundation.
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University of Kansas students recreate the ornate details of Louis Sullivan’s Wainwright building

Students at the University of Kansas School of Architecture, Design & Planning are recreating the ornate terra-cotta of the Louis Sullivan-designed Wainwright building in St. Louis. But instead of the large sheets of parchment and hand-crafted originals, the students are using 3-D modeling software, photographs, and 3-d printing and routing. As part of Assistant Professor Keith Van de Riet’s “Craft in the Digital Age” class, 16 students recreated full-scale replicas of details from the historic early skyscraper. Appropriately based on the teaching methods of the 18th century École des Beaux-Arts, students are learning through copying masters. An extra step is added, though, in that the class is attempting to reproduce work once done completely by hand with digital methods. “The technology is pretty cutting edge in its own way. We always make the assumption that we have moved beyond it,” explained Van de Riet on the importance of bringing together old and new technology. “A challenge from day one was to show the students how our new technologies can be brought together with high craft.” Yet, even with some of the latest technology at their disposal, portions of the process of producing architectural terra-cotta has remained the same over the centuries. While the positive models of the details are produced using a 3-D printer or foam cut on a CNC router, the new technology stops there. Those original positives were then used to produce plaster or silicone molds, which were then filled by hand with clay. Once dry, the clay was then fired at KU’s Department of Visual Arts, a challenge in itself. The fall class produced four large terra-cotta details. They also produced steel frameworks to hang the heavy pieces for display, which can now be seen in the common area of the architecture school. The hope is that the techniques learned in the class could further preservation efforts. Currently, Van de Riet is applying for grants to further the project. Eventually, the plan is to make digital 3-D models available to be downloaded and printed for educational or restoration purposes. “In one portion of the research proposal we are looking at the Guarantee Building, which is a more challenging building in terms of the details,” said Van de Riet about the future of the project. “We would like to apply both the methods for extracting the geometry, as well as use another design-build studio to make prototypes more pieces.”
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2016 Best of Design Award for Student Work: Sensory Pavilion by Dirt Works Studio, University of Kansas

The Architect’s Newspaper (AN)’s inaugural 2013 Best of Design Awards featured six categories. Since then, it's grown to 26 exciting categoriesAs in years past, jury members (Erik Verboon, Claire Weisz, Karen Stonely, Christopher Leong, Adrianne Weremchuk, and AN’s Matt Shaw) were picked for their expertise and high regard in the design community. They based their judgments on evidence of innovation, creative use of new technology, sustainability, strength of presentation, and, most importantly, great design. We want to thank everyone for their continued support and eagerness to submit their work to the Best of Design Awards. We are already looking forward to growing next year’s coverage for you.

2016 Best of Design Award for Student Work: Sensory Pavilion

Team: Dirt Works Studio, University of Kansas Location: Lawrence, KS

Dedicated to the senses, the open-air sensory pavilion is grounded with natural materials: a compacted earth floor, walls of rammed earth and charred cedar, and gravel. From the sound of gravel beneath the feet to the smell of charred wood and dappled light through the rear screen, it’s truly an immersive experience.

Community Partner Audio-Reader Network

Benefactors Randy Austin and Colinda Stailey Austin Structural Engineer Apex Engineers Timber Supplier Wood Haven Roofing Supplier Diamond Everley Roofing

Honorable Mention, Student Work: Resource.full

Team: Fani Christina Papadopoulou Location: Boston, MA

Completed at Harvard Graduate School of Design, this project explores the untapped potential of Columbia Point in Boston, as well as the numerous islands in Boston Harbor by creating transportation and infrastructural systems to better connect them.

Honorable Mention, Student Work: Kamama Prairie Dwelling

Team: MetroLAB, University of Cincinnati School of Architecture & Interior Design Location: Peebles, OH

This 160-square-foot house takes the shipping container as its framework, enhancing it with site-present materials such as barn wood and roofing tin to create a simple, sustainable, and beautiful dwelling.

