Posts tagged with "SHoP Architects":

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SHoP's Essex Street Market brings food hall glory to the LES

88 Essex Street New York Architect: SHoP Architects 917-881-7096 While food halls are “The Thing” developers build nowadays to lure Instagram-hungry foodies, an O.G. grocery and snack palace quietly thrived for almost 80 years on Manhattan’s Lower East Side. The city-owned Essex Street Market, home to dozens of vendors, was a delightful institution where you could buy whole branzini, munch on empanadas, and get a haircut without leaving the building. While vendors thrived, economic pressures compelled the city to move the market from its old location. As of May 2019, the relocated food palace has a shorter name and bigger digs. Designed by New York’s SHoP Architects, the newly christened Essex Market’s slanted, scalloped ceilings echo vaulted subway stations and shed warm light on shoppers who wander between the 37 stalls or hunker down to eat in the mezzanine. SHoP collaborated with Hi-Lume Corp., which packed GFRG into textured molds to form the ceiling’s 3-D patterning. On the floor, ShoP worked with AGL Industries, Inc., a Queens-based steel company, on simple metal frames that vendors tailor to their concepts. Essex Market is part of Essex Crossing, a 20-acre development, with nine buildings and a master plan executed by SHoP. In October, the market will link to The Market Line, a subterranean corridor of food purveyors. Get ready to eat up.
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Alibaba cofounder set to buy SHoP-designed Barclays Center (and the Nets, too)

The cofounder of online retail giant Alibaba is buying the Brooklyn Nets as well as their home arena, the SHoP-designed Barclays Center. The Brooklyn complex is home to the Nets as well as the NHL's New York Islanders (although that team is set to split its games between Brooklyn and Nassau County, New York before its final move to a new stadium complex in 2021). Alibaba's Joseph Tsai already owns 49 percent of the stakes in the Nets—the to-be-signed deal will grant him full ownership of the team as well as the building. The deal is worth more than $700 million, but it's not clear how much of that sum is for the arena. Including the stake he already owns, Tsai is expected to shell out $2.35 billion for the Nets. The soon-to-be previous owner Mikhail Prokhorov started to acquire the Barclays Center and the Nets in 2010 and finished the acquisition in 2015. According to the New York Post, Prokhorov bought the team for $875 million and the building at $825 million, which means he's about to rake in a ton of money on his investment. The Brooklyn Paper reported that the NBA Board of Governors has to sign off on the sale before it's official, a deal which should be sealed by the end of next month. Since 2012, the 19,000-capacity Barclays Center has crowned the intersection of busy Flatbush and Atlantic avenues. The building's glass curtain wall facade is fitted with 12,000 parametrically-modeled weathered steel panels, and the sloping, concave green roof makes it easy to spot from above.
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PAU reinvents the center of a complex postindustrial waterfront

The conversion of a 137-year-old sugar factory into a contemporary office complex requires a delicate touch when the building is landmarked—and even more so when it’s the heart of a complex, 11-acre riverfront master plan. The Domino Sugar Factory sits along the Williamsburg waterfront in Brooklyn on a SHoP Architects' master-planned redevelopment which also includes the James Corner Field Operations–designed Domino Park, SHoP’s doughnut-shaped 325 Kent, and COOKFOX’s mixed-use 1 South First. The facade of the Domino Sugar Factory is landmarked, but the interior, a tangle of sugar refining machinery, much of which acted as support infrastructure, was not. So, when Two Trees tapped Vishaan Chakrabarti’s Practice for Architecture and Urbanism (PAU) to helm the factory’s conversion, the studio proposed a radical solution. Rather than renovate the building, they would instead stabilize the historic brick facade, and drop in an entirely new structure with a glass curtain wall. “The original building has a simplicity and muscularity,” Chakrabarti, told AN, but the building's American Round Arch style arched windows rarely line up across floors and are a variety of different sizes. That meant that using standardized floor plates that touched the landmarked facade was infeasible. Separating the brick walls from the new structure negated the issue. By nesting the new building inside the old one, PAU has created a 10- to 12-foot-wide “breezeway” between the two that allows light to permeate all the way to the ground floor. This also affords each floor a different view of the facade. All of the original windows in the historic facade will be removed, creating a shell that will surround the new building, which will be stabilized with steel supports extending from the new structure. Chakrabarti, who helped lead the master plan while a partner at SHoP, described the site as a bridge between the past and the future, and the design fully embraces that philosophy. The glass topper that rises above the original factory’s roofline (but sticks below the smokestack facing Kent Avenue) consists of structurally-glazed mullions and heavily articulated glass at regular intervals. The barrel-shaped roof is reminiscent of an industrial skylight, but while it was a clear reference, the team didn’t want the contemporary addition to be too industrial nor compete with the heaviness of the surrounding brick. Rather than thinking of the building as having traditional front and back entrances—pitting Williamsburg versus the East River waterfront—PAU lowered the bottom all of the windows on the first floor of the brick facade to the ground, creating a permeable membrane and allowing the public to pass through. According to PAU, merging from the hardscape on Kent Street to River Street and Domino Park fulfills the pledge that SHoP made in the master plan to “pull” River Street out toward the public. While no tenants have signed on to occupy the offices yet, Chakrabarti expects that the building will attract creative industries thanks to the unique atmosphere. No completion date for construction on the Domino Sugar Factory conversion has been given yet, but interior demolition is ongoing.
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SHoP's Midtown supertall brings terra-cotta and bronze to new heights

