Building Design Online reports that 2013 will be the last year of the Lubetkin Prize, an honor the Royal Institute of British Architects has awarded annually since 2006 to the best new building outside of the European Union. Whereas RIBA members and fellows were the only candidates eligible for the honor, in 2015 the organization plans to launch a new International Prize open to all architects. In September, London firm Wilkinson Eyre received what now becomes the last Lubetkin Prize for their Gardens by the Bay project in Singapore (pictured). (Photo: Nimrod Bar / Flickr)
Posts tagged with "Royal Institute of British Architects (RIBA)":
Sawing off competition from five other shortlisted firms, British architects Theis and Khan have been selected to design the Royal Institute of British Architects' new headquarters in London. Located only a few buildings away at 76 Portland Place in downtown London, RIBA’s new premises are to be located inside the current Institute of Physics building, which will be entirely renovated. The existing RIBA offices will be freed up for new exhibition and events space. Construction will begin in March 2014 and is expected to last a year. (Photo: NICK GARROD/ FLICKR)
A few years ago, 12th-century-built Astley Castle was no more than a fire-ravaged, crumbling medieval structure in the English countryside. Now, since its clever restoration by Witherford Watson Mann Architects in 2012, the Landmark Trust-sponsored residence in Warwickshire has been deemed “building of the year” as the winner of the most prestigious architectural prize in the United Kingdom, the Royal Institute of British Architects’ 2013 Stirling Prize. With its fortified ruins artfully incorporated into contemporary construction as a luxury vacation home, RIBA President Stephen Hodder praised the Astley Castle restoration as “an exceptional example of how modern architecture can revive an ancient monument.” However, this year RIBA was unable to secure a sponsor to provide the £20,000 given to winners of the past, BD Online reported. This is the first year that the Stirling Prize comes with no cash value. After a 1978 fire ravaged the already crumbling 12th century Astley Castle in Warwickshire, England, the Landmark Trust in the United Kingdom was not willing to give up on its preservation. In 2007, the charity organization held an architectural competition for a reimagining of the medieval structure and awarded Witherford Watson Mann Architects the project. The architecture firm restored the most ancient parts of the ruins and reinvented the structure as a luxury vacation residence, strengthening the old structure with new stone and timber and repurposing its rooms as modern quarters. At the trophy presentation ceremony in London on September 26, Hodder gave Witherford Watson Mann Architects their first Stirling Prize win, commending their design and explaining RIBA's decision thus:
“[Astley Castle] is significant because rather than a conventional restoration project, the architects have designed an incredibly powerful contemporary house which is expertly and intricately intertwined with 800 years of history. Every detail has been carefully considered, from a specific brick pattern to the exact angle of a view, resulting in a sensually rich experience for all who visit. This beautiful new building is a real labor of love. It was realized in true collaboration between a visionary client, designer and contractors.”
Last week, England-based architecture firm Wilkinson Eyre Architects was announced as the recipients of the 2013 Royal Institute of British Architects’ Lubertkin Prize for their recent international project Cooling Conservatories, Gardens By the Bay in Singapore. This is the second consecutive year the firm has been awarded the prestigious RIBA prize for best new international building. Last year, they won the title for the Guangzhou International Finance Centre in China. Cooling Conservatories consists of two massive climate-controlled conservatories, among the largest in the world, whose design allow for a cool-dry growing environment, instead of the warm, humid climate of a typical greenhouse. Sustainably constructed with low-energy glass, the biome structures are carbon-positive—they off set more atmospheric carbon dioxide than they emit. RIBA commended the firm for the sustainability of design for these less-than-typical cool air conservatories. At the prize award ceremony on September 26, Institute President Stephen Hodder called the project “an impressive achievement,” in which Wilkinson Eyre Architects “pushed the boundaries not only environmentally but also structurally.” Located within the Gardens By the Bay tourist attraction, Cooling Conservatories allow visitors to experience world ecosystems most at risk from climate change. The greenhouses support a variety of flora and fauna environments and include a waterfall, mountain, and vertical gardens. Helical pathways lined with educational climate change exhibitions take tourists through the buildings in dynamic design.
