The Community Design Collaborative (CDC), in partnership with the Delaware Valley Association for the Education of Young Children (DVAEYC), has selected nine finalists for Play Space, a design competition that challenged designers to create spaces for play at a library, a school, and a recreation center in Philadelphia. Play Space explored how good design encourages early childhood development and the success of communities on the whole. The two-year initiative is part of CDC's Infill Philadelphia, a program that uses architecture and design to confront community development challenges in Philadelphia and elsewhere. “The power of play space in the community and its impact on early childhood development is becoming an issue that is facing all cities in the U.S., and for that matter, around the globe,” Beth Miller, executive director of the Community Design Collaborative, said in a statement. “We are thrilled that teams from around the world chose to tackle our design challenge in Philadelphia, bringing different perspectives but working toward the same goal of improving the quality of life for individuals and families.” Three teams were selected for each competition location. Those nine teams will be vetted again: once by the community and again by the jury at an exhibition in mid-March. In all, 40 teams from five countries and 11 U.S. states applied to be considered. Take a look below at the three sites and nine finalists: Site: Blanche A. Nixon/Cobbs Creek Branch Library Neighborhood Playbook (Philadelphia) Team Members: SALT Design Studio (lead), CH2M HILL, the City University of New York, Ian Smith Design Group, It's All Made Up, Kirk Fromm, design + illustration, PlayHarvest, and SS | Design Details. Nixon Park (Atlanta) Team Members: TSW (lead) and Wesleyan School. [Pictured at top] Play Structure | Story Structure (Philadelphia) Team Members: Ground Reconsidered Landscape Architecture (lead), Designed For Fun, Friends Select School, J R Keller LLC Creative Partnerships, Meliora Environmental Design LLC, and The Parent-Infant Center. Site: Waterloo Recreation Center Community Gifts (Guelph, Ontario, Canada) Team Members: Shift Landscape Architecture (lead) and Strathcona-Tweedsmuir School. Reclaiming Recreation (Philadelphia, PA) Team Members: Ramla Benaissa Architects (lead), Elwyn, and Maser Consulting P.A. Waterloo Rebosante (Philadelphia) Team Members: Roofmeadow and StudioLudo (co-leads) and Space for Childhood. Site: Haverford Bright Futures Bright Futures Chutes and Ladders (Philadelphia) Team Members: Meliora Environmental Design (lead), Atkin Olshin Schade Architects, International Consultants, The Parent-Infant Center, and Viridian Landscape Studio. Co-Play at Haverford Bright Futures (Chicago) Team Members: Terry Guen Design Associates (lead), CITYPLAY, Philly Art Center, and Roots First. Embrace Past Present and Future (Beijing, China) Team Members: Studio of Instinct Fabrication (lead) and Red Sun Kindergarten.
Posts tagged with "Shortlists":
SHoP, Snøhetta, and Adjaye named finalists for the National Veterans Resource Complex at Syracuse University
London-based Adjaye Associates, New York–based SHoP, and Oslo/New York–based Snøhetta have been announced as design finalists for Syracuse University’s new National Veterans Resource Complex (NVRC). Selected out of 28 other firms, the three finalists will now visit and engage with the university and veteran community to develop proposals for the multi-use facility. The NVRC will be home to the University’s Institute for Veterans and Military Families (IVMF) as well as the school's Regional Student Veteran Resource Center, the Army Reserve Officers Training Corps, the Air Force Reserve Officers Training Corps, the National Center of Excellence for Veteran Business Ownership, Veterans Business Outreach Center and Accelerator, as well as the University’s Office of Veteran and Military Affairs. The building will be programmed with classrooms, a conference center, gallery space, and a 1,000 seat auditorium to facilitate local and national veteran-focused events. The site of the project is tentatively set for the western end of the Waverly block, which will be visited by each office in the coming weeks. Their visits will also include meeting with the campus community to discuss the possibilities of the project in preparation for the presentation of their final design proposals in April. Also planned for March, the Syracuse University School of Architecture will facilitate lectures by each of the firms. In a statement David Adjaye discussed the relation of his practice to the goals of the University and the NVRC, “Syracuse University’s ambition to make the NVRC a combined educational and community centre as well as a national hub for America’s 22.8 million veterans and their families resonates deeply with my own commitment to architecture that empowers communities and has global resonance.” Both SHoP and Snøhetta remarked on the honor of working on a project for the veteran community. William Sharples, principle at SHoP, noted, "The NVRC at Syracuse University will occupy a special place in the life of the city, the campus, and the community of veterans nationwide it is intended to serve. Everyone at SHoP is honored to be a part of this process." Craig Dykers, founding partner of Snøhetta echoed Sharples, “The poet RJ Heller once wrote, ‘In the aftermath we are because they were.’ Courage is contagious and being a part of this process at Syracuse to benefit our veterans in a groundbreaking new facility is exciting and humbling for all of us at Snøhetta. This is more than a handshake: we are doing something revolutionary for those whose origins are from the same stuff.” Along with competing to design the NVRC, each of these three offices is also contending to design the Obama Presidential Library in Chicago.
