Posts tagged with "Seoul":
The Lotte World Tower rises from bustling Seoul, South Korea, as a sleek new city icon. For the team behind the 123-story building at global architecture firm Kohn Pedersen Fox (KPF), creating this seamless silhouette meant a challenge of engineering ingenuity—and quite a bit of glass.
“Even though it looks like one big monolithic tower, there are 20 different types of glass on that tower,” explained KPF’s Richard Nemeth, managing principal for the project, which opened earlier this year. The 1,821-foot-tall silhouette was inspired by traditional Korean forms like pottery and paintbrushes, but its multiple functions helped dictate the form as well. Office space is located at the bottom, while the tower tapers in two directions—“think football instead of baseball”—offering smaller spans from core to glass toward the top of the tower, where the residences, hotel, and observation deck are located.At the base, a 100-foot-tall lobby utilizes a gradient of mirrored frits on the glazing to provide shading while accommodating views at ground level; at the top of the tower, frits were used to highlight the diagrid of the belt trusses. The residences utilize laminated safety glass on the inner lite with heat-strengthened glass on the outer lite, while the hotel and office sections use heat-strengthened glass for both. To keep the building from looking like a “giant patchwork quilt,” Nemeth said, the KPF team ensured that the outer lite is always the same thickness, with the reflective coating on the number-two surface. “Then, whatever you do on your inner lite is much less visible to the outside, because it’s inside the reflective coating,” he explained. While the world’s fifth-tallest building includes a number of innovative energy-saving strategies, for many visitors the tower’s crowning achievement is the glass-floored observation deck—the world’s tallest. Cantilevering out, it offers views some 1,600 feet down—with just three layers of 10-millimeter-thick tempered glass with SentryGlas Plus interlayers separating viewers from the ground.
"Every time we build or renovate a building, we make a public act." - DaeWha KangBy combining contemporary material processes with organic principles, DaeWha Kang Design has transformed a 1980’s-era office building into a new dynamic headquarters for Communique, a public relations firm in Seoul Korea. With a very limited budget, the project team focused on four key points throughout the design process: the production of a human-oriented design, an environmentally responsive facade, a collaborative working environment, and evaluation of design through simulation and measurement. The renovation scope includes retrofitting a ground level parking area into an indoor/outdoor café, re-programming of the office area to maximize daylight for employee desk locations, and a rooftop terrace inspired by traditional Korean hoerang, or circumambulatory walkways. One of the most eyecatching elements of the project is an existing column, on the ground level, clad with a tessellation of silver leaves. The mirror finish stainless steel panels reflect the activity of the street while also visually doubling the height of a relatively low existing space (less than 9 feet). A curved surface between the column and the soffit is realized with singly folded diamond shaped panels, producing a triangulated effect. The pattern expands beyond the intensity of the column, into larger flat shaped panels. This geometry wraps up the facade, producing a primary grid which further warps in response to sightlines of the building from the surrounding urban context. The architects incorporated new high-performance double-glazed units and provided insulation at the exterior walls to combat significant thermal and condensation issues in the existing building. MaCheon grey granite panels regionally sourced provide a strong gray coloration to the facade. DaeWha Kang, Principal of DaeWha Kang Design, says the panels are attached to the facade with a simple bracket and pin anchoring detail allowing for future removal for maintenance if necessary: “That means that even if the building facade needs to be maintained in thirty or forty years time, it will be possible to remove each of the panels from the brackets without damaging them.” Digital analysis tools were employed during the design process to correct existing glare and daylighting issues in the existing space. Solar radiation analysis helped to determine the optimum quantity and location of windows in the office floors, while various window opening directions were tested in a fluid dynamics simulation. The team ended up with a series of casement windows that produce gill-like openings in the building envelope. These openings are paired with louvered blinds on the interior for further glare reduction without blocking air circulation. One of the significant findings from the analysis was that the lower floors required larger openings than the upper floors. Establishing an optimum window opening size allowed the panelization of the facade to geometrically integrate with the openings, creating what Kang calls “a completely organic integration of aesthetics and building performance.” The patterning of the facade was further influenced by standard block lengths from the quarry where the stone was sourced, constructability factors such as the maximum weight for a one-person installation, and the reduction in quantity of more costly curved panel geometry. These constraints produced secondary panelization geometry. A hierarchy between the two grids was visually reinforced by a chamfered corner cut all at primary grid lines, producing a shadow gap along the panel edge. Kang says this architectural process has produced a project that “has content and character, not just branding and image,” and is aligned with broader community ideals: “Projects like this are crucial in Seoul. We must move beyond the city as an accumulation of isolated buildings that do nothing for their surrounding neighborhood, and instead support clients who have a vision to do something more with their ambitions.”