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The University of Kansas’s Paola Sanguinetti on the role of the user in facade performance

Image credit: James Ewing/OTTO When it comes to using computational tools to predict the energy and cost savings associated with high performance facade design, explained Paola Sanguinetti, Professor of Architecture at The University of Kansas (KU), AEC industry professionals often leave out a critical factor: the user. "My recent research explores how we can model the relationship between the comfort of the users and their perception of the space, and how that affects [environmental performance]," said Sanguinetti, who will participate in a presentation block on "Parametric Facade Optimization at All Scales" at September’s Facades+AM Kansas City symposium. "Depending on the kind of facade utilized, the way the user modifies the space really impacts the envelope and thus the overall performance of the building." Another research priority at KU, said Sanguinetti, has to do with modeling building performance at different scales, "from thermal bridges to how the facade [as a whole] aids in energy reduction." The focus on scale, she said, is part of "a more holistic view of building environments," which considers individual buildings as components of a broader network, such as a university campus or neighborhood. "How you can look at metrics for evaluating performance on the urban scale is very relevant for Kansas City," given its smart city aims, said Sanguinetti. According to Sanguinetti, Kansas City’s design and building communities exemplify an integrated approach to modeling and fabrication. "Zahner has pioneered the collaborative approach to design specification and manufacturing," she said. The city’s sports architecture firms, too, "have a very strong collaboration with consultants." At KU, the architecture program emphasizes "sustainability, but also understanding the entire process, and the importance of collaboration," explained Sanguinetti. In 2014, for instance, the design/build program Studio 804 created The Forum, an addition to the university’s historical School of Architecture building Marvin Hall. Graduate students worked with Transsolar to evaluate the addition’s double skinned facade, including performing a survey of student use. There is, of course, always room for improvement, said Sanguinetti. The local AEC industry could do a better job of sharing data on projects. In addition, "embedding risk analysis is important to help have a good conversation about building envelopes," she said. "Any simulation is an estimation; again, the human variable is critical to understanding building performance." Meet Sanguinetti and other leading lights of Kansas City’s facades scene at Facades+AM September 15. Seating is extremely limited; register today!
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Gould Evans designs a new home for “The 13 Original Rules of Basketball” at the University of Kansas

On Friday, May 13, the University of Kansas opened the long-anticipated DeBruce Center, a 32,000-square-foot addition to the university’s historic Allen Fieldhouse arena. The new $21 million structure was built in order to house the two pieces of paper on which Dr. James Naismith outlined “The Original 13 Rules of Basketball” in 1891. University of Kansas alumnus David Booth and his wife, Suzanne Booth purchased the two pages at an auction in 2010 for $4.3 million—a record for sports memorabilia that year—as a gift for the school.

The university hired architecture and planning firm Gould Evans to provide a proper home for the rules. But after researching student traffic, the firm realized that the designated site is a nexus between northeast academic buildings and southwest athletic facilities, and should therefore serve as more than just a game-day museum. Kelly Dreyer, project designer at Gould Evans, told AN, “In order to engage the student body population the majority of days a year, we married two programs that are not typically seen together—one obviously being the museum, and the other, student dining.”

The main feature of the DeBruce Center is an interior pathway that takes students and visitors across three floors that track the development of basketball’s rules, and weaves into an exhibition space, a gift shop, a cafe, a 60-seat restaurant, a 200-seat dining commons, and an athletic nutrition center for men’s and women’s basketball. Rather than utilizing typical museum display cases, Gould Evans integrated the exhibit into the aluminum architecture. Basketball’s current 45,000-word rules are engraved into aluminum scrim and wrap Naismith’s original 450-word document. This contrast gives visitors a unique understanding of how the game of basketball has evolved over the past 125 years.

Electro-chromic glass controls the amount of ultraviolet light that reaches the document and adds a surprise factor to visitors’ arrival at the pages. At the push of a button, “The Original 13 Rules of Basketball” illuminates, and Naismith’s voice tells his story of creating the sport. This exhibition path concludes along an aluminum-clad bridge, which extends into the Allen Fieldhouse arena.

As another nod to its notable neighbor, Gould Evans utilized the same type of maple used on basketball courts throughout custom built-in furnishings in the dining areas. Also, the glass facade structure reflects the adjacent building and surrounding context, while simultaneously making a statement and revealing a destination for students and teachers.

From the exterior, one sees into the movement and dynamics of the space, which is estimated to receive hundreds of thousands of visitors a year. A three-sided courtyard and landscaped plaza are formed by the adjacent parking garage and the new, three-story structure, which glows at night to invite basketball fans and students to the outdoor space and facility.

