Posts tagged with "Seattle Art Museum":

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LMN Architects to expand Seattle’s historic Asian Art Museum

The Seattle Art Museum (SAM) has revealed renderings for LMN Architects’ expansion of the organization’s Asian Art Museum (AAM) location in the city’s Volunteer Park. The $49 million expansion and renovation will be to the historic home of the SAM, an art moderne building originally built in 1933 to house the original SAM. (The flagship SAM collection moved to a Venturi, Scott Brown-designed complex downtown in 1991). The LMN Architects-designed project will entail the first substantial renovation in the structure’s history. Historically-significant aspects of the original building, like the stone facade, will be preserved, accompanied by the wholesale addition of new programmatic components to the existing structure, originally designed by Carl F. Gould of the architectural firm Bebb and Gould. The 83-year-old building will receive crucial upgrades like Americans with Disabilities Act (ADA)-related improvements and the addition of an air conditioning and humidity control system. The building, which was not listed on the National Register of Historic Places until July of this year, will also receive a new wing along its eastern side containing a 2,650-square foot gallery, a community meeting room, and a set of new office spaces relocated from within the existing building. Aside from hosting new, dedicated educational spaces and potentially, a new, publically-visible Asian art conservation studio, the extension will aim to increase connections between the museum and its surrounding park spaces. Renderings released by LMN Architects and the museum show a straightforwardly-articulated, masonry-clad, L-shaped extension overlooking a gently sloping park. Along the top floor of a three-story expansion, a large portion of the extension’s articulated facade is clad in glass and projects out over the landscape. The floors below are more solid in their massing and surface treatments, but also feature large expanses of punched openings. The SAM is currently making preparations for the two-year renovation process, which is set to begin in the fall of 2017. The AAM will hold community meetings to discuss the project throughout the following weeks, as the project moves forward. For more information on the Asian Art Museum renovation and expansion campaign, please visit the museum’s website.
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Wander though a lush, pre-apocalyptic virtual garden at the Seattle Art Museum

While most people blunder around city streets tethered to their phones, one artist is offering an augmented reality (AR) experience that explores the effects of climate change on native flora. Tamiko Thiel's new installation at the Seattle Art Museum Olympic Sculpture Park, Gardens of the Anthropocenetransforms the park into an AR landscape that depicts Seattle under the influence of climate change. In the coming years, Seattle is expected to have a dry climate similar to Eastern Washington or Northern California. The Creators Project reports Thiel consulted with scientists at the University of Washington Center for Creative Conservation to learn how the park's plants could adapt to rising temperatures, drought, and extreme weather events. When flesh-and-blood visitors stroll through the park, they walk through a fantasy garden of engorged Alexandrium catenella (called Alexandrium giganteus) and massive, mutant bullwhip kelp sits over Elliot Street, the main thoroughfare adjacent to the park. Other plants gobble food of the anthropocene—electromagnetic radiation from smartphones, nutrients in buildings—or blossom in the liminal space between land and sea. Theil used 3ds Max and Blender to craft the plants, combining images of leaf textures to enhance her creations. Theil then used Layar platform to implement Gardens of the Anthropocene IRL—the Seattle Art Museum set up booths at the park's entrances with instructions on how to see the piece. The extraordinary imagery belies a foreboding conclusion, born out by Theil's conversation with the Center: The earth is warming at an ever-increasing pace, and disturbing weather changes are years, not decades, away. To steel yourself for the impending human-engendered apocalypse, check out the project page on Theil's website for more images of landscape in the Anthropocene. The exhibit runs through September 30, 2016.
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Finally! The 2016 AIA Gold Medal goes to Robert Venturi and Denise Scott Brown

The AIA has named Robert Venturi and Denise Scott Brown the winners of the 2016 AIA Gold Medal. The honor, the AIA's highest, goes to architects whose work is likely to have a lasting influence on the practice of architecture, design, and related fields.