The Barack Obama Foundation has announced the seven offices from which it is requesting proposals for the design of the Obama Presidential Library in Chicago. The seven firms include four New York–based offices, one London-based office, one based in Genova, Italy, and one local Chicago office. The offices named are:
- Adjaye Associates of London, headed by David Adjaye
- Diller Scofidio + Renfro
- SHoP Architects
- Tod Williams Billie Tsien Architects
- Renzo Piano Building Workshop
- John Ronan Architects
Everyone's favorite canoe museum, the Canadian Canoe Museum in Ontario, Canada, is expanding. The museum has short-listed six firms to design its new facility at the Peterborough Lift Lock National Historic Site. The canoesuem (our word, not theirs) paddled its way through 90 submissions before settling on the finalists which come from Canada, the United States, and Ireland. The Peterborough Examiner reported that Richard Tucker, the canoesuem's executive director, wants the firms to team up with local architects who can make site visits and meet with local officials. Drawings are due on August 11, and a winner will be announced in the fall. The finalists are Kohn Pedersen Fox from New York City; Heneghan Peng Architects from Dublin; 5468796 Architecture from Winnipeg; as well as three teams—Bing Thom Architects from Vancouver and Lett Architects from Peterborough; Provencher_Roy from Montreal and NORR from Toronto; and Patkau Architects from Vancouver and Brook McIlroy from Toronto.
Here are three bold designs from winning teams that completely reimagine the Los Angeles Convention Center
The Los Angeles Convention Center is desperately in need of an overhaul. Architect Charles Luckman designed the original boxy structure in 1971 and James Ingo Freed added the glassy Annex in 1997. Today, both buildings lack the square footage and amenities to add up to a competitive venue. Centers in Las Vegas or Chicago eclipse LA’s meager 870,000 square feet by double or triple square footage. Indeed, in the decades since the venue was constructed the whole approach to convention center design has changed. The City of Los Angeles announced the three final teams in a design competition for a proposed renovation and expansion of the Los Angeles Convention Center: AC Martin and LMN Architects, Gensler and Lehrer Architects, and HMC Architects and Populous. The schemes, on public view at the convention center through June 4, reflect the need for not only a bigger, more contemporary venue, but for a full-service destination, not unlike nearby LA Live. As the South Park neighborhood continues to boom, renderings show connections between the older buildings across Pico Boulevard, and include landscaped outdoor spaces, bold supergraphics, and open-air entertainment areas equipped for concerts. Each design comes in under a budget of $350 million or less. A comparison to LA Live is no accident. AEG, developers of that venue as well as the Staples Center and the Ritz-Carlton/J.W. Marriott, were contracted to revamp the dumpy Convention Center as part of the defunct Farmers Field NFL stadium plan. The design competition was launched in late 2014 before AEG announced that it would no longer pursue the stadium project. As part of the larger “Expansion and Futurization Project” for the Los Angeles Convention Center, the City of Los Angeles' (led by the L.A. Department of Convention and Tourism Development and the Bureau of Engineering) competition is somewhat of a back-up plan to ensure that LA remains a draw. “Today, we’re taking a big step forward in investing in our future and bringing more business, more visitors, and more jobs to our city,” said Mayor Eric Garcetti. “I’m very pleased that with these functional and attractive designs, Los Angeles is closer to a Convention Center that reflects our city’s position as the global capital of creativity, innovation, and possibility.”
