Since Jeanne Gang's supertall Vista tower first appeared in 2014, numerous design alterations have taken place. However, the project has maintained its original form: a series of simple stacked volumes inspired by a frustum—a naturally-occurring crystal formation that resembles a pyramid with its top cut off. As the $950 million project develops, luxury interior renderings have been released showcasing some of the spectacular views the Chicago tower will have to offer. The skyscraper is staggered into three volumes that will reach 46, 70 and 95 stories, the tallest rising to 1,140 feet. As a result, the Vista tower is set to be the city’s third tallest building in the Lakeshore East neighborhood. California-based interiors firm Hirsch Bedner Associates (HBA) are behind the project's 406 luxury condos, none of which come cheap. A two-story penthouse apartment is may set clients back up to $17.1 million. The project is due to break ground later this year, with completion set for 2020. The mixed-use project will include retail and a hotel. Chicago developers, Magellan have already set up an inquiries page on the tower's website, where 360 degree window views can be found. https://vimeo.com/139190710
Posts tagged with "Studio Gang":
The State Department’s Bureau of Overseas Buildings Operations (OBO) has announced that Chicago-based Studio Gang Architects has been chosen to design a U.S. Embassy in Brasilia, Brazil. This project will be part of the OBO’s ongoing Capital Security Construction Program, which has constructed 129 diplomatic facilities in the last 17 years. The Program also has 55 projects that are either in the design phase or under construction. The Studio Gang Embassy will be located in will be a multi-building campus on the existing 12-acre Chancery complex within the city’s “Diplomatic Sector.” The project will include the Marine Security Guard Residence, a chancery, support facilities, perimeter security, and other facilities for the Embassy community. Studio Gang was selected from a short list of six other offices. The State Department noted in its press release, “Studio Gang presented a strong and cohesive team approach with more than 20 years of collaborative experience executing projects with complex constraints at challenging sites.” This stage of the process was just a selection of the participating office. The design for the project will start in the coming months.
The saga of the MAD Architects–designed Lucas Museum of Narrative Arts (LMNA) continues as a federal judge denies the City of Chicago’s motion to allow construction to begin. Judge John W. Darrah has decided to maintain the injunction which is delaying the start of construction of the $400 million museum on Chicago’s lakefront while there is still a case against the project. His decision came a day after city lawyers filed a motion to allow the start of construction and expedite the case brought by Friends of the Parks. Earlier this month Judge Darrah agreed to allow the case to move forward after the city presented a motion to completely dismiss it. This latest decision is being seen as a sign that the case is one step closer to going to trial. The lawyers for the City of Chicago argue that the court’s decision to hear the case “in no way establishes that they are entitled to the extraordinary remedy of a preliminary injunction.” The city also noted in the motion that it believed that the case was not a matter for a federal court to hear in the first place, as it is a city and state-law issue. The City also argues that the preliminary injunction was instituted before the Chicago Park District voted to approve the lease for the land, the Chicago Plan Commission voted to approve the project, and before the City Council approved the amendment to change zoning for the site. Now that the project has been approved by all the necessary city offices, the City wants the injunction lifted, allowing for the project to move forward while the case is settled. The case brought by Friends of the Parks was filed in November 2014. It claims that the negotiations between the Parks District and the Lucas Museum regarding the use of the public land would violate the Due Process and Equal Protection Clauses of the U.S. Constitution, was ultra vires (beyond their legal power) under Illinois law, and violated the Illinois Public Trust Doctrine. The lakefront has long been the site of discussion and litigation concerning its use and public access. Most notably stated by Daniel Burnham in regards to his 1909 Plan of the City, “First in importance is the shore of Lake Michigan. It should be treated as park space to the greatest possible extent. The lakefront by right belongs to the people… not a foot of its shores should be appropriated to the exclusion of the people.” Also in the City motion was a warning that Chicago was at risk of losing the museum to another city. Similar issues concerning the use of park land were the initial reason for the museum leaving San Francisco for Chicago. The motion points out, “The preliminary injunction thus threatens the very public interest it is bound to protect: the loss of the LMNA would deprive the City of a world-class museum and all the attendant educational, cultural, and economic benefits, as well as depriving the City of a more beneficial use for the museum site than the current asphalt parking lot.” The “current asphalt parking lot” refers to the surface lot used for the Chicago Bears’s Soldier Field football stadium on the site. Judge Darrah stated that he would have a decision regarding lifting the injunction so that construction could start by mid-April. Beijing-based MAD Architects is working with architect of record VOA Studio from Chicago, and Studio Gang Architects and SCAPE/Landscape Architects for the landscape design.
