For weeks we've been hearing murmurs about the hottest RFQ in California: the UC Santa Cruz Insitute of Arts and Sciences, a hilltop museum, research center, and innovation hub on one of the most beautiful campuses in the country. Finally the shortlist has been announced, and it features a group of very heavy hitters from around the country. The shortlist includes Steven Holl with TANNERHECHT; Tod Williams Billie Tsien with TEF; wHY design, Allied Works Architecture, Aidlin Darling Design, Jensen Architects with Ann Hamilton; and Fong & Chan with Patkau Architects. The list was culled from a group of 39 companies, and will be further slimmed to three by April. "We were delighted in the quality and the range of firms," explained the Institute's director, John Weber, who noted that the school was looking for design teams of varying scales and sensibilities. "We want to find the right partner to push us on how the building can respond to the mission of the Institute," Weber said. "The desire to have something like this has been around for a very long time, but it came into focus in the last couple of years," said Weber. The Institute's museum will contain interactive exhibits on topics ranging from climate change to cancer research, and the facility as a whole, measuring 27,000-31,000 square feet, will contain research and teaching facilities, seminar and conference spaces, study areas, a cafe, and more. "The vision is to engage the issues of our time through the arts, sciences, humanities and technology based on research here at UC Santa Cruz and bringing in material that complements and pushes what’s going on here," said Weber. The site, he added, is "really spectacular," wedged between a forest of Redwoods and Ancient Oaks above and a grand meadow overlooking the Pacific below. There will be a public presentation of the final three teams' schemes on April 3 at UCSC. The $32-40 million project's completion date will depend on ongoing fundraising, added Weber.
Posts tagged with "Steven Holl Architects":
While it's been well-documented that China has been "borrowing from" U.S. designs for some time, it appears that relationship is starting to go both ways. Downtown Los Angeles is ready to get a new residential project that bears a striking resemblance to Steven Holl's Linked Hybrid apartment complex in Beijing. Note the porous, gridded facade and the glassy skybridges, to name just a couple of similarities. The mixed-use Medallion 2.0, designed by Kevin Tsai Architecture, would be located off the corner of Third and Main Streets, reported downtown blogger Brigham Yen. It's scheduled to break ground in 2015 and include 400 rental units, a theater, retail, and over half an acre of green space. We'll keep you posted on more Asian imports as they no doubt continue to arrive.
The U.S. Department of State’s Bureau of Overseas Buildings Operations (OBO) has shortlisted six firms to design the new U.S. Embassy in Beirut, Lebanon. The new Embassy will be located in Awkar, about 7 miles north of the city center, in the vicinity of the existing Embassy. The new compound will consist of a chancery, support offices, a parking structure, Marine residence, Representational and staff housing, and a community center. Thirty-nine firms replied to the public announcement regarding the task of designing the center. The shortlisted firms are: · Diller Scofidio + Renfro · Mack Scogin Merrill Elam/AECOM · Morphosis Architects · Rafael Viñoly Architects · Steven Holl Architects · Yazdani Studio According to the OBO, the six selected submissions display an exceptional array of high-design projects, characterized by novel site and landscape plans, and a strong understanding of sustainability practices. The firms on the preliminary shortlist will bring together their technical teams to present comprehensive information on their companies and their credentials for the second evaluation stage. OBO’s Excellence in Diplomatic Facilities initiative sought out the project, which encompasses a holistic project development plan that aims to construct facilities that are exceptional in all aspects. OBO’s objective is to supply secure, practical facilities that signify American values and the best in American architecture, engineering, technology, and sustainability.
