Love it or not, Rafael Viñoly's 432 Park makes a statement on the New York City skyline. The 88-story, 1,396-foot-tall skyscraper will be home to some of the world's richest people (and/or their faceless LLCs). One soon-to-be-resident is bringing the public's prying eyes inward by bucking the less-is-more aesthetic of contemporary interior design for a maximalist, marble-on-marble pad designed by Brooklyn–based Atelier & Co. Atelier & Co. went for baroque with the design of a 4,000-square-foot residence on the tower's 40th floor. The building's structural tube design allows for open, no-column layouts, allowing residents to configure the space freely from a standard skyscraper layout. Atelier & Co.'s plan removes the sitting room to create a combined dining and living area, divided only by a bookcase lifted from the set of Downton Abbey. Meanwhile, the size of the master bathroom is doubled, presumably to accommodate the owner's collection of marble busts, vases, or anachronistic glass globes. The colonnaded entryways, ornate wood floors, and coffered ceilings do right by Joan Rivers and Louis XIV. Atelier & Co. notes that the design was influenced by 19th century Prussian architect and painter Karl Friedrich Schinkel as well as Leo von Klenze, the German painter, writer, and architect. The designers do recognize that their creation is inside a supertall, not Versaillies. They claim that the aesthetic draws on Viñoly's geometry, perhaps in the patterning of the living room's coffered ceiling. As this monumental throwback interior takes shape, it's a good time to note that the Council on Tall Buildings and Urban Habitat, the organization in charge of keeping tabs on the world's supertalls, recently recognized 432 Park as the world's 100th supertall. The tower clocks in as the second tallest building completed in 2015, per the organization's numbers. While living in this apartment may cause irreparable damage to your taste, that's not the only danger it poses. A recent study in the Canadian Medical Association Journal suggests that living on a building's upper floors increases the risk of dying from cardiac arrest.
Posts tagged with "The Council on Tall Buildings and Urban Habitat":
This Fall, I served as special media correspondent for the Council on Tall Buildings and Urban Habitat‘s awards ceremony in Chicago. Among the many architects, engineers and other tall building types I interviewed was Douglas Durst, head of The Durst Organization, a family-run real estate empire established in New York City 100 years ago. He was there to accept the Lynn S. Beedle Lifetime Achievement Award. https://www.youtube.com/watch?v=qAlxwBgzAio We talked about developers' role in promoting affordable housing, neighborhood development and sustainability. “When people build these high-income, expensive buildings, they should be forced to contribute also to low-income construction, which will bring down the cost of land and make it possible to do rental housing,” said Durst, noting that developers of condominiums are currently exempt from New York's “80/20” housing program. Watch the full video interview embedded from YouTube on this page, or on CTBUH’s website, where you can find the rest of the videos in the series.
In September the Chicago-based Council on Tall Buildings and Urban Habitat (CTBUH) gathered high-minded designers, developers and engineers for a conference in Shanghai. CTBUH, which often partners with AN on conferences, including our own Facades+ events, invited me to serve as a special media correspondent for the conference, held September 16–19. I spent most of the time conducting video interviews with the symposium guests, which we'll post here on the AN blog as they become available. For now, here' a quick overview of the topics discussed. The theme of this year's conference was “Future Cities: Towards Sustainable Vertical Urbanism.” It was an especially relevant topic given the venue—held in the elegant, SOM-designed Jin Mao Tower, the conference looked for lessons (and warnings) in the kind of supertall, super-dense development that turned the Lujiazui area of Shanghai's Pudong district from farmland into a world financial center in just 20 years. Symposium presenters tackled sustainability from several angles. Matthew Clifford, head of energy and sustainability services for North Asia at JLL, stressed building operation and management is as important as design when it comes to energy use and building performance. Cathy Yang, manager of Taipei 101, recounted how “greening” the 101-story building did not turn a profit until the initiative's sixth year, but then made up for it in just