Arquitectonica tests the surf with ocean-influenced Regalia, a newly unveiled 488-foot-tall luxury condo in Sunny Isles, a city northeast of Miami. But the Florida skyscraper is leaving us with a distinct sense of déjà vu. The tower looks strikingly similar to Studio Gang's Aqua in Chicago. While Gang's undulating concrete balconies extend as far as 12 feet to maximize views in the skyscraper-dense downtown, Arquitectonica's balconies in the same style afford uninterrupted views of the Atlantic on the building's sea-side. Gang's curving terraces were based on striated limestone outcroppings in the Great Lakes region, while Arquitectonica's are modeled on ocean waves. Although Chicago's lake-affected weather presumably hinders Aqua residents from enjoying their outdoor spaces year-round, Regalia's residents will have unfettered access to their sunny terraces all the time, if the barrier island the building is situated on doesn't flood or sink in the meantime. Regalia's 39 floor-through units and two penthouses are spread over 46 stories. "A rectangular glass prism houses the functional requirements," explained Bernardo Fort-Brescia, founding partner of Arquitectonica, in a statement to designboom. "Its transparent surfaces connect inside and outside, linking the occupants with the surrounding environment. Its orthogonal geometry creates elegant, serene, classical, zen-like spaces. Each floor is wrapped by a sensuously undulating terrace. The resulting walk-around veranda protects the glass surfaces from the sun, as in traditional Florida homes. It is this veranda that shapes the architecture." This is not the first curvy tower the Miami–based firm has designed for the Sunshine State. Last year, their 42-story residential tower, also inspired by (far choppier, it seems) ocean waves, opened on Miami's Biscayne Bay.
In West Philadelphia, a team of developers, planners, and architects are asking one of urbanists' favorite questions: How can a mega-development be made to feel like a neighborhood, and not a bland corporate campus plopped in the middle of the city? Lead developers Wexford Science + Technology and the University City Science Center are spearheading the from-scratch transformation of a former superblock into a sort of mini city within a city. The developers' suggested new name for University City, uCitySquare, is bland, The Philadelphia Inquirer's Inga Saffron contends, though the master plans may not be. Ayers Saint Gross took the lead on the plan, with Jeanne Gang of Studio Gang as a contributor. It appears that the project is riding the same trends that developers used to remake Philly's 12th and Market area into a successful mixed-use district. The uCitySquare master plan would break the 14-acre site into four pieces by restoring 37th and Cuthbert streets, demapped in the urban renewal that transformed the once-dense neighborhood of row houses into growth space for the University of Pennsylvania and Drexel. It suggests moving 37th Street east of its original location, to make traffic and pedestrian flow smoother along the north-south access between Penn and the residential neighborhood of Powelton Village. Stubby Cuthbert Street would be extended east-west, linking Presbyterian Hospital to the Drexel campus. So far, the uses of two of the four parcels have been set. Drexel commissioned Rogers Partners to build an elementary and a middle school. Project start dates are contingent on budget negotiations with the city's school district. The first buildings are sprouting. ZGF Architects' 3675 Market will break ground this spring. The bulky glass cube's main tenant is the Cambridge Innovation Center. The Baltimore-based firm is doing a second building at 37th and Warren with solar panels embedded into the facade. Erdy McHenry will design a mid-rise apartment building with ground-floor retail on Lancaster Avenue that breaks ground this summer. The developers are committed to making common spaces not boring. The University City Science Center says that there will be a supermarket, wide sidewalks, and underground parking to minimize street space devoted to cars. The master plan calls for Philadelphia-based OLIN to design a public park at the center of the site. So far, these are good promises that are tempered by the science center's present foray into urbanism: folding chairs and brick pavers along a pedestrian-only stretch of 37th Street that will connect to uCitySquare is intensely uninviting.
