This year, on average, there has been one school shooting per week, according to CNN. Enduring, long-term measures to prevent attacks and safeguard schools require legislation and other policy changes that may be out of designers' reach. In the meantime, there are design measures that help make educational spaces safer, namely by preventing entry. Take a look at the following windows and doors designed and tested to protect spaces of learning. Attack Resistant Door Solutions Assa Abloy and School Guard Glass Hardware manufacturer Assa Abloy and safety glass manufacturer School Guard Glass partnered to design an attack-resistant door for schools. When paired together, the Ceco Door with SG5 attack-resistant glazing survives the most brutal blows and even gunshots (see the video above). Stronger and longer-lasting than a security film, the system is easy and affordable to retrofit to pre-existing openings for increased security. CHILDGARD security glazing Global Security Glazing Many schools across the country are not new buildings. Their windows are often tempered glass, which shatters immediately upon impact. CHILDGARD glazing is laminated security glass designed to help both new and pre-existing structures endure the hardest blows. It is a cost-effective alternative to bulletproof glass and easier to install than safety films, which must be anchored to frames. Quick Action Lockdown SSI Guardian In emergencies, seconds matter. This deadbolt classroom door instantly locks when the red button is pressed. When it is safe again or accidentally employed, the door automatically unlocks when the interior handle is turned. NIGHTLOCK LOCKDOWN 1 Nightlock Door Security Devices Sliding into place, this red metal security bracket attaches the door to the floor. There, the lock remains out of reach from the glass windows typically found in conventional classroom doors. The barricade system works with both inward and outward swing doors that are wood or metal. Security Window Film & Attachment System 3M Protect windows with this film that has the wherewithal to withstand an intruder for up to two minutes. If the glass is broken, the system that is anchored to the glass frame will stay attached to the film and protect the glass from shattering. Sponsored Product: Accurate Lock 9100SEC High Security Mortise Lock Withstands 300 times more abuse than the Standard Grade 1 Requirement. Aesthetics no longer need to be compromised to achieve the highest level of security—compatible with a variety of commercial, residential, or specialty trim.
Posts tagged with "security":
Los Angeles County’s transit system is poised to become the first in the country to deploy airport-style security measures to screen its passengers. The Los Angeles Times reports that the Los Angeles County Metropolitan Transportation Authority (Metro) is rolling out new portable body scanners that can be deployed in response to terrorist threats and during large crowd events like protests and sporting matches in an effort to thwart potential “mass casualty” attacks. The scanners can be used to screen passengers using radio waves from up to 30 feet away and are designed with an integrated split-screen display that produces a black square over the part of a person’s body where a gun or non-metallic explosive device might be located. Metro currently operates 93 subway and light-rail stations—with many more on the way—and has plans to utilize the mobile devices as necessary across its system. Officials at Metro explained that areas where passengers might be subject to body scanning will be clearly labeled in each station with signs that read: “Passengers proceeding past this point are subject to Metro security screening and inspection.” Plans call for making “randomized” scans of passengers traveling within these zones. Officials at a press conference announcing the plan explained, however, that passengers seeking to opt out of the possibility of being scanned will not be allowed to ride transit from that station. The scanners can process roughly 2,000 passengers per hour, according to Dave Sotero, spokesperson for Metro. The figure is an improvement over previous technologies, The Times reports, but likely to fall short of what would be required to process crowds efficiently during rush hour or large scale events. Recent protests in Downtown Los Angeles, for example, have drawn hundreds of thousands of people at a time and have snarled Metro service even without the scanners in place.
Smart Cities New York (SCNY) is North America’s leading global conference exploring the emerging influence of cities in shaping the future. With the global smart city market expected to grow to $1.6 trillion within the next three years, Smart Cities New York is guided by the idea that smart cities are truly "Powered by People". The conference brings together thought leaders from public and private sectors, academia and NGOs to discuss investments in physical and digital infrastructure, health, education, sustainability, security, mobility, workforce development, and more, to ensure cities are central to advancing and improving urban life in the 21st century and beyond.
Donald Trump may want to build a wall on the border between the U. S. and Mexico, but the Obama administration is more focused this week on building a new fence—around the White House. The National Capital Planning Commission was briefed Thursday on plans for a new White House security fence that would roughly double the height of the existing one and have a new concrete foundation—a response to the recent rash of “jumpers” and intruders who have tried to break into the 18-acre compound at 1600 Pennsylvania Avenue. “We would like to be able to ultimately rebuild the fence as it stands right now. This is an immediate need,” said Tom Dougherty, chief strategy officer for the Secret Service. “The current fence simply is not adequate for a modern era,” Dougherty said in an earlier briefing to federal officials, a recording of which was broadcast by NBC News4 in Washington. “It is entirely scalable, depending upon the circumstances. And we now have a society that tends to want to jump over the fence and onto the 18 acres.” Plans by the U. S. Secret Service and the National Park Service call for the new fence to be about 14 feet high, compared to the existing fence that is about 7 feet high. Entrance gates would be slightly higher. The new fence would have 1¾ inch pickets and “anti-climb” features such as intrusion-detection sensors. Renderings also show spikes along the upper edge similar to the “pencil point” spikes that were added to the existing fence in 2015. Mills + Schnoering Architects of Princeton, New Jersey, has been working on the design, which must be approved by the National Capital Planning Commission and the U. S. Commission of Fine Arts. One challenge is “reconciling contemporary standards of protection with the historic and highly symbolic property,” according to a letter from the Fine Arts Commission to the Park Service and the Secret Service. Federal officials say the fence will be in keeping with the Park Service’s design standards for the historic mansion and surrounding area, which draws millions of visitors a year. The planning commission did not take any formal action on the proposal at its meeting. A preliminary schedule calls for the taller White House fence to be under construction by 2018. A later phase would include a new fence to surround the nearby Treasury Department and the Eisenhower Executive Office Building.