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Over the last two decades, SHoP Architects has pushed the envelope of facade design, leading a notable shift from predominantly glass-clad skyscrapers to supertalls incorporating a variety of materials. SHoP’s 111 57th Street is currently rising on Manhattan’s Billionaires’ Row—a stretch of dizzyingly luxurious towers. The tower stands out with a facade that incorporates three materials: terra-cotta, glass, and bronze ornamental work. The tower rises from a narrow lot located immediately behind and adjacent to the historic Steinway Building. In the mold of historic New York skyscrapers, the tower sets back and tapers upward along its south elevation. Both north and south elevations are clad in a glass curtain wall with vertical strips of bronze sprouting into finials at each setback.
  • Facade Manufacturer NBK Architectural Terracotta ELICC Americas Corporation SYP Glass Group
  • Architect SHoP Architects
  • Developer JDS Development Property Markets Group Spruce Capital
  • Facade Installer Parkside Construction Builders
  • Facade Consultant BuroHappold Engineering
  • Location New York
  • Date of Completion 2020
  • System Custom ELICC unitized system
  • Products NBK Architectural Terracotta custom terra-cotta rainscreen
As a result of the site’s constraints, the approximately 1,400-foot-tall tower’s width runs at a remarkably narrow 45 feet—the width-to-height ratio comes out to just 1:24. Partnering with BuroHappold Engineering, a key challenge for the project was developing a facade system capable of supporting the weight of cladding materials, notably the terra-cotta panels. Concrete shear walls back the facade for these two elevations with only select opportunities for punched window openings. “These select openings allow for vision glass to be used while the remaining glass panels contain shadow boxes,” said BuroHappold Associate John Ivanoff. “The unitized curtain wall panels are consistent in dimension across the width of the facade; the units are separated between different materials.” The composition of the east and west facades is formed by a trio of terra-cotta, glass, and bronze. Curtain wall–manufacturer Ellic Americas merged the three materials into approximately 4-foot-by-16-foot panels, with bronze filigree fluttering between vertical stripes of glass and terra-cotta. These panels were then delivered to the site, craned into position, and hung from concrete structural slabs similar to typical curtain wall systems. In total, nearly 43,000 terra-cotta pieces, mechanically fastened to a unitized aluminum curtain wall system, run across the two elevations. The design of the quasi-fluted terra-cotta strips was formulated using a 3-D wave geometry generated by a computational script. This geometrically focused design by SHoP was adapted by NBK Terracotta to conform to its specific fabrication parameters. The building is scheduled to be completed in 2020.
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SHoP’s Pier 35 folds industrial materials into an East River habitat