Earlier this year AN's Eavesdrop column predicted the shortlist for Wilshire Boulevard Temple's "Gathering Place," a 55,000-square-foot event space across the street from the institution's sanctuary. The final list has been revealed and includes big hitters such as OMA, Kengo Kuma & Associates, Morphosis Architects, and Steven Holl Architects. The only firm we didn't predict was Holl (we had Renzo Piano taking the fourth spot). According to the temple, the New York Times prematurely crowned OMA as the winner. "These things often leak but don’t always get reported accurately," said Temple spokesperson Susan Gordon. The announcement of the winning team is still "weeks away," said Gordon. Members of the selection committee include Erika Glazer, Eli Broad, Tony Pritzker, Dana Hutt, and Richard Koshalek. Meanwhile the temple—which is following an ambitious master plan— has already begun construction on the renovation of two school buildings, its Karsh Social Service Center, a rooftop athletic facilities, and a new landscaped walking path. Stay tuned for more.
Four teams have been shortlisted to compete for the design of the Armenian American Museum in Glendale, California. Commemorating the contributions of Armenian-Americans and "sharing the Armenian experience," the 30,000-square-foot building will include exhibition space, an auditorium, library, classrooms, and support spaces. The announcement came on the 100th Anniversary of the Armenian Genocide. The teams, chosen by the Armenian Genocide Centennial Committee (AGCC) of the Western US, include Yazdani Studio of Cannon Design, Belzberg Architects, Frederick Fisher and Partners, and Alajajian-Marcoosi Architects. The museum is in negotiations with the city of Glendale to secure a 1.7 acre property for the institution just south of the Glendale Civic Auditorium, at 1305 North Verdugo Rd. Lord Cultural Resources (who consulted on the 9/11 Memorial Museum) are helping develop the master plan for the museum site. Conceptual plans are due in mid-May, and the winning team will be chosen this June, said Berdj Karapetian, chairman of the AGCC's Landmark Sub-Committee. Karapetian said that after a feasibility study is completed the museum will begin raising money for the building, which he estimates could cost roughly $30 million to construct.
Near the end of last year, the Guggenheim Foundation announced the six finalists in its global competition to design its new campus in Helsinki. That open call for ideas attracted more than 1,700 submissions that, when compiled together, created a dizzying array of architectural eye-candy. The basic idea behind the foundation’s unprecedented competition was to find an iconic, tourist-attracting design like Frank Gehry’s metallic creation in Bilbao. While the short-listed proposals are still only known by a number, the six firms vying for the career-changing commission have been made public; they are AGPS Architecture (Zurich, Los Angeles), Asif Khan (London), Fake Industries Architectural Agonism (New York, Barcelona, Sydney), Haas Cook Zemmrich STUDIO2050 (Stuttgart), Moreau Kusunoki Architect (Paris), and SMAR Architecture Studio (Madrid, Western Australia). In the months since that announcement, these teams have been finalizing their schemes - and now the Guggenheim has unveiled new details and renderings for each one. The competition jury has also announced its 15 honorable mentions, along with the firms behind them. Members of the public will be able to interact with all of the designs at a Guggenheim-sponsored exhibit that opens this Saturday in Helsinki. Following the exhibit, the jury will select a winner, to be announced on June 23 – one year after the competition was launched. If you can’t make it to Helsinki for the exhibit, we’ve got the finalists, and the honorable mentions, right here.
