Winners of the fifth Design Biennial Boston can be viewed on The Rose Fitzgerald Kennedy Greenway Conservancy in Boston. Aimed to celebrate and give exposure to up-and-coming architects and designers from the New England region, the Biennial is on view until October 18th. This year, it consists of four installations which vary in themes, materials and artistic style. In order to bring their ideas to life, Design Biennial Boston has provided each winning team with $10,000 and access to cutting-edge fabrication equipment provided by sponsor Autodesk BUILD Space. The four winning teams, selected among a pool of designers from New England, were called upon to create installations echoing the region’s unique qualities and reflecting on the Greenway’s Playful Perspectives theme. The works by Jennifer Bonner of MALL, Rania Ghosn and El Hadi Jazairy of DESIGN EARTH, Daniel Ibañez of Margen-Lab, and Yasmin Vobis and Aaron Forrest of ULTRAMODERNE entertain ideas of rigid to free-flowing forms, local materials, economic trends, and global impacts all representative of the region. Another Axon by Jennifer Bonner of MALL (pictured above) is an installation comprised of a colorful array of twelve minimalist trees. A play on traditional architecture and design rendering, the installation uses common building materials such as vinyl siding, stucco, and artificial turf to challenge perceived building ideas. Primitive by Yasmin Vobis and Aaron Forrest of ULTRAMODERNE is a geometric disposition of lines juxtaposed with rough materials: rugged cedar columns canopied with a thin aluminum shroud. The relationship between the shapes create an experience of existence within an abstracted, delicate grove. Blue Marble Circus by Rania Ghosn and El Hadi Jazairy of DESIGN EARTH is a spherical, plastic monument highlighting the correlation between humanity's actions and the degradation of the ecosystem. The installation, as the name suggests, is a deep-blue plastic sphere which through form, color and material refers to the iconic symbol of environmental awareness. Ways of Wood by Daniel Ibañez of MARGEN-LAB is a compilation of logs that serve as public seating. The logs draw a visual connection between different states in timber's industrial process, from raw material to its highly polished state as a designed object. The installation aims to initiate a conversation on North America’s timber extraction industry and serve as a reminder of the often forgotten natural source of timber.
Posts tagged with "Ultramoderne":
Twenty Five young American architects are taking on current significant issues facing the world in the 5x5 Participatory Provocations show at the University of Illinois at Urbana Champaign. With the aim of engaging with the public while still being provocative within the field of architecture, 5x5 argues for participatory criticism, or critical engagement through architectural practice. The curators posed five prompts for offices to explore one of through physical models. The prompts include; Droneports – contemplating the future of drone deliveries, Inve$tment Tower$ – the consequence of the construction of extreme luxury high-rises as financial investments, Lunar Resort – luxury tourism on the moon, NSA Community Branch – the fictional development of NSA community branches, and Trump Wall – the potential construction of an anti-immigration wall on the border between the United States and Mexico. The 25 offices participating are: Abruzzo Bodziak Architects Andrew Kovacs / Archive of Affinities Anthony Titus Studio Brillhart Architecture Carl Lostritto Club Club David Emmons Formlessfinder Future Expansion GELPI Projects is-office JKurtz KNE studio Kyle May, Architect Michael Abrahamson Norden Design Platform for Architecture + Research Path + Price Studio P.R.O. + Quarra Stone Company Sean Gaffney / Christina Nguyen Snarkitecture SOFTlab SPACECUTTER Studio Cadena Ultramoderne The resulting models range from the playful to the austere, while questioning the current status of their prompted issue. Abruzzo Bodziak Architects’s NSA Community Branch invites guests to "spy" on the model through cellphone peepholes, the interior revealing and endless web of space. PATH + Price Studio’s take on the same subject places an obtrusive metal building over a neighborhood intersection. Below the ground of the model, the building is revealed to be iceberg-like, with massive underground information storage space. Brillhart Architecure’s Droneport model visualizes the very airspace companies like Amazon are fighting for as product delivery systems are rethought. Projects working with the Inve$tment Tower$ prompt also take to the air with slender supertowers. Both SPACECUTTER’s and P.R.O.’s Inve$tment Tower$ step over the cities below them with thin legs, physically expressing the separation of the rich from the rest of the city. 5x5 Participatory Provocations is curated by Julia van den Hout, founder of Original Copy, and co-founder and Editor of CLOG, Kevin Erickson a New York–based designer, and an Associate Professor in the School of Architecture, and Kyle May a New York-based architect and co-founder and Editor-in-Chief of CLOG. Sponsored by the University of Illinois at Urbana Champaign, 5x5 Participatory Provocations will be open through March, 4th 2016.
