Posts tagged with "Sculpture":
According to Linder, though, Gehry viewed the fish as an "empty signifier." Being "architecturally dumb," the fish's abstraction from architecture allowed the celebrated Canadian architect to "rethink architectural forms" from a withdrawn perspective. The fish was "anti-architecture" and "anti-humanist." Gehry played with these ideas at a time when referencing history and humanist themes were prevalent postmodern qualities in architecture.
Probably more than any architect, Gehry liked to incorporate fine art and sculpture into his work. More freedom was available to him as an artist than with buildings. In 1970s he liked cardboard because it’s a material where you go from concept to prototype to finished product in one day. Gehry identifies as a an artist more than any other architect.
The touring exhibition Barbara Kasten: Stages will arrive at the Museum of Contemporary Art in Los Angeles (MOCA) this summer, following presentations at the Institute of Contemporary Art in Philadelphia and the Graham Foundation in Chicago. The exhibition collects works from four decades in the artist’s career, from the 1970s to present. Barbara Kasten: Stages is the first major survey of the artist’s work, incorporating her sculptures and photography with documentation of her artistic process. According to curator Alex Klein, “stages” refers both to the stages of the artist’s career and her own process of staging sculptures in space.
The exhibition includes many of Kasten’s most well-known photographs from the Architectural Sites series, in which she abstracted works of postmodern architecture, like Frank Gehry’s Loyola Law School using an elaborate staging of light, sculpture, and mirrors and then printed them using the dye-destruction method Cibachrome for better depth of color and clarity. Stages will also include Kasten’s work with cyanotypes, which use the same technique used to make blueprints, and her early work with furniture sculptures.
The Museum of Contemporary Art Pacific Design Center 8687 Melrose Avenue West Hollywood, CA 90069 Through August 14
Artists such as Pablo Picasso have frequently used Cor-ten steel, which has a distinct reddish brown color, for outdoor sculptures. Recent prominent architectural uses include the Barclays Center in Brooklyn and Bjarke Ingels' Warehouse421 in Abu Dhabi. U.S. Steel, who owns the patent on Cor-ten, showcased the product during the construction of their U.S. Steel Tower in Pittsburgh.
Most of Judd's works with Cor-ten steel were done for specific outdoor locations and commissioned by clients. This book collects photographs taken during an exhibition at David Zwirner's New York gallery. It is currently available on the publisher’s web site.