The San Francisco Art Institute (SFAI)—one of the oldest art schools in the country and the alma mater of greats including Catherine Opie, Kehinde Wiley, and Annie Leibovitz—announced this week in an email that it will close permanently at the end of the spring semester unless it can establish a strategic partnership with a larger institution within the next few months. While virtual education classes for currently-enrolled students will continue unabated until the spring, at which point graduating students will receive their degrees, the San Francisco-based school is no longer accepting students in the fall, and faculty and staff were told to anticipate mass layoffs. The email, cosigned by the school president Gordon Knox and board of trustees chair Pam Rorke Levy, cited the spread of the novel coronavirus as the principal factor in the school’s decision to shutter its doors after its 149-year run. “Given our current financial situation, and what we expect to be a precipitous decline in enrollment due to the pandemic,” the email reads, “we are now considering the suspension of our regular courses and degree programs starting immediately after graduation in May of this year.” Yet the pandemic is only the latest element in a string of financial setbacks the school has recently faced. In 2017, while enrollment had been on a steady decline with few signs of improving, the school purchased a historic U.S. Army warehouse at Fort Mason and commissioned local firm Leddy Maytum Stacy Architects to adaptively reuse it into its new campus. This and other recent investments, according to the New York Times, have left the school with an estimated debt of $19 million that would only increase if the school attempted to continue operations. The hardships the school has recently faced are similarly felt by art institutions across the country. Notwithstanding the parallels between SFAI and the Frank Lloyd Wright School of Architecture at Taliesin (SoAT), which announced its own closed enrollment only weeks prior to the spread of the coronavirus to the United States, museums large and small have been equally susceptible to the coronavirus. According to Artnet, The Metropolitan Museum of Art in New York, which is expected to receive a budget shortfall of around $100 million alone due to its recent closure, has recently launched a campaign that requests $4 billion from the US government to support nonprofit art institutions.
Posts tagged with "Schools":
Selldorf Architects has completed a 30,000-square-foot school in the Mwabwindo Village of Zambia, the second of its kind in the rural community. Built through the non-profit 14+ Foundation and designed as a multi-building education center, the Mwabwindo School gives over 250 students, ranging from preschool to 7th grade, the chance to learn in a safe and welcoming environment with a vision inspired by the scattered trees of the Central African Plateau. According to the architects, the center’s unique layout—built like a village—was prompted by the tall, individual trees in the savanna that protect people and animals from the oppressive heat and heavy rain seasons. As a nod to these natural shading structures, Selldorf integrated a 23-by-23-foot corrugated metal canopy over the series of mud-brick classrooms, all of which are situated around a courtyard and internal “street.” Joseph Mizzi, president of Sciame Construction and co-founder of the 14+ Foundation, told AN that it took over 150,000 bricks to build the structures, and each brick was handmade by local masons and fired using earth from the region. Based on the foundation’s work building the Chipakata Children’s Academy in nearby Lusaka, Zambia, in 2015, leadership wanted locals to be heavily involved in the construction process this time as well. “Our experience is that when parents of the school children and community members become integral to the building process, it allows them to feel more proud of the end result and more respectful of what the school stands for,” said Mizzi. In total, the Mwabwindo School contains eight classrooms, an art space, a library, support structures for storage, and a six-unit cluster of housing for teachers. It also features a community vegetable garden and playing field for the kids. In the near future, the center will include expanded teachers' housing and dormitories for students. The 14+ Foundation was started by Mizzi and Zambian-born stylist Nchimunya Wulf in 2012 in an effort to enhance education in the rural communities of Africa where most students have to walk over four miles each way to school every day. The Chipakata Children’s Academy, designed by Susan Rodriguez of Ennead, Frank Lupo, Randy Antonia Lott, and Nat Oppenheimer of Silman Engineering, is located in the same jurisdiction as the Mwabwindo School. With the two now open, there are four total schools in the village; the other two are run by the government. Mizzi said the new projects give children across the entire village better access to the personal education they deserve. “In addition to serving the students at both our schools, we’re also addressing a bigger issue within the larger community by reducing the teacher-to-pupil ratio,” he said. "At the Mwabwindo School, there are around 25 to 30 children in a classroom." The Mwabwindo School has already won numerous architectural awards both for its design and for its commitment to sustainability. Like the children’s academy, which dually features an angular, lightweight roof structure, the architecture isn’t supposed to be attention-grabbing but instead functional and beautiful. The village itself already runs on 100 percent renewable energy, so Selldorf specified solar panels and integrated a rainwater collection system into the community garden. While students will learn how these green resources are used on-site, they will also focus on arts-based programs at the school. It was recently announced that artist Rashid Johnson is working with the foundation on a site-specific mural with the help of students, expected to be completed next spring.