Providing exhibitions and student dining commons, the sculptural structure connects the University’s Naismith Drive gateway and existing student pathways. The DeBruce Center, was designed as a home for just two pieces of paper, but now engages the entire University of Kansas campus.

The Scholarship of Social Engagement Symposium — Call for Abstracts

Abstract submission: April 15, 2016 Symposium Dates: October 20-21, 2016 Where: University of Kansas, Lawrence, Kansas The University of Kansas is convening a symposium that assembles internationally recognized thought leaders on the subject of critical engagement. These practitioners and their work are increasingly being highlighted at conferences, through exhibits, and in literature. Our symposium seeks to investigate the theoretical underpinnings of such work and translate these action-based community engagement efforts into interdisciplinary and theoretically-based scholarship. We will convene this group of scholars in order to establish a framework for the critical inquiry and review of the public impact of socially engaged discourse and design. The symposium will gather a group of scholars, practitioners, critics, and historians to discuss different aspects, forms, and features of social engagement that have developed across time and regions. Additional information on the symposium, submission, calendar of events, registration, and organizers can be found at:
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University of Kansas Joins 13 others in new NCARB program to fast-track student licensure

The University of Kansas in Lawrence has been added to the list of 13 other accredited architecture schools to partake in the National Council of Architectural Registration Board’s (NCARB) inaugural Integrated Path Initiative. The initiative is meant to streamline the licensure process of aspiring architects by integrating the Internship Development Program (IDP) and the Architect Registration Examination (ARE) into B.Arch and M.Arch programs. The University of Kansas is the latest program to be added, after a two year process of discussions and proposals between NCARB and dozens of architecture schools. Schools were chosen to participate by the Licensure Task Force (LTF), a special committee formed NCARB to reexamine the licensure process at all levels. The initiative will be overseen by NCARB’s new Integrated Path Evaluation Committee (IPEC). The IPEC will help facilitate the integration of the programs as well as communication between the participating schools through a series of online conferences. Each school in the program will implement the initiative at varying times over the next year coinciding with their individual academic schedules. The initial schools announced at the end of August included:
  • Boston Architectural College; Boston, Massachusetts
  • Clemson University; Clemson, South Carolina
  • Drexel University; Philadelphia, Pennsylvania
  • Lawrence Technological University; Southfield, Michigan
  • NewSchool of Architecture and Design; San Diego, California
  • North Carolina State University; Raleigh, North Carolina
  • Portland State University; Portland, Oregon
  • Savannah College of Art and Design; Savannah, Georgia
  • University of Cincinnati; Cincinnati, Ohio
  • University of Detroit Mercy; Detroit, Michigan
  • University of North Carolina-Charlotte; Charlotte, North Carolina
  • University of Southern California; Los Angeles, California
  • Woodbury University; Los Angeles, California
“Our mission is to provide our graduates with the educational foundation for exemplary professional practice and to prepare them to be critical thinkers and problem solvers who will serve their communities. This initiative will galvanize our partnership with the profession to help our students excel in their education and profession.” Remarked Paula Sanguinetti, Ph.D, Chair of the School of Architecture, Design and Planning at the University of Kansas.
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Dan Rockhill, Straight Outta Kansas

Dan Rockhill is best-known in New York as the design father of Studio 804 at the University of Kansas, where he teaches. The studio is among the most successful in the country at actually creating high-quality, sustainable, and LEED-certified buildings produced and built by students. Not only has the studio won many “green” awards for their design-build structures, but they are notable for their high design standards—unusual in sustainability studios. New Yorkers will get a glimpse of the studio’s pathbreaking work on Wednesday, November 10 from 6:00 to 9:00 p.m., when Rockhill delivers a lecture at the Dom showroom at 66 Crosby Street. In addition to showing the work from Studio 804, Rockhill will present his own work that is, as he says, “tightly bound to the natural milieu and culture of the Kansas region.” This means, I suppose, that the work does not have the architectural flamboyance of Rural Studio, but, befitting the context of its Midwest roots, is more spartan. Rockhill is an architect who works at the highest design level, but always within the local vernacular of substantiality. He rarely speaks in New York, so don’t miss this special night in Soho—you can RSVP here. Drinks and hors d’oeuvres will follow the lecture, which starts at 7:00 p.m. and is co-sponsored by The Architect’s Newspaper and the Center for Architecture.