Rice+Lipka Architects have completed a carriage house “campus” for the Staten Island Historical Society (SIHS), building three arched storage areas for the SIHS’s historical artifacts from corrugated steel. Faced with the task of housing the society’s 62 wooden carriages, Rice+Lipka created linear spans that would be able to house the society’s entire collection as well as space for restoration work and education events. Despite working with a budget of only $1.78 million, the firm was able to build out 10,000 square feet of enclosed space, and costs were kept low by using one structure for both support and the building’s skin. The three houses surround an open-air roundabout that carriages can use to get in and out of the wooded campus, and doubles as a staging area for fundraising events. The interiors of each house were designed for climate controlling the sensitive contents within. Instead of an active heating and cooling system that could run the risk of failing, Rice+Lipka lined the inside of each house with thick, tufted quilts that would keep a constant temperature and humidity, and slowly acclimate the carriages. Large overhead fans were installed to keep the atmosphere hospitable to visitors, and a mechanical exhaust removes hot air in the summer. Concrete would have stressed the carriages’ wheels, so flexible plywood panels were arranged in a staggered grid for the flooring. Outside, each carriage house was sealed with reflective, powder-coated aluminum panels at either end; one building in red, one in orange, and one in magenta, with a number of circular panels on each wall corresponding with the building’s number. The awnings above each colored end wall were extruded to create an additional 1,300 square feet of covered gathering spaces.
Posts tagged with "Rice + Lipka Architecture":
As cities across the country struggle to bring new life to aging athenaeums and cash-strapped local libraries, the AIA has honored six outstanding examples of library design in this year’s AIA/ALA Library Building Awards. In the past we have seen a Walmart transformed into a library, a controversial starchitect renovation in New York, and an interactive, LED light-show—now take a look at these honored projects. From democratic design in the nation’s capital to a stunning Beaux-Arts restoration in St. Louis and high-tech solutions in North Carolina, this year's winning projects present a range of answers to the challenges facing our fading repositories. The jury for the biannual award included Jeanne M. Jackson, FAIA, Chair, VCBO Architecture; John R. Dale, FAIA, Harley Ellis Devereaux; Charles Forrest, Emory University Libraries; Kathleen Imhoff, Library Consultant; J. Stuart Pettitt, AIA, Straub Pettitt Yaste and John F. Szabo, Los Angeles Public Library. Anacostia Neighborhood Library Washington, D.C. The Freelon Group From the AIA: The small-scale residential context provided the inspiration for the design of this new branch library, located in a low-income, underserved neighborhood in Washington, D.C. The project not only fulfilled programmatic needs but also provided a stimulus for community pride and economic development. The residential scale is reflected in the library design as a series of pavilions for program areas that require enclosure: the children’s program room, the young adults’ area, support spaces, and public meeting rooms. The remainder of the level one plan is high, open space for the main reading room, stacks, computers, and public seating areas. A large green roof structure provides shelter over all program areas. Central Library Renovation St. Louis Cannon Design From the AIA: Cass Gilbert’s grand Beaux-Arts library, now 100 years old and a St. Louis cultural landmark, was in need of a transformative restoration that would increase public access and modernize it for the 21st century. On the interior, the centrally located Great Hall is surrounded by five wings, four dedicated to public reading rooms and the fifth, the north wing, to a multistory book depository closed to the public. The transformation of the north wing truly rejuvenated the library and brought it into the next century. Old book stacks were removed, and a new “building within a building” was inserted. Now, a multistory public atrium provides an accessible and welcoming entry. The new “floating platforms” surround the atrium without touching existing interior walls. Glass-enclosed upper levels house the collection with compact high-density bookshelves. The windows of the north wall, now clear glass, bounce natural light deep into the interior and provide striking views. New York Public Library, Hamilton Grange Teen Center New York City Rice + Libpka Architects From the AIA: The center, located on the previously empty third-floor space of Harlem’s Hamilton Grange branch library, designed by McKim, Mead and White, is NYPL’s first full-floor space dedicated to teens. In an effort to attract and engage neighborhood