After years of planning, the Vancouver Art Gallery revealed renderings for its new home by Swiss firm Herzog & de Meuron this Tuesday. The conceptual design is a striking departure for a city of tall, slim towers, but an ongoing motif for the firm. Concept images depict wood and glass clad cantilevered boxes of varying sizes hovering over downtown Vancouver. The new project would fill in what is now a parking lot several blocks east from the current museum. Vancouver urban planners are frequently recognized for embracing both density and nature—and the design for the new museum building also seeks to unite the two. In the renderings, the vertical museum—topping out at seven stories—rises from a public 40,000-square-foot garden courtyard. The expansion would create 85,000 square feet of galleries, including an admissions-free ground level and a seventh-floor terrace displaying sculptures. There are also plans for an education center, a theater, a library, as well as a cafe, bringing the new space to a grand total of 310,000 square feet. There would also be room to grow vertically in the future. “It is so vertically dominated, this city, that to do a museum [that] would only stay on the ground – you couldn’t do it. You have to explore the height which is so much a topic of this city," Christine Binswanger, senior partner at Herzog & de Meuron told the Canadian newspaper, The Globe and Mail. The city is leasing the land for the new building to the Vancouver Art Gallery. The estimated cost for the project: $350 million—to be achieved through a mix of private and public funding, with an expected opening in 2021.
Posts tagged with "Stacked Boxes":
Stacked boxes are all the architectural rage these days—from Bjarke Ingels' Two World Trade, to ODA's Midtown skyscraper, to ODA's Financial District skyscraper, to ODA's Bushwick residential project, to ODA's Williamsburg condos, to ODA's other boxy buildings in Long Island City, Harlem, and the Lower East Side. It should surprise nobody, then, that ODA's latest project will stay true to the firm's trademark form. The New York Times reported that Eliot Spitzer, the former governor and short-lived cable news host, is now heading his father's real estate business and has tapped ODA to design his first project. The $700 million, 856-unit development sits along the East River, directly south of the Williamsburg Bridge in Brooklyn. The project appears as a collection of stacked-box towers that each rise 24 stories. ODA founder Eran Chen said the design resembles a "molded iceberg." (For reference, here are some pictures of icebergs.) Along the river is also a new park and esplanade. "[Spitzer] said he decided to build rental housing rather than condominiums, and agreed to set aside 20 percent of the units for poor and working-class households," reported the Times. "But with Mayor Bill de Blasio seeking to require as much as 30 percent affordable housing for what are known as 421-a projects, Mr. Spitzer wanted to get his project moving before the current regulations changed or expired this month." This did not go over too well with some people on Team de Blasio. The Observer noted that Lincoln Restler, a senior policy advisor to the mayor, shared the Times' story on Facebook and called Spitzer's attempt to keep the project at 20 percent affordable "offensive." A spokesperson for de Blasio told the Observer that Restler's comments did not necessarily reflect the thinking of the administration. Either way, the Facebook post has been deleted.
If you took Herzog & de Meuron's so-called "Jenga Tower" in New York City and combined it with NBBJ's so-called "Jenga Tower" in Cleveland, you would have something resembling Büro Ole Scheeren's proposed residential tower in Vancouver, which, sure, kind of looks like a game of Jenga. The firm's first North America project would land at 1500 West Georgia Street in Downtown Vancouver and rise 48 stories. The tower, with its cantilevering volumes, is intended to break up the monotony of the city's glassy skyline which the firm summed up as "extrusions of generic towers that don’t engage their environment and create isolation rather than connection." To change that, the tower has a unique massing that is supposedly intended to free up space at the street level for things like a public plaza and an "amplified reinterpretation" of the site's existing water feature. Unspecified "renewable energy sources" stuck into the building's crown would provide 100 percent of the power for these public amenities, helping the building hit its LEED Platinum target. The project is still in its early days as Ole Scheeren and Francl Architecture have only recently sent a letter of inquiry to the city about the redevelopment, which is being developed by Bosa Properties. [h/t Dezeen]
In late 2005, Norman Foster unveiled his design for Two World Trade Center—an 88-story tower capped in four diamonds to direct the eye down toward the 9/11 Memorial, which, at the time, was still years from completion. Then, the World Trade Center site was still in the design phase, and Bjarke Ingels was a little-known architect from Denmark. But in the decade since, Ingels' rise has been nothing short of meteoric. Now, Wired has the story that proves what has been reported for months: the Bjarke Ingels Group (BIG) will replace Foster + Partners at Two World Trade Center, the second-tallest of the cluster of towers in Lower Manhattan. The 1,340-foot-tall skyscraper is being developed by Silverstein Properties and will serve as the joint headquarters for Rupert Murdoch's News Corporation and 21st Century Fox. If BIG’s building does, in fact, rise, then the final tower at the 16-acre site will have been designed by a firm that did not even exist when rebuilding began. With BIG’s growing portfolio of push-the-envelope architecture, the easy assumption for Two World Trade was that the building