Culver City firm wHY Architecture has been selected to design a new art museum in Los Angeles for Maurice and Paul Marciano, the founders of clothing empire Guess? Inc. The museum will be located inside a marble-clad, four story Scottish Rite Masonic Temple on Wilshire Boulevard near Lucerne Boulevard. When retrofitted in 2015, the austere building, originally designed by legendary artist Millard Sheets, will contain 90,000 square feet of exhibition space, showing off the Marciano's impressive collection, which will be open for "periodic exhibitions for the public." wHY has also designed L&M Arts and Perry Rubenstein Gallery in LA, an expansion of the Speed Art Museum in Louisville, and the Tyler Museum of Art in Texas. They're also working on a Studio Art Hall at Pomona College outside of LA.
Posts tagged with "Renovation":
New York Public Library (NYPL) president Anthony Marx has commissioned a third-party review of the projected $300 million cost to implement Norman Foster’s redesign of its central branch. To pay for this costly renovation, dubbed The Central Library Plan, the library will use $150 million allocated by the city for this specific project and raise an additional $200 million from the sale of the Mid-Manhattan and the Science, Industry, and Business Libraries. NYPL says consolidation will save it $7.5 million a year. Critics of the plan advocate preserving the central branch’s stacks and renovating the Mid-Manhattan Library instead. Marx said to the New York Times, “we know there is skepticism about our numbers. We understand that there needs to be an independent cost estimate and will provide one as soon as we have a design.” Marx also mentioned that both the estimated cost and Foster’s design are subject to change. More specifics will be released in the fall, but for now Foster’s design would swap the stacks for a circulating library overlooking Bryant Park that features a four-level atrium with bookshelves, sitting areas and desks. Critics argue against removing the stacks and are skeptical of the financial estimates NYPL president Marx has put forward. State Assemblyman Micah Z. Kellner, chairman of the Committee on Libraries and Education Technology, questions why the NYPL has applied for and been granted building permits without a detailed design and specific cost. Construction has been announced to start this summer and to be completed by 2018.
Preservationists who have waged a battle against Foster + Partners' planned renovations of the New York Public Library received bad news Tuesday: The Landmarks Preservation Commission approved the library’s application for changes to its Beaux-Arts exterior, mostly on the side facing Bryant Park, in a six-to-two vote. The $300 million renovation calls for removing seven floors of stacks beneath the famous Rose Main Reading Room to accommodate a large workspace and the collections from the Mid-Manhattan and the Innovative Science, Industry, and Business Libraries. This might be a major step forward for the library, but the approval process is not yet over. The Wall Street Journal reported that the Landmarks Commission can only vote on changes proposed to the landmarked exterior—the decision about the stacks is out of their hands.
For months rumors have swirled that developer Madison Square Garden Co. (MSG) would buy the midcentury modern LA Forum arena in Inglewood, former home of the LA Lakers and LA Kings. (Its architect, Charles Luckman, also designed Madison Square Garden.) That deal is now official, according to Crain's New York, who said the company just paid $23 million for the property. MSG will begin a "comprehensive renovation" of the arena later this year, and details of that job will be released this fall. The company is currently working on an $850 million renovation of Madison Square Garden, itself a taxing job that is set to be done by next year.
Prepared Motors. Included in recent news from BLDGBLOG, Swiss artist Zimoun installs a series of sound sculptures. Each cardboard piece, comprised of micro-mechanisms, projects subtle sound upon interaction. Watch the following video for the installation plus movement. Renovation Take-over. The New York Times reveals that the Randhurst Mall, just outside Chicago in Mt. Prospect, plans to undergo serious renovation. The indoor mid-century shopping center will take on a new look with a $190 million renovation. Expect commercial transformation as the mall goes outdoors, for which it will destroy most original elements in favor of an open air shopping experience. Highline 2.0. If you haven't heard, the second phase of everyone's favorite park, the Highline, opened this week, stretching from 20th to 30th streets through New York's Chelsea neighborhood. The NYC Economic Development Corporation snuck onto the elevated railway before the official opening and has put together a fascinating before-and-after display. The Design Sector. Archinect features a report from the Center for an Urban Future that specifies the capacity of New York City's architecture and design sector and encourages its continued growth. The report reviews the "untapped potential" despite a remarkable 40,470 designers currently based in the Metropolitan area.
