Posts tagged with "Technology":

CEDIA Expo 2019

CEDIA Expo is the event that’s making smart homes genius. More than 20,000 home tech pros and 500+ exhibitors convene for the leading event in connected technology. Receive concentrated access to new products, breakthrough innovations and targeted training in tech integration. CEDIA Expo 2019 will be held in Denver, CO at the Colorado Convention Center September 10-14, 2019.

Advancing Construction Technology 2019 Conference, Chicago, IL

*Leveraging Technology to Increase Operational Productivity, Quality and Safety: Uncover How to Successfully Integrate New Tools and Maximize Profitability for Your Company* New tools are being brought to the construction market daily, and it is only getting more difficult to determine the right tool to introduce to your team. Therefore, Advancing Construction Technology 2019 will cut through the noise and showcase how teams are truly harnessing these emerging tools to drive job site efficiency, higher quality, and maximizing the benefit for their company. Join us in August to meet with hundreds of other Operations and Technology leaders as we lift the lid on: *Innovative use cases, delivering the A-Z of how various cutting-edge technologies are really being implemented in the field, including lessons learned and metrics tracked on the journey to impacting jobsite productivity *Creating and expanding a technology roadmap for operations that integrates with existing processes, yet drives innovation Impacting culture and maximizing resources within your corporation to drive buy-in, productivity, and inform real-time decision making to enhance overall project delivery *If putting data in the hands of your field workers and ensuring field productivity, safety and quality is part of your focus, then Advancing Construction Technology 2019 is the event for you. Your competitors will be exploring how they can harness the latest technology advances to get ahead of the curve, so make sure you aren't left behind!

TECH+ NY 6/13/19

TECH+ Forum & Expo brings together game-changers in Architecture, Engineering, Construction & Real Estate, sharing the newest technologies to help design, collaborate, and deliver projects efficiently, with the greatest ROI. Earn 8 AIA CEU's.

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Smart systems to manage the building from inside out

Managing a property can be difficult, but these new smart building systems work to prevent damage and allow you to take action as soon as a problem is detected. Addressing everything from plumbing to Wi-Fi to air quality, here are the newest solutions in residential and commercial applications.
Duette LightLock Shades Hunter Douglas Can’t sleep without complete darkness? Hunter Douglas has a custom window treatment that lives up to its name. The honeycomb-shaped “Lightlock” shades feature overlapping front and back panels that block incoming light. The system can easily be lowered or lifted with the PowerView app and other voice-activated smart home systems.
Phyn Plus Phyn Make your home or office watertight with Phyn Plus. The patented water monitoring system uses ultrasonic sensors to monitor any plumbing system 240 times per second. The app allows users to monitor water usage, shut off the water, and send leak alerts.
Onelink Surround Wi-Fi First Alert Onelink Surround Wi-Fi provides full-speed internet connection around the house (even in “dark zones”) with the benefit of cyber security. The system is compatible with Onelink alarms, enabling connectivity between smart building systems and providing controls to monitor and react to emergency alerts via the app.
SiXCOMBO Honeywell Home In addition to detecting smoke and heat, Honeywell’s monitoring system detects carbon monoxide. The system uses infrared sensors to detect flames, while thermometers measure temperature. Using an encrypted two-way wireless platform, the system alerts all sensors across the home if a danger is detected with blinking lights and voice alerts announcing what action should be taken.
Radiant Furniture Power Center Legrand Providing electricity to both standard plugs and USB connections, Legrand’s power hub is a breeze to install in existing furniture and infrastructure. From a chair to a bookshelf, the power and charging solution fits easily on flat surfaces or can be mounted vertically to provide connectivity in convenient areas.

BuildingsNY 2019

EXPERIENCE THE FULL BUILDINGS LIFECYCLE

BuildingsNY is sponsored by ABO (Associated Builders and Owners of Greater New York), CHIP (Community Housing Improvement Program), The AIA, NYARM, ASHRAE LI, and a host of other industry supporters. BuildingsNY is the single source, full product life-cycle solution to safely and cost-effectively operate your buildings with a unique combination of an exhibition, no-cost accredited education, partnership opportunities, and networking events.  