would step into the complicated—and politically fraught—site and loosen its buttoned-up, corporate aesthetic. If the redesigned tower accomplishes that, then it certainly does so gently. From the memorial, the 80-story tower takes cues from its neighbors, Three World Trade and Four World Trade, with an uninterrupted glass curtain wall. (Santiago Calatrava’s soaring Transportation Hub creates a brief stylistic rift along the crystalline campus.) But from every other vantage point, the tower appears like a staircase—or a classic mid-20th century Manhattan ziggurat-style building. The structure's massing appears as a series of seven, 12-story boxes that climb upward, stepping toward SOM's One World Trade next door. “On one hand it’s about being respectful and about completing the frame around the memorial, and on the other hand it’s about revitalizing downtown Manhattan and making it a lively place to live and work,” Ingels told Wired. "From Tribeca, the home of lofts and roof gardens, [Two World Trade] will appear like a vertical village of singular buildings stacked on top of each other to create parks and plazas in the sky," Ingels said in a statement. "From the World Trade Center, the individual towers will appear unified, completing the colonnade of towers framing the 9/11 Memorial.” BIG's involvement with the project came about after James Murdoch, Rupert’s 42-year-old son and a 21st Century Fox executive, reportedly expressed concerns over Foster’s design. James Murdoch was looking to create a more open-plan work environment. And BIG has experience doing just that—the firm recently presented designs with Heatherwick Studio for a sprawling Google headquarters complex comprising a series of glass canopies. At the World Trade Center site, BIG's main assignment was to take the spirit of a Silicon Valley, open-air campus and squeeze it into a Manhattan skyscraper. On a practical level, that's no easy assignment. But through generous setbacks, the building offers space for heavily planted gardens that at least serve as a nod toward the corporate campuses on the West Coast. Or so it would seem; Wired reported that the gardens are “supposed to evoke varying climates, from tropical to arctic.” But this is New York, not California, so by December all the gardens might lean toward the latter. Underneath these gardens, on the tower's cantilever reveals, are digital news tickers that will display headlines from the news giant operating inside. https://vimeo.com/130120622 Among the other challenges for BIG in redesigning Two World Trade was working within existing realities of the World Trade Center site—and a foundation structure that had already begun construction. The tower’s foundation is already set according to Foster's plan and includes air vents from the neighboring transportation hub. The new tower is also aligned along the axis laid out in Daniel Libeskind's master plan. When it came time to sell BIG's new design to the developer and client, Silverstein and Murdoch were initially skeptical. “I hadn’t seen a building like this beforehand, I hadn’t considered a building like this before, and certainly there was nothing down at the Trade Center to indicate that this would be a trend for tomorrow,” developer Larry Silverstein told Wired. Rupert Murdoch apparently agreed, but after the philosophy of the building was explained—and Ingels is a talented storyteller—Silverstein and Murdoch were on board. The architects behind the World Trade Center’s other three towers—David Childs, Richard Rogers, and Fumihiko Maki—all gave their blessing as well. News Corp. and 21st Century Fox recently signed a non-binding letter of intent to build Two World Trade, which brings the project closer to reality. And if all goes according to plan, Murdoch’s media empire should be setting up shop in Lower Manhattan as soon as 2020.
Dutch architecture office MVRDV has placed a bid to create a 1,300-foot-tall skyscraper in Jakarta, Indonesia called Peruri 88. The complex arrangement of edifices, which resembles a city's worth of buildings stacked atop one another along the lines of a massive assembly of life-size “building” blocks covered with greenery, is MVRDV's answer to Jakarta’s need for densification and green space. The somewhat literal rendition of an 88-story “vertical city” will comprise 3.87 million square feet with an extensive list of offerings including retail, housing, office space, a luxury hotel, four levels of parking, a mosque, a wedding hall, an Imax theater, an outdoor amphitheater, semi-public roof parks, and an abundance of gardens. The commercial podium of the structure alone will house reflective pools of water and a sunken garden plaza among its restaurants and shops. Overall, Perruri 88 has truly compounded a enormous city onto one site. “Peruri 88 is vertical Jakarta," MVRDV co-founder Winy Maas said in a statement. "It represents a new, denser, social, green mini-city, a monument to the development of Jakarta as a modern icon literally raised from its own city fabric.” This green-mix use project was presented to site owner Peruri as a competition bid to assist in Jakarta’s urban growth and, if chosen, construction would begin immediately at the the desired location of Jl. Palatehan 4 Jakarta. MVRDV worked with American firm Jerde and engineering firm ARUP on the proposal.
Chicago's South Loop skyline may be getting a new bobble in the form of a boxy rental residential tower across from the Roosevelt University vertical campus. Designed by Lothan Van Hook DeStefano Architecture, the black boxes cantilever over the edge of the one below, creating a cubic counterpoint to Roosevelt's zig zag. Many of these stacked box schemes—including a project in Jersey City by OMA and the dead Museum Plaza by REX in Louisville—have never made it off the drawing board, so it will be interesting to see if the locals can pull it off.