Following in the stead of Snarkitecture and Bjarke Ingels, New York's James Corner Field Operations will create the National Building Museum's summer 2016 installation. The landscape architecture firm is best known for its outdoor projects such as the High Line, Santa Monica’s Tongva Park and Ken Genser Square, Race Street Pier in Philadelphia, and Seattle’s Central Waterfront. Field Operations will likely bring a fresh perspective inside the building's four-story Grand Hall. The National Building Museum opened in 1985 in the Pension Bureau building, originally built in 1887 and designed by Montgomery C. Meigs, the U.S. Army quartermaster general during the Civil War. Notably, the Italian Renaissance–style building features 75-foot-tall Corinthian columns in the Grand Hall and a 28-panel frieze by American sculptor Caspar Buberl. A design will be revealed in the spring and the exhibition will run in tandem with the museum's summer block party series. “We are very excited about this opportunity to once again transform the Great Hall for summer spectacle and pleasure,” said James Corner, founder of James Corner Field Operations, in a press release. “It will be a great challenge to surpass the genius of previous installations, but also an opportunity to explore something new and unexpected.” Snarkitecture opted for a giant, monochromatic ball pit (Click to see AN's report on this installation) in 2015 and the year before, Bjarke Ingels took advantage of the hall's height to craft a giant maze (Read more about the maze here). Stay tuned to learn what Field Operations creates for the space. To learn more about Field Operations and its projects, check out the Miami Underline and Great Falls State Park.
Posts tagged with "Snarkitecture":
On Sunday, November 22, twenty four teams from architecture and design firms in Washington, D.C. built sculptures out of canned food inside the National Building Museum. The theme this year is transportation and sculptures included the Scooby Doo Mystery Machine, a full-size smart car, a Mayflower bean soup ship, CAN-nook Chopper to the Rescue, a Lunar module, and more. Canstruction is a national food drive for the Capital Area Food Bank. Last year, Canstruction teams donated 56,000 pounds of food and $18,000—the equivalent of 42,000 meals. More than 275 tons of food has been donated through CanstructionDC since the event began in 1998. The sculptures will be on display until Monday, November 30, and visitors can vote for their favorite to win the “People’s Choice Award” by donating a can of food in the “ballot box” next to each sculpture. For those who can’t make it to D.C. (or who want to see more) Work Zone Cam created a time-lapse video for the event. To get completely up to speed on National Building events, check out The Beach by Snarkitecture from this past summer and The Maze by BIG, both in the National Building’s great hall. https://www.youtube.com/watch?v=JrixcmmsP3s To learn about Canstruction in your area, check out this website.
By now you’ve surely seen a friend or relative’s selfie from the massive ball pit at the National Building Museum in Washington, D.C. The installation, dubbed The BEACH, was designed by Snarkitecture and includes nearly one-million all-white, translucent, recyclable plastic balls. It's like a McDonald's ball pit, but artsier and probably a little bit cleaner. As AN reported earlier this summer, “A mirrored wall at one end creates the illusion of an unending abyss of translucent orbs. Bordering the enclosure is a 50-foot ‘shoreline,’ filled with umbrellas and monochromatic beach chairs for lounging in the sunshine that filters through the window-laden ceiling four stories above.” If you’re not able to hit The BEACH before it closes on Labor Day, you now have another chance to swim through a sea of plastic and strangers. AMNY reported that New Yorkers are getting their very own ball pit from August 21st to September 21st. The installation, called JumpIn!, comes from the London- and New York–based creative agency Pearlfisher. According to the company, the installation is all about “promoting the transformative power of play.” While the ball pit will likely be quite popular, and a lot of fun, let’s not kid ourselves here: with a grand total of (only) 81,000 white plastic balls, JumpIn is a fraction of The Beach. (You win this round, Washington!) https://instagram.com/p/x16nbCpN3D/ JumpIn! will be at Pearlfisher's Soho offices, which are on the 5th floor of 455 Broadway. It's free to enjoy, but reservations must be made in advance. You can do that here. https://instagram.com/p/x6sSRKJN4y/ [h/t Curbed]
Last year a labyrinth, now a giant ball pit: National Building Museum hosts indoor beach in its Great Hall
