Foster + Partners has revealed initial images of a proposed Apple store at the intersection of Michigan Avenue and the Chicago River. The new store will replace their existing Michigan Avenue flagship store six blocks to the north. Echoing the company’s 5th Avenue store in New York, the design calls for a large, mostly glass structure with an expanded retail space below ground. Unlike the 5th Avenue store, and more akin to Foster’s recent Aix-en-Provence, France Apple iteration, the new Chicago Store will feature a light solid roof suspended on two large columns. Located on, and below, Pioneer Square, the store will have one of the most visible locations in the city, surrounded by some of Chicago’s most iconic architectural landmarks. The square itself is flanked by the Tribune Tower to the north, the modernist Bruce Graham designed 401 North Michigan Avenue (formerly the Equitable Building) to the East, and the Wrigley Building immediately across Michigan Avenue. The view up the river to the west will also include the Trump Tower, Marina City, and Mies’ AMA Plaza (formerly IBM Plaza), making this location one of the most recognized tourist, not to mention retail, locations in the city. The 20,000-square-foot retail space will occupy an unused cafeteria at Lower Michigan Avenue. The store will also engage with the infrequently used Riverwalk along the north bank of the river. New balustrades and stairs will be added, as well as the 34-foot-tall glass wall of the store itself. According to representatives from Foster + Partners at a recent courtesy presentation to the City Planning Commission, there will be no retail at the surface Pioneer Square level, with the 14-foot-above-grade glass structure acting as a grand entrance. The city has already approved the project, and construction is planned to begin next year.
Posts tagged with "Stores":
Aesop, the Australian cult skincare brand, just released its newest project—a microsite entitled Taxonomy of Design dedicated to the architecture and design behind Aesop's stores. In addition to the company’s reputation for high-quality bath products, Aesop has created a name for itself in the design realm thanks to stores designed by the likes of Snøhetta, Ilse Crawford, Torafu, and Paulo Mendes da Rocha. Taxonomy of Design is dedicated to these spaces, showcasing the special details and ongoing themes through their stores. The digital guide also offers a set of interviews with the designers and architects behind these stores, focusing on the creative process, material selection, and the store’s context in its surroundings. AN sat down with creative director Marsha Meredith to learn more and to hear a bit about Aesop’s newest Chicago location with Norman Kelly. The Architect's Newspaper: How do you approach designing each store? What elements stay consistent and what elements change? Marsha Meredith: Each of our stores is unique. We take inspiration from neighborhoods, past and current streetscapes, and then seek to add something of value. Collaborating with architects also allows new and poetic interpretations of Aesop, conceptually and physically, through the materiality and design features. Consistency for us means remembering at all times what our stores are meant to be: Places of respite where you can thoughtfully explore our skincare formulations. How does location factor into the materials palette? Are there essential materials you include in each store? Architecturally, our method is to work with what is already there, weaving ourselves into the core and fabric of the street rather than imposing ourselves upon a locale. Materiality often responds to a local history and allows us to be playful too. At Aesop Le Marais, in Paris, Ciguë repurposed 427 small polished steel discs—conventionally used to close plumbing pipes throughout the city— to create shelving for our products. For Aesop Nolita, our first U.S. store, Jeremy Barbour reclaimed 2,800 New York Times, cut them into 400,000 strips, and stacked them to craft “bricks” of paper that line the walls and create joinery. As the leaves yellow with the years, they become a testament to the time captured within and passing around the pages. How do you select an architect for each store? We select architects not only for the excellence of their work but also their personality; their capacity to communicate and connect with us is integral to the realization of new spaces. In order to understand their motivations, we like to meet in person for a meal and conversation. The minimum criterion to be considered for a signature store project is usually five years’ professional experience though we are also keen to work with rising talents. We’re opening this fall our first Chicago store, conceived by Norman Kelley. This is their first retail project—their work usually lives in a more conceptual, artistic area. We’re excited to see the mark they will leave on an Aesop space. Could you tell us more about Norman Kelley's upcoming Midwest store? Aesop Bucktown will open later this fall. Carrie and Thomas are working with the Chicago common brick as a primary material. Their design investigates the geometry of Chicago's urban city grid and overlays grid patterns, putting our perceptions at play. Carrie and Thomas’ work can be currently seen at the Chicago Cultural Center as part of the Architecture Biennal.