The Philadelphia-based architects’ most recognizable works include the 1964 Vanna Venturi House, in Chestnut Hill, Pennsylvania; the Seattle Art Museum (1985); and the Provincial Capitol Building in Toulouse (1999).

In addition to buildings, they designed furniture, most notably the Chippendale chair, a postmodern take on the ornate Colonial furniture of Thomas Chippendale.

Scott Brown and Venturi co-authored Learning from Las Vegas: the Forgotten Symbolism of Architectural Form (1977) and Complexity and Contradiction in Architecture (1966), two texts that analyzed postmodernity in architecture and the American landscape. The award, to be bestowed next year, comes on the 50th anniversary of the publishing of the latter text.

The couple works together on most projects. In 2013, the AIA revised its selection criteria to allow the award to be granted jointly, perhaps in response to the Pritzker Prize committee’s famous exclusion of Scott Brown, granting the prize to Venturi only in 1991. A 2013 petition initiated by students at the Harvard Graduate School of Design to retroactively honor Scott Brown (and signed by Venturi himself) was rejected by the committee.

Last year, the AIA granted the gold medal to Moshe Safdie. Venturi and Scott Brown's legacy will be set in stone: each gold medal winner has his or her name chiseled into the granite Wall of Honor at the AIA headquarters in Washington, D.C.

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On View> The Seattle Art Museum presents “Miró: The Experience of Seeing”

Miró: The Experience of Seeing Seattle Art Museum 1300 First Avenue, Seattle, WA February 13 to May 25 The Seattle Art Museum will be offering a look—almost unprecedented in its breadth for this side of the Atlantic—at the later work of Spanish artist Joan Miró’s. The work on view has been culled entirely from Madrid’s Museo Nacional Centro de Arte Reina Sofía’s extensive Miró collection. Miró: The Experience of Seeing will feature more than fifty paintings, drawings, and sculptures created between 1963 and 1983. The work from this period is defined in part by increasingly simplified abstract compositions and sculpture that makes use of found objects.
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A Digital Urban Earthwork in Seattle: Doug Aitken’s MIRROR Opens At The Seattle Art Museum

This past Sunday evening, Seattle officials closed First Avenue. It wasn't for road repairs, but to celebrate the unveiling of the Seattle Art Museum's facade refresh by multimedia artist Doug Aitken. Two giant LCD screens projecting kaleidoscopic images of the Seattle region now wrap the north and west facade of the museum, with emanating vertical bands of lights. For the MIRROR installation, Aitken built up a database of hundreds of hours of digital footage in and around Seattle, from sunsets, to Puget Sound, to the urban grid to old growth forests. Captured over five years, the scenes feed into the glass video displays and synchronized light bands, which are triggered by computer driven sensors pulling in local weather, traffic, and pedestrian data. Due to the spontaneous nature of the information used, there is no looping. Despite Aitken's global oeuvre, MIRROR is his first permanent installation at a museum, and was commissioned by the late philanthropist Bagley Wright, one of the developers of the Space Needle. The unveiling was choreographed to music by minimalist composers Steve Reich and Terry Riley, performed by the Seattle Symphony Orchestra.
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Doug Aitken to Wrap The Seattle Art Museum With LED Video Art Screen

Seattle is about to get a new public art installation on the walls of SAM, the Seattle Art Museum. The museum that created the nearby Olympic Sculpture Park—one of the best public art spaces in the country—has commissioned artist Doug Aitken to install a new reflective wall on the corner of their building at First Avenue and Union Street. Aitken calls the wall installation Mirror and it is meant to "reflect the energy and movement of the city." The piece consists of a large LED display wrapping the building's corner facade and up the building's primary wall with scenes slowly filmed by Aitken of "images, surfaces, locations and landscapes." These digital views will then be reduced to minimal compositions and alternate with empty landscapes and dense urban scenes of the Seattle region. Further Aitken has programmed the piece to be "conditioned and programmed by local "weather information, pedestrian traffic flow, atmospheric conditions and traffic density. The digital facade Aitken imagines will be "like choreography with no music" and allows the images to "define the composition and patterns in real time and into the future."