three years. The Taiwanese supertall remains the largest LEED Platinum–certified building in the world. Jianping Gu of Shanghai Tower Construction and Development espoused the benefits of the “stereoscopic” form of his building, which at 2,073 feet is set to become the tallest building in China upon completion next year. “If you compare Shanghai Tower to Taipei 101, Petronas Towers, those were all isolated," Gu said. "There were already two towers in the vicinity when we started. We had to pay particular attention to harmonizing with those buildings. We consider this an issue of sustainability.” But towering, monumental architecture may not be for everyone. David Gianotten, an OMA partner heading the firm's Hong Kong office, told me OMA gets so many briefs seeking “iconic” design that the word has begun to lose its meaning. “If everything's special, then nothing's special,” he said. That debate continued onto the conference floor, where developers discussed how China's third- and fourth-tier cities should embrace the tall building boom—or whether they should at all. On the conference's final day, Mun Summ Wong of Singapore-based WOHA talked about the psychological environment of horizontal cities, and how tall buildings should better embrace the human scale. “The idea is to inject more urban life into the high-rise city,” Wong said. “We introduce horizontal movement in the high-rise building because it changes the dynamic. When you talk to the people next to you in an ordinary high-rise, it is considered rude. But in the street, you talk to people, build relationships and bonds.” Similarly, Yang Wu of the Bund Finance Center warned of the risks of homogeneous skylines. “When I open my eyes in the morning and I am in Shenzhen, I still think I am in Shanghai because they look the same,” he said. “[China is] duplicating buildings and the mistakes of the West. There is focus on building bizarre and tall buildings but ignorance of the connotations–resulting in cold buildings for cold cities. As a developer, I call on architects: you need to have your own independent ideas that bring vitality.” You can read more about the conference on CTBUH's website. Check back here as we post video interviews.
After reviewing over 60 entries from around the world, The Council on Tall Buildings and Urban Habitat (CTBUH) has selected this year’s winners of its annual Best Tall Buildings. Regional winners from Canada, China, the United Kingdom, and the United Arab Emirates have been announced, while an overall winner will be revealed at the CTBUH 12th Annual Ceremony in November. Projects are recognized for their impacts on the development of tall buildings and the urban environment, and for sustainability. For the Americas, the winner is The Bow (Calgary, Canada) by Foster + Partners, a 780-foot-tall curved commercial tower, which curves toward the sun to capture daylight and heat. The bow-shaped design maximizes views of the Rocky Mountains. According to Juror Antony Wood, the building functions well from an environmental urbanistic perspective. Category finalists include Devon Energy Center (Oklahoma City, USA) and Tree House Residence Hall (Boston, USA). The top tower in the Asia & Australasia region was OMA's whimsical CCTV (Beijing, China). The distorted form of the building, which operates as Beijing’s state television headquarters, is the result of complex programmatic, planning and seismic requirements. Category finalists include C&D International Tower (Xiamen, China), Park Royal on Pickering (Singapore), Pearl River Tower (Guangzhou, China), and Sliced Porosity Block (Chengdu, China). Europe's mixed-use The Shard (London, UK) by Renzo Piano Building Workshop is another winner. The “vertical city” involves 25 floors of office space, three floors of restaurants, a 17-story hotel, 13 floors of apartments, and four observation levels. The structure rests at the core of a revitalized commercial district. Category finalists include ADAC Headquarters (Munich, Germany), New Babylon (The Hague, Netherlands), and Tour Total (Berlin, Germany). In the Middle East & Africa, Sowwah Square (Abu Dhabi, UAE) captures a win. The complex, which encloses the Abu Dhabi Securities Exchange with four office towers and a two-story retail podium, utlizes a sustainable design method. Category finalists include 6 Remez Tower (Tel Aviv, Israel) and Gate Towers (Abu Dhabi, UAE). This year the CTBUH Board of Trustees awarded the Lynn S. Beedle Lifetime Achievement Award to Henry Cobb, founding partner of Pei Cobb Freed & Partners and the Fazlur R. Khan Lifetime Achievement Medal to Clyde Baker, senior principal engineer at AECOM.