Posts tagged with "TKTS":

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Fleeting Image

Today we got an email from the fine folks at Archphoto announcing that one of its trio of photographers, Paúl Rivera, has been featured in the current issue of the Japanese architecture magazine, A+U. The featured work was of the MASterworks award-winning TKTS Booth, including the above photo. In addition to being an unexpected and breathtaking view of the structure and surrounding environs, it made us realize something we hadn't yet about the much-talked about closure of Broadway in the square: While all those cars whizzing by may have been a pedestrian and congestion nightmare, they sure brought wonderful life to the countless photos that have come to define the Crossroads of the World.
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A MASterwork Outing

We just got our invitation to the Municipal Art Society's annual MASterworks awards. Contained therein are the heretofore unannounced winners, as well. (You can find all four after the jump.) Sadly, the party is invite only, but it's at the new glassy, glamorous Sheila C. Johnson Design Center at Parsons, so if nothing else, you can wander by Tuesday night and press your face to the glass, making puppy-dog eyes at we revelers therein. It'll be the perfect Oliver Twist/recession moment. If you're lucky/pretty, we might even sneak you in the side door. Best New Building: The Standard Hotel, by Polshek Partnership (Read our feature here.) Best Restoration: The Lion House at the Bronx Zoo, FXFowle Best Renovation/Adaptive Resuse: Sheila C. Johnson Design Center, Lyn Rice Architects Neighborhood Catalyst: Times Square TKTS Booth, Perkins Eastman/Choi Ropiha (Read more here.)
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Red Stair

The opening yesterday in Father Duffy Square of the new TKTS booth—conceived 35 years before the current trend in pop-up venues—was attended by Mayor Bloomberg, Bernadette Peters, and loyal members of the 69th, if not the naked cowboy. Even the original designers of the red steps, Australians Tai Ropiha and John Choi, were on hand, although organizers were quick to call their competition winning design (best of 683 entries from 31 countries) of January 2000, just a concept. "They wrote the inspiring short story, we turned it into the movie," said Nicholas Leahy, the principal in charge from Perkins Eastman, the architects who took over the $19 million project from Choi Ropiha. The two Australians were just friends when they entered the Van Alen Institute-run competition, and now they are design partners of their own Sydney-based firm working primarily on residential, small-scale institutional, and urban planning projects in Australia and Asia. "It was a great experience," said Choi. "And we continue to approach our work by thinking beyond the site and beyond the brief to find the bigger meaning." In the spirit of the film-making metaphor, we asked Leahy what of the original design ended up on the cutting room floor. The solar-powered LED lights lining the stairs, he said, went "quick, right out the window" as did the idea of structuring the building out of resin. The final building is made almost entirely of glass, including structural beams visible behind the ticket windows under the stair—a signature touch of engineers Dewhurst McFarlane who collaborated on the job. As the military band warmed up and event organizers hustled everyone to their seats before it could rain, retired officers of Father Duffy's regiment, the 69th, lingered on the glass stairway that rises right behind the beloved chaplain Duffy's backside and that will be kept warm and de-iced—the stairs, that is—with thermal radiant heating. "Seems quite innovative", said 69er John Kuhlmann, "and it sure isn't the dead zone, it used to be."