Posts tagged with "Retail":

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Motorcyle manufacturer Royal Enfield opens first U.S. store in Milwaukee

Milwaukee may be known for its Harley-Davidson Motorcycles, but there is a new ride in town. Royal Enfield, a division of India-based Eicher Motors Ltd., has just opened its first company-owned U.S. dealership and North American headquarters in Milwaukee’s Third Ward district. The new space is meant to be part of a greater push to move the 115-year-old motorcycle company into the U.S. market. Local management worked with Milwaukee-based Ener-Con developers, who own the building, to lay out the space for both sales and office.

The new store and headquarters in located on the first floor of the historic four-story Mitchell Leather building. The building is distinctly Milwaukee and is constructed out of the light-colored Cream City bricks that were once manufactured in the city. These bricks are featured in the showroom by way of exposed walls and a simple material palette for the space. A polished concrete floor gives the feel of a clean garage filled with the classically designed Royal Enfield motorcycles. Motorcycle parts are both for sale and used to adorn the space, including a striking chandelier made out of Royal Enfield headlights.

Royal Enfield North America 226 North Water Street Milwaukee, WI Tel: 414-502-1204 Architect: Ener-Con

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Chicago’s first Aesop store uses ten thousand reclaimed bricks

Chicago and New York–based firm Norman Kelley recently finished Chicago’s first Aesop store. The high-end Australian skin care company frequently hires young architecture firms to design their stores, and Norman Kelley’s iteration takes its cues from the surrounding historic Bucktown neighborhood.

Consisting of ten thousand reclaimed Chicago common bricks, the floor and walls are clad in intricately woven herringbone and pinwheel brick bond patterns. In order to hold the weight of the all-brick interior, the floor of the structure was reinforced from the basement. An unused chimney was removed to create a completely open floorplan. In the center of the space, a black-stained white oak counter and a demonstration island are the only furniture in the space, keeping the focus on the black steel-clad shelves, embedded in the brick walls, holding Aesop’s famed soaps and lotions.

Norman Kelley has also recently finished a second Aesop store in Tribeca, New York.

1653 North Damen Avenue Chicago, IL Tel: 872-802-4626

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NBA Store offers portal into world wide web of basketball culture

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      The NBA Store, occupying a 25,000-square-foot corner storefront on Fifth Avenue at 45th Street, offers an immersive shopping experience for NBA fans. The store, designed by Gensler in conjunction with Kurt Salmon and TAD Associates, is a multidimensional design effort that merges basketball memorabilia with technology to produce unique interactive experiences. Three floors of jerseys, hoodies, and hats, along with other official memorabilia spanning NBA, WNBA, and NBA D-League teams, are showcased to the public with a double height glass and aluminum facade. Set in the circular corner bay of the storefront, 31,000 LED lights form a two-story tall skewed grid that evokes the form of a basketball net. The 32-foot tall structure is capped by a sculpture designed to replicate a basketball tread—presumably on its way to “swooshing” through the LED net.
  • Facade Manufacturer Pure + Freeform
  • Architects Gensler
  • Facade Installer MBM Metal Works
  • Facade Consultants Studio NYL
  • Location New York City
  • Date of Completion anticipated completion date November, 2016
  • System curtainwall with 3mm aluminum plate trim, eyebrow and cured portal, interior wall
  • Products 3mm aluminum with bespoke 8 unit finish, lumiflon coating
Surfaces with hardwood floor patterning derived from the league’s recognizable maple wood courts extend outward beyond the glass facade to form portals and awnings. The aluminum panels are a product of Pure + Freeform, a bespoke metal company that according to Operations Director Will Pilkington, operates as “contextual, site-specific designers." Gensler, interested in the idea of bringing a durable “hardwood court” aesthetic to the exterior facade, initially approached the company. The process began with sending a sample of Madison Square Garden’s court which was sent to Pure + Freeform’s design team, which digitally copied the material properties of the court and created multiple diamond and laser engraved steel “design cylinders” capturing aesthetic qualities of the classic hardwood court. The cylinders etch into a one-eighth-inch aluminum plate through a controlled process of adding pearlized inks and resin. The plates are then baked to seal in the print. This exterior lumiflon resin technology process highlights Pure + Freeform’s “solutions-based manufacturing style” which involves production lines that add up to a 1/4 mile in length. "The best thing about our process is we can create purposeful, site-specific finishes, but then they can be formed in almost any way to emphasize their depth and character," explained Pilkington. The technology allows for a wide range of coloration, design, texture, and glossiness, allowing the design team to accurately produce a staggering array of material effects from natural stone and wood finishes to a variety of metallic, abstract, and bespoke finishes. Additionally, the printed resin fabrication process allows for the metal surface to be post-formed in a variety of challenging bent and folded configurations that typical painted surfaces would not hold up to. The NBA Store utilizes these abilities through a radiused concealed fastener application, forming the inner lining to the NBA’s trademarked logo, massively scaled up to the double height facade elevation. The material was used for interior wall paneling as well. Beyond the facade, over-scale elements play a key role in the design, evoking the larger-than-life feeling fans may have when finding themselves standing next to basketball’s greatest players. A 40-foot footwear wall made from an undulating nylon “shoelace”, a Spalding basketball chandelier featuring 68 game balls, and a wall of 2,500 hats covering every team are among the store’s most architectural features. Departments are designed to produce basketball-specific environments. A children’s section doubles as a locker room, while video screens saturate the main floors arena-like vibe with a 400-square-foot video wall broadcasting highlights, news, and social media posts to keep fans up to date. Personalization areas highlight a retail strategy that seeks to extend beyond the limits of a physical store, tapping into a vast number of online products, social media conversations, and customizable NBA merchandise. “It makes a 15,000-square-foot store like a 100,000-square-foot warehouse,” said Ross Tannenbaum, president of memorabilia and in-venue divisions for Fanatics, which is operating the store. In this sense, the retail store acts as a virtual portal of sorts, offering fans a virtual experience when entering the physical space.
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Rafael de Cárdenas designs vibrant department store interior in St. Petersburg, Russia