WHAT WILL YOU FIND AT BUILDINGSNY

  • 5,500 + Building industry professionals
  • 300+ suppliers
  • 35,000 square feet of event space offering state-of-the-art innovation technologies, goods and services to reduce costs for your building
  • Industry leaders and subject matter experts offering the opportunity to share their extensive knowledge with new codes & industry trends
  • Free accredited education
  • MORE innovation & technology, goods and services
  • MORE State-of-the-Art product launches than ever before
Learn More

WHAT'S IN STORE FOR 2019

  • All education sessions will be moved to the show floor, creating three Learning Theaters.
  • Updated Advisory Council consisting of building professionals who shape the industry.
  • New partnerships with a wide range of media, as well as strengthening the relationships with current supporters.
  • Back by popular demand! Tech Tank Pavilion will feature new buildings technologies. Source the next big product or service that can revolutionize building operations as we know it.
  • Unlimited access to the complimentary Lead Retrieval App, which allows you to easily collect, qualify & download the contact details of the customers you meet at BuildingsNY.
  • Education Sessions for 2019 will focus on profitability, compliance and managerial excellence. You'll leave with a fresh perspective on how to solve problems, increase efficiencies, unlock saving and keep your buildings at their peak.
  • Attorney Advice Center: Powered by NYARM – During 15-minute intervals, attorneys and attendees will meet one-on-one focusing on important areas of practice (April 2 and April 3, 2019 | 11:00 a.m. – 3:00 p.m.| Located at Booth #231
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This British parrot shops for tasty treats with owner's Alexa

A British pet parrot has forged a bond with his owner's Alexa, playing music and ordering tasty treats from the virtual assistant developed by tech giant Amazon.
Rocco, a rescue African Grey, made international headlines when The Times of London reported that he's bought ice cream and strawberries from Alexa (though the device's parental lock feature prevents these items from actually showing up at the door). Owner Marion Wischnewski adopted Rocco from the animal sanctuary she volunteers with after the bird's frequent cussing scared away potential adoptive parrot parents. African Greys are known for their ability to precisely mimic sounds, natural and mechanical, often very loudly. While Rocco's now famous, YouTube offers plenty of looks into greys and their relationships with voice-activated devices. Below is a 2017 clip of Petra making fart sounds at Alexa then asking her for a peanut: While Alexa might be the perfect machine companion for birds like Rocco, (this author, a former African Grey fosterer, speaks from personal experience), the future of smart home technology almost demands that we'll see more pet-machine bonds in years to come.
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Knotted installation proposes ways to reduce timber waste

When a tree is harvested for wood, what happens to the pieces that aren’t ramrod straight? An installation designed by Cornell University’s Robotic Construction Laboratory (RCL) proposes an answer to that question and has used robotic fabrication to build a self-supporting structure from rejected wood cuts. LOG KNOT was commissioned as part of Cornell’s Council for the Arts 2018 Biennial and installed on Cornell’s Agriculture Quad on August 22 of 2018, where it will remain until December 8. The theme of this year’s Biennial is “Duration: Passage, Persistence, Survival." The closed-loop form of LOG KNOT, the interplay of a traditional material, wood, and a high-tech fabrication process, and the eventual silvering of the structure’s untreated timber, all directly address those points. On an AN visit to Cornell’s main Ithaca campus, RCL director Sasa Zivkovic (also of HANNAH) walked up and down the structure to demonstrate its strength. LOG KNOT was formed by harvesting irregular trees that would be normally passed over from Cornell’s Arnot Teaching and Research Forest, 3-D scanning each, and using their shapes to design a self-tensioning structure. Using a CNC mill, the logs were then cut into segments that would optimize the amount of stress they would experience, and joining notches were cut into each end. Thanks to the precision of the computer-controlled mill, the final structure was erected in-situ by hand, says Zivkovic. The RCL team was able to install LOG KNOT by having one person hold up a log segment while the next bolted it into place, all without the use of a crane. The final effect is of a single extruded log, even though LOG KNOT was built using two different species of wood. Only 35 percent of the wood taken from most trees is used in construction, typically the tree’s straight trunk. LOG KNOT, much as with the wooden portion of HANNAH’s forthcoming Corbel-Bacon Cabin in Ithaca, was built by using the natural contours of the trees to form the structure. While LOG KNOT may be a temporary installation, ultimately the RCL wants to use the same technique to cut back on wood waste in a way that creates aesthetic possibilities.
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Federal government shuts down self-driving school bus program in Florida