Chicago-based Studio Gang is designing a modern fire station for the Brownsville community in Brooklyn. The two-story, precast concrete structure, to be built on a vacant lot at 1815 Sterling Place, includes bright red accents as the facade pulls away from the street plane. The so-called Fire Rescue 2 facility "is intended to become a tool for training, enabling FDNY Company 2, an elite force of firefighters and specialized rescue workers serving the people of New York for nearly a century, to stage and simulate a wide range of emergency conditions in, on, and around the building," according to a project description from Studio Gang. This training program inspired Jeanne Gang, the firm's principal, in designing the building. "During emergencies, the Company must often utilize voids in buildings," the firm stated, "whether creating them to let heat and smoke out of a structure or locating them as a means of escape." The structure's design responds with its own voids demarcated in red that reveal windows, staircases, and a second-floor terrace. The facade of the 19,000-square-foot structure will be built of precast concrete and red glazed terracotta tiles. The 46-foot-tall structure is meant to respond to the scale of neighborhood buildings. Gang organized the fire house around a central interior that "enables the team to practice rescue scenarios that mimic conditions common to the city." The space is a sort of modern recreation of balconies, bridges, doorways, ladders, and stairs that the firefighters might encounter in the city. The void dually allows air and light to penetrate deep into the structure, enhancing the living quarters for the firefighters. While the facade's jagged geometry and bright color conveys the structure's purpose and sense of urgency, the interiors are designed to help firefighters cool off. Inside, a kitchen forms the hub of social life for the firefighters, adding another layer of heat to the project's design. Plenty of green space, including a backyard and open-air porches, allows the firefighters to cool off when not on duty. Studio Gang is working with SCAPE / Landscape Architecture on the project. The building also includes several sustainable gestures such as a green roof, geothermal HVAC system, and a solar hot-water system. Fire Rescue 2 is programmed to include office space, dormitories for firefighters, a kitchen, exercise rooms, training space, and storage. "With its adaptable spaces, environmental approach, and civic scale, the new Rescue 2 firehouse is both a neighborhood fixture and important piece of infrastructure, supporting a highly trained corps who safeguard those who call New York home," Studio Gang stated. Permits for the project were filed in October 2015, according to real estate watch-blog New York YIMBY. The project is estimated to be complete in 2017. In July 2015, the design was honored with an Award for Excellence in Design from the New York City Public Design Commission. Elsewhere in New York, Studio Gang is working on a major expansion to the American Museum of National History and an embattled condo tower along the High Line called the Solar Carve. The firm has opened a New York office to handle the increased workload. Also, don't miss AN's exclusive interview with Jeanne Gang while kayaking the Chicago River here.
The American Museum of Natural History (AMNH) has unveiled the Richard Gilder Center for Science, Education, and Innovation, a six story, 218,000 square foot, $325 million expansion, at Columbus Avenue and 79th Street, designed by Jeanne Gang. The principal of New York– and Chicago-based Studio Gang stated that the exuberant organic forms recall “geological canyons, glacial forms," spaces shaped in increments by the forces of nature. Here, form follows function: the aim of the Gilder Center is to build scientific literacy in young people and encourage study in the STEM fields. In addition to creating learning spaces, the structure reconciles the museum's rambling circulation, creating 30 connections to ten AMNH buildings. Its mass dialogues with the existing buildings, maintaing the same height as its neighbors. Inside, cavities in the concrete walls create exhibition galleries, a library, insect hall, classrooms, theaters, and laboratories. The reinforced concrete walls in the Central Exhibition Hall comprise the building's load-bearing apparatus. Exhibition designs are by Ralph Appelbaum Associates (New York). The expansion will be complete by late 2019 or early 2020, although the design has yet to undergo the public approval process. Neighbors have raised concerns about the museum's encroachment onto adjacent Theodore Roosevelt Park. AMNH will present its plans to community groups and the Landmarks Preservation Commission. See the gallery below for additional images of the project.