Within an historic art nouveau building in St. Petersburg, Russia, Rafael de Cárdenas and his New York–based firm Architecture at Large have designed a vibrant and modern interior for the third floor of the Au Pont Rouge department store. The eight-story, 30,000 square foot building, designed by architects Vladimir Lipskii and Konstantin de Rochefort, was constructed between 1906 and 1907. Early in its extensive history, the building was home to a department store rumored to boast the Romanov family as customers. The design for the third floor does not represent the historic character of the building, said de Cárdenas in an interview with AN. However, a variety of unique colors, textures, and layouts combine to create a distinct shopping experience. The project's overall spatial arrangement differs from the traditional perimeter layout for department stores. In a perimeter layout, stalls are arranged in a track tracing the perimeter of the store. In this retail space, however, stalls and changing areas are located along the linear spine of the floor. Public spaces, circular in shape, also make up the spine and host designer pop-ups, activities, and services areas. de Cárdenas noted that the varying ceiling heights helped to distinguish the open zones that comprise the spine from more intimate ones that flank the spine. These more intimate areas have lower ceiling heights and are separated green glass walls layered with expanded metal mesh. Lighting, in tandem with the colors, also alludes to the contrasting qualities of these spaces. On the window-facing side of the spine, the ceilings feature green, anodized aluminum fins. This detail “[captures] the light in a more interesting way,” said de Cárdenas. On the atrium side of the spine, the ceilings are simpler, flat, green surfaces with recesses for lighting . As the day progresses, the glow from the lights “casts a soft gleam over everything.” The fourth floor of the store, also designed by Rafael de Cárdenas and Architecture at Large, is not yet complete but de Cárdenas did note that the two floors are cohesive.
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Glass cube of retail and offices will sit next to Viñoly-designed supertall 432 Park

New York-based real estate investor Harry Macklowe, behind the Bohlin Cywinski Jackson-designed Fifth Avenue glass cube Apple Store, is working on bringing another cube to Manhattan, this time on Park Avenue. “On Tuesday, Macklowe Properties unveiled renderings for what it calls a ‘Park Avenue Cube’—a low-rise retail building adjacent (and connected) to its luxury condominium tower,” The Real Deal reports. The cube was designed by Rafael Viñoly Architects. “Together, the cube and tower will hold 130,000 square feet of retail and office space.” The cube is sited for 432 Park Avenue—also designed by Rafael Viñoly Architects—and will host two floors of retail space totaling 6,600 square feet and a Zion and Breech-designed marble plaza featuring birches. The cube will connect to the supertall condo tower via a below-ground 30,000 square-foot concourse. 432 Park Avenue, which opened at the end of 2015, is currently the tallest residence in New York City, topping out at 1,396 feet. The property was previously the site of the 1926 Drake Hotel which once accommodated celebrities (Judy Garland, Muhammad Ali, among others) and musicians and bands (Jimi Hendrix, Led Zeppelin, The Who, Frank Sinatra). Macklowe bought the property and hotel in 2006, and demolished the hotel in 2007. 432 Park Avenue will also feature 17,600 square feet of office space above 20,000 square feet of retail.  “There are only two markets, ultraluxury and subsidized housing,” Rafael Viñoly told The New York Times in May 2013, at the start of 432 Park construction. At the time, the first ten floors were finished, with 78 left to go.
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Goettsch and Lead 8 win competition for massive Shanghai complex

