Posts tagged with "Studios":

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A new model for affordable artist studios in Manhattan

“I just got tired of people always talking about the same problem—it’s simple, just don’t go for the highest dollar [as a landlord],” said sculptor Andrea Woodner in response to constantly hearing how hard it is to foster the arts in New York City. When the third floor became available in her building, 25 Park Place, she worked with architect and business partner (the pair cofounded Design Trust for Public Space) Claire Weisz of WXY to renovate it for artists’ work studios to be leased below market rate. They dubbed it the Hercules Art/Studio Program (named for the 1930s Hercules Seating sign on the building).

Woodner initially envisioned the type of studio she once had: a large, empty sunlit space. However, after talking with a few artists, she amended her plans from three 1,000-square-foot studio spaces to seven 300-square-foot spaces, which would be cheaper. “It’s custom-made for this generation of artists,” said Woodner. “It’s not what I had, but it’s what they wanted.”

Weisz gutted the 5,700-square-foot space to create the seven studios, a common area, an industrial kitchen, bathrooms with showers, and a gallery. “It looks simple, but it took a lot of fussing,” said Weisz.

Getting sunlight to permeate the north-south-oriented floor proved particularly tricky. Weisz built partial, eight-foot-high walls to provide privacy without inhibiting natural light or the flow of heating and cooling. Although the budget was tight, Weisz opted to splurge on gallery-quality lighting designed by Domingo Gonzalez of DGA.

Woodner selected the seven students to fill the space by visiting local graduate programs at Hunter College and Columbia University. Each applicant had to submit a statement explaining that having a rent-controlled studio was critical to him or her to be able to continue working. Finalists were then interviewed to make sure they would be a good fit for the collaborative space. Woodner plans to host discussions, shows, and panels in the building to further connect the artists to the community and vice versa.

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There are hopes to expand the program. “I’m a realist,” said Woodner. “The headwinds are in appreciating real estate value, so to do anything other than that is an uphill climb. I am doing it because I can afford to do it. I am happy to do it. I would like to encourage other landlords to contribute space as well. We are only going to be able to chip away at this, but if we can make some incremental changes toward bringing artists back to lower Manhattan, it can be mutually beneficial…the city needs the artists as much as the artists need the city.”

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Art F City plans to document the ghosts of art studios past

When artists seize whatever space they can for art-making, frequently the stories behind those transient activities are lost. "What’s now the nanny’s room in Brownstone Brooklyn might’ve been a tiny gallery in a riotous punk house," said Art F City, who's organizing a series of print and online publications that will record the innovation and creativity that once lived in such places. They'll be appropriately titled We Are SO Not Getting the Security Deposit Back: a Guide to Defunct Artist-Run Spaces. Art F City is calling for anyone with a story of such a place to submit to submissions@artfcity.com, providing details about the “now-defunct artist-run space” (where it is located, what it once housed and now is, etc).
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Peter Cook's first building in the U.K. celebrates hand drawing with a bright blue studio space

Archigrammer Peter Cook has returned to his childhood home, Bournemouth, on the South coast of England, to construct his first building in the United Kingdom. The building is a bright blue drawing studio—an addition to an existing complex at the Arts University of Bournemouth, Cook’s alma mater. Built at a time when digital drawing is in the ascendency, this building returns back to support the craft and art of hand drawing. It features both “a large north-light in the studio tradition, a rear clerestory that throws a softer light back from the rear wall, as well as softer lighting from the east and a graded wash of light that comes along the curve of the entrance.” The drawing studio was opened today in a ceremony that featured one of Cook’s best known students Dame Zaha Hadid who proclaimed “I simply love this building.”