"We were outraged by what we saw—by the violence in everyday life," said Jeanne Gang when asked about the impetuous behind her firm's project Polis Project, a proposed reinvention of the typical police station on view at the Chicago Cultural Center as part of the Chicago Architecture Biennial. The work, like any number of projects in the exhibition, highlights the what curator Joseph Grima calls “architectural agency,” where firms take on projects not for a client, but out of a sense of urgency to architecturally address important issues. Sparked by incidents of police violence against African Americans across the United States and supported by the May 2015 Obama administration policy brief: the “Final Report of the President’s Task Force on 21st Century Policing,” Studio Gang’s research and design proposal flanks the two sides of the Center’s grand stair. One side displays a history of law enforcement architectures—from the neighborhood police box to today’s bunker-like stations—and the other a design proposal for Chicago’s 10th District Station in Lawndale. “We asked ourselves “What is a police station in the 21st Century?”” she noted, pointing out that while past incarnations were community-based as police officers moved out of the neighborhoods where they had a beat, the tensions between locals and officers increased. The architecture of reflected that conflict. “The police station doesn’t carry the same ideas of democracy as a court house,” she noted, but by imbuing these values into the station building, Studio Gang hopes to point a way forward to a new idea of architecture. "Everyone comes though the same front door," Gang said, and explained how the building is more like a community center than a jail. Little things, like free Wi-Fi, and big things, like mental health services, computer labs, park space and retrofitted housing for officers in the neighborhoods, are meant to break down the barriers between the police and residents. Work is already underway. A police-owned parking lot is being transformed into a new park and basketball courts that is meant to be a shared, non-confrontational space in the neighborhood. “This community will have a safe place to play.”
If you start at Studio Gang’s acclaimed Aqua Tower and follow the Chicago River about six miles north you will find yourself at another eye-catching building by the increasingly in-demand firm. The WMS Boathouse at Clark Park, completed in 2013, sits along the very polluted north branch of the river and has a dramatic profile inspired by the rhythm of rowers’ oars. (The building is named for the gaming technology company that contributed to the project and has offices directly across the river.) https://www.youtube.com/watch?v=OJsaAPfZX50&feature=youtu.be The boathouse is one of four commissioned by Mayor Rahm Emanuel to help draw people toward—and hopefully onto—the city’s industrial and neglected waterways, which he calls Chicago’s “next recreational frontier.” The idea is that if Chicagoans come to see the rivers as an urban asset it will create momentum to get them cleaned up. And any environmental revitalization would go hand-in-hand with economic revitalization, especially outside of the city's core where the first phase of the Riverwalk opened this summer. Studio Gang—which designed two of the structures, the second of which recently broke ground on Chicago’s south side—was an obvious choice for Emanuel’s bold river vision. In 2011, the firm, working with the Natural Resource Defense Council and students from Harvard’s Graduate School of Design, published Reverse Effect—a 116-page book that lays out the waterways’ history and proposes innovative ways to renew them. (The Chicago-based Johnson & Lee oversaw the other pair of boathouses.) The Architect’s Newspaper recently visited the WMS Boathouse with Studio Gang founder Jeanne Gang, and went kayaking with her to talk about the boathouse, the river, and how her firm plans to continue producing unique architecture as its influence expands around the Midwest and beyond.
