Bonetti/Kozerski's Pace Gallery rises over the Chelsea scene with volcanic stone and foamed aluminum
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Höweler+Yoon combine cutting-edge tech and age-old craft to complete the Sean Collier Memorial at MIT
Newport Beach's central government complex emphasizes transparency, sustainability.Bohlin Cywinski Jackson's (BCJ) Newport Beach Civic Center is in one sense classically Southern Californian. With its light steel structure, plentiful windows, emphasis on indoor-outdoor spaces, and roofline inspired by ocean waves, it evokes a timeless delight in Pacific coast living. But it also represents something new, both for the city of Newport Beach and for civic architecture more generally. Built on a marshy site that had previously been written off as uninhabitable, the LEED Gold Civic Center and adjacent 16-acre park, designed by BCJ in cooperation with PWP Landscape Architecture, acts as a different kind of anchor for the automobile-oriented community. "It was shaped in part by a desire to create a great public space," said principal in charge Greg Mottola. "How do you make an urban civic space in the context of the suburbs?" The architects choreographed the Civic Center's entry sequence to transition from highway speeds to the pedestrian scale. The freestanding Council Chambers sits at the entrance to the complex, its white Gore-tex fabric "sail" doing double duty as sunshade and visual trademark. "The sail was really a way to help people understand the Civic Center at 40 miles per hour," said project manager Steve Chaitow. "You turn in there, and as you slow down the scale of the project begins to become more fine-grained." Past the Council Chambers and neighboring community room is the long, low City Hall building, which upends the traditional emphasis on monumentality in favor of democracy. "One of the key issues was the metaphorical and literal transparency of government," said Chaitow. The focus on transparency is expressed both in City Hall's plan, which eschews a grand lobby in favor of outdoor circulation and separate entrances for each department, and its glass facade. To create a public front porch for the building, BCJ covered each bay with a curved roof composed of whitewashed hemlock soffit on a steel frame. The panels provide crucial shading for the east-facing curtain wall, which opens onto the Civic Green. "That roof overhang is 20-30 feet, it's really out there," said Chaitow. "That's what allowed us to have this facade of glass and not pay a penalty." Custom horizontal aluminum louvers on the curtain wall's lower level furnish additional protection against thermal gain. The architects worked with Arup to study the structure blade by blade, to maximize shading without sacrificing visibility. The aluminum extrusions were also designed to stand off the curtain wall, to facilitate window washing. For ventilation, BCJ installed operable clerestory windows between each pair of roof panels. The windows run on an automated system and let in an even northern light that often negates the need for artificial lighting. "A big pull for the client and for us was to try to make this building responsive to its location," said Mottola. "It's been a pretty successful change for them as far as changing the culture at City Hall." Vertical aluminum louvers over City Hall's clerestory windows and other north-facing glazing prevent interior lights from disturbing the neighbors at night. The back-of-house spaces, including conference rooms and patios for staff, are gathered along an open circulation path along the west side of the building. The emphasis on common space prompted the mayor to remark, "I have met more of our City Staff in two weeks here than I did in seven years in our old city hall." Two of the Civic Center's other structures, the Council Chambers and community room, which both feature large sliding glass doors, are partially clad in stone. "We wanted to use some stone because it has a nice relationship to the concept of civic building, but we wanted to use it selectively," said Mottola. Brazilian marble was used on portions of the Council Chambers envelope, while the community room is wrapped in French limestone. The slightly darker French limestone serves to make the community room more recessive, highlighting the Council Chambers. At the same time, the location of the community room within the Civic Center as a whole reveals that it may be the complex's most important building. "The first project you see as you slow down when entering the Civic Center is the city's 'living room,'" said Chaitow. "That's intentional. Symbolically, it was important as a gesture about twenty-first century democracy."
Net zero energy, LEED Platinum project raises the bar on eco-friendly office design.For its new headquarters in Los Altos, California, the David and Lucile Packard Foundation put its building budget where its mouth is. The philanthropic organization, whose four program areas include conservation and science, asked San Francisco-based EHDD to design a net zero energy, LEED Platinum building that would serve as a model of cutting-edge green building techniques. “They wanted to achieve net zero in a way that was replicable, and that showed the path forward for others to follow,” said project manager Brad Jacobson. “It was not just a one-off thing, not just a showcase.” The building’s facade was fundamental to its success as an example of sustainable design. “We were surprised at how significant the envelope is, even in the most benign climate,” said Jacobson. “Pushing the envelope to really high performance made significant energy and comfort impacts, and could be justified even on a first-cost basis.” EHDD began by considering the building’s siting. Because the street grid in Los Altos is angled 40 degrees to the south, orienting to the street would result in a long southwest elevation. The architects asked daylighting consultants Loisos + Ubbelohde what penalty this would entail. “They said you have to keep all solar gain out of the southwest facade; if you do that, the energy penalty will be in the realm of less than five percent,” recalled Jacobson. “But you really have to do an excellent job on sunshading. That was our mission.” EHDD designed deep overhangs over much of the facade’s southwest face, and added balconies and shade trees for additional protection. Where the glazing remained exposed, they installed external movable blinds from Nysan that operate on an astronomic time clock. “The blinds worked really well,” said Jacobson. “We were surprised how easy they were to commission and get working, and how relatively robust they are.” Thermal bridging was another area of concern for the architects. EHDD worked with Atelier Ten on thermal modeling of the wall, and discovered that any metal stud wall would sacrifice performance. They opted instead for wood stud construction, and switched to 24 on center framing to reduce thermal bridging through the framing structure. For insulation, the architects added one-inch external mineral wallboard from Roxul. On advice from structural engineers Tipping Mar, they installed FRP plates to separate external elements like balconies from the main structure. Because of the building’s location, EHDD did not initially consider triple glazing for the Packard Foundation offices. “We wrote it off at first,” said Jacobson. “We thought, that can’t be cost effective in this climate.” But Integral Group’s energy analysis convinced the design team otherwise. The improvement in comfort allowed by triple element windows from Serious Materials (now Alpen HPP) was such that the architects were able to eliminate a planned perimeter heating system, resulting in an estimated savings of twice the cost of the glazing upgrade. “It’s a really good envelope,” said Jacobson. “We did heat sensor testing of the building, and you can really see that it’s working as it’s supposed to. You don’t see the studs, and the windows are not leaking a lot of heat, so that’s been a real success.” The architects clad the building in local and sustainable materials, including FSC-certified western red cedar, stone sourced from within a 500-mile radius, and architectural copper. “Architectural copper is a really interesting material,” observed Jacobson. “It’s actually about 80-90 percent recycled because it’s valued. It doesn’t need refinishing and it patinas nicely. For a building being built to last 100 years, it has a good shot at never needing to be refinished or replaced.” Jacobson summarizes his firm’s approach to the design of the Packard Foundation headquarters as “Passive House light.” “At the same time we were doing a Passive House for a climate science researcher we’d worked with in the past,” he said. “We were working on both and learning from each. It’s a different type of building, but a lot of the same principles apply: good air sealing, eliminating thermal bridging, and pushing the envelope further than you think makes sense.”