In addition to being AN's Midwest Editor, I was the special media correspondent for the Council on Tall Buildings and Urban Habitat in 2014, interviewing tall building designers, developers, and other experts at the skyscraper think tank's Shanghai conference, and its annual CTBUH Awards ceremony in Chicago. In Chicago I interviewed two of the minds behind the recent overhaul to the headquarters of the United Nations in New York City (technically, in an extraterritorial space contiguous with Midtown Manhattan). Michael Adlerstein, of the U.N. Capital Master Plan & John Gering, managing partner of design firm HLW International, discussed the retrofit of the 1953 United Nations Secretariat Building, a finalist in CTBUH's 2014 awards. “Not many buildings in our time are looking at the exterior window wall and composition with the interior as one system. In many cases they're looking at them as either the exterior or interior,” said Gering. “What we looked to do was blend those two things together, and the end result was a lot of energy savings.” The handsome glass skyscraper exemplifies midcentury office design, drawing on the expertise of its architects, Le Corbusier, Oscar Niemeyer, and Wallace K. Harrison. But its outmoded performance standards left it in need of a serious update. In that sense the project to retrofit the building—which also included firms Heintges & Associates, Gardiner & Theobald, Skanska, and Rolf Jensen & Associates—is a case study for repurposing aging office buildings around the world. “All buildings need to be considered for recycling because they do incorporate tremendous embodied energy … And not just beautiful buildings and buildings where treaties were signed,” said Adlerstein. “I do feel the preservation movement has to move beyond iconic buildings.”
With its combination of iconic references to the nation's past and the machinery that drives our political present, Washington, DC presents a particular set of problems and possibilities to facades innovators. Top experts in high-performance building envelope design and construction will this gather this Thursday, March 5, to explore some of these issues during Facades+ AM: Washington Three by Three, a morning seminar taking place at the District Architecture Center. Facades+ AM is a quick-take variation on the popular Facades+ conference series. Over the course of the morning, three panels of three experts and one moderator each will take up questions concerning facade design and construction in the nation's capital. Session one, "Design Opportunities in a Blast Resistant World," moderated by Steve White, president of AIA DC, will consider how innovative designs can flourish despite security restrictions. Washington Post columnist and University of Maryland professor emeritus Roger Lewis will moderate session two, "Innovative Facades Come to Washington," highlighting cutting-edge facades in the DC area. Session three, "The New Face of Monumental Washington," moderated by Washington Architectural Foundation president Janet Bloomberg, will describe the role played high-performance building envelopes in both old and new monuments. Mark Strauss, senior partner at FXFOWLE, and AN's editor-in-chief William Menking will deliver opening and closing remarks. Seats are limited; register today for Facades+AM: Washington Three by Three. For more information, include a detailed agenda, visit the symposium website.
Forget "home is where the heart is." Home is where the art is—or so argues the latest show from the El Segundo Museum of Art (ESMoA). HOME isn't your typical art exhibition, just as ESMoA isn't your typical art museum. (In fact, ESMoA prefers the terms "experience" and "laboratory," respectively. ) The experience, which runs through February 1, 2015, invites visitors to re-evaluate their personal definitions of art, the home, and—most especially—art in the home. On the one hand, HOME offers a tutorial in creative collection."It's a little bit about the home being the first place people take art, decide to live with art and look at it in daily life," said curator Bernhard Zuenkeler. On the other hand, the experience suggests that art has the power to transform the spaces it occupies, and the people who adopt it. HOME is constructed as a series of rooms, each correlated to an area of the home, and each furnished with fixtures, wall coverings, and flooring. "We of course love to play with stuff, a big museum couldn't do that," said Zuenkeler, pointing out the crocodile-green floor in the "living room." "We have things that are not, from an art-historical point of view, totally correct. But we show that when you put art in your home, pieces always talk to one another—it's impossible to have a vacuum." Juxtaposition—of, say, works by Golden Age artists and Los Angeles up-and-comers—is a theme of the show, intended to convey the productive power of difference. Most of the artwork featured in HOME deals with home, or architecture, on some level. Jan van Goyen's painting of a 17th-century tavern is accompanied by work by Bernd and Hilla Becher, also depicting houses. Other works, like a conceptual piece by Flora Kao, point to the collapse of the American dream. In the show's log-cabin room, its walls covered in rough timber, a painting by Max Liebermann suggests a desire to escape the confines of home. Home security (and, more broadly, homeland security) is another motif. Cole Sternberg's reclaimed shooting targets occupy the entrance, near which stands a Honda CB750 motorcycle. "It's now a total classic," remarked Zuenkeler of the bike first manufactured in 1969. "But visitors today forget that when it was introduced, this motorcycle was a threat to the entire American industry. People at that time were totally afraid of the Japanese. Sometimes you have to trust what you let into the home." ESMoA's HOME acknowledges what Zuenkeler said too many art-world denizens are unwilling to admit. "For a lot of people who are not used to art, the question is: 'do I want to live with this piece of art?'" he said. "Often it starts with, 'Does this piece of art match my sofa?'" HOME offers an alternative path to building a personal art collection, said Zuenkeler, one that challenges the conventions of both museum curation and DIY home decoration. "I would rather say, 'Get the sofa redone according to your art.'"