From the architects: "The design of the Guggenheim Helsinki and its woven landscape are based upon a sensitive and sympathetic approach to the context and nature of Helsinki. The fragmental design encourages people to flow within a new cultural core that is linked to the rest of the city, through the port promenade and the pedestrian footbridge to Tahtitorninvuori Park. This flexible access welcomes not only the visitors but also serves as a key cultural destination for the community."GH-1128435973
From the architects: "The project proposes two facilities that establish a dialog with each other – a museum made of two museums. The first museum is on the ground or tarmac level of the port facility. The existing terminal is re-used and re-appropriated for multiple activities. It is conceived as a public space, extending the pedestrian boardwalk into the building – a place for education and outreach within the city. The second museum is the museum as such, in so far as it houses exhibitions. The structure is in the air and hovers above the first. As a hall on stilts, partly removed from the everyday life below, the building offers a place of refuge, adhering to the notion of the museum as an 'other space.'"SUBMISSION GH-5059206475
From the architects: "31 Rooms reuses the laminated wood structure of the existing Makasiini terminal to rebuild a wooden volume that follows the exact geometry of the original building. The rest of the massing respects the maximum height of the old terminal and reproduce its profile ensuring that the current views from the park and the adjacent buildings are preserved."GH-5631681770
From the architects: "We propose a Strategy that could offer back to the City of Helsinki an Extra Space at no additional cost. An added value for the City that transcends traditional Exhibition Spaces. We propose an Interior Street, an additional un-programmed space, which is not included in the original brief, that open the building up to citizen’s appropriation, and allow it to remain structurally relevant through the present and well into the future. The Interior Street, an Extra City Space, proposes a set of Unique Spaces that contains an almost unlimited number of conditions and situations that Public Space could offer to present, to study, (re) contextualize, or even provoke the people that enters it, whatever form it takes."
From the architects: "Adorning the waters edge. A cluster of slender timber towers provides a stunning addition to the city skyline. The sculptural form lends the Guggenheim a „Beacon-like“ appearance, attracting visitors arriving by land or sea. A majestic public place in the city. The towers are gathered around a soaring catheral-like central space, providing a unique home for public events on the waterfront."GH-121371443
From the architects: "Our proposal takes the form of a Helsinki city block rotated to the harbour front. Helsinki city blocks in the 1800s were named after wild animals. The proposed new block will have the tactile familiarity of a pet’s fur. Six timber-clad galleries are stacked over two levels and flanked by a seventh for administration and retail. Public spaces are formed between these and an intelligent textured glass skin wrapping the entirety to precisely diffuse light, translucent below, and transparent above."The Honorable Mentions
The Harvard Graduate School of Design has announced the three potential awardees of the 2015 Wheelwright Prize, a travel-based architectural research grant valued at $100,000. Each year, one architect from approximately 200 applicants bags the prize. Established in 1935 at a time when foreign travel was limited to an elite few and then known as the Arthur C. Wheelwright Traveling Fellowship, the prize used to be awarded solely to GSD alumni. It has now become an international competition welcoming early-career architects (within 15 years of earning an architectural degree) from around the world to bring in new blood, fresh ideas, and cross-cultural exchange. The number of countries represented has grown from 46 the previous year to 51 this year, including Bosnia, Cuba, Egypt, Iran, Kazakhstan, Morocco, Poland, Sri Lanka, Ukraine, Zimbabwe and more. The seven-person jury of architects has selected three finalists to present their research proposals at the Harvard Graduate School of Design on April 16, with the winner to be announced at the end of the month. To inspire the next generation of Wheelwright prizewinners, the winner of the 2013 Wheelwright Prize, Gia Wolff, will present "Floating City: The Community-Based Architecture of Parade Floats," reporting on her research on over the past two years on carnival festivals. "The idea is not just about travel—the act of going and seeing the world—but it is about binding the idea of geography to themes and issues that hold great potential relevance to contemporary practice," said Harvard GSD Dean Mohsen Mostafavi in a statement. The three 2015 finalists are as follows: Erik L’Heureux, Assistant Professor at the National University of Singapore, presenting: “Hot and Wet: The Equatorial City and the Architectures of Atmosphere.” Malkit Shoshan, founder of think tank, FAST (Foundation for Achieving Seamless Territory) Amsterdam, presenting: “Architecture and Conflict: Pre-Cycling the Compound” Quynh Vantu, Award-winning Architect, London, presenting : “On Movement: The Threshold and its Shaping of Culture and Spatial Experience.”