One could make a living chronicling the iniquities visited upon the work of Paul Rudolph (lord knows we certainly have). From modest tract homes to cutting edge office towers, the trail-blazing, highly influential architect's work has not fared well of late. Of the handful already demolished, as many are on the chopping block, and it has become an ongoing struggle for the Paul Rudolph Foundation to protect what's left. One of the better projects to come along was the expansion of Rudolph's Art & Architecture Building at Yale, where he taught for so long. But it now turns out that that was not the only renovation of the great architect's work going on in New Haven. ArchNewsNow pointed us to a story in yesterday's Yale Daily News about the Sigma Phi Epsilon fraternity's renovation to what was once Rudolph's own New Haven home. According to the YDN, the fraternity spent $25,000 bringing the house up to code, while eliminating--inadvertently or not--many of Rudolph's signature design features, such as his customary cantilevered stair case.
Matt Eisen ’10, the president of SigEp, said many elements of Rudolph’s original design had become safety hazards to the brothers living in the house and the students who flocked to the fraternity’s parties. “I wish we could make it safe and retain architectural elements, but we had to take cautionary steps before an accident actually happened,” said Eisen, the executive editor for the News, noting that most of the fraternity’s brothers are probably not aware of the house’s significance. [...] The renovation project involved setting the stairs in sturdy steel frames with marble inserts, removing the fireplace and a platform on the ground floor — which Eisen described as “a tripping hazard that served no purpose,” — as well as stabilizing the balcony area that was nearly collapsing. Bob Esposito, the property manager SigEp contracted for the project, reiterated that the main goal of the renovation was to upgrade the house to current design standards. “Building codes and architectural tastes have changed a lot since Rudolph’s time,” he said. “We wanted to make the house easier to maintain and more user friendly while keeping a great percentage of Rudolph’s original design intact.”The thing is, it remains unclear whether the building was actually unsafe, or simply unsafe to the greek brothers and sisters there-in. A glimpse of the pre-renovation building shows that it does not appear unsound, and perhaps only got that way after neglectful care. Indeed, in its own report on the story, the Paul Rudolph Foundation said that the house had been well cared for until recently, though the fraternity refused admittance to determine its most recent state prior to the renovation:
Through the various owners, and up until recently, many elements like the floating stairs were retained. A clearer example of which can be seen in Rudolph's Halston Residence on 63rd Street for the famous Fashion magnate. Much like his 23 Beekman Place residence which would follow (and he would intervene into and out of for 30 years), this house was a work in progress and always up for alteration and innovation.That Rudolph primarily modified the buildings interior--there was a a rearyard addition--means that the latest renovations leave almost no traces of the original building, as the foundation notes. "The current look, all decked-out in Ikea, with "state-of-the-art" projection TV, as photographed by Calgary Leveen of the YDN is hardly recognizable as Rudolph's one-time home and can no longer be realistically considered as 'Rudolph space.'" And now we are obliged to make a snide remark about the thuggish clumsiness of the debauched Yalies who could not help but fall down the elegant stairs at parties, and thus defiled a modernist masterpiece. Except that Rudolph accolate, Yalie, and architecture school dean Robert A.M. Stern, in speaking with the YDN, does it for us.
“The house was spectacular, innovative, glamorous,” said School of Architecture Dean Robert A.M. Stern ARC ’65. “It’s too bad they modified the cantilever steps, but it’s true that there are safety concerns without the railings, and at frat parties — it gets a bit lively, shall we say.”