The dreams of a fully autonomous school bus are on hold for a little while longer, at least in Babcock Ranch, Florida. On October 19, the National Highway Traffic Safety Administration (NHTSA) ordered a complete halt to the self-driving school bus program in the Florida town, which had been transporting kids to-and-from school along a three-block stretch. Transdev North America had been operating the Easy Mile EZ10 Gen II shuttle as part of a two-month pilot program within the fully solar-powered, tech-forward community. The shuttle, which seats 12 and included a human supervisor ready to take over in case the “bus” encountered an unexpected obstacle, has a top speed of 8-miles-per-hour and was programmed to brake automatically. The bus was just one part of Transdev’s initiative to launch a network of autonomous shuttles (AVs) across North America, with Babcock Ranch as a testing ground. While the shuttle never picked up more than five students at a time, only operated one day a week during the five-week trial period, and only picked up and dropped off passengers in designated areas, the NHTSA didn’t mince words, calling the shuttle “unlawful.” According to the NHTSA, Transdev had only been granted permission to import their shuttles as demonstration vehicles and not to transport children. "Innovation must not come at the risk of public safety," said Heidi King, NHTSA Deputy Administrator, in a press release.  "Using a non-compliant test vehicle to transport children is irresponsible, inappropriate, and in direct violation of the terms of Transdev’s approved test project." While the NHTSA claims it wasn't informed about Transdev’s plans to use one of its shuttles to ferry students, the pilot program had been written about extensively and Transdev released several promotional videos touting their self-driving bus. Transdev, for its part, claims to have discussed the school bus shuttle with the NHTSA but that they had never received a letter asking them to stop operating it, and that they voluntarily shut down the program. The company also claims that every safety precaution was taken and that the shuttle was only operated along quite private roads. In its own release, Transdev states that “This small pilot was operating safely, without any issues, in a highly controlled environment. Transdev believed it was within the requirements of the testing and demonstration project previously approved by NHTSA for ridership by adults and children using the same route.” Whether the shutdown was over a miscommunication or because Transdev demonstrably overstepped its certification remains to be seen.
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MIT announces $1 billion campus focused on AI advancement

The encroach of self-driving cars, acrobatic terminators, and decades of media hysterics over the destructive potential of artificial intelligence (AI) have brought questions of robot ethics into the public consciousness. Now, MIT has leaped into the fray and will tackle those issues head-on with the announcement of a new school devoted solely to the study of the opportunities and challenges that the advancement of AI will bring. The new MIT Stephen A. Schwarzman College of Computing, eponymously named after the Blackstone CEO who gave a $350 million foundational grant to launch the endeavor, will be getting its own new headquarters building on the MIT campus. While a large gift, the final cost of establishing the new school has been estimated at a whopping $1 billion, and MIT has reportedly already raised another $300 million for the initiative and is actively fundraising to close the gap. “As computing reshapes our world, MIT intends to help make sure it does so for the good of all,” wrote MIT president L. Rafael Reif in the announcement. “In keeping with the scope of this challenge, we are reshaping MIT. “The MIT Schwarzman College of Computing will constitute both a global center for computing research and education, and an intellectual foundry for powerful new AI tools. Just as important, the College will equip students and researchers in any discipline to use computing and AI to advance their disciplines and vice-versa, as well as to think critically about the human impact of their work.” As Reif told the New York Times, the goal is to “un-silo” previously self-contained academic disciplines and create a center where biologists, physicists, historians, and any other discipline can research the integration of AI and data science into their field. Rather than offering a standard double-major, the new school will instead integrate computer science into the core of every course offered there. The college will also host forums and advance policy recommendations on the developing field of AI ethics. The Stephen A. Schwarzman College of Computing is set to open in September 2019, and the new building is expected to be complete in 2022. No architect has been announced yet; AN will update this article when more information is available.
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AN speaks with ACADIA organizers on eve of annual conference

