Chicago's South Loop skyline may be getting a new bobble in the form of a boxy rental residential tower across from the Roosevelt University vertical campus. Designed by Lothan Van Hook DeStefano Architecture, the black boxes cantilever over the edge of the one below, creating a cubic counterpoint to Roosevelt's zig zag. Many of these stacked box schemes—including a project in Jersey City by OMA and the dead Museum Plaza by REX in Louisville—have never made it off the drawing board, so it will be interesting to see if the locals can pull it off.
Posts tagged with "Skyscrapers":
SOM Chicago has won a competition to design a mixed-use tower in the new Chinese city of Suzhou. Located along a lake front, the tower includes a distinctive void carved out the upper portion of the tower, splitting the floorplates in half to better serve hotel uses. Offices will fill the lower, larger floorplates. "We've been doing these kinds of mixed-use towers since Hancock," said Ross Wimer, a partner at SOM Chicago. "Instead of tapering the tower, we've carved away a slot to bring fresh air and light into the building." On the upper floors the building uses the cooler outside air for natural ventilation, reducing the building's overall energy load. SOM's sustainability group estimates the building will use 60% less energy than is typically used in a similar tower in the US. "It's about figuring out ways for tall buildings to stop fighting the environment," Wimer said. The silvery curtainwall includes both glass and stainless steel, with the south-facing wall using more opaque metal and the other sides more transparent glass. The project also includes an L-shaped commercial building and a large public plaza. "In China, developers often build out the entire site, but we felt it was important to include a public space," Wimer said. The 75 story, approximately 2.9 million square foot tower is expected to be complete in 2017.
Ole Scheeren, a former partner at Rem Koolhaas' OMA who broke away to start his own firm (Buro OS) in March 2010, has unveiled his latest project in Kuala Lumpur: an 880-foot-tall mixed-use tower called the Angkasa Raya. Adjacent to Cesar Pelli's Petronas Twin Towers, once the world's tallest, Scheeren's new 65-story project progresses a skyscraper typology of stacked volumes made popular at OMA. The Angkasa Raya separates uses into five distinct volumes, three vertical blocks arranged around two stacks of open, horizontal floors. The lowest horizontal level mixes a parking structure with a spiraling public space reached by ascending a monumental stair from the street that doubles as amphitheater seating. By incorporating public elements within the parking, the architects hope to avoid the deadening effects of a lifeless base. Shops, a food court, prayer rooms, and lush tropical gardens are intended to bring the life of the street into the base of the building in a highly transparent way. Perched above this base, volumes housing offices and a luxury hotel support another set of horizontal layers—the "sky levels"—with a third volume of residences on top. The three main volumes are defined by a grid of windows featuring modular projecting aluminum sun screens to reduce solar heat gain and increase energy savings in the building. The top tower volume also contains an atrium with communal seating and lounge space. The atrium provides natural ventilation to the residential units, further reducing energy demand. The architects also plan to harvest rainwater for use in irrigating landscaping. The sky levels serve as the public meeting space between the three predominant uses, adding a restaurant and bar, multi-purpose spaces including banquet halls and meeting rooms, and more tropical gardens all with some of the best views in Kuala Lumpur. Projecting terraces and an infinity pool overlooking the Petronas Towers adds to the luxury offerings. Demolition on the site was completed in August and construction is expected to be underway in early 2012.
