The Leonard Street sculpture requires equivalent accuracy and precision, but with an added component. Cloud Gate was assembled in Chicago from the finished plate sections and support framework, built at our facility, and then all the joining seams were welded together on site. After the seams were welded, they all needed to be ground down, and the seam zones sanded and polished to match the rest of the plate surfaces. This on-site seam welding was very laborious and extremely costly. […] [...] In order to make the Leonard Street sculpture installation more expeditious, and to save costs, it was decided to build the precision components such that they could be tightly fit together, with the seams thereby becoming nearly invisible hair line cracks. This concept was successfully tested in a sample piece produced by us, and presented to the Artist for his approval prior to beginning the project.In addition to needing to mill and test extremely precise, interlocking metal plates, each segment will need to be bolted to the concrete plaza, then a system of tension cables for each section will need to be installed and properly calibrated. This will allow the bean to sway with the wind and expand and contract safely with fluctuations in temperature. Although at the time of writing the sculpture is sitting approximately half-finished with the exposed opening covered in plywood, it looks like 56 Leonard will finally be finished.
Posts tagged with "Sculpture":
In a pastoral part of central England known for its stately homes and greenery, burglars made off this week with a valuable, if fairly unusual, piece of art. The theft took place around 4:50 a.m. at Blenheim Palace, a monumental country house in Oxfordshire, just northwest of London. The target of the crime? America, a 2016 sculpture of a fully-functional toilet crafted in 18-carat gold by the Italian artist Maurizio Cattelan.
The toilet, which was previously housed in an upper-level lavatory at the Solomon R. Guggenheim Museum in New York, had been installed in one of Blenheim’s wood-paneled restrooms as part of an exhibition of Cattelan’s work. It was connected to the estate’s plumbing system, enabling visitors to actually use it—rare moments of intimacy with an object valued at well over one million dollars. According to the Sunday Times, overnight security was relaxed because Edward Spencer-Churchill, the display’s organizer, did not consider the toilet a prime target for burglars. As he told reporters when the piece was installed in August, “It’s not going to be the easiest thing to nick…Firstly, it’s plumbed in and secondly, a potential thief will have no idea who last used the toilet or what they ate.” Neither factor seemed an adequate deterrent for the thieves last week.
The crime caused significant damage to the palace beyond the loss of the art itself, as from photos, it appears the thieves simply ripped the fixture from the wall and left. The ruptured piping spawned a minor flood and one of the doors to the room was completely destroyed. While the display is now cordoned off, the toilet has yet to be recovered, prompting concerns that it may have been melted down. Authorities claim that a group of offenders used two vehicles to carry out the burglary but have only arrested one 66-year-old man in connection with the crime.
Cattelan himself highlighted the irony of the incident, pointing out that he created America to give ordinary people direct access to an extraordinary object. As he told The New York Times this weekend, “America was the one percent for the 99 percent, and I hope it still is. I want to be positive and think the robbery is a kind of Robin Hood-inspired action. I wish it was a prank.”