ACADIA, or the Association for Computer Aided Design in Architecture, is set to meet in Mexico City at the Universidad Iberoamericana from October 18–20. Each year ACADIA brings together leading scholars, researchers, and practitioners who push the boundaries of architecture through design and computation. AN spoke with conference organizers Brian Slocum and Pablo Kobayashi, along with Technical Chair Phillip Anzalone, about the excitement of bringing the conference to Mexico for the first time. AN: Why is this year’s conference so special? This is the first time in ACADIA’s nearly 38 year history hosting the gathering in Mexico. The type of work that will be presented is something that hasn’t been seen locally and is not yet part of the culture of the institutions. Mexico, of course, has a rich tradition of craft, artisanal labor, and analog computation within architectural practices. We hope that by bringing ACADIA to Universidad Iberoamerica and UNAM that we can start a conversation for moving architecture forward. The theme of this year’s conference is Recalibration: On Imprecision and Infidelity. What do you mean by recalibration? The digital tools we use are very precise and by their very precision, there comes an obsessive need to control the output. In a certain sense, as a field we are facing a surplus of precision. We want to ask: Can error and imprecision (so-called glitches & failures) be seen as the creative act and be part of the dialogue? We have seen a shift in proposals and projects from those that place an emphasis on the tools of architectural design (robots, 3-D printers, BIM), which embody the precision and fidelity that the conference theme reacts to, toward those related disciplines and trajectories that break free from computational preconceptions and begin to encourage a redefinition of the traditional tools and processes that are at the heart of experimentation and production. Through technologies such as mixed reality and artificial intelligence, processes such as reuse and repurposing of materials, integration of computer and human interaction, and other trends, the current researchers inhabit a fluid zone where total control and the dichotomy of virtual and real is blurred, allowing for innovation and discovery to flourish. Also in terms of recalibrating the discourse, how do we deal with bigger, more social problems and evaluate the social impact of computation? How do you evaluate the results of an investigation that stems from a worldview rather than starting just from the data? How can we negotiate these social recalibrations without being too polemical? We started by speaking of truth and fidelity in computation output and arrived at this broader idea about recalibration. Our only hope ultimately is to shake things up a bit, shake up the discourse. AN: Can you speak more to how global (re)calibration works and how you define disciplines in increasingly co-located and overlapping fields of research? How does knowledge transfer work in an already connected world of research? The 2018 ACADIA conference is precisely (or perhaps I should say imprecisely) the forum needed for the pursuit of knowledge in a globalized environment. Simple digital connections via social media, publication, and direct communication are significantly enhanced through physical interactions, such as those that develop at a conference. The choice of a site and a theme that not only define boundaries and create parameters for discussion, but also engage a culture, an environment, and a sense of physicality, is critical to the work of combining the rigor of experimentation with the passion of discovery. The location and theme for this year’s conference is proposing not only a new way to look at research and practice in architecture but also exploring new places and ideas that have the potential to remake our environment. With an eye toward those locations, techniques, and ways of thinking that have been evolving and flourishing outside of the walls of digital environments, and embracing the difference between the visualized and the experienced, architectural design is discovering a new world of interaction that points toward to future of the built environment. AN: What are you most excited about this year's speaker lineup? I think we’ve hopefully found a good balance of speakers who challenge our own thinking on architecture and computation and continue to produce innovations in the field. Our keynotes range from global speakers such as Philippe Block, Patrik Schumacher, Francesca Hughes, to Mexico City-based practitioners Rafael Lozano-Hemmer and Diego Ricalde Equally, ACADIA’s award winners this year continue to push architectural research and education in new and interesting directions. ACADIA is proud to honor the work of Mónica Ponce de León, Jenny Wu and Dwayne Oyler Madeline Gannon, Sigrid Brell-Cokcan and Johannes Braumann, Areti Markopoulou, and all our paper session presenters. ACADIA kicks off next week with workshops held at UNAM from October 15–17. The conference sessions and keynotes run October 18–20 at Universidad Iberoamericana. Visit 2018.acadia.org for more information.
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Responsive fabric and cannibalistic materials: A look at MIT's experimental projects