Mexico City–based Escobedo Solíz Studio is the winner of the 17th annual MoMA PS1 Young Architects Program (YAP) in Queens, New York. Escobedo Solíz Studio, beat five finalists to design a temporary urban landscape for the courtyard of the 2016 Warm Up summer music series. Weaving the Courtyard, will open at MoMA PS1 in Long Island City in early June. According to the architects, the installation will be “neither an object nor a sculpture standing in the courtyard, but a series of simple, powerful actions that generate new and different atmospheres.” The canopy departs from the last few object-based interventions, such as Wendy, Hy-Fi, and COSMO. A vibrant, colorful landscape will be created by using the formwork holes in the walls to anchor colored bands. Water will again be an experiential component, as a wading pool will allow visitors to cool off in fresh water. “This year’s finalists of the Young Architects Program explored a range of approaches, materials, and scales to effectively question the MoMA PS1 courtyard as an arena for escape. Escobedo Solíz’s ingenious proposal speaks to both the ephemerality of architectural imagery today but also to the nature of spatial transactions more broadly. From the evocative woven canopy that will engage visitors overhead to a reflective wading pool, Weaving the Courtyard sensitively brings together elements of MoMA PS1’s Warm Up Series with an exuberant collection of zones and environments,” said Sean Anderson, Associate Curator in MoMA’s Department of Architecture and Design, in a statement. Klaus Biesenbach, MoMA PS1 Director and MoMA Chief Curator at Large added, "This year marks the 40th anniversary of MoMA PS1 and the 17th joint annual competition brought together by the Architecture and Design Department at MoMA and MoMA PS1. The Mexico City-based team will work on a colorful, celebratory intervention that takes its point of departure to be the existing geometric concrete forms in the courtyard of MoMA PS1 simultaneously creating an urban beach of sand, water, and vibrant colors.” https://youtu.be/aH72lU4AGpU The other finalists for this year’s MoMA PS1 Young Architects Program were First Office (Andrew Atwood and Anna Neimark), Ultramoderne (Yasmin Vorbis and Aaron Forrest), COBALT OFFICE (Andrew Colopy and Robert Booth), and Frida Escobedo. An exhibition of the five finalists' proposed projects will be on view at MoMA over the summer, organized by Sean Anderson, Associate Curator, with Arièle Dionne-Krosnick, Curatorial Assistant, Department of Architecture and Design, MoMA.
MoMA has announced five finalists for the 2016 Young Architects Program. The winner will design and build an installation in MoMA PS1's courtyard during the summer Warm Up performance series. The honor is considered one of the most prestigious platforms for emerging architects in the United States and internationally. Notably, there are no New York architects on the lists this year. This is the program's seventeenth year. To choose the finalists, editors of architecture publications and deans of architecture schools nominate around twenty established architects working in a new style or with new methods, current students, and recent architecture school graduates. Practitioners and curators from the art and architecture worlds winnow the field down to five finalists. First Office / Andrew Atwood and Anna Neimark, Los Angeles ESCOBEDO + SOLIS / Lazbent Pavel Escobedo Amaral and Andres Soliz Paz, Mexico City ULTRAMODERNE / Yasmin Vobis and Aaron Forrest, Providence, Rhode Island COBALT OFFICE / Andrew Colopy and Robert Booth, Houston, Texas Frida Escobedo / Mexico City Last year, Madrid- and New York–based Andres Jacque Architects/Office for Political Innovation won the competition with COSMO, a living machine that makes the water filtration process visible. The whimsical installation commented on sustainability as well as architecture as the product of global networks. COSMO was sourced from generic parts in Spain, shipped to New York, and assembled onsite.
An expanse of sustainable timber just clinched the Chicago Architecture Biennial’s Lakefront Kiosk Competition
Officials with the Chicago Architecture Biennial today announced the winners of the Lakefront Kiosk Competition, choosing a team whose stated goal was “to build the largest flat wood roof possible.” Dubbed Chicago Horizon, the design is by Rhode Island–based Ultramoderne, a collaboration between architects Yasmin Vobis and Aaron Forrest and structural engineer Brett Schneider. Their pavilion uses cross-laminated timber, a new lumber product that some structural engineers call carbon-negative for its ability to displace virgin steel and concrete while sequester the greenhouse gas carbon dioxide during its growth. Ultramoderne's long, flat roof “aims to provide an excess of public space for the Architecture Biennial and Chicago beach-goers,” according to the project description. Their design rose above 420 other entries from designers in more than 40 countries, and will receive a $10,000 honorarium, as well as a $75,000 production budget to realize the kiosk. BP is providing those funds as part of a $2.5 million grant to the inaugural biennial. Three teams—Lekker Architects, Tru Architekten, and Kelley, Palider, Paros—were finalists for the top honor. Fala Atelier, Kollectiv Atelier, and Guillame Mazars all received an honorable mention. The Biennial has posted a selection of submissions to the Lakefront Kiosk Competition on its Pinterest page.
After the biennial, Chicago Horizon "will find a permanent home in Spring 2016, operating as a food and beverage vendor, as well as a new public space along the lakefront.During the Biennial three other kiosks will be installed along the lakefront. Details on those are due to be announced next week, but here are the preliminary project descriptions:
The Cent Pavilion, designed by Pezo von Ellrichshausen in collaboration with the Illinois Institute of Technology, is a forty-foot tower meant to convey silent and convoluted simplicity. Rock, the kiosk designed by Kunlé Adeyemi in collaboration with the School of the Art Institute of Chicago is a pop-up pavilion a public sculpture composed from the raw and historic limestone blocks that once protected the city’s shoreline. Summer Vault, designed by Paul Andersen of Independent Architecture and Paul Preissner of Paul Preissner Architects, in collaboration with the University of Illinois, Chicago, is a lakefront kiosk that consists of basic geometric shapes combined to create a freestanding hangout within the park.