Neubauer Collegium for Culture and SocietyHUTOPIA, a clever play on words, the University of Chicago’s Neubauer Collegium for Culture and Society has recreated a pair of the most well-known retreats: the cabins of Martin Heidegger and Ludwig Wittgenstein. A scaled-down version of Heidegger’s cabin in Todtnauberg, Germany, forms the centerpiece of the show. A smaller model, rather than a full structure, of Wittgenstein’s hut in the Norwegian town of Skjolden, is also sited on the Collegium’s western terrace. Finally, Adorno’s Hut, a life-size re-creation of a sculpture by poet and artist Hamilton Finlay of an idealized Greek temple, has been built in the Neubauer Collegium gallery. All three huts are sculptures but will occasionally welcome visitors and solace seekers inside and will be used to host classes and lectures. The name of the exhibition comes from a long-form poem by Alec Finlay, son of Hamilton Finlay, printed in the catalog of Machines à Penser, an earlier show at the 2018 Venice Architecture Biennale that led to HUTOPIA.
Posts tagged with "University of Chicago":
Under the leadership of the SAIC and UChicago program directors and curatorial team, the Exhibition and Program Coordinator supports the development of the U.S. pavilion at the Biennale Architettura 2018 in Venice, Italy (hereafter, “Biennale”) through research, fundraising, planning, scheduling, commissioning, staffing, and more. This work involves coordinating and collaborating with architects, artists, scholars, public and private organizations in both the U.S. and Italy.There is no word on the theme of the exhibition and the posting makes us wonder if this group was selected without a coordinated curatorial approach or idea, perhaps based on a fundraising budget and strategy? The job listing claims the Program Coordinator will be under the program director and curatorial team of the sponsoring institutions. The architecture program of the Art Institute of Chicago is directed by Jonathan Solomon who co-curated the 2010 U.S. Pavilion with Michael Rooks. (The High Museum in Atlanta was the organizer for the 2010 pavilion as well.) Solomon clearly knows his way around the Venetian Giardini. Stay tuned.
Valerio Dewalt Train Associates overcomes NIMBY lawsuit to build expressive tower on Chicago’s South Side
It was a long road from design to construction for Vue53 in the South Side Chicago neighborhood of Hyde Park. The 13-story tower sits along the bustling 53rd Street and has completely changed the character of the area. While change to the busy conduit was inevitable, not everybody was thrilled about it.
Designed by Chicago-based Valerio Dewalt Train Associates, Vue53 was originally scheduled to begin construction in early 2014. A NIMBY lawsuit delayed that start date by nearly one and a half years. The Save 53rd Street advocacy group felt the project was out of scale for the neighborhood and that the zoning change passed by the city, which allowed the tower to go up, was illegal, among other complaints. Opponents donned “Sky, Not Skyscraper” buttons at community meetings. The First District Illinois Appellate Court did not agree. In February 2015 the case was dismissed, permitting the project to continue.
Fast forward two years or so, and Hyde Park has a new 135-foot-tall 267-unit tower. A formally expressive building in glass and concrete, Vue53 comprises a large base and two shifted linear towers. The base rises to the height of the surrounding buildings and contains retail and amenities. These include a compact urban Target store as well as a rooftop terrace, complete with grass and views of the lush park across the street. The building also includes an exercise facility, a business center, and a number of study rooms distributed throughout (for the students the Vue53 is aiming to attract).
The studio, one-bedroom, and two-bedroom units may be a bit smaller than the average being built downtown, but they may also be just right for the intended tenants. The project was in fact initiated by the University of Chicago, just blocks to the south. Yet it is not the amenities, or the battle against upset neighbors, that have set this project apart.
While developers are busy constructing sleek, glassy monolith apartment buildings downtown, Vue53 takes a decidedly more formally daring approach to attracting young renters. Particularly in the upper towers, the project plays a Tetris-like game of solid and void. Together with the shifted relationship of the two towers, the project is more than a glass box on a plinth. The interplay of glass and exposed concrete only exaggerates these moves.
That relationship of glass and concrete carries right into the building’s multi-story lobby and even the units themselves. Cashing in on the trend of rougher unfinished materials, the units are a mix of the exposed concrete and more typical drywall. And though the units may be small, they are all dominated by floor-to-ceiling windows with views either to the north to downtown, or to the south over the picturesque Hyde Park neighborhood.
