Posts tagged with "Shou Sugi wood":

Seattle-based atelierjones creates one of the first all-CLT residences in the United States

Sixty-three trees, 67 cross-laminated timber (CLT) panels, and 12 days—that’s what it took for Seattle-based atelierjones to erect the firm’s 1,500-square-foot CLTHouse, one of the first all-CLT residences constructed in the United States. The three-sided home is built on a leftover 2,500-square-foot triangular lot in Seattle’s Elliot Bay neighborhood on the shores of Lake Washington, where architect Susan Jones launched her research house experiment back in 2015. The house’s blackened, shou-sugi-ban treated exterior panels contrast with the blonde, white-washed, and daylit-spaces within the home, which emanate from a three-level circulation core containing a staircase, wet walls, and concealed utilities. The rustic home is inspired by the Northwest’s ubiquitous log cabins and features exposed wood paneling inside and out in homage to this building type. The approach, according to Jones, seeks to project a sense of “living with nature in the city” and provides a productive example of the smaller-scale capabilities of emerging CLT technologies. The house is punctured by triangular, gable-shaped windows that infuse it with daylight. Combined with the gypsum, plastic-laminate, stainless steel, and quartz-lined interior surfaces, it provides an “immersive, visceral, and natural experience,” according to the architect. Constructed using CNC-milled, rapidly renewable, and sustainably harvested CSFI-certified spruce, pine, and fir panels made by Structurlam, the building is crafted to inspire a sense of naturalistic escape and relaxation. The home’s exposed knotty pine aesthetic is reflected in a pair of stylized second-floor screened window walls that mark a triangular notch carved into the structure. Here, two pairs of sliding glass doors along the ground floor open the dual-lobed plan to the outdoors. Dining and living room spaces swing around this interior corner, where on one side, a thin plywood partition separates the dining and kitchen spaces from one another. Behind the kitchen sits a short hallway that connects the building’s backdoor entrance—located below a cantilevered bedroom suite—with the stair core. On the floor above, a trio of bedrooms, two bathrooms, and a reading nook cap off the home’s living areas while a rooftop deck overlooks the entire neighborhood from a wooden perch. The pilot house was developed as a research prototype and required extra municipal approvals to account for building codes that had not yet incorporated mass timber structural systems. Though crafted from sustainable materials from the start, atelierjones went one step further and planted 800 trees in conjunction with the project to act as an additional carbon sink. The result, according to Jones, is simply “hypernatural.”

A Desert Oasis by assemblageSTUDIO

Capped by a protective steel mesh screen, tresARCA house is built for indoor/outdoor living.

There are two ways to live with Las Vegas’ harsh climate. The first, epitomized by the hermetically-sealed tract houses ringing the Strip, rejects the reality of the desert in favor of air conditioning and architecture evoking far-off places. The second strategy embraces the environment for what it is, and looks to the natural world for cues about how to adapt. In their tresARCA house, assemblageSTUDIO took the latter approach. Glass and granite punctuated by a folded steel screen surrounding the second-floor bedrooms, tresARCA’s facade is a meditation on the resilience of the desert landscape. “The mesh screen idea came from looking at various shadow patterns in the desert and the idea of the cracked desert floor,” said principal Eric Strain. On a practical level, the screen catches heat before it reaches the bedrooms, allowing daylight to filter in without raising the interior temperature. Aesthetically, “the idea was that the home sits at the base of the Red Rock Mountains, the background scenery is the stratification and the layering of the Red Rock Mountains,” said Strain. “To not copy, but [to] suggest that layering is where the folding nature [of the screen] came from.” JD Stairs fabricated the screen using mesh from The Western Group. The company, which provided the home’s other non-structural steel components, including fencing and the vault-like front door, was tapped for the job partway through the design process. Having never built something of this scale, they staged several full-scale mockups, at one point renting a parking lot to lay out the entire structure.
  • Facade Manufacturer JD Stairs, The Western Group, Tuscany Collection, Fleetwood Windows & Doors, Sawbuck Design
  • Architects assemblageSTUDIO
  • Location Las Vegas
  • Date of Completion 2011
  • System folded steel mesh floating screen, granite, retractable glass doors
The screen floats an average of 1 foot 6 inches away from the bedroom walls. At each of the screen’s nodes—points where multiple panels intersect—adjacent panels are bolted in pairs around 3/8-inch plate steel fins, which in turn are connected to 3 ½-inch-diameter steel pipes extending from the wall. The result, in which triangular panels of mesh fit together to form diamond-pointed projections of varying sizes, resembles an abstracted rock outcropping, a geometric transition between earth and sky. The remainder of the facade is clad in granite, by Tuscany Collection, and glass, by Fleetwood Windows & Doors and Sawbuck Design. Fully retractable doors open all of tresARCA’s public spaces to the outdoors, where the house’s blocky massing creates protective crevices of shade and cool air. The language of layering and natural textures extends from the exterior to the interior walls, which feature blackened steel panels and Shou Sugi wood, among other materials. tresARCA’s challenge to the conventional division between indoors and out is particularly potent in the Nevada desert. Where others see a choice between sealing themselves inside or moving somewhere else, assemblageSTUDIO sought a third way, said Strain. “We tried to convince people that you can live outside in Las Vegas when it’s still 110.”