There's a tempest brewing at the Trump Soho, which isn't towering quite so high over Manhattan these days. The Real Deal reported this week that developers behind the luxury hotel-residence, Bayrock/Sapir, have filed a lawsuit against the building's architects, the Rockwell Group. Among the allegations are too-small bathtubs and closets that can't fit hangers. But the fight started much earlier with a complaint from the architect. From the Real Deal: "The developers of Trump Soho have entered a legal imbroglio against the Rockwell Group, alleging in a new lawsuit that the interior design firm failed to meet building codes and cost the property more than $1.5 million in damages for delays and replacement costs to complete their work." Two days prior, the Rockwell Group, a full-service firm led by David Rockwell, filed their own suit alleging that the developers failed to honor a contract and disburse payment for services rendered. Rockwell Group spokesperson Joe DePlasco responded to a request for comment from AN: “The Rockwell Group filed a suit last week seeking over a million dollars in unpaid fees. They have been trying to collect payment for over a year at this point. Although the Rockwell Group tried to resolve this issue, Bayrock’s counter suit appears to be an attempt to avoid paying what they owe.” Meanwhile, the Trump Soho also remains embroiled in a series of lawsuits from unhappy buyers.
Posts tagged with "Rockwell Group":
Iron skillet meets iron fist. Some of the most striking visuals to come out of this year's TED conference weren't made for the stage but for the street: Jamie Oliver's Food Revolution truck, an 18-wheeled kitchen classroom designed pro bono by Rockwell Group, launched last week and represents just one of the outcomes of Oliver's 2010 TED Prize wish to make kids healthier. The wish of this year's TED Prize winner, the artist currently known as "JR," is that people will participate in his global art project INSIDE/OUT and help paper streets with gigantic portraits of themselves. Step 1: set up photo booths that print poster size pics of conference participants--quite a surreal experience, writes Guy Horton for Good. Get over it. So says the New Republic to New Yorkers who complain that New York DOT Commissioner Janette Sadik-Khan has stepped on some toes in her quest to make streets slimmer, bike lanes fatter, and pedestrians safer. The griping was highlighted in a March 4 profile of the commissioner in the New York Times. Leaky legend. The Economist reports that Taliesin, Frank Lloyd Wright's home and studio in Spring Green, Wisconsin, is banking on this year's 100th anniversary of the site to raise money for much-needed restoration work: the roof is leaking, the wood beams are sagging, and families of bats keep trying to settle down in the rafters. Urban archaeology, armchair edition. Yurbanism rounds up new apps that are sure to appeal to urbanists, like "Abandoned," which uses GPS to identify abandoned buildings near your location, complete with links to pics: “Explore modern day ruins from empty mental asylums to shipwrecks under the Great Lakes. Discover the history and location of dead amusement parks, overgrown hospitals, forgotten hotels and creepy ghost towns.”
“It doesn’t seem like it, but everything connects with each one perfectly,” said Gabrielle Sunderland, 12, squinting happily toward the hot July sun. Around her were piles of weather- and germ-resistant foam blocks in sundry shapes and sizes. The blue pieces are the signature element of David Rockwell’s Imagination Playground, which opened Tuesday on Burling Slip near the South Street Seaport. A designer of theaters, high-end restaurants, and Broadway stage sets, Rockwell found his own children bored by the playgrounds of Lower Manhattan. So he set out to create a playspace where kids could use their own imagination, just as he once did. “Playgrounds are the places where kids can learn how to be a community and create their own worlds, but the ones we visited were all too linear,” he told AN at the opening. “That gave me the idea of a different kind of playground.” Gabrielle and her friend Ajda Celebi, 10, were industriously showing off Rockwell’s central strategy: providing kids with loose pieces that promote unstructured play. The girls set two rectangular blocks together with a noodle on the side and a ball on top, creating something like a giant teapot. They liked the fact that the playground allows them to make structures entirely “out of your own creativity,” as Ajda put it. The project got its start after Rockwell persuaded Parks Commissioner Adrian Benepe with a drawing on a lunch napkin, and then spent five years researching progressive learning theory and child development. He also helped round up funds for the $7.5 million project, which included a $4.5 million grant from the Lower Manhattan Development Corporation and $3 million from the New York City Department of Environmental Protection for the relocation of two water mains and a sewer line into the adjacent street. Rockwell also teamed with nonprofit playground designer KaBOOM! and together they developed Imagination Playground in smaller portable versions, tested and tweaked after trial tours in Washington, D.C., New Orleans, Miami, and New York. But the first permanent site for the concept is designed pro-bono on a former parking lot at Burling Slip. Comprised of a large multi-level deck in the shape of a swooping figure eight of reclaimed Indonesian teak, the new playground is essentially an empty space for the array of 350 props. Situated in a landmark district, the landscape does include some features that recall the surrounding area’s nautical past, including reused benches from Coney Island, barrels, and burlap bags. The west end is the sand pit, consisting of sloping wooden ramps and four wooden masts made by a shipbuilder, each connected by ropes and pulleys. In the center stands a crow’s nest atop a red, circular structure housing bathrooms and a storage space for the blocks. At the east end, a rounded amphitheater for storytelling overlooks an ankle-deep pool with pipes and canals that enable the control of cascading water. A staff of city workers trained as “play associates” oversees the action, as with all Imagination Playgrounds. According to Benepe, Burling Slip is the start of a new era of New York City playgrounds, where Rockwell’s sponges will replace worn-out monkey bars, swings, and jungle gyms. “The next step is to look at playgrounds that are underperforming and need renovation in central Brooklyn and the South Bronx, and apply the concept,” he told AN, adding that these might come with a different set of materials. “Here we had a flexible budget, but we could take a traditional Parks Department playground budget, and use these approaches.” For his part, Mayor Michael R. Bloomberg described the project as a tremendous success. “It is always amazing to see what children choose to create when they are fully using their imagination,” he declared. As for the little pirates, they too gave the playspace top grade. “It’s all big and blue and bendy,” Gabrielle said, while balancing a cog on top of a cube tower. “It’s a lot of fun!” And Ajda added, “The new West Thames playground where I live is really cool, but this one is more fun, because you can do anything here.” With that, she eagerly returned to helping the other kids dam a cascading water flow in the pool area. To everyone’s joy, the jets of water created unexpected rainbows against the blue afternoon sky.
New York designer David Rockwell has once again been tagged to put together the set for the Oscars, which will take place on March 7 at the Kodak Theater. Instead of messing with a good thing, he's once again framing the stage with the Swarovski "Crystal Curtain," made up of 92,000 crystals hanging in an upside-down crescent shape over the proceedings. This time the crystals (rendering above) will be colored in white, platinum, topaz, and bronze hues (the dominant colors last year were cool blue and white). The set will also include three circular, revolving platforms along with rotating LEDs and metalwork projection screens to keep things moving along at the notoriously slow event (which will have two hosts this year: Steve Martin and Alec Baldwin). "We wanted big, open, crisp environments that would work for comedy. Eventually, that led us to the idea of the set being about immersion in the world of movies. Stylistically, I realized the optimism of modernism in L.A. and the heyday of Hollywood was the perfect way in," he told the L.A. Times yesterday.
Possibly channeling a youth well spent watching late night reruns, David Rockwell envisioned a stage set for the 81st Academy Awards straight from the dazzling finale of 42nd Street wherein a woman's face dissolves into a crescent moon. And that would be almost as surreal as David Rockwell incorporating some paving ideas from the Piazza del Campidoglio.