A bipartisan bill to improve school safety reached the floor of the U.S. Senate this week. Senators David Perdue (R-GA) and Doug Jones (D-AL) introduced the proposed legislation known as The School Safety Clearinghouse Act on Monday, an aisle-crossing effort that would help state and local officials make schools safer through smarter design. “Children deserve to go to school and learn in a safe environment,” said Senator Jones in a statement. “School leaders should always have the resources they need in order to protect our children and their teachers.” The School Safety Clearinghouse Act would establish a federally-funded national database full of information on the best design practices for enhancing security and safety in schools across the country. Managed by the Department of Homeland Security (DHS), the clearinghouse would include recommendations from architects, engineers, building security experts, first responders, and mental health advocates. It would not, however, advocate or advertise for specific technologies or tools for schools to use. The program is the follow-up to the STOP School Violence Act which gave school districts access to funding for safety-enhancement projects. The School Safety Clearinghouse Act provides information to those districts so stakeholders can make informed design decisions using that money. The American Institute of Architects released a statement confirming its commitment to working with Democrats and Republicans, as well as DHS, on the build-out of the clearinghouse—an idea first brought forward by the organization to the federal government when AIA members testified in front of the Federal Commission on School Safety last August. The AIA’s support is the latest move in its growing effort to address school safety and gun violence. In 2018 and 2019 alone there were over a total of 40 school shootings that resulted in injuries or death, according to Education Week. “More than 20 years after the attack on Columbine High School, our schools deserve to be safer. As architects, we know how to help,” said AIA EVP and CEOOffice Robert Ivy in a press release. “Design serves as a critical element in making our airports, stadiums, and office buildings safer following September 11. Senators Purdue and Jones should be commended for introducing new legislation that will give education officials the vetted information they are desperately seeking to create and secure schools for America’s children and teachers.”
The K-12 team at TowerPinkster is aiming to physically slow down school shooters through its $48-million renovation and addition to Fruitport High School in Western Michigan. The 189,822-square-foot project recently garnered national headlines because of its push to enhance safety within the 64-year-old institution, which previously featured narrow corridors and cramped gathering spaces. TowerPinkster, an architecture, engineering, and interiors firm with expertise in educational spaces, worked with the National Institute of Crime Prevention to learn the most effective ways to secure the school’s campus, which is slated to reopen in 2021. By building on 143,879 square feet of new space that connects to the older structure, the design team was able to create a two-story, curved academic wing designed to reduce the sightlines of a potentially armed attacker. Each teaching space was conceived with “shadow zones” along the door-side walls where students and faculty can hide without being seen. Shatter-proof safety film was specified to cover the few windows that do look into the classrooms. In addition, cement block “wing walls” were added to stick out next to all doors and act as further barriers. Currently under construction, this build-out is the fourth attempt to update the school since its opening in 1963. TowerPinkster has envisioned a new set of offices, an auditorium, media center, woodshop, cafeteria, and common area for Fruitport HS as well. The entry experience is also changing. Located at the opposite end of the classroom corridors, and looking directly at the parking lot, a staff member at reception would be able to see anyone walking into the school at any given time. They would also have the ability to lock down all classrooms, the vestibule door to the office, and the office door to the school using a three-button system. At a time when some experts are saying the key to school safety is in the design of fully transparent and inclusive learning spaces or pushing for gun reform, TowerPinkster didn’t wholeheartedly embrace breaking down Fruitport’s mid-century brick structure and replacing it with a more contemporary school. Closer attention was paid to the security strategies and, according to Matt Slagle, director of K-12 design at the firm, it was all about striking a “balance between security and a welcoming presence.” He told The Washington Post his team wanted to make the school feel open, but not too open; secure, but not as secure as a prison. Along with adding ample barrier elements to the school’s many open spaces, the idea to include curved hallways was one of the biggest safety-increasing design moves. Fruitport’s academic wings will be crescent-shaped and short, even though they won’t appear to be so from the ground. But non-linear connection points aren’t always the smartest way to ensure protection in a highly populated environment. In 2003, it was reported that it took police over seven hours to capture a gunman that had entered a new business school building at Case Western Reserve University in Cleveland. SWAT team members blamed the architect, Frank Gehry, for the hide-and-seek game that ensued and for not being able to get a clear shot. And, as critics are pointing out on social media, those shadow zones and wing walls could also be taken advantage of by the shooter to more easily hide.