Academia has always been a hotbed for innovation, and as part of a new series on under-the-radar projects on university campuses, AN will be taking a look at the smaller projects shaking things up at MIT. Modernized applications of ancient techniques, robotically milled artifacts, and boundary-pushing fabrication methods are producing new materials and structures worth publicizing. Cyclopean Cannibalism For the research and design studio Matter Design, contemporary reinterpretations of ancient construction and crafting techniques are valuable sources of new architectural insight. The studio, a 2013 winner of the Architectural League Prize for Young Architects + Designers, found that a Bronze Age stone-stacking technique was a fertile testing ground for exploring new uses of construction waste. Forming walls and structures by fitting boulders and large stones together without working or cutting them first, also known as Cyclopean masonry, is a technique that developed independently all over the world. The limestone boulder walls of the ancient Mycenaean Greeks were supposedly constructed by cyclopes, the only creatures strong enough to move such large rocks. The Inca used this methodology in the 15th century, but unlike the Greeks, they regularly disassembled previously-built walls for new materials, creating cities that were constantly in flux. This recycling of construction materials piqued the interest of Matter Design principals Brandon Clifford and Wes McGee, who wanted to apply the same principles of adaptive, sustainable design to the mountains of architectural debris clogging landfills around the world. The resulting “cookbook” is a prescription for turning cast-off precast concrete into new structures. In The Cannibal’s Cookbook, Matter Design has created a tongue-in-cheek collection of recipes for turning rubble into reusable materials. The limited-run book is one part primer on how to select stones based on their shape, one part practical instruction guide, and one part guide to one-eyed mythological creatures from around the world. Not satisfied with a theoretical tome, Matter Design teamed up with fabrication studio Quarra Stone Company to build Cyclopean Cannibalism, a full-scale mock-up of one of their recipes. The resulting wall, a curvilinear assembly of concrete rubble and stone, was installed at the 2017 Seoul Biennale of Architecture and Urbanism in Seoul, South Korea. Other Masks Cambridge-based WOJR, named after founder and principal William O’Brien Jr., creates work that bridges the gap between architecture, culture, urbanism, and art. In the exhibition Other Masks, the studio explored the intersection between architectural representation and artifacts, where drawings and models cross over into the realm of physical objects capable of being interpreted in different ways. During the Other Masks show, which ran at Balts Projects in Zurich, Switzerland, the WOJR team filtered architectural detailing through the lens of masks. Masks are artifacts with significant cultural value in every society, and transforming the facets, grids, angles, and materials typically found in a facade into “personal” objects was meant to imbue them with the same cultural cachet—and provoke viewers into wondering who crafted them. WOJR designed seven unique masks and a stone bas-relief for the show, enlisting the help of Quarra Stone to fabricate the pieces. Unlike its work for Cyclopean Cannibalism, Quarra Stone used robotic milling combined with traditional techniques to give the sculptural objects a high level of finish. Other Masks sprung from WOJR's unbuilt Mask House, a cabin designed for a client seeking a solitary place to grieve in the woods. Through this lens, WOJR created what they call “a range of artifacts that explore the periphery of architectural representation.” Active Textile The work of MIT’s Self-Assembly Lab is regularly publicized, whether it is the lab’s self-assembling chair or a rapid 3-D printing method developed with furniture manufacturer Steelcase that allows for super large prints in record time. The lab’s latest foray into active materials, Active Textile, is the culmination of a three-year partnership between lab founder Skylar Tibbits and Steelcase in programmable materials. Imagine a world where, after buying a pair of pants, a store associate would then heat your clothes until they shrank to the desired fit. Or a high-rise office building where perforations in the shades automatically opened, closed, twisted, or bent to keep the amount of incoming sunlight consistent. In the same way that pine cones open their platelets as humidity swells the wood, the fabric of Active Textile mechanically reacts to light and heat. The team thinly shaved materials with different thermal coefficients—the temperatures at which they expand and contract—using a laser to minimize waste, and laminated the layers to form a responsive fabric. The fabric was stretched between a metal scaffolding. Applied-material designers Designtex digitally printed patterns on both sides; the front was printed to allow the fabric to curl in response to heat, while the back allowed light to shine through. Active Textile is currently on view at the Cooper Hewitt, Smithsonian Design Museum’s The Senses: Design Beyond Vision exhibition through October 28. The Self-Assembly team is researching more commercial uses for the material, such as in self-adjusting furniture or programmable wall coverings.
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Zaha Hadid Architects exhibit presents promise and peril of parametric design