Designs by Chicago-based Goettsch Partners, along with Hong Kong-based Lead 8, have been chosen for a 2,841,672-square-foot, mixed-use complex in Shanghai. The Financial Street Shanghai Railway Station Mixed-Use Development is spread across two parcels of land just north of the Shanghai Rail Station. The project provides pedestrian routes connecting the project to adjacent sites and public transportation hubs with above and below grade paths and bridges. David Buffonge, cofounder and executive director of Lead 8 explained that “Financial Street Shanghai creates a sustainable urban environment that will concentrate walkable, compact densities around a vibrant mixed-use site near Shanghai Railway Station.” On the eastern parcel of the project, a 161,459-square-foot office building is accompanied by 484,375 square feet of loft apartments, and 161,458 square feet of retail space. The western parcel includes 1,410,072 square feet of office space, another 581,251 square feet of retail,236,806 square feet of loft apartment space, and a 53,819-square-foot cultural center. These programs are spread through five main buildings surrounded by shared public spaces and green retail streets. The office buildings also connect with the outdoors with indoor-outdoor work spaces, specifically tailored to appeal to technology and start-up companies. Both Goettsch and Lead 8 worked on the master plan for the project. Goettsch is leading the design on all the office and residential portions of the western parcel and the exterior design of the eastern parcel, while Lead 8 is handling all of the retail portions. Lead 8 is a young office founded in 2014. Their name, a partial acronym, stands for living environments, architecture and design. With offices in Hong Kong, Singapore and Kuala Lumpur, they focus on large-scale, mixed-use, and transit-oriented developments.        
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Rafael de Cárdenas on the facade as an opportunity for identity and seduction

The 2800 sq. ft. flagship store opened ahead of Baccarat's 250 year anniversary.

Architecture at Large, a multi-disciplinary practice working within the architecture, interior, art, and branding fields, recently transformed a blackstone Madison Avenue facade into a flagship store for Baccarat, a French manufacturer of fine crystal renowned for their craftsmanship and innovative designs. The facade draws inspiration from said craftsmanship of the 250-year-old brand. Composed of three-layers of custom frit glass, a large-scale, faceted pattern abstracts the cutting of crystal glass into a super scale pattern.  "One of the most difficult techniques in the cutting of crystal is the diamond cut," says Rafael de Cárdenas, founder of AAL,  "and one of the key attributes that sets Baccarat apart from their competition is the level of intricacy to their cuts." Through various densities of fritting applied to the three layers, ranging in density from 25-75%, a dynamic shifting image is created for passersby and visitors to the building. The Baccarat facade affords limited views of the interior walls, lined with a disorienting blend of dark Macassar ebony wood interspersed with mirrored strips folded into a zig-zagged, corrugated surface. These walls—along with a large centralized chandelier hanging over the entryway—reflect daylight in the space. Cardenas says the sharpness of this feature wall was inspired by the brand itself. “We liked the idea of creating a mystery - of obscuring the interior to create a sense of seduction.” Specific portals utilizing clear glass were framed out on the ground level to establish storefront display zones, and selectively above to reveal the chandelier from the exterior.
  • Facade Manufacturer Pilkington Planar by W&W Glass, LLC
  • Architects Architecture at Large (design architect), Gensler (project architect)
  • Facade Installer W&W Glass
  • Facade Consultants W&W Glass, EBM Engineering (structural engineering)
  • Location New York, NY
  • Date of Completion 2013
  • System point supported structural glass system with custom ceramic fritting
  • Products Pilkington Planar
The retail project was composed of a notably significant project team, pairing two architecture firms with a code consultant, structural engineer, and project manager. The team ultimately influenced the identity of the facade through performative analysis. Fritting pattern densities were adjusted, and ultimately increased during the design process to promote greater heat retention within the interior space, helping to reduce HVAC loads on the building. The existing floor plates of the building were modified to create a large, two-story entrance to the store, resulting in a significantly altered facade opening, infilled with a two-story glass storefront. Through custom frit patterns and layering of material, Cárdenas’ team was able to produce an architectural effect that behaves like crystal itself. “The tradition of having a very holistic identity that has a street presence was definitely honed in Asia,” says Cárdenas, who cites Shiro Kuramata's work with Issey Miyake in the late 1970's as triggering a particularly dynamic retail design culture. "In Asia, all of the brands have their own buildings. Here in New York, on Madison Avenue, the architecture already exists. The facade has no relationship to the interior. With this being said, we were able to create a very strong identity using only glass."
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Bjarke Ingels to design Galeries Lafayette on Paris’ Champs-Élysées