An 86,000-square-foot elementary school must feel twice as large to children smaller than three feet tall. But the interior of such large-scale architecture can always be minimized if the right combination of intimate spaces is created. When several schools in the district of Rockford, Illinois, were decommissioned, Rockford Public Schools enlisted the help of CannonDesign in the build-out of a new, community-centric, K-5 prototype designed with students rather than just for them. “Allowing students to choose between alternate body positions fosters creativity and collaboration,” said Robert Benson, a design principal at CannonDesign. “We designed the spaces in this same spirit of mobility. Students move from space to space, lesson to lesson throughout the day and there is no stagnation sitting for hours in a single space. The architecture creates a physical outlet for the innate needs of child physiology.” Breaking the building down into different forms not only helps make it appear smaller and more comprehensible for such young students, according to Benson, it also helps build up their confidence. “This is critical for kindergartners as they experience one of the most difficult transitions in a child’s life—learning to step outside the home and into the school environment while maintaining a sense of safety.” Read the full article on our interiors and design website, aninteriormag.com.
Mexican practice Escobedo Soliz recently completed two schools in Mexico's Puebla region, which was devastated by an earthquake in 2017. According to the architects, over 200 public schools were destroyed in the region, which spurred a group of private investors to commission the firm to create two primary schools in the town of Santa Isabel Cholula. The team had only nine months to design and build both structures, leading to the selection of a modular, prefabricated system. The two schools use repetitive, single-story, barn-like modules with skylights along their ridges and red-pigmented precast concrete panels on their exteriors. The modules are arranged along covered porticos that act as outdoor hallways.
On June 16, 2014, a tornado tore through the small agricultural community of Pilger, Nebraska, causing catastrophic damage to the village 85 miles northwest of Omaha. The tornado, one of two that hit Pilger on the same day, was part of a multi-day storm that produced more than 100 tornados across the Great Plains. The EF-4 grade storm generated winds of up to 200 miles an hour, left two people dead and sixteen critically injured, and caused the destruction of over half of the village’s buildings. As it spiraled its way from Pilger’s main street, the storm took out the clerk’s office, post office, a Lutheran church, a convenience store, and half of Pilger’s homes. Grain bins belonging to the local farmers’ co-op blew away, leaving behind mountains of soybeans and corn. The Wisner-Pilger Middle School, the only school in Pilger, also sustained heavy damage. Built in 1909, the school served K-12 students from the village until 1969, when the Pilger School District consolidated with the neighboring community of Wisner. At the time the storm hit, the Wisner-Pilger Middle School served approximately seventy-five 5th and 6th grade students, while an elementary-through-fourth grade school and a high school were located in Wisner, ten miles east. The condition of the school left the Wisner-Pilger Board of Education with contentious choices that weighed on both communities: rebuild the destroyed middle school; bring all three schools to a new building in Pilger; or combine all three schools on one campus in Wisner. “Educationally, a single-site school was the best solution,” said Darin Hanigan, project coordinator at BVH Architecture, based in Lincoln, Nebraska. BVH visited Pilger within days of the tornado hitting to explore restoration of the 1909 Wisner-Pilger Middle School but found that the damage was too extensive to repair. The decision was made to create an addition to the high school in Wisner for pre-K through 6th grade. The new school needed to be an object of pride for both Wisner and Pilger. “Rural communities get a new building once every five years—if they are lucky” said Hanigan. “They want to make a statement.” For BVH, making a statement started from the inside out. This included omitting rooms that cater to only one use and taking a look at opportunities for the structure to complement the school’s unique educational model. In the school, students spend only 20 percent of their time in their assigned classrooms—the rest is spent in flexible, sometimes multiuse spaces; the commons, located just inside the school’s entrance, serves as a gathering place but also as a lunchroom. With all students learning under the same roof, grades are able to collaborate, creating more opportunities for students to learn at different levels, and spaces needed to accommodate that. Moving throughout the building, students pass through a tactile environment with ample room to display their work. Laser-cut metal panels with designs inspired by math, language, the solar system, and local topography adorn the school. Surfaces are kickable, trackable, writable, and often magnetic. Windows are carefully placed to support educational activities, with low windows located inside reading nooks, and high windows placed in resource spaces and hallways. High windows are kept away from teaching walls to minimize glare. Windows are arranged throughout the school to accommodate views at a range of heights, whether the students are walking through the school or seated at their desks. “Students spend their time inside versus outside, so that’s where the money should go,” Hanigan said. Spaces abound with diffuse light, courtesy of a cost-effective metal screening system. BVH Architecture remained ever-mindful of the destructive potential that precipitated the need for the new school. The roof system of the band room has a hollow core integrated into the precast wall, with the band room itself set inside the school’s center. The band room has the ability to shelter every student and educator on the campus if a tornado were to pass through again.
