Moshe Safdie has won the 2019 Wolf Prize for Architecture, an award given out about every three years by the Wolf Foundation. The Israeli nonprofit gives out six prizes annually for agriculture, arts, chemistry, mathematics, medicine, and physics. The arts award recognizes a winner in either painting, music, sculpture, or architecture. Recent winners for architecture include Phyllis Lambert, Eduardo Souto de Moura, David Chipperfield, and Peter Eisenman. The award citation praised Safdie's "career motivated by the social concerns of architecture and formal experimentation," and recognized Montreal's Habitat '67 along with "the National Gallery of Canada in Ottawa, the Harvard Rosovsky Hall in Cambridge, Massachusetts, Exploration Place in Wichita, Kansas, the National Library of Israel and the Yad Vashem Holocaust History Museum in Jerusalem." Much of the Safdie Architects' current work comprises large-scale residential towers that formally echo Habitat's modularity on a much larger scale. Winners of Wolf Prizes receive $100,000.
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Safdie Architects has officially completed a two-year-long restoration of Moshe Safdie’s personal unit at Habitat 67, a landmark apartment complex designed by a young Safdie himself for Montreal. The project was done in conjunction with the 50th anniversary of the seminal structure. Safdie’s light-filled duplex unit is located on the 10th floor of the 238,500-square-foot brutalist building and overlooks the Saint Lawrence River and downtown Montreal. The careful restoration of the prefabricated piece of architecture has been a serious undertaking. Safdie Architects worked to bring the entire facility into the 21st century by upgrading its technical systems to modern sustainability and energy conservation standards. They also stripped the exterior concrete walls that showed severe signs of decades-long water damage in order to repair, insulate, and waterproof the envelope from the harsh Canadian winters. For the interior of Safdie’s apartment, the design team restored the space to its original 1960s condition. They repaired the wood parquet flooring, installed new windows, and restored the sliding patio doors that retract into the concrete walls. The wood-slatted terraces were revamped to include the clear polycarbonate railings found on the original structure. The bathrooms, outfitted with molded fiber glasses, were also rehabilitated, along with the fixtures and fittings. The kitchen was completely restored as well. Now in mint condition, the unit will be dedicated to the public realm as a resource for research and tours as Safdie Architects continues an ongoing restoration of the building’s envelope.
Yesterday, the Boise City Council approved a three-month contract with Safdie's firm, Safdie Architects, to come up with a concept design for the 150,000-square-foot public library. The building will be sited on the same five-acre parcel as the existing library, a converted 1940s hardware warehouse. The stacks and related programming will take up the bulk of the new structure, but the building will also include roughly 20,000 square feet of public events space and 20,000 square feet for Boise's Arts and History Department. The initial contract, valued at almost $400,000, would cover preliminary designs, which may include proposals for reusing the existing library building. The total budget for the project is around $60 to $70 million, money that would come from fundraising and public financing, the Idaho Statesman reported. “The City of Boise has a clear vision for how the new Boise Library can be a gateway to the city,” said Moshe Safdie, in a city-issued press release. “The building program, the public engagement process, and the site itself, will be the foundation of a design solution unique to Boise, one that reflects its highest aspirations and values as a community.” Safdie is no stranger to the Heartland. His practice designed a public library in Salt Lake City, Utah, a science museum in Wichita, Kansas, and a performing arts center in Kansas City, Missori. If all goes according to plan, Safdie Architects will work with local firm CSHQA on the Boise building, which should be complete in late 2021. There are no designs available at this time.
The community is called Serena del Mar, which means Serenity of the Ocean in Spanish. In addition to the hospital, called Centro Hospitalario Serena del Mar, the project will include oceanfront residences, a hotel resort village, a business and commercial district, a golf resort, and an “equestrian village.” Twelve kilometers from the Old City historic district of Cartagena, the planned community is expected to absorb much of the area’s expansion and help the region compete for national and international tourists. Serena del Mar will be organized around a major canal, similar in scale to the Grand Canal in Venice. The centerpiece is a 400-bed hospital, the first designed by Safdie. The main boulevard is modeled after Commonwealth Avenue in Boston, although cars mostly will be banned to the perimeter of the property. The developer is Novus Civitas, headed by one of the wealthiest families in South America. Safdie’s firm, Safdie Architects, is the architect for the hospital and master planner for the ‘Gran Canal’ civic and institutional district within the larger community, according to principal in charge Sean Scensor. EDSA of Florida is the master planner for the rest of Serena del Mar and landscape architect for the hospital and surrounding area, Scensor said. Robert Trent Jones II is the golf course designer. Other architects that have worked on the hospital include Tsoi/Kobus & Associates of Cambridge, Mass., and a local firm in Colombia, Condiseño Arquitectos. Design and planning experts from Johns Hopkins Medicine International in Baltimore consulted with the development team on the design of the hospital, which will be operated by the Fundación Santa Fe de Bogotá. Construction began last year on the hospital’s first phase. When complete, the building will have a series of fingers extending toward a lagoon, with outdoor “healing gardens’ in between. The rest of Serena del Mar will follow in phases, and the canal is the “big move” that organizes it, Scensor said. In a promotional video for the community, Safdie, 77, indicated that he drew inspiration from the natural setting and the area’s rich architectural traditions. He said he tried to “capture the experience of the Old City of Cartagena” in the context of modern development. “Somehow I feel that my role is to create an architecture that belongs,” he said. “An architecture that belongs is one which makes those who live there, who are part of the place, feel like this is ours."