youth, the 4,400-square-foot space challenges the norms of library design. The light-filled floor is divided into specific zones that foster small-group interaction and socialization. Visibility is maintained across the entire floor. Two programmatic elements—a 20-foot-diameter Media Vitrine and a bamboo bleacher—occupy the center of the space and work to define the seven zones between and around them. The vitrine’s open-top glass enclosure upends the notion that multimedia spaces must be dark, hyperisolated rooms. The bleacher allows views out to the street from the existing high south-facing windows and provides a sunny hang-out for a range of group sizes. Custom L-shaped lounge benches bracket this space and can be rolled away to allow for other uses and activities. James B. Hunt Library Raleigh, North Carolina Snøhetta and Pear Brinkley Cease + Lee From the AIA: An $11 million reduction in the budget for this library during the schematic design phase prompted the design, construction, and client teams to formulate a range of new ideas to maintain functionality and quality. The building would need to be highly programmed and reasonably versatile as well as comfortable and stimulating to visitors. One innovation was the introduction of an automated book delivery system (ABDS), which effectively reduced the total area of the building by 200,000 gross square feet and allowed more space for collaboration and technology. The ABDS is supported by user-friendly browsing software that matches and even enhances the traditional pleasure of browsing a collection. Oak Forest Neighborhood Library Houston NAAA + AWI + JRA From the AIA: This 7,600-square-foot modern brick and glass structure opened in 1961. Fifty years later, there was still great nostalgia for the library’s mid-century modern design, but the building no longer met the standards of the Houston Public Library system or the needs of the surrounding neighborhood. The 2011 renovations and additions respect the character of the existing library and enhance its accessibility and functionality. The original building’s restored signature green tile mosaic still graces the parking entry area on the north, but now the neighborhood is welcomed by a tree-shaded second entry and outdoor reading room framed by new dedicated adult and teen areas on the west. The original tile mosaic and globe light canopy of the old circulation desk were restored to create a toddler-sized reading nook. Each age group—from toddlers through teens and adults—now has appropriate facilities, furnishings, and technology. A new lobby and circulation space, lit by a continuous shaded clerestory, occupies the seam between old and new and unites the two entries. South Mountain Community Library Phoenix richärd+brauer From the AIA: The building integrates the varied uses of a contemporary public library with the needs of a state-of-the-art central campus library, allowing each to function both independently and collaboratively. The design is modeled after that of an integrated circuit, providing insulation between disparate functions and promoting interaction and connection between like functions and spaces. The simple massing of the building is attenuated to focus views on the surrounding mountains and provide shade and transparency. The site was once home to fertile agricultural valleys and citrus groves, and the building consciously merges interior and exterior spaces to connect to the area’s rich history. A series of rooftop monitors and light shafts flood natural light into the first-level core. The rain screen, formed of bent planks of copper, calls to mind the pattern of an abstracted bar code. Variegated cedar strips reinforce the digital aesthetic of the building. Further echoing the design of a circuit board, building systems are organized and expressed within an internally lit independent distribution soffit.
When it opened in 2006, the Museum of Contemporary Art in Detroit became known as a cutting edge venue for showing contemporary art. Designed by Zago Architecture, the museum's raw interior and graffitied exterior seemed to fit its mission and speak to the Motor City's gritty present. How quickly museums grow up! Today, the museum announced it had selected Rice + Lipka Architects and James Corner Field Operations to renovate the building and redesign its adjacent public space. According to a release, the renovation will include updated climate controls, improved galleries and staff offices. The exterior and surrounding site will be redesigned to accommodate programming. "Our team is thrilled to be selected by MOCAD for this visioning project that has such great potential to inspire and engage the community," said principal Lyn Rice. The project has received a $100,000 grant from the Ford Foundation and Leveraging Investments for Creativity for design work, and a $350,000 grant for construction from ArtPlace. The museum hopes to begin construction in 2013.