With its first commission for a retail project, Bjarke Ingels Group (BIG) will design the new flagship store for Galeries Lafayette on the prestigious Champs-Élysées in Paris. “It has to be, somehow, the biggest concept store that has been built on the Champs-Élysées,” said Nicolas Houzé, chief executive officer of Galeries Lafayette. To give an impression of the size of the project, BIG's renovation will see Galeries Lafayette occupy some 75,350 square feet, a tenth of the size of the chain's outlet on the Haussmann Boulevard. Speaking to Business of Fashion, Ingels was eager to note that the Art Deco heritage of the building would be maintained, paying respect to the established architectural aesthetic that is a recurring feature within the vicinity. “We are inheriting a big, beautiful building that has been there for a century. So we are mostly moving around within it and playing with elements that have already been established. And I think it is going to feel like a joyful and playful environment for people to shop,” said Ingels. BIG is set to install an "observatory" that will allow visitors to look down the avenue. Also included will be a "circus" which makes use of a translucent flooring system and an “infinite vitrine” that will display Melvin Sokolsky’s black-and-white photographs of models seemingly floating inside bubbles. With regard to the renovation of a concealed skylight, Ingels pointed out that this would not be a simple copy of similar light at the Haussmann Boulevard. “We’re taking that element and letting it bleed out across the store, so that the lighting behaves in a similar way as when the clouds move over Paris.”
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Futuristic coffee shop, Voyager Espresso, opens in New York’s Financial District

Voyager Espresso, a 550-square-foot coffee bar, brings the perks of artisanal coffee to New York’s perpetually caffeine craving Financial District in the new Fulton Center. The bar opened in January and was crafted by New York–based design practice Only If, a team of five architects and designers founded in 2013. The clients, a pair of Australians, wanted the space to look distinctly different from the ubiquitous white tile, reclaimed wood, and Edison bulb coffee shop aesthetic and had ambitious plans despite their tight budget. With this in mind, Adam Frampton, principal at Only If, opted for an “inexpensive but futuristic” material palette of aluminum enamel painted oriented strand board, black marble, perforated aluminum and copper, and black rubber. “In such a small and constrained space, our first intuition was to be very pragmatic with the layout and articulate the design through the materials and details. However, we didn’t want to simply decorate the space,” Frampton said. “It soon became apparent that a more figural gesture—albeit less efficient in terms of quantity of seating—improved ergonomics within the service area and produced a greater identity and hierarchy.” Frampton also devised a layout based on two circles: The positive volume, a barista station, allows two baristas to work simultaneously and a negative volume, the "grotto," a seating space carved out of the surrounding walls. Frampton and his team worked through many iterations before landing on this clever configuration. “The method of exhausting all possibilities until the best fit emerges is probably something that came from my experience working at OMA,” said Frampton. “What’s really interesting about the layout is how it activates different social settings and creates different types of seating.” The careful planning paid off: After seven weeks of preparing the design and obtaining the correct permit, drawing, and construction documents, the space was built in about eight weeks. It is now open Monday through Friday, 7:30 a.m. to 5 p.m. at 110 William Street through the John Street subway entrance.
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Apple shows love to New York’s historic neighborhoods and the Landmarks Conservancy takes notice