Pier 35, the latest addition to Manhattan’s waterfront and yet another nod to the industrial heritage of the city’s waterways, is now open to the public just in time for spring. SHoP Architects, together with landscape architecture studio Ken Smith Workshop, have dropped a folded, zigzagging landscape intervention on the eastern edge of Lower Manhattan, in the shadow of the Manhattan Bridge. The pier-park’s most striking feature is the 35-foot-tall, 300-foot-long metal screen that both backdrops the park’s landscape as well as hides the Sanitation Department shed at the adjacent Pier 36. As the screen moves eastward and approaches the water’s edge, it rises on weathered Cor-ten steel panels, ultimately bending to create a raised and covered “porch,” complete with swings. A wavey esplanade runs alongside the landscaped lawns and a series of artificial dunes up to the porch, mirroring the sinuous curves of the screen. The underpass of FDR Drive connects with the pier at “Mussel Beach,” a micro-habitat that SHoP and Ken Smith designed in collaboration with ecologist Ron Alaveras. The urban “beach” seeks to recreate the historic conditions of the East River and foster mussel growth, similar to the work being done by the Billion Oyster Project. The 65-foot-long beach’s precast slopes and outcroppings are exposed and submerged as the East River rises and falls, mirroring the tidal conditions that mussels require “in the wild.” Mussel Beach was made possible through a grant from the New York Department of State’s Division of Coastal Resources, as it’s a prototypical environment that, if successful, could be replicated elsewhere. Although Pier 35 was launched with a soft opening in mid-December, the canopy and plants have sprung up just in time for Earth Day 2019.
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SHoP Architects lands in the Lower East Side with a folded aluminum facade

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In October 2018 SHoP Architects completed the first tower of the Essex Crossing mega-development. Located in Manhattan's Lower East Side, the 14-story mixed-use property is clad with anodized aluminum curtainwall modules. Essex Crossing is a sprawling 6-acre mixed-used development project master planned by SHoP. The site has largely lain dormant since the 1967 demolition of the working-class tenements located at the base of the Williamsburg Bridge. In total, the project will deliver approximately two million square feet of development. The podium of 242 Broome is primarily reserved for retail use, with large curtain wall modules and window widths to facilitate greater daylighting. To increase sidewalk width in front of the tower, the modules of the first five stories taper toward the building's base, each floor overhanging the one beneath by nearly one and a half feet. In a bid to blend with the preexisting massing of the neighborhood, the summit of the podium roughly meets the cornice line of surrounding classically-designed tenements.
  • Facade Manufacturer AZA INT KFK Metal Dizayn
  • Architects SHoP Architects SLCE Architects
  • Facade Installer Walsh Glass and Metal
  • Location New York
  • Date of Completion October 2018
  • System Unitized aluminum frame system mounted to slab edges
  • Products Custom anodized aluminum curtainwall
In accordance with zoning stipulations, the remainder of the tower steps back, forming a vertical rectangular volume rising from the center of the podium. Each successive floor is angled slightly to the west and set back again by nearly one and a half feet. Interior residential use is marked by tighter mullions, with window sizes reduced significantly until the uppermost floors. Just over 500 aluminum-and-glass curtainwall modules are distributed across the building's elevations. Behind the aluminum rainscreen modules, SHoP was able to insert a continuous waterproofing barrier. The facade was installed at a rate of one floor per week, with the entire enclosure system installed in approximately three months. "Anchors for the curtain wall are embedded in the concrete slabs, and serrated aluminum L-shapes attach to the anchors allowing for adjustability," said the design team. "Hooks are attached to the back of the curtainwall mullions which rest on the L-brackets." According to SHoP Architects, the design team relied on parametric design and digital workflows to develop the continually changing curtain wall panels and interior layouts. The color of the folded panels was achieved by bathing the aluminum panels in a coloration bath. Along Ludlow Street, the western elevation of the project, SHoP Architects is also designing the International Center of Photography's new home. The 40,000-square-foot space will be clad in perforated aluminum, cut, folded, and hung on a series of vertical rails.
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Rice University taps SHoP Architects for an innovation center in Houston

