Posts tagged with "Royal Institute of British Architects (RIBA)":
I appreciate respect is not given lightly and must be earned. I am hugely grateful for the opportunity to follow in the footsteps of Ben Derbyshire and past presidents, people who I have huge respect for. I wish to build on their successes. The RIBA is a fantastic organisation with great resources, particularly its staff who I am keen to support more than ever. As individuals and as an institution, we need to come together to make the most of our assets, and make the case for our profession. We need to gather evidence and realise a more significant role and position in business and society. We must focus more on the pertinent issues that will increase the quality of service we provide and the added value we can bring. We must reduce our overheads and the loss of colleagues and expertise as they leave our profession because of the economics of our situation. Talent is universal and opportunity into and upward through our profession must be too.Jones will serve as RIBA President until September 2021.
- Foster + Partners (Chair)
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- Hawkins/Brown (Architect standard sub-lead)
- Seven Architecture (Architectural Assistant assessment sub-lead)
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- Scott Brownrigg (Architect assessment sub-lead)
- Pollard Thomas Edwards (Architecture Apprenticeships Guide sub-lead)
- Allford Hall Monaghan Morris
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The Royal Institute of British Architects (RIBA) announced its shortlist for this year’s best new building. From a photography studio to the British Museum’s latest addition, six buildings will be pitted against one another in their race to claim the top spot of RIBA’s 2017 Stirling Prize.
In its 22nd year, the prize is considered to be Britain’s most prestigious architecture award. The jury considers a range of criteria, including design vision, originality, capacity to stimulate, engagement with occupants and visitors, accessibility, sustainability, and the level of client satisfaction.
“This year’s shortlist typifies everything that is special about U.K. architecture: this is not just a collection of exceptionally well-designed buildings but spaces and places of pure beauty, surprise, and delight,” RIBA President Jane Duncan said in a press release.The winner will be announced on October 31, 2017.
British Museum World Conservation and Exhibitions Centre Architect: Rogers Stirk Harbour + Partners Structural Engineers: Ramboll M&E Engineers: Arup Acoustic Engineers: Arup Landscape Architects: Gillespies Lighting Design: Arup
Previous winners Rogers Stirk Harbour + Partners (for Maggie’s Centre London in 2009 and Madrid's Barajas Airport in 2006) will be looking for their third win with their subterranean extension of the British institution, which includes conservation studios and a column-free exhibition hall that's almost 12,000 square feet in size.
City of Glasgow College - City Campus Architect: Reiach & Hall Architects and Michael Laird Architects Structural Engineer: Arup Landscape Architectrank: infraser landscape architecture M&E Engineer: FES with Hulley and Kirkwood Acoustics: ARUP Acoustics Interiors Graven Signage: Studio LR
Reiach & Hall Architects and Michael Laird Architects were shortlisted last year for the City of Glasgow College’s Riverside Campus. This year, their latest addition to the university is in the spotlight for both its immense scale and its restraint in material and form.
Hastings Pier Architect: dRMM Architects Structural Engineer: Ramboll UK Environmental / M&E Engineer: Ramboll UK Marine Engineers: Ramboll UK
Hasting’s newest seaside pier by firm dRMM Architects (who have been shortlisted twice before) is a revitalization success story of a decrepit pier turned into a vibrant public space through collaboration between community, engineers, and architects.
Command of the Oceans Architect: Baynes and Mitchell Architects M&E Engineer: Skelly & Couch Experiential Designer: Land Design Studio Structural & Civil Engineers: Price & Myers Lighting Design Studio: ZNA
Command of the Oceans is a redevelopment of the Chatham Historic Dockyard in Chatham, England. The transformation of a group of shipbuilding sheds into a new visitor attraction is bound together by a new, striking visitor hall entrance.
Barrett’s Grove Architect: Groupwork + Amin Taha Structural Engineers: Webb Yates Engineers M&E Engineers: Syntegra
A residential project, Barrett’s Grove features six apartments with wicker basket balconies that jut out onto the street. The building is built with timber and wrapped in perforated brick.
Photography Studio for Juergen Teller Architect: 6a architects Landscape Architects: Dan Pearson Studio Structural Engineers: Price & Myers M&E Engineers: Max Fordham LLP
The smallest project out of them all is by 6a architects, who exploited the narrow plot of land to create a sequence of three volumes for a flexible workspace. Light is brought in with interspersed courtyard gardens.
A unique exhibition opened last week at the RIBA in London that compares schemes from two of the most iconic architects of the 20th Century: Mies van der Rohe and James Stirling.
The exhibition, titled Mies van der Rohe & James Stirling: Circling the Square, takes a look at the unrealized Mansion House Square proposal by the former that was succeeded 20 years later by James Stirling's newly listed No. 1 Poultry scheme. Sited in central London, Mies's modernist proposal (a stylistic antonym of what was actually erected) drew ire from the public and monarchy, though the story, up until now, has likely been a mystery to those not old enough to know of its existence.