  To the late Zaha Hadid, “math was like sketching.” Since her death, this attitude to architecture and design has been continued by her firm, ZHA, chiefly through ZHCODE, a computation and design research offshoot set up in 2007, the work of which is currently on display at The Building Centre in London. Borrowing theorist Mario Carpo’s terminology, the exhibition at The Building Centre is titled Digital Turn and showcases ZHCODE’s methods and ideas while exploring how digital tools have changed our ways of making and thinking. This is the second of two in a series of exhibitions. Earlier in the year, Digital Turn had showcased the academic work of The Bartlett’s Design Computation LabDigital Turn is divided into two parts: tectonism and semiotics. The former looks at the structure and geometry of digital fabrication, while the latter examines the physical results of this and its relationship to various contexts. This setup essentially translates into parametric design versus algorithm and data-driven urbanism. Visitors to the gallery are welcomed by full-scale white EPS foam offcuts, called "foam grottos." The undulating formwork, made from robotic hot wire cutting, is indicative of ZHA’s sinuous style and serves as a threshold to the exhibition space while being a cue for what is to come. "ZHCODE have been a perfect fit for the show; they are a research team within a professional practice so the narrative worked well, offering a mix of live projects and theoretical ideas," a spokesperson for The Building Center told The Architect's Newspaper. "Inspiring exhibits such as Thallus and the Mathematics Gallery at the Science Museum initially caught our attention, and in conversation with ZHCODE we realized we could display a range of ideas not yet exhibited." Part of the exhibition is dedicated to the recently completed Winton Gallery at London’s Science Museum. Building on the work of Frei Otto, ZHA’s studies into the “minimal surfaces” of 3-D objects informed the design, with a triangle-based pyramid being “reduced” (read: imploded) to a curvaceous hanging module which served as a circulation device, as shown in image at the top of the page. Wile nonetheless interesting and insightful, some physical design aspects of Digital Turn feel as if they belong in the past, in a similar vein to the most recent ZHA projects which still feel like a vision of the future from the 1990s. Robotic hot wire cutting has been around for more than two decades and though it has advanced, it’s hardly a groundbreaking fabrication method. One wonders if the visionary British-Iraqi architect were still alive, how the studio would have moved on. In response to this, The Building Center said that "parametricism isn’t the focus of the show…We also wanted to understand what was next from the practice that coined this term." Showcasing the Winton Gallery, however, also reveals how parametric design does more than just produce fancy curves. It also serves as an organizational tool. The aforementioned floating module was used in tandem with a circulation strategy derived from the airflow around a biplane. Naturally, this airflow diagram produced countless curves, but it also allowed ZHCODE to produce massing studies for objects in the gallery that align with it. This kind of design process has also been scaled by ZHA in urban studies that derive from an algorithmic input. In one example, a computer program located potential infill sites in London, identifying “end of block” plots of land, or sites that can be found at the edges of tower blocks. As a result, it proposed that housing be built on these underutilized areas. Another notable example is an exploration into modular housing. By using a uniform lattice structure, residents can customize their dual-aspect unit’s facades, adding balconies or changing the window type in the process. It’s basically Alejandro Aravena’s half houses scheme but for the wealthy. And it’s that latter notion which, when coupled with derisory remarks from the current head of ZHA, Patrik Schumacher, on social housing and desire to privatize cities, leaves a bitter taste in the mouth. Furthermore, the often overtly abstract nature of parametric architecture, an architecture reserved for museums, corporate headquarters, luxury hotels, and extravagant condominiums, doesn't counter this sense of elitism either. A welcome palate cleanser can be found in another exhibition at The Building Center from Royal College graduate Hannah Rozenberg, who won this year's Student Prize for Innovation. Her book, Building Without Bias: An Architectural Language for the Post-Binary illustrates how artificial intelligence isn’t always right and is even sometimes racist, as demonstrated by Microsoft’s "Tay" bot which ended up making racist, misogynistic, and genocidal remarks on Twitter. If a Twitter bot can do that, who’s to say an urban planning bot wouldn’t start redlining?  Does Digital Turn subsequently highlight that, while parametric design may be an incredibly useful design tool for both making and thinking, its urbanistic potential is something to be wary of?  The Building Center responded to this. "ZHCODE’s algorithmic design work on display in Digital Turn showcases the most advanced algorithmic design taking place today," it said. "For example, the computational study series exploring housing liveability measures shows how advanced algorithmic methods of design generate a formal outcome that guarantees multiple desired conditions are synthesized in a single solution to a particular site. The digital design method therefore provides the designer/architect with sophisticated options to site-specific problems.

"Still far from an autonomous design bot, relinquished of the architect's control, the project showcases the potential of algorithmic design. Hannah’s work recognizes the importance of these methods, but highlights that we are at a juncture where we need a robust analytical response to ensure we design and build our future for everyone."

Digital Turn  On view through September 14 The Built Environment Trust's RCA Student Prize for Innovation On view through August 29 The Building Centre Store Street London, U.K.