Three years after an unsuccessful bid for a chance to design the U.S. Embassy in London, Morphosis Architects has won a different Department of State project: a new Embassy for Beirut, Lebanon. The firm was selected from a shortlist that also included Diller Scofidio + Renfro and Mack Scogin Merrill Elam/AECOM. The new Embassy will be located near the current facilities in Awkar, roughly seven miles from Beirut. The Embassy moved away from the capital in 1983, following a suicide bomb attack that killed 49 Embassy staff. A second bombing in 1984 killed 11. Restrictions on American travel to Lebanon were not lifted until 1997, seven years after the official end of the Lebanese civil war. U.S. Department of State spokesperson Christine Foushee said that while the history of the Embassy in Beirut is unique, the security requirements of the new building will not differ significantly from other Embassy projects. Every major project built by the Bureau of Overseas Building Operations (OBO) must meet certain security standards in order to qualify for funding from Congress, she explained. The OBO put out a public call for submissions as part of its Excellence in Diplomatic Facilities initiative. “All of the designers that were short-listed, we feel, are very capable of incorporating [security] requirements,” Foushee said. “The real challenge, and the place where we were looking for innovation and creativity, was ensuring that the security requirements were met, but were integrated seamlessly into the design.” After seeing Morphosis’s proposal, the selection committee was confident that the firm would design a secure Embassy that “doesn’t look like a fortress,” she explained. The firm’s commitment to sustainability also impressed the OBO committee. According to Foushee, sustainable design, including planning for storm water and waste water management, is especially important in a project, like the new Embassy, that includes a housing component. Morphosis furthermore demonstrated an understanding of the OBO’s need for flexible interiors. “We have a need for sometimes accommodating a quick surge in staff,” Foushee said. An adaptable design will allow the Embassy to provide housing and office space for extra employees without additional construction. Finally, the design selection committee appreciated Morphosis’ experience working with technologies including 3D modeling. Integrating technology into the design process “is important for controlling costs, but also ensuring the quality of the project,” Foushee said. The design contract for the Beirut Embassy will be awarded during FY 2014, either before the new year or at the start of the 2014 calendar year, Foushee said. The construction contract will be awarded during FY 2016.
On a recent walk down Broadway near the AN offices in Lower Manhattan I was handed a flyer by The Granny Peace Brigade who were protesting in front of a building where several New York City Council Members have offices. The flyer claims in bold letters "High Tech Stop and Frisk: Domestic Drones Coming to Your Neighborhood?" It had an image of a LEAPP Drone made by Brooklyn Navy Yard–based Atair Aerospace who claim their powered paraglider "is a slow-flying, long endurance powered paraglider UAV [Unarmed Aerial Vehicle] platform that is used for ISR [Intelligence, Surveillance, and Reconnaissance] and distributive operations payload delivery missions," but that the Brigade believes could be used to monitor for loitering. The Granny's claim "Predator drones assassinate people designated as terrorists, who have never been lawfully charged nor tried. And there is a grave danger that drones will come home." They are asking the New York City Council to declare the city a "No Drone Zone," and for the public to write their City Council representative and ask them sponsor such a resolution. Given New York's controversial stop and frisk policy it is not too early to be concerned with this drone threat. It does seem inevitable that if this technology is used but the U.S. military it will someday come home to local police forces.
On October 16 thieves nabbed a handful of valuable paintings, including works by Picasso, Matisse, and Monet, from the Kunsthal gallery in Rotterdam. At least one person points the finger at the architecture by home team OMA. Citing an interview with Dutch security expert Ton Cremers, Dezeen.com reports that the open plan and glass walls are a nightmare for guards. Cremers appreciates the design aesthetic of the museum, which was completed in 1992, but noted, “It’s an awful building to protect.”
Following 9/11 many locations around the city were walled-off with Jersey barriers. In the years since, better urban design has sometimes prevailed. Such is the case with the new bollards and security booths that replaced the Jersey barriers at Metrotech in downtown Brooklyn. Designed by WXY architecture + urban design, the prefabricated security booths--six in total--have a subtle, trapezoidal shape that makes them appear thinner than they are. They also feature laminated glass cladding with a varied pattern and subtle visual depth. The booths, which are now a standard that could be used on other city projects, can be adapted with different skins.