All too often public buildings can fall short on creativity, but with the launch of the Design + Construction Excellence Program in 2004, the Bloomberg administration has raised the ante and tapped a number of top architecture firms from around the world to work on a slew of new city projects. The New York City Department of Design and Construction (DDC) announced today that they have selected 26 emerging and leading architecture firms out of pool of 264 applicants to participate in the next wave of the program, including the likes of BIG-Bjarke Ingels Group, nArchitects, and TEN Arquitectos. “Working in partnership with these talented architects and DDC’s client agencies, we will continue to build New York’s libraries, firehouses, police precincts, EMS stations, cultural institutions, and other projects with creativity, beauty, and an emphasis on community improvement,” said Commissioner David J. Burney in a statement. From this group of firms, six will be considered for projects costing more than $15 million, and twenty will be assigned to projects of less than $15 million. The DDC selected the following twenty firms for the under $15 million group: Abruzzo Bodziak Architects, Bade Stageberg Cox Architecture, Belmont Freeman Architects, Biber Architects, Cooper Joseph Studio, FR-EE Fernando Romero Enterpris, Gray Organschi Architecture, Hanrahan Meyers Architects, Leroy Street Studio, Levenbetts, Matthew Baird Architects, Monica Ponce de Leon Design and Architecture, Moorehead & Moorehead, nArchitects, Rice + Lipka Architects, Smith-Miller + Hawkinson Architects, Spacesmith, Studio SUMO, WXY, and Yoshihara McKee Architects. The six firms that will focus on projects of more than $15 million include: Allied Works Architecture, BIG-Bjarke Ingels Group, Ennead, Steven Holl Architects, Studio Gang Architects, and TEN Arquitectos.
Located on the eastern edge of the Virginia Commonwealth University campus at the corner of Belvidere and Broad Streets, Steven Holl’s Institute for Contemporary Art will act as threshold to the university and the city. The core of the building is a double-height “forum” cased in a twisting facade to the north and intersected by a performance space jutting southward. These frame the glass facade of the east-facing entrance—a visual gateway leading from the city to the university that allows for transparency and natural light while activating the weathered zinc facade at night. Radiating from the forum are a series of long rectangular galleries stacked atop one another at varying angles towards the east, framing the sculpture garden and funneling visitors to the secondary entrance facing the university. Glass facades at the ends of the stacked galleries can be projected onto from within to animate the sculpture garden. Holl conceived of these radiating galleries as an embodiment of “forking time,” his suggestion that the art world exists in a series of parallel timelines rather than in an over-arching linear narrative of history. The four gallery spaces are, therefore, completely flexible. The galleries can accommodate exhibitions separately or in combination with one another and circulation throughout can remain uninterrupted during installation. On the first floor a cafe opens onto the garden, as does a pivot door from the ground level gallery that allows evening events to spill outside. The fluidity of this space “allows for experimentation, and will encourage new ways to display and present art that will capitalize on the ingenuity and creativity apparent throughout the VCU campus,” Holl said in a statement. Architect: Steven Holl Architects Structural Engineer: Robert Silman Associates Mechanical Engineer: Arup Client: Virginia Commonwealth University Location: Richmond, VA Completion: 2015
And then there were six. Cornell University announced that six firms were selected from a field of 43 contenders to design their new tech campus on Roosevelt Island. SOM, the firm that pushed Cornell over the top in the national competition to build on Roosevelt is still in the running, alongside OMA (Office for Metropolitan Architecture) , Diller Scofidio + Renfro , Morphosis Architects , Steven Holl Architects , and Bohlin Cywinski Jackson. SOM will remain on the job to define an overall campus plan. The university is still running with its net-zero plan for the first core building. Residences and other multi-use buildings will follow. A contract with the winning firm is set to be signed in April.
Light Pavilion by Lebbeus Woods and Christoph A. Kumpusch: Construction Drawings & In-Process Photographs at the Mackey Garage Top MAK Center at the Schindler House 835 North Kings Road West Hollywood Through August 6 The Light Pavilion by Lebbeus Woods and Christoph A. Kumpusch was created for Steven Holl’s Sliced Porosity Block project now under construction in Chengdu, China, and will be Lebbeus Woods’ first built work of architecture. A physical intervention into Holl’s rectilinear structure, the pavilion consists of a series of columns and stairs that are illuminated from with and change color, and the luminous effect will be amplified by the pavilion’s mirrored interior walls. The MAK exhibition includes construction drawings and process photographs of the installation, as well as conceptual renderings of this project, above, and other work of Woods and Kumpusch.
Steven Holl's new Cité de l’Océan et du Surf in Biarritz, France is at once rugged and ethereal. Designed in collaboration with the Brazilian artist Solange Fabiao, the building includes an accessible concave plaza roof covered in cobblestones, pierced by two milky "glass boulders," or pavilions housing a restaurant and a "surfer's kiosk." The boulders offer views out to the ocean, while the plaza directs the eye to the sky above. The museum "explores both surf and sea and their role upon leisure, science, and ecology," according to a statement from the firm. The landscape beyond is scooped out to reflect the building's concave form and create a new gathering place for the city. The museum opens to the public on June 25.