Oklahoma City investment company Kestrel Investments has purchased recently deceased architect John Johansen's Mummers Theater for $4.275 million and plans to demolish the revolutionary building to construct a 20-plus story mixed use tower in its place. The news came as a blow to local and national preservation groups who worked unsuccessfully to save the groundbreaking architectural work by finding a new tenant and use for the idiosyncratic structure. Johansen completed Mummers in 1970 during a heady period of experimentation within the fields of art and architecture. His decision to separate out the facility's program elements and mechanical systems into discreet enclosures linked by bridges and tubes was inspired by the assemblies of electronic chip boards and established a hitherto unknown vocabulary for architecture. The building was renovated in the 1990s by Oklahoma City firm Elliott+ Associates Architects and rebranded Stage Center. It was closed after extensive flooding damaged the facility in 2010. According to News OK, The Oklahoma City Community Foundation gave the Central Oklahoma Chapter of the AIA five months to find a buyer for the site. When no buyer stepped forward, Kestrel's bid was accepted. No architect has been announced, nor designs unveiled, for the new tower. Kestrel is still working on finding an anchor tenant for the development. If and when the project goes through it will be the first new speculative Class A office space to be built in downtown Oklahoma City in 30 years.
Posts tagged with "Stage Center":
There is some good news coming out of Oklahoma City where the effort to save the late John Johansen's iconic 1970 Mummers Theater has taken a positive—if tentative step—towards preservation. AN last wrote about the theater on May, 11, 2012 when a recent flood in the building seemed to doom an effort by a local group to purchase the facility and turn it into a downtown children's museum. We've kept up with the preservation effort periodically over the past year and always heard that its was a hopeless cause and would soon be destroyed and replaced by a new building. But the building which Johansen himself said "might be taken visually as utter chaos" has a compelling joy in its elevation and plan that makes it unique and certainly the most important structure in Oklahama City. Though it seems to be unloved by many in the local community who would rather see it demolished, Mummers Theater fortunately also has its supporters who want to see it saved and they are taking steps to free it from the wreckers ball. Just this week the Oklahoma State Historic Preservation Office voted unanimously to forward the building to the National Park Service (NPS) for designation as a national monument. Though the owner of the propert,y The Oklahoma Community Foundation, has objected to the listing, its still a positive step for this important building. A designation by the NPS would not in itself offer protection for the building but would be a sign that it has value and merit. So the fate of the building which Johansen said "gives the impression of something in-process" appears to be still that in process. Stay tuned.
Amidst office towers in the heart of Oklahoma City sits an incongruous ensemble of multicolored boxes, tubes, concrete skywalks, and corrugated metal painted in shades of red, blue, orange, and chartreuse green. One cantilevered rectangle precariously perches at the edge of a swooping concrete form whose interior holds a theater in the round, once home to the Mummers Theater troupe. Architect John M. Johansen, of the so-called “Harvard Five,” completed the project for the Mummers in 1970, but the troupe folded just one year later. The building would go through several incarnations as a theater/arts center called Stage Center until a 2010 flood put it out of commission. Vandalism and decay ensued, and now the AIA Central Oklahoma chapter has put out an RFP for the renovation, hoping to spur design-world interest in their Save Stage Center Campaign. One group, organized by Tracy Zeeck with Rees Architects, envisions a children's museum modeled with a play café, like the soon-to-close Moomah in TriBeCa. The design would need little alteration to capture the imagination of kids. “I grew up here and I remember it as kinetic; I thought it moved,” said Zeeck. She added that the group got Johansen’s blessing to restore the space for kids and support from the Phoenix Children's Museum. There’s a concern that the rapid development might threaten the building. Directly across the street is the Picard Chilton- designed Devon Energy tower to be completed in 2012. The 50-story glass-clad tower dwarfs the comparatively quaint arts complex. “I think as a city we tear ourselves down to build ourselves up,” said Zeeck. “I just want my son to share the same memories of the place that I have.” Deadlines for the proposals are due to the AIA Central Oklahoma Chapter by February 29.