While Vue53 ran into some stiff opposition in its initial stages, it is by no means alone in the rising skyline of Hyde Park. With multiple new Studio Gang towers in the neighborhood as well, it may seem a bit out of the blue for the area to be receiving so much architectural investment. Yet it should be remembered that, historically, Hyde Park has been one of the most architecturally rich neighborhoods in the city. The University of Chicago alone is a zoo of formal exuberance, from Saarinen to Legorreta. Despite its detractors, Vue53 may be only the beginning of a reenergized architectural scene on the city’s South Side.
The University of Chicago has announced plans for a new arts and cultural center called the Arts Block. Leading the design is Los Angeles–based Johnston Marklee in collaboration with community partners. The new center will be located in Washington Park along East Garfield Boulevard on the South Side of Chicago. The new Arts Block expands the university’s efforts to fill vacant buildings near campus with a mix of studios alongside performance and exhibition spaces. The Arts Block will join the Currency Exchange Café, BING Art Books, the Arts Incubator, and the Place Lab at the Green Line Arts Center. The proposed design maintains the 1920s terra-cotta facade on the building that is currently on the site. Along with the redevelopment of the Arts Block, a vacant lot in the area will be transformed into an open-air pavilion.
Chicago artist Theaster Gates, professor at the college’s Department of Visual Arts and director of Arts + Public Life, has been spearheading the efforts to transform the 100,000-square-foot development along Garfield Boulevard.
Architect: Johnston Marklee Client: University of Chicago Location: Chicago, IL Completion Date: 2017
The University of Chicago has announced the approval of the preliminary designs for a new 90,000-square-foot complex designed by New York–based Diller Scofidio + Renfro. The David M. Rubenstein Forum is described by the university as “a place of intellectual, institutional, and educational exchange.” The building will contain meeting and presentation spaces, as well as a Lake View Room at the top of a 165-foot tower. With the largest space able to accommodate up to 600 people, the Forum will be able to host large conferences.
A 285-seat auditorium will facilitate more formal lectures and presentations, along with film screenings and performances, and more intimate academic symposia will be held in its many smaller meeting spaces. David M. Rubenstein Forum will add to the university’s already impressive list of buildings by notable architects, including Walter Netsch, Ricardo Legorreta, Eero Saarinen, and, more recently, Helmut Jahn and Jeanne Gang.
Architect: Diller Scofidio + Renfro Client: University of Chicago Location: University of Chicago Campus, Chicago Completion Date: 2018
The University of Chicago has begun work on a two-story addition to its Laboratory for Astrophysics and Space Research (LASR). Designed by the Chicago office of Perkins Eastman, the addition will update and expand the original 1964 SOM-designed modernist single story building.The main goal of the new addition will be to bring the building up to current standards of physics research, and to house both the Theoretical and Experimental research groups in one building. The LASR will also house the University of Chicago’s acclaimed Department of Physics, including the Enrico Fermi Institute and the Kadanoff Center for Theoretical Physics. When finished, the 63,500-square-foot building will include day-lit offices and collaboration spaces, and two large gathering spaces. One of these spaces will cantilever over the existing building's footprint in order to accommodate larger groups. Expansive picture windows in the gathering spaces allow for views across the architecturally rich campus. A bright double-height commons and roof terrace will also provide spaces for less formal gatherings. Laboratories that are light-sensitive will be located below grade, and to the interior of the building. With a goal of LEED Silver, the building’s facade is calibrated to reduce the need for artificial light, while avoiding excessive solar heat gain. Heating and cooling will be handled by overhead chilled beams instead of forced air. Perkins Eastman joins a handful of architects currently working for the university including Studio Gang, Johnston Marklee, and HOK. The University of Chicago campus is a veritable theme park of architecture with projects by Frank Lloyd Wright, Henry Ives Cobb, Eero Saarinen, Ludwig Mies van der Rohe, Walter Netsch, Ricardo Legorreta, Rafael Viñoly, César Pelli, Helmut Jahn, Tod Williams and Billie Tsien Architects, and Holabird, Root and Burgee.