Figment NYC is an annual celebration of arts and culture that takes place on Governors Island from June 9-10. Now in its sixth year, Figment provides New Yorkers with an interactive space to participate in the arts, with volunteer artists collaborating on works that transform the environment and the public’s perception. With visual art, music, performance, and installation works, the event will provide the community with a forum for emerging artists to engage with the public. This year installations include Face of Liberty by Zaq Landsberg, a 1:1 replica of the face of the Statue of Liberty that one can sit and climb on, and FY-Langes, a digitally fabricated structure made of foam designed by Columbia GSAPP students. As an all-volunteer organization, Figment seeks to provide an antidote to the commercialization of art—built on community rather than commerce, the event hopes to create a shared experience for the public, free of market-based constraints. To make this possible Figment relies on the contributions of community members, so please consider volunteering or making a donation.
Posts tagged with "Sculpture":
'Butter Cow Lady' Dies at 81: Norma Lyon, known for sculpting tons of butter into life-size figures of cows, famous people, and even a diorama of the Last Supper at the Iowa State Fair, has passed away, the New York Times reports. Ms. Lyon got her start in butter sculpting in 1960 as the sculptor of the Butter Cow at the fair, after studying animal science and taking studio classes at Iowa State University. In 2007, she created a sculpture of then-Senator Obama from 23 pounds of butter, and Politico credited her endorsement for his victory in the Iowa caucus. New Plans for the Essex Street Market: The decades-old market is part of the Seward Park Urban Renewal Area on the Lower East Side, an area targeted for dramatic housing and economic development in the coming years. So what does that mean for the Essex Street Market? Planning officials presented renderings to show what a new market in a two-story mixed-use development might look like. Europe Hates Drivers: Cities across Europe are making driving more expensive and inconvenient to steer residents away from cars. Is it a good idea or a road trip to hell on earth? In Zurich, the Times reports:
Closely spaced red lights have been added on roads into town, causing delays and angst for commuters. Pedestrian underpasses that once allowed traffic to flow freely across major intersections have been removed. Operators in the city’s ever expanding tram system can turn traffic lights in their favor as they approach, forcing cars to halt.Talk About a Space Saver: JDS Architects put a rolling playground atop three penthouse apartments in a turn-of-the-century building in Copenhagen. The roof includes a grassy hill with curved steps and a wooden deck, a playground and a suspension bridge. Fast Company Design reports the budget for the penthouses and the roof was $1.35 million. 6 Alternatives to Plastic: For its newest project, Studio Formafantasma dug into centuries-old technology to design plastic-like objects "designed as if the oil-based era, in which we are living, never took place.” Read on to see what they used.
Buffalo-based architect Dennis Maher has devised his own version of adaptive reuse - he's remaking abandoned buildings into sculptures. Inspired by the shrinking Rust Belt city where he lives and works, his sculptures "honor the former lives of these raw materials" in a way that is striking and thought-provoking. The large works of art in Undone-Redone City are complex, and offer us a new way of seeing buildings, or at least their elements. In Maher's creations, a door and some flooring and a window frame might all mesh together to form a new shape and a new function that the original builders probably never imagined.
Portuguese artist Alexandre Farto, aka Vhils, sculpts architecture. Using mallets, picks, and jackhammers, Vhils chips away layers of plaster to create large murals in relief. His series of wall etchings called Scratching the Surface appears around the world from Moscow to Italy to the United States. Via Today and Tomorrow.
What do kitchen counter tops, shower-wall cladding, and the Grand Concourse have in common? Corian, of course. Thanks to performance-artist-turned-designer (and Bronx native) Vito Acconci and Acconci Studio designers Adam Jakubowski and Bradley Rothenberg, the Bronx Museum can now boast its very own DuPont fabricated sculpture. Acconci’s large, porous installation is titled Lobby-For-The-Time-Being and provides an imaginative, fabric-like reconsideration of the now ubiquitous polymer, originally developed in 1967 to replace human bones. In what seems like the most recent installment in a worldwide series of Corian-centric, site-specific sculpture, Lobby-For-The-Time-Being incorporates seating (take that Philadelphia), as well as lighting and projections by Taylor Levy and Che-Wei Wang. Technically, Acconci’s first foray into architecture was way back in 1971, the year the Bronx Museum opened. Though it’s unlikely anyone remembers Seedbed for its central wooden structure...