The Chicago-based Council on Tall Buildings and Urban Habitat (CTBUH) sought out a deep understanding of sustainability and contextualization in selecting the Best Tall Building of 2011. This year's worldwide winner, while hardly as tall as last year's winning Burj Khalifa, went to the KfW Westarkade tower in Frankfurt Germany. The 184-foot-tall tower is projected to use half as much energy as a typical European office building and only a third the energy of a standard U.S. building. The 10th-annual awards ceremony took place November 3 at a distinctly horizontal building in Chicago, Mies van der Rohe's Crown Hall. Designed by Sauerbruch Hutton, the KfW Westarkade stood above its contenders by its contextual approach to knitting together Frankfurt's urban fabric. With a colorful sawtooth glass skin, the tower curves around an irregular site. “Whereas many buildings use color as a way to mask an otherwise unremarkable building, here it contributes an additional rich layer to what is already a remarkable building,” said Peter Murray, one member of the jury. The tower was also awarded the Best Tall Building in Europe. Frank Gehry's curvilinear Eight Spruce Street in New York—the tallest residential building in North America—was named the Best Tall Building in the Americas for its iconic undulating skin that offers each unit a bay window overlooking Lower Manhattan. The jury appreciated the building's unique form as well as the investment it represents in a previously overlooked part of Manhattan. “As we design for a sustainable future, we desperately need a new definition of beauty that goes beyond skin deep,” said awards chair Rick Cook of Cook+Fox Architects in a statement. “Already being touted as one of the most energy-efficient office buildings in the world, KfW Westarkade stands out as a shining example of a truly environmentally-responsible project. The building has been carefully integrated into its context, forming relationships with its neighboring buildings, streets and parkland, while simultaneously standing out through the playful use of color. Whereas many buildings use color as a way to mask an otherwise unremarkable building, here it contributes an additional rich layer to what is already a remarkable building. Germany already has a strong reputation for achieving natural ventilation in tall office buildings, and Westarkade can now be added most positively to that list.” The Best Tall Building in Asia & Australia was awarded to the China's Guangzhou International Finance Center, designed by Wilkinson Eyre Architects. At 1,444 feet tall, the tower is easily the tallest of this year's winners and incorporates a tapering design and the world's largest diagrid system to help reduce the bulk of the tower and provide for an aerodynamic form. At night, the diagonal bracing is expressed with lights. Dubai's 1,070-foot Index tower by Foster+Partners was named Best Tall Building in the Middle East & Africa. The Index's use of shaded pools at its base to create micro-climates at the buildings entrances stood out. “The Index presents a new environmental icon for the Middle East, showcasing important passive strategies of orientation, core placement and shading,” said juror Werner Sobek. In addition to the four top tall buildings, Adrian Smith, principal at Adrian Smith + Gordon Gill Architecture, and Dr. Akira Wada, an expert in seismic design, were both awarded lifetime achievement awards for their contributions to tall architecture.
The view from LaGuardia Place includes the symphony of Skidmore, Owings & Merrill’s 7 World Trade Center at 250 Greenwich Street and its ever-rising companion, One World Trade Center, beyond. I see the buildings every day from the Center for Architecture, and have become a fan of 7 WTC’c magical properties, both geometric and optical. It is a building made out of reflections, refractions, inflections, and colors, expressed in glass and stainless steel. The obtuse angle of the extruded parallelogram gestures to the southeast, while the north face is frontal to the West Broadway view, making two surfaces for the sky to paint its themes and variations, and impossible to imagine that the curtain walls are the same all around. We’ve covered the technics and subtleties of its curtain wall (“Good Connections,” Oculus, Fall 2005, by Carl Galioto, FAIA). It creates a continually transforming ephemeral glowing surface that merges with the sky, and we reject those detractors who call the building boring. That’s like saying the sky is boring. Tell that to JMW Turner! The building is a beauty, tall, slender, elegant, and sharp. It was the first LEED Gold skyscraper in the City. By Benjamin Kracauer Each “Building of the Day” has received a Design Award from the AIA New York Chapter. For the rest of the month—Archtober—we will write here a personal account about the architectural ideas, the urban contexts, programs, clients, technical innovations, and architects that make these buildings noteworthy. Daily posts will track highlights of New York’s new architecture. Read more at www.archtober.org/blog.
The landmarked Standard Oil Building at 26 Broadway continues to undergo its transformation from the oil giant’s Carrère and Hastings-designed New York headquarters into a bustling school building. Last week, AN got a sneak peek at the third academic institution to be completed there, a 104,000-square-foot space occupying the building’s first, mezzanine, and second levels. It will add 677 high school seats to the Broadway Education Campus, which currently includes The Urban Assembly School of Business for Young Women (on the 4th and 5th floors) and Lower Manhattan Community Middle School (on the 6th and 7th floors). All three schools have been designed by John Ciardullo Associates Architects, who have worked extensively with the SCA over the past several decades. Perhaps that relationship is why Ciardullo was allowed to have a bit of fun with the campus. As illustrated by the below photos, the underused interior mechanical courtyard is being transformed into a double-height gymnasium complete with a peaked skylight. The construction took a bit of maneuvering—not only with the Landmarks Preservation Commission but also with the new roof’s structural steel, which was slid into place through the building’s windows. John D. Rockefeller wouldn’t have imagined that students would someday play basketball within the walls of his Beaux Arts edifice, which he occupied from 1928 through 1956, but fortunately new pupils will see many of the original limestone and marble details intact in the school’s hallways, in addition to original elevator doors (now sealed shut) and brass light fixtures. Of course, the 29-story building’s upper floors are still marketed as posh office space, including Rockefeller’s own quarters, complete with historic woodwork and chandeliers.