New York has one, Chicago has one, and now the Chronicle’s John King alerts us that San Francisco might see a Trump-brand tower in its future. No one is taking bets on the conservative presidential candidate’s name emblazoned on a highrise located in one the most progressive cities on the planet, but King is stirring the pot to call attention to a land auction hosted by Transbay Joint Powers Authority on September 2. On the docket: a parcel of land on the 500 block of Howard Street, where zoning allows for an 800-foot tower. Five development teams will bid against each other. According to King, “[I]dentities are being kept secret until the live auction to, in the words of bureaucrats, 'preserve the integrity of the competition.'” Will Trump be one? The Chron’s critic is wagering a guess, suggesting that with minimum bid at $160 million, the live auction could set off a bidding war that would help pay for the Transbay Transit Center. Designed by Pelli Clarke Pelli, the center expected to serve eleven different transportation systems and feature a rooftop park. The tower on the offer would join others in San Francisco's Transbay district by Studio Gang, OMA, SOM, and Foster and Partners. Gang’s undulating 40-story tower recently came under fire for its soaring height, which community activists protested would cast a shadow over the public Rincon Park on the Embarcadero waterfront. King’s argument, however, is not that Trump will soon be mixing it up in the town of Milk and Moscone (or the new SF: Twitter and Uber) but that design is pushed off the table for the sake of raising cash. In 2007, the city held a design competition for the transit center and neighboring tower. This auction comes with no design strings attached. “Standards are slipping,” he wrote and continued: “If the check clears, good enough. Let the city’s Planning Department sort through messy questions about how the tower looks or whether the developer will try to push for extra space.”
Hot Tub Design Machine: New York's Van Alen Institute launches its annual auction of out-of-the-box architectural experiences
If you have ever longed to explore nature with your favorite architect or discuss the built environment in your bikini, now you'll have the chance. Well, for a few bucks, but in the good name of architecture. The Van Alen Institute has launched its online auction of Art + Design Experiences to coincide with its Spring Party, going down this Wednesday in Lower Manhattan. The auction list boasts exclusive and out-of-the-box experiences with top critics, famed architects, and professionals in the arts and design fields. Some of the more compelling items, or activities, to bid on, include: —A Fire Island hot tub roundtable with architect Charles Renfro at his mid-century modern beach house. —Testing the smoke ring generator at Copenhagen’s new waste-to-energy power plant with Bjarke Ingels. —A helicopter ride on Norman Foster's personal helicopter through London’s skyline, including the architect’s own icons. —A bird watching expedition in an iconic urban park with Jeanne Gang. —Joining Sotheby’s chairman Lisa Dennison for her daily salon blowout ritual as she offers tips on building a blue-chip art collection, followed by a personalized tour of MoMA's permanent holdings. Visit the auction site to check out and bid on the offerings. Bidding closes on Wednesday, May 20. Get your digital paddles ready.
Preservationists watchful as New York's American Museum of Natural History taps Jeanne Gang for addition
Last year, Chicago-based Studio Gang Architects opened a New York office, and now it is clear they made a smart decision in doing so: the firm has been selected to design a six story addition to the American Museum of Natural History (AMNH) on Manhattan's Upper West Side. The current museum complex is an eclectic jumble of architecture styles, and it's most recent addition is the Rose Center for Earth and Space by the Polshek Partnership (now Ennead). The project is likely to be controversial, as it will encroach on Theodore Roosevelt Park, a small neighborhood park immediately adjacent to Central Park. Preservationists and neighborhood advocates are watching the project closely. "Because the 'plans' announced by the American Museum of Natural History are long on laudatory sounding goals but short on details, Landmark West! (LW) is in a wait and see mode regarding the expansion plan. Once the full details of the plans are known, LW will carefully review them and formulate a response. However, the AMNH's publicly stated intention of encroaching on the surrounding park land is of serious concern to LW. We would prefer that the AMNH use the park land to further the study of natural history and redouble its commitment to conserve it," wrote Arlene Simon, the president of the board of Landmark West!, in an email to AN.