An 80-year-old former Sears department store will be transformed into a multi-level innovation center and business incubator for Houston, Texas, under a plan unveiled by Rice University. The 270,000-square-foot project is designed to bring students, professors, and entrepreneurs together with corporate leaders and investors, and to provide the centerpiece for a 16-acre innovation district in midtown Houston. Besides classrooms for students and workspace for start-up companies, there will be areas for lectures, conferences, hack-a-thons, demonstrations, job training, and networking events, as well as restaurants and other amenities. Rice has assembled four high-profile designers to repurpose the 1939 flagship department store, keeping salient Art Deco features while modifying the building for 21st-century occupants. Designers include SHoP Architects, James Carpenter Design Associates, James Corner Field Operations, and the Houston office of Gensler. The four-story building on Main Street was the first Sears store in Houston and closed in January of 2018 as part of the retailer’s nationwide retrenchment. Part of a 9.4-acre tract that was offered to Amazon as part of Houston’s bid to be selected for that company’s second headquarters, it’s close to seven colleges and universities, a METRORail line, the Texas Medical Center, and the city’s Museum District. When Houston didn’t make Amazon’s short list of 20 regions under consideration as of January of 2018, it became available for other uses. Amazon later chose northern Virginia and New York City as sites where it will split its second headquarters. In advance of its transformation, the Sears building in Houston has been renamed The Ion. “We chose the name Ion because it’s from the Greek ienai, which means go,” said Rice University president David Leebron, in a statement on Rice’s website. “We see it as embodying the ever-forward motion of discovery, the spark at the center of a truly original idea…The Ion will become Houston’s nucleus for innovation, fostering a community and culture where entrepreneurs and corporations come together to solve some of the world’s greatest problems.” “The Ion will inspire open innovation between universities, global corporations and investors,” said Gabriela Rowe, the CEO of Station Houston, a tech accelerator that will manage programming, in a statement about the project. “Students and faculty members from institutions like Rice University and the University of Houston will coexist and collaborate with scientists from Houston’s other great institutions. Investors and corporations will meet face to face with start-up entrepreneurs. Together, at The Ion, they will transform Houston into a thriving, connected high-tech ecosystem.” Besides Rice, officials say, institutions that will be involved with programming include the University of Houston, UH-Downtown, the University of St. Thomas, Houston Community College, Texas Southern University, Houston Baptist University, San Jacinto College, and the South Texas College of Law. Architectural plans call for retention of original Art Deco elements such as glass block windows, canopies, and decorative tiles that date back to the store’s opening. A central atrium will be created to let in natural light, and new windows will be installed to provide views that weren’t possible before and provide glimpses of the activity inside. The larger innovation district will include housing, stores, restaurants, public spaces, and infrastructure that will support a growing tech community. The Ion project will be led by Rice Management Company, which manages Rice University’s endowment, and Hines of Houston is managing the development. An exact construction budget has not been disclosed, but Rice Management officials said in 2018 they will invest up to $100 million for the project. Construction is expected to start in May and be complete by the end of 2020.
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Brooklyn's Domino Park blends industrial chic with careful pacing

For the first time in 160 years, a 6-acre span on the East River waterfront in the shadow of the Williamsburg Bridge is open to the public. Located in front of the former Domino Sugar Refinery in Brooklyn, James Corner Field Operations (JCFO) designed Domino Park to inspire curiosity about the site’s history while including new materials to balance its unique identity with performance. A unifying element in Domino Park is its artifact walk that weaves throughout the site. According to Lisa Switkin, senior principal at JCFO, “Integrating the artifact walk with custom furniture made from reclaimed wood from the Raw Sugar Warehouse creates a unique experience where people come into contact with remnants of the original refinery and have an up-close relationship with those artifacts.” Throughout the park, JFCO-designed benches, tables, and chaise lounges create texture and a sense of community. The elevated walkway is supported by beams from the refinery, while other factory elements such as columns, lattice beams, and a loading dock are incorporated throughout. Stadium-style seating made out of the refinery’s salvaged wood creates a central gathering space in front of a water feature by Soucy Aquatik. The refinery’s influence is also evident in the playground, designed by Mark Reigelman, with its many nods to factory structures. It also incorporates part of the factory’s old floors. The park is organized into three areas. Each is connected by Hanover pavers selected in a mix of finishes for durability and color, “keeping with the tough, industrial look as well as maintenance and loading requirements,” said Switkin. The most active area, in the southern end, holds a dog park, a picnic playground, a bocce ball court, and a tennis court. The middle area is dotted with lawn chairs and features a fog bridge. The recreational stretch in the north houses the lawn, a beach, the playground, and the elevated walkway. Tectura pavers were chosen for the walkway because of the manufacturer’s ability to produce the long-format precast concrete planks needed to fit the dimensions of the walkway and meet the load criteria. Introducing new lighting by BEGA, Sentry Electric, and LED Linear, along with Landscape Forms’ Ring Bike Racks and Chase Park Receptacles, JCFO was able to work with materials that are highly durable and sustainable. Switkin explained, “These products created a dynamic urbanscape to activate the neighborhood.” Master Planner: SHoP Architects and James Corner Field Operations Landscape Architect: James Corner Field Operations General Contractor: Kelco Pavers: Hanover Architectural Products, Tectura Designs Lighting: BEGA, Sentry Electric, LED Linear Furniture: Custom benches, tables, and seating steps made with reclaimed wood from Raw Sugar Warehouse, Landscape Forms' Ring Bike Rack and Chase Park Receptacle, Elkay Drinking Fountains Fog Bridge: Soucy Aquatik Playground Designer: Mark Reigelman Custom Playground Equipment: Landscape Structures
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SHoP Architects makes waves in D.C. with patinated copper and a trio of skybridges

