Posts tagged with "Snøhetta":
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A preview of the collaboration behind the entryway to Ras Al KhaimahSnøhetta’s 656-foot-tall Gateway tower, 93 miles east of Dubai, will mark the entrance to the new planned capital city of the United Arab Emirates, Ras Al Khaimah. Inspired by the surrounding desert and mountain landscape, the project’s undulating form will bring almost 3 million square feet of mixed-use space to the city, which is being master planned by Netherlands-based firm OMA. Snøhetta has designed a prototype of the building’s white-scaled skin in collaboration with Dubai-based lightweight composite manufacturer Premier Composite Technologies (PCT). The RAK tower, which is slated to hold a hotel, will be structurally clad with prefabricated panels attached to its concrete slabs without additional substructure. The design requires panels to be insulated and include the external skin as well as internal doors, windows, and a grid for a plasterboard interior finish. More than 1,000 panels will be needed to realize the design, but Snøhetta and PCT began with one 26-by-13-foot prototype. The design plays to efficiency: Finished panels clad with geometric ceramic shapes will be hoisted onto the tower by crane and connected to each other with a watertight bolted connection to save money and time; a composition of glass fiber and epoxy resin composite surrounding a structural foam core and insulation is designed for decreased solar heat gain. Because the tower rises and twists from lower, horizontal forms at its base, the panels must have a complex bi-axial shape, so using easily moldable composites made sense from a design standpoint as well. PCT uses a 5-axis milling machine to create molds with multiple-axis forms and intricate shapes. Snøhetta worked with PCT’s design engineers to develop the RAK Gateway’s conceptual facade designs, analyzing 3-D images for structural performance. The team then translated CAD files into CAM files to manufacture molds. The components, which are laminated on the CNC-milled molds and oven-cured under a vacuum, have a tolerance of less than 1 millimeter. Holes are also molded into each element, ensuring accurate placement of attachments before the panels ever reach the building. As part of the collaboration, Snøhetta translated the Gateway’s shapes into a design for PCT’s booth at 100% Design London. Watch architect Thomas Fagernes discuss the design below in a video about PCT: Video courtesy RIBAJournal.com
According to Snøhetta, the site's "unique hybrid of cultural and natural landscapes allows for a new understanding in Mexican architecture." As such, the design makes use of linked courtyards and gardens to maximize fresh air, open space and natural light. The irregularly-shaped courtyards are meant to echo both traditional Spanish colonial planning and forms found in the surrounding landscapes of Jalisco.
Acting as a bridge between the university's new library and auditorium buildings, the structure will be compact, keeping sight-line disruptions to a minimum. With trees peeking out from the gardens below, the museum's rooftop will be accessible to visitors, giving them another perspective from which to view the surrounding area.
The main thing, as you have said, is that light has played a critical role in the “Great White Way” since it was a theatre district primarily, through the sordid 70s with the huge cinema marquees and signs through the 90’s when bright lighting became MANDATED—the only district we know of to have a minimum footcandle level (rather than a maximum) which has made the visual illumination characteristics what they are today. One of the vital questions about Times Square lighting will be the determination of whether the street lighting will remain or be removed. There have been discussions about the need for public, street lighting in Times Square amongst urbanists and lighting designers—and the conundrum in this case is, although the private sector lighting is legislated to be bright, the city can’t legally depend on private lighting to light the streets. So here we have theoretical agreement that the street lighting is redundant. Times Square, the globally recognized after-dark crossroads of the world will be completely transformed by our team. My ideas for the lighting of Times Square will take into account the walls of Times Square, the buildings that make the walls, their lighting, catalyzing the uses and activities of the new plaza, and integrating into our team’s approach to the architecture and landscape of tomorrow’s Times Square.Schwendinger stressed that these are of course her own initial thoughts and not that of the teams—duh!—but here's your disclaimer anyway. As for the project itself, we've already got our tickets and can't wait for the show to begin.