The exhibition is the first time the public has been able to compare and contrast the two architects’ responses to a tricky site. The curators of the exhibition—Marie Bak Mortensen, head of exhibitions and Vicky Wilson, assistant curator, RIBA—have spent the last two-and-half years researching and sourcing a vast collection of photography, drawings, models, articles, and artifacts. Speaking to The Architect's Newspaper, they said their motivation behind the exhibition was to "dig behind the official story," fraught with controversy and public opinion, to expose the architecture beneath.
Mortensen and Wilson, the original designers of the RIBA architecture gallery, have returned to design an exhibition consisting of steel, stained wood, and floating tables. A 1:96 scale model of the Mansion House scheme dominates the exhibition, which was used as a marketing tool to impress the public ten years after the passing of Mies himself. The highly detailed model of a proposal which was once dubbed a "glass stump" by Prince Charles, has been restored back its former glory.
During its ascension into the public mainframe, the focal point of opposition to the scheme did not pertain to the scale of the 18 story tower of glass and bronze, but rather the vast public space proposed beneath and around. It is a public space which would be cherished today, yet in the 1960s it was seen as space which could incite unrest—a notion particularly toxic amid the wave of IRA terrorism in the UK. Circling the Square tells the story of the tumultuous 40-year journey of the site, culminating in the completion of No. 1 Poultry which went up in 1997, five years after Stirling's death.
Mies van der Rohe & James Stirling: Circling the Square runs through June 25 and is on show at The Architecture Gallery, RIBA, 66 Portland Place, London.
Lauded as a "modern day Machu Picchu" by judges, Irish firm Grafton Architects has won the inaugural RIBA International Prize for their Universidad de Ingeniería y Tecnología (University of Engineering and Technology, known as "UTEC") building in Peru. The Dublin-based practice saw off competition from Zaha Hadid Architects, Foster+Partners, David Chipperfield, Nicholas Grimshaw, Shigeru Ban, and this year's RIBA Stirling Prize winner Caruso St John.
"Grafton Architects have created an innovative new model for a university campus that is highly responsive to its local environment and community," said RIBA president Jane Duncan. "The concept of a ‘vertical campus’ defies convention, as does the mix of open and enclosed spaces, but both are key to the success of this building visually and spatially."
The Dublin firm worked alongside local studio Shell Arquitectos on the design for UTEC, which echoes South American brutalist vernacular and the dramatic topography of the site. Contrary to its external aesthetic, the building is home to a myriad of open and visually connected spaces (especially circulatory ones) that work in tandem with the site's climate. In fact, the only closed spaces are classrooms, offices, laboratories, lecture theaters, seminar rooms, and toilets. As a result, campus social life can take place in the open air, encased by terracing yet on display to those passing through. UTEC officially opened in April 2015 and, according to RIBA, it is the "culmination of years of spatial and formal experimentation by Grafton Architects."
RIBA's "International Prize" is the first from the architectural body that is open to any qualified architect in the world. This year's jury saw esteemed architects Richard Rogers and Kunlé Adeyemi form a five member strong judging panel. According to RIBA, the new prize is "awarded to the most transformative building of the year which demonstrates visionary, innovative thinking, excellence of execution, and makes a distinct contribution to its users and to its physical context."
UTEC was selected as the winner of the 2016 RIBA International Prize from the following outstanding shortlisted entries:
- Arquipelago Contemporary Arts Centre, Menos é Mais, Arquitectos Associados with João Mendes Ribeiro Arquitecto, Lda
- Heydar Aliyev Centre, Zaha Hadid Architects with DiA Holding
- Museo Jumex, David Chipperfield Architects with Taller Abierto de Arquitectura y Urbanismo (TAAU)
- Stormen Concert Hall, Theatre and Public Library, DRDH Architects
- The Ring of Remembrance, International WWI Memorial of Notre-Dame-de-Lorette, Agence d’architecture Philippe Prost (AAPP)
The awarding jury also made the following (collective) comments:
Sitting on the border of two residential districts in Lima, in section UTEC perches tantalizingly on the edge of a ravine. Seen from across the ravine it is as bold and as pure a statement of the symbiosis between architecture and engineering as could be imagined; a piece of geology imposed on its pivotal site, mirroring the organic curve of the landscape and accommodating itself in the city. To its close neighbours, it is a series of landscaped terraces with clefts, overhangs and grottos, a modern day Machu Picchu. UTEC has been designed to encourage its students to interact in a unique way with the building. The vertical structure provides open circulation and meeting spaces in a succession of platforms that compose the ‘frame’ of the building; teaching rooms, laboratories and offices are enclosed, inserted into and suspended from the exposed concrete structure. The frame is a device providing shade, a place of rich spatial exuberance and a platform from which to view the life of the city. The entire life of this vertical campus is on full display to the people of Lima. UTEC is the culmination of years of experimentation by Grafton Architects. In this building they show the mastery of their craft, gifting Lima with a bold yet considerate contribution to the city and a visionary, world-class building.