Dynamic steel and PVDF structures shelter campers in style.In South Korea, glamping—or “glamorous camping”—is all the rage. The practice combines conventional camping’s affinity for the outdoors with hotel amenities, including comfortable bedding and fine food. Seoul firm ArchiWorkshop’s prefabricated, semi-permanent glamping structures are a design-minded twist on the traditional platform tent. “We [set out to] create a glamping [tent] that gives people a chance to experience nature very close, while also providing a uniquely designed architectural experience,” said partner Hee Jun Sim. “There are many glamping sites in Korea, but they’re actually not so high-end. We were able to bring up the level of glamping in Korea.” ArchiWorkshop designed two models of glamping tents. The Stacking Doughnut is, as the name suggests, circular, with a wedge-shaped deck between the bedroom and living room. “We put the donuts at different angles, stacked them . . . and simply connected the lines. This line became the structure,” explained Sim. “The basic idea was very simple, but in the end the shape was very dynamic.” The Modular Flow is a gently oscillating tube, its sleeping and lounging areas separated by an interior partition. The shape was created from a series of identical modules lined up back-to-front to produce the curve. Both models feature a white, double-layer PVDF membrane stretched over a stainless steel frame. The decks are built of wood, while the interior floors are carpeted in a cream-colored textile flooring product from Sweden. Sim and partner Su Jeong Park “used every possible tool” to design the glamping units. They started with hand sketches, then moved to physical models. “The model wasn’t so simple to make because it was a strong shape [without] straight or fixed walls,” said Sim. Once they had determined a rough form, they bounced among multiple computer programs—including AutoCAD, Rhino, and 3ds Max—to refine the design and create shop drawings. Sim and Park used MPanel to generate the membrane surface. Dong-A System prefabricated the glamping tents off site, laser cutting the components of the steel frame before welding them together. “Because every part of the shape is connected, it had to be super-precise, or the end form would [not be] straight,” said Sim. On site, the structures were simply bolted into place. ArchiWorkshop built eight glamping structures on spec on a site in South Korea. “We actually used the whole site as a test site, to show the world, ‘Hello, we are [here],’” said Sim. The architects are open to adapting the designs to suit different climates or cultures. “What we designed on the test site is very Asian or Korean, a poetic kind of shape, but I think different countries have different clients with different needs,” explained Sim. While Sim acknowledges that there are a number of luxury tents already on the market, he is not concerned. “We had a bit of a late start,” he said, “but we . . . have a different concept with a different kind of approach to the tent.” In the meantime, the challenge of designing outside the box has been its own reward. “We love designing buildings,” said Sim, “but this kind of different structural project is also very refreshing for architects.”
Zaha Hadid Architects designed 16 bespoke polyurethane display units for fashion designer Neil Barrett's shops.Fashion designer Neil Barrett hired Zaha Hadid Architects to design a cohesive display concept for a new flagship store in Tokyo that could be easily rolled out to his other locations as well, which include four shops in Seoul and one in Hong Kong. The result had to be as sartorial as Barrett’s fashions, so Hadid’s team came up with the idea of cutting the displays for all of the stores from a single block of material. The concept resulted in 16 bespoke display elements, which all fit together like pieces of a puzzle. "We wanted to design a project that always belongs together but offers a choice between different sizes," said project architect Claudia Wulf. "The reason we designed a modular landscape is that we have extremely different area requirements [across all of the shops]." The units, which are carved from a solid unit, range in size from 13 1/2 feet by 13 3/4 feet to 4 feet by 6 feet. Paired, the units create a sinuous artificial landscape that unfolds across multiple display levels. The pieces can be grouped to suit the scale and space of each boutique, and display shoes, bags, or accessories just as easily. Hadid’s team worked with Rhino to develop the idea of creating tangents through straight lines and curves, as well as soft lines and strong edges. What begins as a sharp point curves softly into the next display shelf. The team bounced the evolving design between the client and Chinese fabricator Evergrow, refining the profiles of each unit. For the flagship store in Japan, the designers chose to craft the first set from Corian in order to develop a strong dialogue between the existing envelope of the building and the display’s smooth yet curvaceous surface. A uniform, white palette enhances the formality of the display, while creating a strong contrast against a polished black floor. For subsequent locations, Hadid’s team updated the display material to polyurethane, as there was less time afforded for transportation and installation. The 3D file was sent to Evergrow, which CNC-milled the pieces from solid polyurethane. The fabricator applied a very thin coat of glass fiber resin to reinforce the surface and sanded it until smooth. A high-quality lacquer, comparable to what would be used for an automotive finish, was applied to protect against daily wear and scratching. "We definitely challenged the material use [with this project] because the edges are very slim," said Wulf, adding that during a recent project follow up, she was surprised by the number of people inquiring how such sharp edges were achieved on such a smooth form. "As often as we have the opportunity, we push the boundaries of materials a little farther so that you are surprised." Zaha Hadid Architects is currently developing Neil Barrett Shop in Shop projects in Beijing, Shanghai, and Seoul. As many as eight shops could be completed by the end of 2013.