The magnificent, four-story Great Hall of the National Building Museum is now a site for executing cannonballs, rolling on the floor laughing, and other acts of gleeful revelry. A giant ball pit filled with recyclable translucent plastic orbs cuts between the colossal Corinthian columns, bounded by an enclosure made from scaffolding, wooden panels, and perforated mesh all painted stark white. A mirrored wall at one end creates the illusion of an unending abyss of translucent orbs. Bordering the enclosure is a 50-foot “shoreline,” filled with umbrellas and monochromatic beach chairs for lounging in the sunshine that filters through the window-laden ceiling four stories above. Adults can recline on “dry” land with a book, play paddleball, or have a drink at the snack bar. The installation, titled The BEACH was dreamed up by Brooklyn-based design firm Snarkitecture, which bills it as “an exciting opportunity to create an architectural installation that reimagines the qualities and possibilities of material, encourages exploration and interaction with one’s surroundings, and offers an unexpected and memorable landscape for visitors to relax and socialize within.” The fun-fest is part of the National Building Museum’s ‘Summer Block Party’ series, which last year hosted Big Maze by the Bjarke Ingels Group. Visitors wandered through an 18 foot-high maple plywood structure inspired by ancient labyrinths, garden and hedge mazes of 17th and 18th-century Europe and modern American corn mazes.
No, you haven't stepped inside a dream world made of suspended toilet paper tissues. You are, however, inside an ethereal installation crafted by New York–based design studio Snarkitecture and created for the 2015 Salone del Mobile taking place this week in Milan. https://youtu.be/obi38URay-M Principles Daniel Arsham and Alex Mustonen crafted this light-filled, monochromatic "cave" for minimalist fashion brand, COS, collaborating with the brand's in-house creative team. The designers were going for an aesthetic of clean lines and ambiguous spaces, and we'd say they achieved those goals. The subtly swaying gradients created by light filtering through strips of fabric create an incredibly peaceful environment appropriate for clearing one's head after a hectic day at Salone. COS' creative team, headed by Karin Gustafsson and Martin Andersson, chose Snarkitecture for their design approach to "reduction," and the architects' work even influenced COS' Spring and Summer collections. The brand was sympathetic to what Snarkitecture described as "removing anything non-essential and focusing the viewer's experience." And in creating this ethereal cave of light, not even a blouse or pair of trousers can be found on display in the space. "Without the use of our garments, Snarkitecture have perfectly encapsulated the COS aesthetic, creating an installation that is unique in its simplicity and unexpected in its approach," Gustafsson said in a statement. "The final space has a sense of calmness and wonder that we hope visitors will explore and return to," Arsham and Mustonen said in a statement. "The undulating spaces and the shifting quality of light seem to create a different experience with each visit." And while these views show the space in isolated tranquility, the flurry of visitors through the strips will reveal glimpses and continuously change the experience of the cave. The installation is on view at Spazio Erbe in the Brera district through April 19—or for those of us without a press pass to Milan, here in video and photographic form.
Tis the season for unique design objets. A collaboration between Snarkitecture and the artisans at Dandelion Chocolate has created the Break Bar—a double entendre name, indeed. The bar proved a challenge to produce, with only 50 bars molded daily by the chocolatiers. Total output: A limited edition of 500. An excerpt from the designers' description of the product yields a clue to its academic ambition. "The break between the architectural volume of the rectangular bar and the irregular topography of its interior continues Snarkitecture's exploration of the space between the familiar and the unexpected." (Remember, this is a chocolate bar—albeit five ounces of 70 percent Belizean Maya Mountain chocolate—we're talking about.) While the bipartite design ensures there will be no physical problems (i.e., chocolate crumbs and shards) in sharing the confection, there's no such guarantee that confirmed sweet-tooths will be psychologically inclined to part with with it. Lest the Scrooges among us balk at the Break Bar's $45 price tag, keep in mind that all profits from the sales of the candy will go to Southern Exposure, a San Francisco not-for-profit arts organization. And if you happen to get lucky and find a white ticket wrapped inside the package, you can trade it in for a prize even rarer than the Break Bar itself: a non-edible gypsum sculpture of the piece, also designed by Snarkitecture.
