Glimpses of New York and Amsterdam in 2040 at the Center for Architecture (through September 10) is a clarion call for designers to redefine sustainability in architecture. Though it didn’t start with this intention, the visions of 10 young architecture firms imagining future landscapes of New York and Amsterdam raise questions about what changes are imminent for urban development and what part architects can play. The projects suggest both practical and fantastical interventions to improve the prospect of urban growth in the face of ecological, geographic, and demographic shifts. The program comes hot on the heels of the announcements of Vision 2020: New York City Comprehensive Waterfront Plan and the similar strategy-based Structural Vision: Amsterdam 2040. Curators Luc Vrolijks, Rosamond Fletcher, and Marlies Buurman’s collective ambition has been to use design and debate to link the two cities in the context of these new directives. This month, the Center for Architecture hosted a series of talks and presentations of the work by the architects and the exhibit is also at the ARCAM site in Amsterdam until August 13, which will raise new questions about potential futures. The projects responded to one of five headings: Breathing, Eating, Making, Moving, Dwelling. Breathing: Both Delva with Dingeman Deijs and W Architecture and Landscape Architecture take water as their starting point. While Delva takes the IJ estuary as a generator for energy, W Architecture’s Hudson archepelagos, made using dredge from the port, provide habitats as well as landing banks. Eating: Here, WORKac focuses on the ‘food desert’ in the Bed-Stuy and Bushwick neighborhoods of Brooklyn and maps the potentially resourceful ways of re-appropriating the streets to harvest food, from future transportation (gondola-type links) to a hybrid fish farm and greenhouse-grown plants (Aquaponics). Van Bergen Kolpa Architects imagines a Landscape Supermarket, where varieties of food can be grown and sourced in park-like environments run by city dwellers. Making: In The Refinery, Solid Objectives-Idenburg Liu (SO-IL) imagined a floating market place where robotic arms compartmentalise waste materials to mend a broken landscape. Barcode Architects on the other hand has developed a contained mega science park from which to export knowledge - “the most valuable commodity of The Netherlands in 2040” said Caro van der Venne of Barcode. Moving: Dlandstudio responds to the future need for water transportation and how this can be an opportunity to also positively affect public wellbeing as well as environmental health. Fabric’s interpretation considers a new urban fabric based on mixing uses to produce “a more complete urban program, so that our daily needs are always near.” Dwelling: The Newark Visionary Museum by Interboro Partners and Space & Matter’s We is the New I both approached the idea of sustainability as social concerns. Interboro’s projection showed a colourful scene of failed plans and possible future solutions to Broad Street’s transportation, entertainment, sports and communication demands. Similarly practical was Space & Matter’s solution to increasing diversity and social cohesion by harnessing and building around common interests.
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They're currently in the works in a shop in Gowanus, and we'll have more pictures come Friday, after the in situ party Thursday night (see you there), but here, finally unveiled, are the dozen winning sukkahs from the first annual Sukkah City competition. We first revealed the impressive project, with the ambition of redefining this ancient Jewish structure, back in May, and last month we dug up the dirt on three of the winners, including preliminary plans for the homeless-sign-constructed Sukkah of Signs above. After the jump are a few more of our favorites, with all of the winners and entrants over on the competition's site. They'll be showing up in Union Square a few nights before Sukkot, on Sunday and Monday, with the winner of the People's Choice sukkah, currently being selected over at New York magazine, staying all week. So go on. Vote already. It's a mitzvah and'll do your bubbe proud.
Admittedly, we've been pretty darn obsessed with this year's P.S.1 Young Architects Program, Pole Dance. But after last week's party, the enthusiasm appears to have been justified. Not because this is the first one ever with its own interactive component, where you can log-on to the Pole Dance site and manipulate its sound (also a first) with your phone, or watch visualizations, or upload your own pictures. Not because of all the beautiful and architecturally famous people who came out, as our photos clearly document. No, this may just be the best damned pavilion in the program's decade-long history because it's the most damn fun. Your proof is after the jump.
Over the weekend, we happened to be biking by the (newly renamed) MoMA PS1 in Long Island City when we noticed something unusual, familiar, even. It was SO-IL's Pole Dance, this year's Young Architects pavilion, taking shape. The museum was closing, so we only snapped one furtive, washed-out photo (let's call it arty) on our cellphone before security made us leave. Fortunately, Frederick Fisher cut some slats in the imposing concrete wall he created as part of the museum's 1997 redesign, so we managed to capture a little bit more of the installation, emphasis on little. Still, it looks like it'll be fun, and we can't help but notice how close it is to the renderings, as you can see after the jump.
The New Practices New York juried portfolio competition took place on Wednesday. This biennial competition, sponsored by the AIA New York chapter and now in its third iteration, has quickly become one of New York City’s most important launching pads for architects who have been in practice for less than five years. The winners are featured in an exhibition at the Center for Architecture, which usually travels to the national AIA convention and other architectural societies (this year’s winners will be featured in Sao Paulo, Brazil) plus a one-year free membership in the AIA and visibility as a firm on the rise in this highly competitive city. This year’s jury included Toshiko Mori as lead juror, Joe MacDonald (a New Practices winner in 2008), Guy Nordenson, Galia Solomonoff, and yours truly. After reviewing nearly 70 portfolios and much wrangling about what makes a good presentation—debating the value of portfolios with only theoretical and unbuilt work versus those with completed projects, and whether work done in earlier offices of employment for young architects should be included—we selected seven winners. The winning 2010 firms are: Easton+Combs, which earned the highest honor, and whose entry for the P.S.1 Young Architects program is pictured above, along with: Archipelagos Leong Leong Manifold SOFTlab SO-IL Tacklebox Congratulations to the winners!
Florian Idenburg just sent us this video, part of SO-IL's presentation to the Young Architecture Program jury for their winning design, Pole Dance, which will be the pavilion for this summer's Warm Up at P.S.1. No wonder he and Jing Liu prevailed. Could there be a bigger architecture party in the works? Who knew a "a metaphor for these uncertain times," as we put it, could be so much fun. If this turns out even half as well as in the video, it will probably be the best pavilion yet, so much so, Simon and Garfunkel will be forced to reunite and perform. (As for concerned neighbors, Idenburg assured us in Thursday's interview that the balls will not be able to jump the wall.)
UPDATE: Get the full story, including renderings, on our main page. Well into its second decade, P.S.1 and MoMA's Young Architect's Program looked just south of its Queens home for this year's winner, selecting Brooklyn's SO-IL Solid Objectives Idenburg Liu to design the now famous summertime pavilion in the P.S. 1 courtyard. They beat out two fellow Brooklynites, Freecell and Easton + Coombes, Cambridge's William O'Brien, Jr., and a dark horse Danish contender BIG-Bjarke Ingels Group. Renderings will be released at a MoMA event tomorrow, but a press release describes their entry thusly:
Conceived as a participatory environment that reframes the conceptual relationship between humankind and structure, Pole Dance is an interconnected system of poles and bungees whose equilibrium is open to human action and environmental factors. Throughout the courtyard, groups of 25-foot-tall poles on 12 x 12-foot grids connected by bungee cords whose elasticity will cause the poles to gently sway, creating a steady ripple throughout the courtyard space.While still young, SO-IL is no stranger to success. The firm recently completed a new atelier for Derek Lam above his SANAA-designed showroom on Crosby Street in Soho, and plans are in the works for a trippy green roof not far from P.S. 1 in Sunnyside, Queens. Idenberg's best known work is with another museum, however, as he was the project manager on the New Museum.