Last week, Texas judge James Shoemake ordered the Fort Bend Independent School District to halt construction after the remains of 95 black prisoners were unearthed on a property it was building on. The site, once known as the “Hellhole on the Brazos,” was the former Imperial State Prison Farm, the infamous home of numerous prison camps and sugar cane plantations where slaves lived and worked in hellish conditions before their subsequent deaths. The property is located in Sugar Land, now one of the wealthiest and fastest-growing cities in Texas just southwest of Houston, but which once served as a graveyard for slaves. It was there, after the district broke ground for a new school, where archaeologists exhumed a massive, 19th-century graveyard of nearly 100 bodies that had been concealed five feet beneath the soil in dilapidated pinewood caskets for decades. According to NBC affiliate KPRC, Judge Shoemake ordered the school district to halt construction so that the human remains could be examined and investigated at the site. “This find is very different from any other,” Judge Shoemake said in an interview with KPRC. “We have a history that’s different. I want some more effort. This is important stuff. Families and communities are affected by this. You came here for permission [to build]; I’m not going to give you permission.” Sugar Land has a unique and shocking history. In the late 19th century and early 20th century, the town, located along the Brazos River, served as the epicenter of the country's sugar industry. The convict-lease system flourished throughout the region, targeting former slaves who were leased by the state to private businesses and forced to work in coal mines, plantations, railroads, and state projects. According to The Washington Post, the black “convicts” were imprisoned into the system for offenses as minor as homelessness, flirting with white women, or petty theft, yet they were made to work from sunrise to sunset in the fields, occasionally until they “dropped dead in their tracks.” The Fort Bend Independent School District’s construction site encompasses land that was called “Imperial State Farm Prison Camp No. 1.” Conditions were so horrific that prisoners wrote songs about how they would rather die than live another day of beatings, whippings, and slaving under the hot sun. Private contractors did not care about the health and well-being of their workers. According to W. Caleb McDaniel, a history professor at Rice University in Houston, the convict-leasing system experienced tremendously high levels of disease and mortality. If a prisoner died, a contractor would simply demand a replacement prisoner from the state. More than 3,500 prisoners of ages ranging from 14 to 70 years old died between 1866 and 1912 when lawmakers finally outlawed convict leasing out of utter shock at the death rates. This past summer, a team of archaeologists requested permission from the Texas Historical Commission to conduct a more thorough investigation of the human bones salvaged from the cemetery. Their main goal is to perform DNA testing on the remains in order to identify the prisoners. The Fort Bend Independent School District shares this ambition, telling KPRC that “our sole mission is to educate students and we only exist to learn. The more knowledge we have the better. We want DNA testing. We want answers, we want to connect the body with the name, and we want to tell the story of an individual.” As of last week, Judge Shoemake said he hopes to reconsider his decision to halt construction by March 2019.
