The Architecture League of New York has released a video of the discussion convened last week to discuss to MoMA's planned expansion. The move, which entails the demolition of the adjacent American Folk Art Museum, is a contentious one and has sparked much debate within the architectural community. Tuesday's conversation included contributions from the Museum's director, Glenn Lowry, Elizabeth Diller (principal of Diller Scofidio + Renfro, who is overseeing the project), and a slew of other architects, journalists, and theorists who all questioned MoMA's decision to do away with their Tod Williams Billie Tsien-designed neighbor.
Posts tagged with "Tod Williams Billie Tsien Architects":
For weeks we've been hearing murmurs about the hottest RFQ in California: the UC Santa Cruz Insitute of Arts and Sciences, a hilltop museum, research center, and innovation hub on one of the most beautiful campuses in the country. Finally the shortlist has been announced, and it features a group of very heavy hitters from around the country. The shortlist includes Steven Holl with TANNERHECHT; Tod Williams Billie Tsien with TEF; wHY design, Allied Works Architecture, Aidlin Darling Design, Jensen Architects with Ann Hamilton; and Fong & Chan with Patkau Architects. The list was culled from a group of 39 companies, and will be further slimmed to three by April. "We were delighted in the quality and the range of firms," explained the Institute's director, John Weber, who noted that the school was looking for design teams of varying scales and sensibilities. "We want to find the right partner to push us on how the building can respond to the mission of the Institute," Weber said. "The desire to have something like this has been around for a very long time, but it came into focus in the last couple of years," said Weber. The Institute's museum will contain interactive exhibits on topics ranging from climate change to cancer research, and the facility as a whole, measuring 27,000-31,000 square feet, will contain research and teaching facilities, seminar and conference spaces, study areas, a cafe, and more. "The vision is to engage the issues of our time through the arts, sciences, humanities and technology based on research here at UC Santa Cruz and bringing in material that complements and pushes what’s going on here," said Weber. The site, he added, is "really spectacular," wedged between a forest of Redwoods and Ancient Oaks above and a grand meadow overlooking the Pacific below. There will be a public presentation of the final three teams' schemes on April 3 at UCSC. The $32-40 million project's completion date will depend on ongoing fundraising, added Weber.
Diller, Scofidio + Renfro announced today that their reorganization of the Museum of Modern Art will include the replacement of Tod Williams and Billie Tsien's former American Folk Art Museum at 45 West 53rd street. Liz Diller said in her briefing that DS+R hoped to save the Folk Art building and repurpose it into a usable exhibit space or a connecting bridge between the new Jean Nouvel tower (which will have three floors of MoMA galleries) and the older parts of MoMA. However, "saving" the structure with its misaligned floors (to MOMA existing galleries) would mean compromising the integrity of the Williams Tsien structure. One can imagine the logic of DS+R's decision, but Williams and Tsien are, like any architects, sad to see the demise of their 2001 building that Herbert Muschamp said "transcend(s) cultural categories even as it helps define them." Here is Williams and Tsien's statement:
In response to the American Folk Art Museum building decision by MoMA January 8, 2014 We have learned of MoMA’s final decision to raze the former American Folk Art Museum building and replace it with a new structure. This action represents a missed opportunity to find new life and purpose for a building that is meaningful to so many. The Folk Art building was designed to respond to the fabric of the neighborhood and create a building that felt both appropriate and yet also extraordinary. Demolishing this human‐scaled, uniquely crafted building is a loss to the city of New York in terms of respecting the size, diversity and texture of buildings in a midtown neighborhood that is at risk of becoming increasingly homogenized. This is a building that we and others teach from and about. It has served as an invaluable learning resource for students, colleagues and scholars, and a source of inspiration for many more. It has a powerful architectural legacy. The inability to experience the building firsthand and to appreciate its meaning from an historical perspective will be profoundly felt. As architects, we must be optimists. So we look to the future and we move on.
Brooklyn’s Prospect Park will soon receive a refurbished Lakeside Center, with help from a $10 million donation to the Prospect Park Alliance and the New York City Department of Parks and Recreation. The LeFrak family, real estate royalty within the borough and in the Tri-state area, has gifted the sum in support of the oft-delayed green space revamp, which finally set a completion date for December of this year. In the heart of Prospect Park’s 526-acre grounds, project restoration by architects Tod Williams and Billie Tsien and construction company Sciame will redevelop the Wollman Ice Rink for use during all four seasons. This lakeside facility is to be renamed The Samuel J. and Ethel LeFrak Center, honoring the family’s philanthropy in Brooklyn. After a series of construction schedule setbacks over the past few years, Prospect Park is on track for its grand re-opening. In phase one, finished last year, the project improved its landscaped grounds, some to the original mid-nineteenth century designs by Frederick Law Olmsted and Calvert Vaux. Now, Tod Williams Billie Tsien will focus on the built structures. The firm plans to replace the original ice rink with a parking lot for greater park accessibility. A new lakeside Samuel J. and Ethel LeFrak Center will offer year-round activities: winter ice-skating and hockey, summer roller-skating, and a water feature with wading pool for children. The architects says the center will maintain a low profile and low consumption, “nestled into the landscape” planned by Olmsted and Vaux. Overall, project costs total $74 million. With the LeFrak family donation, the renovated Prospect Park is scheduled to reopen in the next few weeks.
As the chorus of criticism swells against MoMA's plan to demolish the former home of the American Folk Art Museum, designed by Tod Williams and Billie Tsien, a pair of petitions have been posted urging the Modern to reconsider its demolition plans. Also, a crowd-sourced tumblr, #FolkMoMA, is soliciting ideas for reuse of Williams and Tsien's building. With all the action online, will anyone be taking to the streets for some old fashioned picketing? Will anyone chain themselves to the bronze facade? Has all this worry actually left the bubble of the architecture community?