Pharrell Williams recently sat down to interview architect Alexander Gorlin and artist/designer Daniel Arsham of Snarkitecture. They discussed their influences and creative processes. The conversation took place in Gorlin's apartment in his eponymous building in Miami. As Pharrell noted, "We're sitting in your idea right now... That's deep."
(Editor's Note: FXFOWLE Architect’s PR head, Karen Bookatz, offers a brief, Instagrammed account of architecture and design highlights at Art Basel Miami Beach 2012.) Don’t get me wrong: I love art and I love attending art fairs. They provide one a unique opportunity to see what’s fresh and new in the art and design industries—or whatever trade is being rep’d—every few months. For me, however, a booth is a booth is a booth. Art fairs must continue to find new ways of further distinguishing themselves or otherwise run the risk of conventionality. What Frieze did last May with SO-IL’s tent design (and to a lesser extent, Bade Stageberg and Cox’s environmental design effort for The Armory Show 2012) was a major step in the right direction. Likewise, custom installations and collaborative efforts, while public relations/marketing ventures more than anything else, have proven to be undeniably effective in creating buzz and increasing visibility for the respective firm, artist, or collaborative. (This is why I was personally so adamant about my own firm’s presence—with an architectural installation/lounge project at the Miami Project art fair—at this year’s Basel.) Untitled Art Fair | Keenan/Riley Architects The example of Frieze was most certainly a source of inspiration behind the new Untitled Art Fair, the tent of which was designed by Keenan/Riley Architects . I had the chance to chat up the founder of Untitled over sunset cocktails on Friday evening. I asked if he was considering commissioning a new tent designer for subsequent years—an RFP, or a call for proposals, perhaps? Unfortunately, this did not seem like his intention, but I nevertheless applauded his efforts. And the location of the fair—right off 5th and Ocean Drive on the beach—was off the chain. Guiro | Absolut Art Bureau Perfectly situated on the beach (between the W Hotel and the The Setai), Guiro, Absolut Art Bureau’s glowing, egg-shaped installation that—quite literally—secreted vodka for nine hours every evening, all in view of top-notch curated art and music programming, is exactly what the doctor ordered. I can’t wait to see what Absolut Art Bureau has in store for us next year. Drift | Snarkitecture There’s not much else to report on this crowd-pleasing, Louise Bourgeois-inspired installation other than restating the obvious: it was awesome and there should have been/should be more installations like it. Miami Art Museum Construction Tour | Herzog & De Meuron A first for me at—what is, now, my fourth—Art Basel: a construction site tour. I spent a beautiful Saturday morning on an intimate site tour of Herzog & de Meuron’s new project for the Miami Art Museum—which is slated to open at Basel 2013—led by Jacques Herzog, in the flesh, along with MAM director Thom Collins. Perfect structure, perfect site….perfect everything.
Lurking under the High Line has been a bit more fun since Building Fashion began its series of architecture-and-fashion installations in September, erecting a new collaboration every two weeks as a means of reusing the former onsite Sales Tin of Neil Denari's HL23 condos. On Thursday, Brooklyn firm Snarkitecture and fashion designer Richard Chai will unveil the fourth project in the series, a cave carved by hand from architectural foam. Designed to give shoppers the feel of a glacial cavern, the pop-up shop will feature men's and women's fashions displayed on shelves, niches, and hang bars embedded in the foam. Located at 504 West 24th Street, the store will be open to the public October 21-31 from noon to 6 p.m. The final installation in the Building Fashion series, a collaboration between Siki Im and architecture firm Leong Leong, will be launched November 5, with the adjacent garden designed by Konyk Architecture open through the end of the series.