Posts tagged with "Textiles":
Ithaca, New York—based practice Jenny Sabin Studio has won the 18th iteration of The Museum of Modern Art (MoMA) and MoMA PS1’s annual Young Architects Program for her project entitled Lumen. The immersive design will be on show starting June 27 at the MoMA PS1 courtyard in Long Island City.
Lumen changes throughout the day, offering shade and shelter from the sun, while also providing artificial illumination after sunset. This is achieved thanks to a tubular lattice canopy comprised of recycled, photo-luminescent, and solar active textiles that absorb, collect, and emit light. The canopy reacts to changes in daylight, absorbing and producing light when necessary. In conjunction with this, fabric stalactites will release mist in response to visitors' proximity, allowing the adaptive structure to respond to changes in heat and the density of the crowd.
Sabin's design will be present for the 20th season of Warm Up, an outdoor music series from MoMA PS1, and will stay on view for the rest of summer. Lumen was chosen as the winner ahead of four other projects. The competition brief called for projects that address environmental issues such as sustainability and recycling. The temporary outdoor installation had to be capable of providing water as well as seating and shade.
"Jenny Sabin's catalytic immersive environment, Lumen, captured the jury's attention for imaginatively merging public and private spaces," said Sean Anderson, associate curator in MoMA’s Department of Architecture and Design. "With innovative construction and design processes borne from a critical merging of technology and nature to precise attention to detail at every scale, Lumen will no doubt engage visitors from day to night in a series of graduated environments and experiences."
Losing out to Sabin were four other finalists. These included Bureau Spectacular (Jimenez Lai and Joanna Grant), Ania Jaworska, Office of III (Sean Canty, Ryan Golenberg, and Stephanie Lin), and SCHAUM/SHIEH (Rosalyne Shieh and Troy Schaum). Despite not being realized, their work will be on show at the MoMA during the summer.
“The Young Architects Program remains one of the most significant opportunities for architects and designers from across the country and world to build radical yet transformative ideas. This year's finalists are no exception; their projects illustrate a diversity of approaches and refreshing ideas for architecture today,” Anderson added.
All of designer Aelfie Oudghiri’s products are handwoven on traditional dhurrie floor looms in India. Berber textiles, Islamic geometry, and North African ceramics melded with the youth culture and fashion of the moment inspire her modern designs.Cross Cut Danskina
A luxurious wool and viscose material composes this graphic grid rug that evolves into an organic pattern at its end. The cutouts allow the floor to be visible, creating a stark contrast. Cross Cut is available in nine color options to suit any decor.Roller Blinds Kvadrat
Paris-based brothers Ronan and Erwan Bouroullec have designed Kvadrat’s brand-new line of top-quality aluminum blinds that control light as well as glare and temperature. The system utilizes a patented fixing mechanism that hides all screws and hinges. The blinds are available in chain, switch, and remote-control-operated versions.SILAÏ Charlotte Lancelot for GAN
The newest collection from Belgian designer Charlotte Lancelot for Gandia Blasco’s indoor brand, GAN, is motivated by the work of craftsmen. Woven over a plastic grid, four different stitches create a combination of detailed patterns.Bright Angle Scholten & Baijings
Suitable for commercial and residential upholstering, this 40 percent cotton, 33 percent polyester, and 27 percent nylon blend is also available in custom antimicrobial stain-resistant finishes with impermeable backing. This print is by Amsterdam-based design studio Scholten & Baijings, which is known for its clean, minimal product designs.
Wolf-Gordon’s “Force of Nature” spirals through Chicago’s Merchandise Mart during NeoCon 2013.Based on the success of Wolf-Gordon’s inaugural NeoCon installation in 2012, chief creative officer Marybeth Shaw commissioned yet another show-stopping design piece for 2013. With the working title “Forces of Nature,” she turned once again to New York City–based design studio karlssonwilker and Brooklyn-based design-build collaborative The Guild to create a sculpture that would showcase the breadth of the company’s textiles and wall coverings. “The title ended up being quite appropriate to the final form, as the sculpture is a geometric construct with all of the resulting physical forces that might spin it out of the Mart’s ‘town square,’” Shaw recently told AN. Karlssonwilker initially conceived of a kinetic sculpture, but Shaw wanted a large installation—nearly 30 feet long and 14 feet wide. At that size, there was no room for movement within the given space, a double-height ceiling over an escalator that would carry 42,000 show attendees. “We wanted it to rotate like a rotisserie chicken, but we went for a larger form,” said Graham Kelman, creative manager for The Guild. Ultimately, the team decided on a static sculpture resembling a twisted spine that gives a sense of movement through color and form. “I lost sleep over whether it would fit because if there was flex in the spine, it wouldn’t work.” The designers worked in SketchUp and 3DS Max to develop layered parameters for 68 slats—the vertebrae along the spine—that would showcase 136 of Wolf-Gordon’s products, one on each side. As visitors ascend the escalator, the slats appear above them like a twisting array of fanned-out cards. The products were arranged by color, forming a gradient that goes from white to orange to red on the way up the escalator and purple to brown on the way down. The edge of each slat slopes one degree, adding to the sculpture’s twisting vortex appearance. Since the sculpture hangs above show goers, realizing the piece with light materials was paramount. The slats are made from foam sandwiched between two sheets of Masonite. An aluminum channel along the perimeter of each slat provides rigidity. A plywood box connects and spaces each slat. The team used the software’s parametric capabilities to calculate where to place screw holes in the boxes and slats to create the twisting geometry. The Guild fabricated the 68 slats and plywood boxes in Brooklyn with a CNC mill, flat-packed for transport to Chicago, and installed at the Mart over a period of three days. “In terms of installation, it went well but it was a strange structure with torsional forces acting on it,” Kelman said. “As we built, the twist revealed itself.” Aircraft cable was fastened strategically along the spine, which was ultimately affixed to a 32-foot-long box trough, securely attached to beams of the ceiling. The final result was another eye-catching surprise during NeoCon at the Merchandise Mart. “Lots of things can go wrong with these projects,” said Shaw. “But if you’re on the same page and trust your collaborator’s intentions, you’ll always find your way to a solution.”