Add another medal to Thom Mayne's trophy case. Thursday the American Institute of Architects announced that it was awarding him the 2013 AIA Gold Medal. He'll pick it up at next year's AIA convention in Denver, becoming the 69th AIA Gold Medalist. The list of works from his firm Morphosis is way too long to include here, but it includes the diamond Ranch High School in Pomona, California; the California Department of Transportation District 7 Headquarters in Los Angeles; and 41 Cooper Square in New York City. Meanwhile Tod Williams Billie Tsien Architects have been awarded the AIA Firm Award. The architects, who opened the new Barnes Foundation in Philadelphia this year, have also designed (among other heralded work) the former American Folk Art Museum in New York; the C.V. Starr East Asian Library at the University of California, Berkeley; and the David Rubenstein Atrium at Lincoln Center.
The U.S. Department of State has announced that Tod Williams Billie Tsien Architects and Davis Body Bond will team up to design a new Embassy Compound in Mexico City. The husband and wife team has been riding an enormous wave of praise for their recently opened Barnes Foundation Museum in Philadelphia, but just when you thought the last of the praise was proffered, in comes Martin Filler's rave in this week's New York Review of Books ("wholly unexpected," "ravishing," "dazzling"). That should give critics a breather till the duo's University of Chicago Logan Center opens this fall. In the mean time, the next twenty months will be focused on working with Davis Body Bond designing the new embassy, with a construction contract to be awarded in 2015. The selection is the first under the State Department's new Design Excellence program.
Expect to be hear a lot about Todd Williams and Billie Tsien in the weeks and months to come. First up, their much anticipated (and highly controversial) new building for the Barnes Foundation in Philadelphia, which opens imminently. Second, the fate of their building for the American Folk Art Museum (now owned by MoMA) hangs in the balance, with Jean Nouvel's tower looming on the horizon. Third comes the announcement that the pair will renovate and expand the Hood Art Museum at Dartmouth College in Hanover, New Hampshire. The project will include new and renovated galleries for Darmouth's art collection, which dates to 1772.
Five noted teams have been shortlisted from a pool of 18 to renovate and expand the Kimball Art Center (KAC) in Park City, Utah. The firms include BIG/Bjarke Ingels Group; Brooks + Scarpa Architects; Sparano + Mooney Architecture; Will Bruder + Parnets; and Todd Williams Billie Tsien Architects. The center offers exhibitions as well as art classes, workshops, and other educational programs. Plans call for renovating the interior of the existing KAC and constructing a new modern building next door. Each of the proposals will be displayed using augmented reality, photography, and video during the Sundance Film Festival from January 19 through the 29 and a jury will select a winner in February once the public has had a chance to weigh in on their favorites. Construction could begin as soon as mid-2013 with the new wing opening in 2015. "We want visitors to see Park City as an important emerging arts destination, and a new building of architectural importance, with an enhanced facility for the presentation of art, will do just that,” said Robin Marrouche, the Kimball's executive director, in a statement. “In addition to the positive economic effects the project could have on the region in the long term, we want to further enrich our community, allowing us to expand our exhibition and educational offerings and provide a much needed public gathering space in Old Town." BIG's proposal calls for a twisting, stacked timber structure made from reclaimed train tracks, enclosing an interior spiral staircase and topped with an roof terrace. A sculpture garden would be included on top of the original structure. Brooks + Scarpa Architects designed a honeycomb tower called the "Kimball Cloud" that incorporates solar energy and natural ventilation. A rooftop terrace and garden is included in the new building. Sparano + Mooney Architecture also calls for timber construction, this time inspired by the Aspen tree. The new building will be covered with a photovoltaic glass screen allowing the new space to be flooded with light. Will Bruder + Partners designed a building with a colored ceramic facade that references both the adjacent masonry buildings in Park City's historic district as well as the surrounding canyons. The proposal features a rooftop terrace and a central skylight. Todd Williams Billie Tsien's proposal, dubbed a "Box of Sky and Shadow," frames mountain views and includes an exterior scrim for film projects. Check out more images of the five proposals below. Click on a thumbnail to launch the slideshow.
Apparently the art world hates the American Folk Art Museum building! (Who knew?!) In the wake of the news that MoMA is buying the Todd Williams Billie Tsien-designed building, two of the art world's more prominent voices both bashed the building and argued it hastened the Folk Art Museum's decline. The esteemed Times critic Roberta Smith called it "unwelcoming" and argued that the museum's fate was sealed by "lackluster, visionless leadership; the weak economy; and inappropriate architecture." Smith's husband happens to be Jerry Saltz, the pugnacious art critic for New York, who went much further in a piece titled, "Architecture Killed the American Folk Art Museum." He called the building, "ugly and confining, it was also all but useless for showing art." Not everyone agrees! The ever incisive New York architecture critic Justin Davidson rallied to the building's defense, calling its facade an "alluring exception to the tough sleekness of midtown." He blamed poor fiscal management, not architecture, for the museum's woes. He added that given the building's small lot, which by necessity called for a vertical museum, "the architects didn’t just do the best they could; they did far more than anyone had a right to expect." But what will happen to this complex little building now that MoMA owns it? MoMA remains noncommittal. Late yesterday AN received a statement from Hines, MoMA's development partner for the planned Jean Nouvel tower surrounding the site. "Hines wasn't involved in the transaction, and no, it will not change our plans for the tower. That deal is all MoMA's," wrote Kim Jagger, director of corporate communications for Hines, in an email. So perhaps the building have a new life with the Modern. At this point, only MoMA knows.