Rockwell Group’s design for the recently opened Blue School in New York City falls outside the lines of traditional design for primary and secondary education, especially in the cramped Big Apple. While the school includes many basic elements such as closed-door classrooms and a sizable cafeteria, the one thing the architects were expected to uniquely incorporate for the private school, which was founded by alumni of the Blue Man Group, is color. Lots of color. Stretched across four floors of a mixed-use, former medical building in Manhattan’s Financial District, the school serves as a “home away from home” for its kids, featuring flexible spaces and playful palettes that encourage creative self-expression and pride at all ages. The Blue School opened last month for its inaugural semester, welcoming 100 students and 70 faculty members through its shiny glass doors under a neon sign signaling its presence in the neighborhood. The 45,000-square-foot facility is the New York-based institution’s second campus designed by Rockwell Group. It provides much-needed breathing room for the school’s fourth through eighth-grade levels, which were previously housed in what’s now the primary school located in the South Street Seaport. Thanks to the move, pre-kindergarten through third-grade students were also given more space inside their facility, which opened in 2010. For the Upper School, as the new facility is known, Rockwell Group leveled up the design out of respect for the older children, who naturally are becoming more mature as they age. The architects outfitted the space with a bright, eye-catching interior and a layout designed to spark personal discovery as well as collaboration. “There’s a sense of respect the kids feel in spaces designed for them,” said Michael Fischer, the associate principal who led the design with David Rockwell. “They have autonomy, feel empowered and trusted.” Upon walking through the doors of the new Blue School, students, teachers, and guests are greeted with a lobby sporting a lounge-like feel, as well a high-gloss, neon yellow central staircase that serves as the main point of circulation in the facility. To the left in a community space called the Commons, colorful outdoor furniture adds a contemporary twist to the cafeteria setting along with bleacher-like seating wrapped in wood and staggered along the walls for a topographical effect. Additionally, a bar with stools lines the edge of the 1,800-square-foot space overlooking the street. The Commons also includes walls lined with LED-lit garden planters where food is grown as part of the school’s science curriculum as well as for students’ meals. The living wall is maintained in partnership with Brooklyn Grange and enhances the living room-like atmosphere of the shared space. On the basement level, Rockwell Group created a grown-up version of their Imagination Playground system with which students can construct their own seating stations using shapely, blue-foam cushions. The surrounding walls are clad with colorful, geometric wallpaper by Flavor Paper. Two studios as well as a column-free gymnasium, which doubles as a 130-seat auditorium—the Blue School’s first ever performance space—were also designed for the school’s arts and exercise programs. If flexibility is an integral part of the Blue School’s educational philosophy and its interior architectural design, the concept is most evident on the top floors where each learning space includes key elements that allow teachers and students to take over space how they see fit. Rockwell Group collaborated with Uhuru to create non-directional trapezoidal desks that can be easily set up to form clusters for group-work situations. Each classroom also includes a raised carpeted platform dedicated to quiet reading or presentations. An art room, maker lab, and materials library were also given major space on the second floor. Both are fully stocked with every kind of arts and engineering supply imaginable, from paint brushes to saws, to glue and glass. An adjacent materials library—open to the kids at all times—serves several fields of study and specific STEAM courses. The Blue School’s library features a book-lined, double-height reading space with a massive sofa and custom common tables by Rockwell Group for Knoll. Hanging from the ceiling next to the curtain-wall window is a light sculpture designed in collaboration with Dot Dash Design. It changes colors throughout the day and amplifies the school’s interior at night. From the street level, passersby can see activity within the facility and students get a sense of inclusion in the bustling neighborhood. Since the Blue School began in 2006, it has added one grade level per year to its roster of students—hence the need to build out a new campus for its burgeoning population. The first group of kids to begin at the school recently graduated from 8th grade and though they never had the chance to move into the new Upper School, they were integrated into the extensive planning process that Rockwell Group held with students, parents, and teachers. The school expects the number of students to double over the next several years. Blue School will featured as an Open Access site during Open House New York this Saturday, October 13th. Check it out from 10 a.m. to 6 p.m. or go on a guided tour with representatives from Blue School and Rockwell Group at 11 a.m., 1 p.m., and 3 p.m. Reservations are not required.
This year, on average, there has been one school shooting per week, according to CNN. Enduring, long-term measures to prevent attacks and safeguard schools require legislation and other policy changes that may be out of designers' reach. In the meantime, there are design measures that help make educational spaces safer, namely by preventing entry. Take a look at the following windows and doors designed and tested to protect spaces of learning. Attack Resistant Door Solutions Assa Abloy and School Guard Glass Hardware manufacturer Assa Abloy and safety glass manufacturer School Guard Glass partnered to design an attack-resistant door for schools. When paired together, the Ceco Door with SG5 attack-resistant glazing survives the most brutal blows and even gunshots (see the video above). Stronger and longer-lasting than a security film, the system is easy and affordable to retrofit to pre-existing openings for increased security. CHILDGARD security glazing Global Security Glazing Many schools across the country are not new buildings. Their windows are often tempered glass, which shatters immediately upon impact. CHILDGARD glazing is laminated security glass designed to help both new and pre-existing structures endure the hardest blows. It is a cost-effective alternative to bulletproof glass and easier to install than safety films, which must be anchored to frames. Quick Action Lockdown SSI Guardian In emergencies, seconds matter. This deadbolt classroom door instantly locks when the red button is pressed. When it is safe again or accidentally employed, the door automatically unlocks when the interior handle is turned. NIGHTLOCK LOCKDOWN 1 Nightlock Door Security Devices Sliding into place, this red metal security bracket attaches the door to the floor. There, the lock remains out of reach from the glass windows typically found in conventional classroom doors. The barricade system works with both inward and outward swing doors that are wood or metal. Security Window Film & Attachment System 3M Protect windows with this film that has the wherewithal to withstand an intruder for up to two minutes. If the glass is broken, the system that is anchored to the glass frame will stay attached to the film and protect the glass from shattering. Sponsored Product: Accurate Lock 9100SEC High Security Mortise Lock Withstands 300 times more abuse than the Standard Grade 1 Requirement. Aesthetics no longer need to be compromised to achieve the highest level of security—compatible with a variety of commercial, residential, or specialty trim.