ARO, KieranTimberlake, Mack Scogin Merrill Elam make shortlist for Washington University in St. Louis
Washington University in St. Louis on Monday announced the three finalists competing to design a new building for its Sam Fox School of Design & Visual Arts. The three teams vying to design Annabeth & John Weil Hall are: Architecture Research Office (ARO), KieranTimberlake, and Mack Scogin Merrill Elam Architects. The building is part of the university's arts and architecture campus, a collection of limestone-clad structures ranging from Beaux Arts style structures dating to the St. Louis world's fair of 1904 to more modern additions by Fumihiko Maki. The Sam Fox School campus is visually set apart from the university's predominantly Collegiate Gothic Danforth Campus. No renderings or specific timelines are available yet, but a previous announcement of the project said the university aimed to complete construction within the next five years. The new building is part of the university's 10–15 strategic “Design for Excellence” campus plan. New York City–based ARO has designed academic buildings for universities including Tulane, Brown, and Princeton, as well as renovations to Donald Judd's home and studio in Soho. KieranTimberlake has worked with Yale, Rice, and Tulane universities. In the firm's home base of Philadelphia, it has helped revamp Dilworth Park with architectural greenhouses serving as entrances to the city's subway system. Atlanta's Mack Scogin Merrill Elam Architects count among its higher education clients Yale, Carnegie Mellon, and Clemson universities, and the firm was shortlisted to design a new U.S. embassy in Beirut (that job ultimately went to Morphosis). As part of the selection process, each firm will deliver a public presentation in Washington University's Steinberg Auditorium, an early building by Maki dating to 1960 when he was a professor at the university. The event dates are: Monday, March 23, 1:15p.m: Mack Scogin Merrill Elam Architects Monday, March 23, 4p.m: KieranTimberlake Tuesday, March 24, 1:15p.m: Architecture Research Office (ARO)
Downtown Des Moines, Iowa, courted an all-star list of architecture firms for a new $92 million corporate headquarters that has the unfortunate baggage of being helmed by the world’s most cringe-inducingly named and spelled convenience store chain, Kum & Go. BIG, Morphosis, SOM, Bohlin Cywinski Jackson, Renzo Piano Building Workshop, and Safdie Architects all competed for what CEO Kyle Krause is calling Des Moines’ next landmark. And that landmark is going to be designed by the Piano man himself. According to the Des Moines Register, the convenience store was attracted to Piano's "ability to emphasize collaboration, transparency and light." The new building will be located between 14th and 15th streets north of the Pappajohn Sculpture Park, and locals hope the new building will take a back seat to the art on display that includes works by the likes of Jaume Plensa. The headquarters will house 300 employees in some 120,000 square feet and is expected to be complete in 2017. "What we want to do is create the best environment for our associates," Krause told the Register. "Architecturally, sure, they'll do a great job, but it's really about that inside space and what you can create inside the building that is best for our people." He added that Piano is "a great down-to-earth guy who we think can create the space that creates the transparency, the collaboration, the openness for our people to have a nice work space." Eavesdrop can’t be the only one who feels uncomfortable gassing up at this midwestern roadside retailer—but maybe a work of starchitecture can change our minds.