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Located in the heart of staid Washington, D.C., SHoP Architects' 14-story Midtown Center establishes a prominent presence with a contorting copper-and-glass facade and a trio of sky bridges. Opened in September 2018, the one-million-square-foot project stands on the site of the former headquarters of The Washington Post.
  • Facade Manufacturer Oldcastle BuildingEnvelope, Tivitec, Soheil Mosun
  • Architects SHoP Architects
  • Facade Installer Oldcastle BuildingEnvelope, Clark Construction
  • Facade Consultants Curtainwall Design Consulting, Simpson Gumpertz & Heger
  • Location Washington D.C.
  • Date of Completion September 2018
  • System Oldcastle BuildingEnvelope WT-01 and WT-03
  • Products Pre-patinated copper components, Guardian Climaguard Premium 2T and AGC Stopray Vision 50T, Ipawhite Low-Iron Glass
Built according to a U-shaped layout, the street-facing elevations are defined by sawtooth protrusions on the curtain wall. The projections ripple across the elevation, originating from two corners of the facade and softening toward the center. Each of these three-dimensional units that hang off of the structure’s rectangular mass share a standard width of 5 feet and a height of up to 10 feet. While the use of a traditional material such as copper facilitates a stylistic link between Midtown Center and its historic surroundings, the metallic surface is also performative. The copper accretions are oriented toward the direction of the sun, reducing internal glare and solar heat. Each panel is clipped to the facade system with formed stainless steel angles and pop rivets. The three sky bridges that crisscross above the courtyard echo the use of copper as an exterior detail; approximately 350 vertical fins, two inches wide and five inches deep, line the skyways. Although the fins function as a brise-soleil for the suspended corridors, their primary effect is visual. A rich turquoise rhythm reflects off of the courtyard’s glass modules while ribs create a matrix of shadows below. The fins themselves are bolted to a substructure rail that is held three inches off of the glass by horizontal mullions running across the top and bottom of the sky bridges. To clad the bulk of the enclosure system, SHoP Architects turned to Spanish glass-fabricator Tvitec. For the 4,500 facade panels, the fabricator used Ipawhite low-iron glass subjected to multiple thermal coatings to ensure visibility while meeting thermal control standards. At the ground level, SHoP Architects collaborated with SCAPE to design the publicly accessible 15,000-square-foot courtyard. According to SHoP Founding Principal Gregg Pasquarelli, the design team "took inspiration from Washington's original master plan to create a building that allows the public to angle strategically across the site." Diagonal paths cut through the building, past sunken granite fountains and plots of landscaping.
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Detroit to host Michigan's tallest building at former Hudson's site