Earlier this week, the American Institute of Architects (AIA) announced its new initiative to advocate for improved school design policies. Yesterday a representative from the architectural organization met with senior White House cabinet members to discuss legislation that promotes the design of open learning environments that enhance security and safety. Jay Brotman, AIA, the partner at Svigals+Partners who led the design of the new Sandy Hook Elementary School in Newtown, Connecticut, spoke on behalf of the AIA in Washington. In his statement, Brotman presented best practices used for the school’s secure design and how his team collected input from the community, teachers, and students to address the most crucial needs. “The desire to craft design strategies that mitigate the challenges schools face is an absolute priority,” he said. “As architects, we do this every day. However, two ongoing problems prevent local school officials from implementing these solutions: a lack of access to quality school-design information and the ability to fund them.” Part of the AIA’s goal is to assist the government in creating legislation that provides pathways for federally-funded architecture and design services and grants. They also want to establish a “federal clearinghouse” of resources detailing best practices for school officials, architects, and design professionals to stay updated on the latest research involving safe school design. In front of the Federal Commission on School Safety, Brotman explained that a one-size-fits-all approach won’t work in designing these facilities. “Whether it’s a retrofit or new school, each school must be designed for its unique student population, for its unique location, and to meet the needs of its unique community,” he said. “The primary goal is to provide an inspiring, health environment that promotes learning. Security features, while vital and necessary, should be as invisible as possible and incorporated into the school’s design. Failing to do so puts children’s education, emotional development and pro-social behavior at risk.” The AIA has yet to unveil any specific design prescriptions for school safety, but Brotman’s testimony is one step closer toward creating more awareness on the importance of safe education architecture. Yesterday’s meeting isn’t the first instance this month in which the AIA has spoken out on the topic. RTA Architects principal Stuart Coppedge, FAIA, presented insights into the collaborative design and community evaluation process to the U.S. Department of Education’s Federal Commission on School Safety in early August while members of the AIA’s Committee on Architecture for Education (CAE) also gave recommendations for safe school design to the U.S. Department of Homeland Security.
In response to the rising tide of school shootings and subsequent debates over the role and responsibilities architects face in designing schools, the American Institute of Architects (AIA) has codified their stance and has launched a bipartisan initiative to help schools secure architectural services. In a statement released earlier today, Where We Stand: School Design & Student Safety, the AIA broke down how it will advocate for schools to improve their design policies and how it will help schools secure funding to do so; notably absent were any specific design prescriptions. “Architects have a role to play in addressing school violence,” wrote AIA President Carl Elefante, FAIA, in a press release. “For two decades, architects have worked with school communities racked by tragedy to develop better strategies in school design. While public discourse on access to firearms and mental health services remains deadlocked, the power of design can improve school safety now. AIA is committed to working with stakeholders and officials to make schools safer while building the positive, nurturing, learning environments we all want for our children.” To meet those goals, the AIA will be taking a two-pronged approach: lobbying for schools to be able to use federal funding and grants on architectural and design services, and creating a federal repository of best practices for designers to draw on. The AIA already maintains a list of academic design resources and hosts the Committee on Architecture for Education, but wants to create what they describe as a “federal clearinghouse” to serve as a national resource. The AIA is also touting its participation in the two-day 2018 National School Security Roundtable sponsored by the Department of Homeland Security on August 1, in which members fielded suggestions from the community on how to design schools that were safe but still open. Of course, all of this is to say that, as the Institute has itself acknowledged, design is only a piece of the equation and won’t solve the problem in the long run. The AIA says that it wants to create scalable design guidelines based on local feedback from the community and local chapters. As the renewed Sandy Hook School from Svigals + Partners demonstrated, it is possible to balance those concerns in a practical manner, and is a welcome alternative to proposals calling for the "hardening" of schools– such as calls to use federal funding to harden buildings into windowless bunkers.