About 10 years ago, the city of St. Petersburg, Florida started talking about tearing down one of its most well-known piece of architecture: a 1970s-era, inverted pyramid at the end of a city pier. The city would then replace that pier head with a more modern, but still architecturally significant, statement. So, a few years back, a design competition was launched, and it resulted in some of the most ambitious designs we’ve ever seen from a competition like this. The Bjarke Ingels Group (BIG) created a massive, spiraling loop, West 8 designed a sea urchin–shaped pavilion, and Michael Maltzan Architecture envisioned The Lens, a massive circuit of bridges and pathways that connect into an angled canopy—or lens—that faces back toward the city. Out of that short-list, Maltzan came out on top, but nothing ever materialized and the inverted pyramid is still standing. Long story short: voters overwhelmingly rejected the $50 million plan at the polls, a new mayor was elected, and then, this fall, a second, more public-facing, competition was launched. Now, eight designs from that competition have been unveiled. While the teams competing aren't as well-known as those in round one, their designs are no subtle gestures. Each team received a $30,000 stipend for its work, meaning the second competition has already racked up nearly a quarter million dollar bill. That's on top of the millions of dollars poured into the first competition that didn't really go anywhere. All of the new plans come with extraordinarily splashy renderings (literally, there are dolphins splashing around in one), and long, detailed plans. One proposal is even paired with a video set to Frank Sinatra’s "Somewhere Beyond The Sea." Following public input, the City Council will approve one of these plans next spring. A St. Petersburg official told AN that funding for the pier has already been allocated and would not have to go back before the voters. For this round, each team was asked to work within a construction budget of $33 million. And now onto the proposals for round two: Prospect Pier FR-EE with Civitas + Mesh From the architects: Prospect Pier celebrates our unique geography, culture and history as a subtropical, waterfront city. In a reinvented Pyramid that looks to the future, it builds upon the Pier’s assets – a strong form floating over the water. Our vision is a journey that begins downtown, passes through a vibrant park and becomes a magical stroll over water before ascending through active, public spaces culminating in breathtaking views of city, sea and sky, high over Tampa Bay. Destination St. Pete Pier St. Pete Design Group From the architects: The St. Pete Design Group's concept provides the perfect marriage of historic icon and modernized, functional pier; a pure, crystalline pyramid is surrounded by fun, contemporary elements and activities within multi-leveled layers of shade. Varied attractions that will keep residents and tourists coming back include a larger Spa Beach, multiple dining options, a children's zone and a spectacular waterfall. Come fish, play, relax and remember. Discover the New St. Pete Pier. The Pier Park Rogers Partners Architects+Urban Designers, ASD, Ken Smith From the architects: The ASD/Rogers Partners/KSLA design honors St. Petersburg Pier’s robust, eclectic history while transforming it into a 21st century public place. It is a hub for activity; not only at the pier head, but all along its length. Flexible programs engage tourists and community alike – from children to seniors, nature lovers to boaters, fishermen to fine diners. The Pier does not take you to a place – the Pier is the place. It is THE PIER PARK. ALMA Alfonso Architects From the architects: The Soul of the City. Cultural Icon. Just as the Eiffel Tower image alone can conjure up an entire cultural experience by merely representing a fragment of the City, the Pier transmutations over the years have served as the symbol and spirit of the place that is St. Petersburg. Our project will recapture the past, embrace the present, and look to the future ALMA: The Soul of St. Petersburg. Blue Pier W Architecture and Landscape Architecture From the architects: The vision for the St. Petersburg Blue Pier lagoon park is a grand civic gesture bringing the pier, bay and natural landscape closer to the city. Blue Pier acts as a unifying element uniting the Bay with the City along a new axis of recreational and economic activity. Starting new allows us to set a new sequence of events in motion to make the pier even more successful and relevant for the coming century. rePier Ross Barney Architects From the architects: repier is a vision of St. Petersburg as a catalyst for more environmentally-friendly, physically-engaging, and socially exciting urban living. repier adds opportunities to engage with the water, creates marine habitat, provides places to snack and sit in the shade, and builds a social space that also generates electricity. repier projects progress and hope and provides St. Petersburg with a place that is useful and loved. The Crescent ahha! - New Quarter From the architects: The crescent as a metaphor for the growth of our community. A gathering place for the people of St Pete; a place for learning and play. A place that is self sustaining. How does one have a pier experience without actually being on a pier? Why not go out on a limb? Isn't that where the fruit is?" - Frank Scully Discover Bay Life VOA From the architects: “Discover Bay Life” respects the past and looks to the future by transforming the upland park and pier into a new destination for St. Petersburg. Just as life on the Bay continually transforms, so does life at “The Pier”. Three destinations - Bay Life Park, the Pier, and the Marine Discovery Center - become one unique destination for locals and visitors to discover and enjoy year around.