The New York Landmarks Conservancy is honoring Apple with its 2016 Chairman's Award. The award, to be given at a fundraising luncheon where individual tickets start at $500, honors the company for "their contribution to preserving, restoring, and repurposing notable historic structures in New York City." Although Apple's New York flagship store, on Fifth Avenue between 58th and 59th streets, is recognized widely for its modern glass cube, the company has four stores in historically significant locations around the city. Apple has a shop in Grand Central Terminal, a New York City landmark, and stores within the Soho, Gansevoort Market, and Upper East Side historic districts. With 700,000 travellers passing through Grand Central Terminal, that store is the most heavily trafficked of the historic four, Apple Insider speculates. In March, the NYLC will recognize the company's commitment to historic preservation (or locating stores in historic areas, as there is no explicit preservation agenda in the stores' design). The Chairman's Award was started in 1988 to recognize "exceptional commitment to the protection and preservation of the rich architectural heritage of New York." The NYLC is different from the New York City Landmarks Preservation Commission: the latter is a city government group that decides which districts and structures receive recognition for the historic, cultural, or architectural merits and subsequent protection under local historic preservation laws. The former is a nonprofit advocacy organization that protects the architectural heritage of New York City by advocating for preservation-friendly policy at the state, local, and national level; running workshops and providing technical assistance; and providing loans and grants for preservation of individual structures, sites, and neighborhoods.
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Norman Foster plants a new Apple Store in the heart of Chicago

Foster + Partners has revealed initial images of a proposed Apple store at the intersection of Michigan Avenue and the Chicago River. The new store will replace their existing Michigan Avenue flagship store six blocks to the north. Echoing the company’s 5th Avenue store in New York, the design calls for a large, mostly glass structure with an expanded retail space below ground. Unlike the 5th Avenue store, and more akin to Foster’s recent Aix-en-Provence, France Apple iteration, the new Chicago Store will feature a light solid roof suspended on two large columns. Located on, and below, Pioneer Square, the store will have one of the most visible locations in the city, surrounded by some of Chicago’s most iconic architectural landmarks. The square itself is flanked by the Tribune Tower to the north, the modernist Bruce Graham designed 401 North Michigan Avenue (formerly the Equitable Building) to the East, and the Wrigley Building immediately across Michigan Avenue. The view up the river to the west will also include the Trump Tower, Marina City, and Mies’ AMA Plaza (formerly IBM Plaza), making this location one of the most recognized tourist, not to mention retail, locations in the city. The 20,000-square-foot retail space will occupy an unused cafeteria at Lower Michigan Avenue. The store will also engage with the infrequently used Riverwalk along the north bank of the river. New balustrades and stairs will be added, as well as the 34-foot-tall glass wall of the store itself. According to representatives from Foster + Partners at a recent courtesy presentation to the City Planning Commission, there will be no retail at the surface Pioneer Square level, with the 14-foot-above-grade glass structure acting as a grand entrance. The city has already approved the project, and construction is planned to begin next year.
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Plans unveiled for a sprawling mall of pebbles in the suburbs of Dubai

LuLu Group International has commissioned Design International and Eng. Adnan Saffarini to design its new flagship shopping center: Avenues Mall, Silicon Oasis in Dubai. And while it might not boast the heights we're used to seeing in the towering city, it is certainly sprawling at 1,779 acres. Avenues Mall, Silicon Oasis is the front door of the so-called Dubai Silicon Oasis development covering some 1,779 acres. To wrap your head around that number, that's 2.7 square miles or 1,306 football fields. The vicinity will be home to over 700 high tech companies, hotels, business parks, and large residential communities, located right off Emirates Road and Al Ain Road in a rapidly developing area on Dubai's periphery. Architect for Design International, Davide Padoa, said in a press release, "All of the parties involved in this project share the same values: the development of the community, as well as the desire to be at the forefront of style, technology and sustainable innovation, which is what Dubai Silicon Oasis stands out for." The mall uses pebble-like forms that, when viewed from a distance, appear to be wrapped in white wrapping paper. Of course, this is only an illusion—white tiles comprise the facade system that's supposedly inspired by "ancient Arabian movements across the desert." Design Internationals said it aimed to create "an oasis of calm and tranquility in the otherwise hectic pace of modern suburban Dubai." As for the interior, five plazas will reflect the five elements of an oasis: The Cave, The Canyon, The Forest, The Lagoon, and The Mirage. Also inside will be entertainment, urban fashion, luxury, kids, sports and leisure zones along with a cinema, 45 restaurants, and a flagship LuLu Hypermarket and LuLu Department Store. To accomodate the arrival of the expected number of visitors by car, there will also be a two level 3,600 capacity car park.