From the mid-17th to the mid-19th century, crowds of Londoners sought entertainment at the Vauxhall Pleasure Gardens, located on the south bank of the River Thames. The acres of greenery that made up the garden were once the site of numerous whimsical attractions, including tight-rope walkers, concerts, fireworks, and narrow winding walkways perfect for amorous adventures. Today the neighborhood of Vauxhall, located in the heart of Nine Elms, is mostly known for the railway arches that slice across the neighborhood, disconnecting it from the riverside and labeling it as the “missing link” between the New US Embassy Quarter and London’s South Bank. In an effort to revive and reconnect the historic neighborhood The Royal Institute for British Architects (RIBA) and Vauxhall One, an organization dedicated to making Vauxhall a safer, cleaner, and better place for business, created the Vauxhall Missing Link Competition. They invited registered architects, landscape designers, and urban designers to submit their ideas for “an outstanding new addition to the urban environment.” The new plans for Vauxhall, which aim to seamlessly merge a vibrant green environment within an urban setting, unmistakably mimic those of the New York City High Line. According to the competition brief, the intention behind the new scheme is to “Reconnect the disjointed parts of the neighborhood, to build a better visual perception of Vauxhall beyond its roundabouts and roads and to create an identifiable pathway and narrative through the area, linking the railway arches, green spaces and public art into a distinctive place once again.” Erect Architecture and J&L Gibbons won the international competition with their imaginative design titled “The Promenade of Curiosities.” Chris Law, Public Realm and Development Director for Vauxhall One, said in a statement, “Erect/ J&L Gibbons entry was really special. It has so many quirky and innovative features. We really want to make a difference by regenerating Vauxhall through green and sustainable measures and their entry was outstanding.” Inspired by the historic Vauxhall Pleasure Gardens and the New York City High Line, the firm designed a contemporary promenade that will feature a series of permanent and temporary art installations. It incorporates lush rain gardens, which will be equipped with sustainable drainage systems and will feature green pathways lined with curiously pruned trees and paved with different textures, creating a fanciful setting reminiscent of the historic gardens. The new project is part of a larger masterplan that involves the transformation of the Vauxhall Nine Elms Battersea Area (VNEB). The first phase of development, the Regeneration of the Rail Arches, is already underway. Vauxhall One commissioned a different architect to work on each individual arch so that the end result will be a series of distinct, uniquely designed arches that will no longer barrier the neighborhood from the riverfront, but hopefully create a safe and vivid walkway and bicycle path that will link visitors to it.
Pritzker winner Peter Zumthor will be awarded the 2013 Royal Institute of British Architects Gold Medal, according to Building Design. Known for his meticulously-wrought projects like the thermal baths in Vals, Switzerland, the Brother Klaus Field Chapel in Eifel, Germany, the Bregenz Kunsthall in Austria, and the witch trial memorial in Norway, Zumthor is now designing a major expansion at LACMA. “We debate each of the six shortlisted candidates in turn then look at their writing and their influence in acadaemia, but there wasn’t one clear person who stood out,” RIBA president Angela Brady told BD. Zumthor was chosen for his body of work and his influence on architects around the world, which, given his singular status and almost hermit-like reputation, speaks to the power of his architecture.
The shortlist for the coveted annual Stirling Prize from the Royal Institute of British Architects (RIBA) has been announced! With six contesting projects to choose from, judges will begin visiting all six sites and will convene for a final vote on October 13, 2012. Among the six shortlisted projects are Maggie’s Cancer Centre and New Court Rothschild Bank, both by the OMA, London's new Olympic Stadium by Populous, and David Chipperfield’s Wakefield, the Barbara Hepworth sculpture gallery in Yorkshire. Founded in 1966, The RIBA Stirling Prize is given annually to a building and its practice, honoring the project as the “greatest contribution to British architecture in the past year.” Unlike the Pritzker Prize which acknowledges an architect for lifetime achievement, the Stirling honors a practice for one building per year, allowing projects to gain more recognition as they’re built. Along with a £20,000 prize, the Stirling also comes with front page news coverage and television promotions on channels like the BBC 2, giving architecture the fame and exposure that it rarely gets in society today. Regarding the shortlisted projects, RIBA President Angela Brady expressed her ambivalence, as all the projects are on par with each other on levels of success and aesthetics. “All of the shortlisted buildings demonstrate the essence of great architecture; they are human-scale buildings, places to inspire, entertain, educate and comfort their visitors and passers-by," she said in a statement. "Every building not only works beautifully from within but has a superb relationship with its surroundings, with a strong interplay between the two. They don’t shout ‘look at me’ and even the tallest building, New Court in the City of London, has created good views for passing pedestrians, meeting the challenge of delivering good urban design in an historic area.” Take a look at the rest of the contesting projects:
Mapping Visage. Canadian artist Ingrid Dabringer has attracted attention for her unique map paintings, finding countenances in irregular land masses. The artist explained that she draws inspiration from large-scale topography and lines on detailed maps. Dabringer believes that maps hold meaning and by adding her own touches, she seeks a more personal interpretation within a traditional tool. More at Core77. In Situ Study. Recently on Building Design, third-year architecture student Jonathan Brown posed the following question, “Do architecture students today focus too heavily on design theory and practice and consequently, neglect construction skills that cannot be taught in a classroom?” Not alone in his query, the latest RIBA (Royal Institute of British Architects) “Part of the Picture” campaign permits graduates to credit three months of on-site experience toward their education. Now and then. Technology and the internet have transformed the way we preserve and promote history, particularly our photographs. Trendcentral highlighted three exciting websites: Historypin, where users can upload historic photos and search geo-tagged photos by time, period, and address; Dear Photograph posts reader-submitted photographs of historic photos in context; and the Flickr group, Looking into the Past, includes a diverse range of historic-current photo collages. Troubled Bridge over Water. Conservationists and architects have rejected the Venetian superintendent’s call to replace the historic Ponte del Accademia with a glass and steel substitute, reported Building Design. Although architects Schiavina of Bologna have incorporated an Istrian stone version of the iconic bridge’s gentle arch in their design, prominent art critic Francesco Bonami has dubbed the plans a “bad crash.” Plans remain on hold while the city seeks funding for the €6 million design.