Towering Ambition. An amazing exhibition that recreates some of the world's most iconic buildings in miniature is ongoing at the National Building Museum in Washington, D.C through September 5th. Design Quarterly has more info on the Lego structures by Adam Reed Tucker (via Notcot) and the NBM has an interview. (There's also a lecture on architectural toys planned this Thursday.) High Hopes. The Atlantic features an Ed Glaeser article on the benefits of building up, detailing the benefits of the skyscraper and acknowledging the "misplaced fear" that planners and preservationists harbor toward the tower. Loop the Loop. In St. Louis, a proposed streetcar line connecting Forest Park with the Delmar Loop is right on track. With an Environmental Impact Study expected any day now, the St. Louis Business Journal says $3 million of a $25 million federal grant will push the project forward. Rich Zip. New York's bronze-clad Seagram Building by Mies van der Rohe has long been a symbol of wealth, but now the Wall Street Journal reports that the 38-story tower, with its own zip code (10152 if you were wondering), is also home to the wealthiest per capita income in the U.S. at $13.9 mil. The General Motors building came in second with an average income of $9.9M.
Fox News featured Ed Wood and Leszek Stefanski of Radii Inc. last night, giving viewers a behind the scenes glance at a craft little known outside of architectural circles. Wood explained the relevance of architectural models in the face of advances in computer animation. He noted that there is, perhaps, a kind of dishonesty to the flat screen. “The physical model allows freedom,” he said. It was a sound bite that no doubt gelled with Fox producers, who promptly posted the video to their “Rise of Freedom” website under the subtitle “Designing Freedom.”
The battle for Midtown Manhattan has taken a new twist. Radio broadcasters located in the nearby Empire State Building have raised concerns that Vornado Realty Trust's proposed 15 Penn Plaza will swat their signals from the sky. Standing at over 1,200 feet tall, broadcasters worry the Pelli Clark Pelli designed 15 Penn Plaza could reflect or disrupt radio frequencies, causing a phenomenon known as multipath where multiple waves are sent to the same signal. Radio World reports that experts have been watching the proposed tower closely as it was recently given a thumbs up after a contentious approval process in which Empire owner Tony Malkin argued 15 Penn Plaza would diminish from the historic significance of his building. From Radio World:
"Vornado officials have not indicated an interest in building rooftop broadcast facilities atop the new tower, according to observers. "The Empire State Building is home to 19 FM stations and most of the city’s digital television transmitters. Many radio and television broadcasters migrated there after the collapse of the World Trade Center’s twin towers in the attacks of Sept. 11, 2001 (see sidebar). "Multipath issues are nothing new in the city because of its monstrously tall buildings, but the proximity of the skyscraper to the Empire State Building — approximately a quarter-mile — raises a red flag for some in the broadcast community."
The Times' dogged development reporter Charles Bagli had a big scoop yesterday on Christian de Portzamparc's new tower, Carnegie 57, and what it portends for a construction recovery. That said, we couldn't help but notice a minor error in the article's lede: "Gary Barnett, one of New York City’s most prolific developers, is about to start construction of a $1.3 billion skyscraper on 57th Street that will overtake Trump World Tower as the tallest residential building in the city." The only problem is, Trump World Tower was already surpassed by Frank Gehry's Beekman Tower, which topped out in November. That shimmering, Bernini-swaddled building rises to 867 feet, six feet higher than Costas Kondylis' Death-Star-on-Hudson. We wouldn't have mentioned this except that the errant factoid has been picked up all over the place. Granted, Bagli could have meant completed residential buildings, but it also leaves out the issue of other prospective projects like Hines' MoMA Tower by Jean Nouvel, which, even at its haircut height of 1,050 feet, is still taller than Barnett's 1,005-foot tower. Just saying. (Keep in mind that while we were busy writing this frivolous blog post, Bagli was off blowing the lid on another major story, this time that plans to move Madison Square Garden have been revived.)
One day earlier than expected, the Philadelphia City Council voted unanimously to amend the zoning lot at 19th Street and Arch Street, site of the proposed American Commerce Center. According to The Philadelphia Inquirer, the council's Committee on Rules voted 9-0 in favor of the rezoning. As we wrote last month, this does not grant approval of the KPF-designed project. Instead, it simply changes the zoning of the lot from medium density commercial site with a 125-foot height limit to a super-dense site with no height limits, making way for the 1,500-foot tower, which would far surpass its neighbors. With zoning in hand, it is believed financing and tenants should begin to follow. Still, the project must return to the Philadelphia City Planning Commission and the council for final approval within the year, lest the rezoning expire.