Reaching up into the sky in Bishan, Singapore is Moshe Safdie's recently completed development, and aptly named, Sky Habitat. Safdie's design includes walkways that connect the the two structures up to 38 storey's up, offering views across the suburban sprawl of Bishan. Views aren't the only thing offered to residents who take to the bridges at the complex either. As pictured above, a swimming pool spans the majority of the highest bridge (on the 38th floor) complete with palm trees. Below are two more bridges connecting the towers. They provide circulation between the buildings and facilitate airflow through the structures. In fact, ventilation was somewhat of a priority in the context of the Singapore's tropical and climate. As a result, by separating the volumes, Safdie has maximised exposure to each dwelling to combat the humid conditions. That's not to say that they too have been left bereft of vegetation, something which has been a key feature of Safdie's design. The inclusion of such greenery has lead to the bridges being termed as "sky gardens," offering a natural counter to the surrounding urban environment. Bishan, by comparison, is one of Singapore's fastest developing cities. The two volumes of the towers show off a staggered facade that maximizes each dwelling's views and sunlight exposure. Sky Habitat, by name, builds on Safdie's most recognized work, Habitat 67 in Montreal, Canada. Equally hierarchical and arguably more complex, Habitat 67 had its roots in his Master's thesis at McGill University. http://www.skyhabitat.com.sg/assets/video/commercial.mp4
Downtown Des Moines, Iowa, courted an all-star list of architecture firms for a new $92 million corporate headquarters that has the unfortunate baggage of being helmed by the world’s most cringe-inducingly named and spelled convenience store chain, Kum & Go. BIG, Morphosis, SOM, Bohlin Cywinski Jackson, Renzo Piano Building Workshop, and Safdie Architects all competed for what CEO Kyle Krause is calling Des Moines’ next landmark. And that landmark is going to be designed by the Piano man himself. According to the Des Moines Register, the convenience store was attracted to Piano's "ability to emphasize collaboration, transparency and light." The new building will be located between 14th and 15th streets north of the Pappajohn Sculpture Park, and locals hope the new building will take a back seat to the art on display that includes works by the likes of Jaume Plensa. The headquarters will house 300 employees in some 120,000 square feet and is expected to be complete in 2017. "What we want to do is create the best environment for our associates," Krause told the Register. "Architecturally, sure, they'll do a great job, but it's really about that inside space and what you can create inside the building that is best for our people." He added that Piano is "a great down-to-earth guy who we think can create the space that creates the transparency, the collaboration, the openness for our people to have a nice work space." Eavesdrop can’t be the only one who feels uncomfortable gassing up at this midwestern roadside retailer—but maybe a work of starchitecture can change our minds.
After inviting several architecture firms to participate in a design charrette this summer, the Peabody Essex Museum (PEM) in Salem, Massachusetts has selected Ennead Architects to design the museum's ambitious 175,000-square-foot expansion. This $200 million project will include new galleries, public program and education spaces, conservation and exhibition processing areas, and a restaurant. "Ennead Architects impressed us with their creative dexterity, in-depth understanding of our institution and thoughtful design solutions for the museum's complex architectural program. We celebrate their responsive, collaborative spirit and look forward to partnering with them to achieve a design that provides a superlative museum experience," said Dan Monroe, PEM's Rose-Marie and Eijk van Otterloo Director and CEO, in a statement. PEM initially chose London-based Rick Mather Architects to undertake the entire expansion project. The firm completed the first phase, including the master planning and renovation of the Dodge wing, but when founder and principal Rick Mather passed away this past spring, the museum decided to consider other firms. According to Boston.com, PEM cited the intimate size of the firm (15 architects) and Mather's "intense involvement" in the project as factors for the switch. Ennead, which employs over 100 architects, offers substantial museum experience. The firm recently wrapped up its expansion of the Yale University Art Gallery last winter, and has also cuts its teeth working on a number of other projects, such as the Brooklyn Museum, Natural History Museum of Utah, William J. Clinton Presidential Center, and the Rose Center for Earth and Space at the American Museum of Natural History. "PEM's expansion presents an exciting design challenge and an opportunity to reimagine one of the oldest and fastest growing museums in the country," said Ennead design partner Richard Olcott in a statement. This marks the second major building project that the museum has embarked on in the last ten years. Architect Moshe Safdie designed a $100 million glass and brick building expansion and renovation in 2003. The museum plans on breaking ground in 2015, and anticipates that the new wing will be unveiled in 2019. The Mathers-designed Dodge wing will reopen this October along with the revamped Art & Nature Center.