The former Hudson's site at 1206 Woodward Avenue in Detroit will soon be host to Michigan’s tallest building. Designed by SHoP Architects, the development will top off at 912 feet, tying One Prudential Plaza in Chicago for the title of the 32nd tallest building in the United States. Previously expected to rise to only 800 feet, the structure will be a full 200 feet taller than the Renaissance Center, Detroit’s current tallest. SHoP’s newly released design drawings feature a stepped tower, scrapping the previous plans for an observation deck. “Stepping allows for terraces for amenities and possible hospitality spaces," said Bill Sharples of SHoP Architects on the updated plans. "The addition of new programming in the latest iteration of the design allowed us as architects and designers to break down the scale of the tower even further, and to approach it even more holistically, something we have been conscious of since the beginning of the project." The 1.4 million square foot development, which includes a twelve-story podium structure in addition to the tower, will be mixed use. The podium will house office, event, and exhibition space, while the tower will house hotel and residential units. Seven hundred parking spaces will be located within an underground garage. The development intends to link retail on Woodward Avenue with cultural destinations near the Detroit Public Library. Bedrock LLC was chosen as the developer in 2013 via an invited completion to study the potential to develop the former site of the flagship J.L. Hudson department store, and the firm has developed the site along with SHoP and Hamilton Anderson Associates of Detroit. The project will be partially financed through tax breaks to Bedrock via the Michigan Strategic Fund, as well as the MIThrive Initiative. The structure intended for the Hudson's site is one of four in the works for Bedrock that will be working with these programs. Built in stages from 1911 to 1946, the Hudson's flagship building on Woodward Avenue was once the tallest department store in the world at 25 stories. The store closed in 1983 and the building was demolished in 1998. A portion of the basement of the original structure was used for parking at the site until Bedrock broke ground on the new structure in December 2017. The new structure is not expected to show any verticality for another fourteen months.
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Detroit's upcoming tallest tower teeters on final decision of total height

Downtown Detroit is slated to build one of the tallest buildings in the Midwest, set over the former footprint of the city’s iconic J.L. Hudson department store. Though construction on the project has already begun, the exact height of the soaring structure remains unresolved. Crain’s Detroit Business reported that the $909-million mixed-use tower planned for the long-vacant Hudson site could reach as high as 912 feet—an increase of over 100 feet from previous estimates. But the developers won’t make a final decision on its height until the end of January. This is the third time Bedrock LLC, owned by Quicken Loans founder Dan Gilbert, has increased its estimated elevation and updated the design. The complex is being designed by Detroit-based Hamilton Anderson Associates and SHoP Architects. Though the skyscraper won’t make the list of top 10 tallest towers in the country, it will break the record for the largest high-rise in the Motor City. As of now, the design shows the tower next to a nine-story podium connected by a public plaza and alleyway. It’s anticipated to include programming for residential space, and potentially room for hotel or commercial use. The additional 112 feet of height would allow the architects more flexibility in designing the building's various programs, according to Crain’s. Per the current designs, that number coincides with the established length of the elevator core.   The project was first announced in February 2017 with the tower reaching a maximum height of 734 feet. It was projected to feature space for retail and restaurants, events and conferences, offices and exhibits, as well as residential units. A public observation deck and an underground parking garage were also cited in the initial plans. Current renderings reveal two glass-clad, boxy constructions with outdoor terraces and greenspace. The project is estimated to take four-to-five years to complete. Demolition of the existing parking garage on site is nearly finished and foundation work is already underway. 
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SHoP Architects created an iPhone app to construct the Botswana Innovation Hub

New York’s SHoP Architects has created proprietary technology that is making it easier for them to organize materials during construction. During the construction of the Barclays Center from 2008 to 2012, the firm developed a novel iPhone interface capable of scanning facade components during fabrication, assembly, transport, and installation to keep an up-to-date digital catalog of the status of construction. Now, the firm is applying this comprehensive platform to the construction of its Innovation Hub located in Gaborone, Botswana, where on-site contractors can effortlessly scan recently installed items while checking in on the overall progress of the project.

The Botswana Innovation Hub is an ambitious project. The 310,000-square-foot facility is set to be the country’s first LEED-certified building, and environmental performance is significantly impacted by the structure’s complex assembly. SHoP designed an “Energy Blanket” roofscape, which incorporates large overhangs to shade interior spaces and collect rainwater for re-use. Photovoltaic panels are placed across the roofscape to further boost environmental performance.

The project’s complexity is further heightened by the incorporation of an undulating facade that projects off and indents the structural system. SHoP’s mobile interface plays an essential role in the project’s logistics and construction. The application labels each element—i.e AA2000—and the number of identical units. Each unit type is assigned to a specific construction crew that tracks the units in a database throughout assembly.

The interface has come a long way since its inception a decade ago. Initially a stitching together of off-the-shelf software applications commonly used by architects and contractors (Autodesk, NavisWorks, Filemaker), SHoP Architects has rewritten the code in-house, which allows for more seamless and scalable linking and visualization of 3-D models to live data. Why is this significant? SHoP can now take a holistic portfolio approach to track projects from earlier phases. In the next year, SHoP Architects hopes to implement its mobile interface across all of its projects.