Last week, the Royal Institute of British Architects (RIBA) announced that two U.S. projects have been shortlisted for the RIBA Lubetikin Prize. The distinction honors building projects outside the European Union that set a standard for international excellence. The American projects chosen as finalists are The Museum of Fine Arts in Boston by Foster + Partners and the Virginia Museum of Fine Arts in Richmond, Virginia by Rick Mather Architects. "This year’s shortlist is unusual in that they are all big budget projects—each with a contract value over $100 million," RIBA president Ruth Reed said in a statement. "The list mixes some of world architecture’s most famous names, with a younger practice so it will be interesting to see who the judges choose as a winner." The prize will be announced on October 1 followed by a feature on the winners on BBC 2's The Culture Show. Other finalist projects from around the world: Zaha Hadid's Guangzhou Opera House (Guangzhou, China), Foster's Masdar Institute (Masdar City, Abu Dhabi) and the Met by WOHA (Bangkok, Thailand).
Farming Right Side Up. Spiegel Online reported on vertical farming research in South Korea as an innovative means of remedying food shortages on an increasingly urban planet. For the time being, agricultural scientist Choi Kyu Hong conducts his own version of Dickson Despommier’s Manhattan urban gardening project in an unexceptional 3-story industrial building, but Hong and his team have outfitted the farm with solar panels, LED lighting, and recycled water infrastructure hoping to attract enough attention to bring vertical farming to the global market and city skyscrapers. Hadid Stands Still. After touring New York, Tokyo, and Hong Kong, the Chanel Mobile Art Pavilion designed by Zaha Hadid claims its permanent home in the front plaza of the Institut du Monde Arabe in Paris, France. A Daily Dose of Architecture noted that the pavilion now features the Zaha Hadid Une Architecture exhibition, creating a thematically coherent viewing experience inside and out. Stirling Search. Bustler posted the Royal Institute of British Architects' (RIBA) shortlist for this year’s £20,000 ($32.5K) RIBA Stirling Prize. The list includes previous prize winners Zaha Hadid and David Chipperfield, as well as O’Donnell + Tuomey, Allford Hall Monaghan Morris, Bennetts Associates Architects and Hopkins Architects Partnership for the 2012 London Olympic Park. Bored to Death. After tunneling through the subterranean rock of Midtown Manhattan for the new Grand Central Terminal train station, the 200-ton serpentine drill will be left to decompose 14 stories underneath Park Avenue. The New York Times revealed that the Spanish contractor in charge of the 4-year excavation ensured the MTA that this internment is both practically and economically preferable to dismantling the drill. Going to the Chapel. Curbed posted the two winners of a pop-up chapel competition celebrating gay marriage in New York. ICRAVE's entry calls for a pavilion of colorful ribbons while Z-A Studios design forms recycled cardboard into a curving tulip. Both designs will built in Central Park this weekend where they will host 24 weddings.
After the way Sir Norman Foster was ousted from a project in San Francisco recently, we wondered whether there would be some mutterings at the kick-off party for the new chapter of the Royal Institute of British Architects (which is the sixth US chapter--there is also one in L.A.). But no, simply a gracious welcome by the the British Consulate-General, Julian Evans, who hosted the party at to his home in Presidio Terrace. The head of the local chapter, architect Chad Overway, was also on hand. Overway is known as the owner of one of the few Neutras here in the city, and though his name sounds as if he could be British, he's actually not--he connected to RIBA through his experiences working in Britain. "There's no good worldwide organization for architects, so here's a group that is trying to fill that gap," said Overway. Where the organization can be most helpful, he said, is for young British architects who are not licensed in the US and need credentials and connections here. Given San Francisco's legendary bureaucracy, a mentor or two might be useful.