Considering how much trash Baltimore's solar-powered Trash Interceptor scoops out of the city's harbor—50,000 pounds a day!—these floating islands made from found plastic waste might just stand a chance. With the support of the Creative Industries Firm NL, WHIM Architecture is developing a prototype of their project, the recycled island, built primarily from recycled plastic waste gathered from the North Pacific gyre and the North Sea. The prototype seeks to first try out the concept at a small scale by building a floating house surrounded by plants. This “floating villa” will test the durability and practicality of plastic as a building material and be the test that determines whether the recycled island idea is plausible. There are four chief aspects of the prototype island: the platform, the balustrade, the roof, and the external wall. According to information provided by WHIM, the platform will be composed of hollow plastic blocks covered with vegetation while the balustrade will be made of hollow plastic blocks filled with soil to support the aforementioned vegetation. Both the roof and the walls will be made of blocks filled with non-recyclable waste. While the designers are currently working on a prototype island of a smaller size, the actual recycled island would be approximately the size of Hawaii’s main island. This rather sizeable floating island will sit on the Maas River in Rotterdam and act as a station to collect waste before it empties out into the North Sea. The repurposing of plastic waste would then give the litter new economic value and may encourage people to hold onto their trash rather than improperly throw it away. Therefore the recycled island may help combat pollution and waste problems on two fronts: one by collecting waste and building with it and another by discouraging people from littering.
Posts tagged with "Recycled Materials":
An aluminum rain screen and locally-sourced brick articulate a two-part program.The Brook, developed by Common Ground and designed by Alexander Gorlin Architects, is part of a new wave of affordable housing communities popping up all over the United States. Unlike the public housing projects of the mid-twentieth century, which focused exclusively on housing and tended to suffer from a lack of routine maintenance, The Brook, located in the Bronx, combines apartments and support services under one roof. This duality is manifested in the envelope’s contrasting material palette—dark grey brick for the residential spaces, raw aluminum over the community facilities. “The idea of the exterior was to symbolize, as well as reflect, the internal program of Common Ground as supportive housing,” said Alexander Gorlin. “It’s inspired in part by Le Corbusier and his idea of expressing the program on the facade, and expressing the public functions as a means of interrupting a repetitive facade." The Brook’s communal areas, which are clustered at the corner of the 92,000-square-foot, six-story building, are marked on the exterior by ES Tolga Dry Seal System aluminum panels from Allied Metal. In addition to articulating the change in program, the metal facade “represents coming together, creating a landmark for the neighborhood as well,” said Gorlin, who noted that Common Ground “liked from the beginning marking the corner as a special symbolic place.” The metal-clad corner also functions “urbanistically, to break the building into three parts, break down its scale,” he explained. A series of inset terraces interrupt the grey aluminum walls with splashes of red. “At one level it’s a bright color to be cheerful and optimistic,” said Gorlin. “In China, red is a symbol of good luck. It also symbolizes the heart of the program and the community.” The Brook’s 190 studio apartments are distributed to either side of the community facilities, along wings punctuated with square and rectangular windows. “We decided to vary the window placement so it would create a more lively asymmetrical pattern. It’s not just a simple grid,” said Gorlin. The designers clad the housing areas in locally sourced dark grey brick. “Brick is a very noble, ancient material,” observed Gorlin. As a good insulator, it also contributes to the building’s LEED Silver status. Other sustainability strategies include a green roof, a special boiler system, building management technology that turns off the lights when a room is not in use, and the use of recycled and non-offgassing materials. The Brook was erected on a vacant lot in a neighborhood once known for pervasive blight. Early in the design process, said Gorlin, the architects and developers discussed installing bars over the lower windows. “It was determined very consciously not to do it, even though there’s glass on the corner,” he explained. “We decided not to put bars up or make it look in any way prison-like. In fact, by not doing so it’s been maintained in perfect shape. People in the neighborhood think it’s a high-end condo.” Gorlin calls Common Ground “a miraculous kind of client in terms of what they do and the manner in which they deal with the community.” The Brook, he said, represents a new approach not just to affordable housing, but to homelessness. “To actually build permanent housing for homeless people” is a unique opportunity, he said. “It’s not just a shelter, but a place to start over in life.”
What's sure to become the ultimate tailgating accessory for Minneapolis Vikings football fans this year has hit the market at the Minnesota State Fair. Thanks to Duluth Pack, makers of bags and tents, the collapsed roof of the Minneapolis Metrodome has been reborn as a duffel and shell bag, appropriately part of the "Domer" collection. The stadium's white fabric dome collapsed in 2010 under the weight of Minneapolis' plentiful snow, the fourth time such an event has occurred. The torn remnants of the roof were put up for sale and businessmen, Jim Cunningham and Tim O’Phelan, picked up the inner of two layers of the roof on a "total whim" for $4,000, according to the Duluth News Tribune. The roof's outer layer was sold to farmers to cover their fields and a small portion went to sports fans looking for a momento. After a few years in storage, the three-acre inner layer of the Teflon-coated fiberglass covering has been cleaned and sliced into panels for the limited edition bags. Cunningham and O'Phelan approached Duluth Pack realizing the material's rugged potential. "You can’t rip it. It’s waterproof. It’s kind of like the materials Duluth Pack uses," O'Phelan told the News Tribune. If you can't make it to the Minnesota State Fair, the bags are also offered for sale online at Duluth Pack's website. Bags range in price from $160 to nearly $500. Minneapolis is currently moving forward with plans for a dramatic new Vikings stadium designed by architecture firm HKS. AN recently sat down for a Q+A with the architect working on the project, Bryan Trubey. [H/T Ballpark Digest.]
As a result of a devastating earthquake in February 2011, New Zealand's Christchurch Cathedral was left critically damaged. After an inconclusive debate about whether to completely tear down, restore, or remodel the original Neo-Gothic cathedral, the people of Christchurch were struck with what might be divine inspiration in the form of a temporary home, the world’s only cathedral constructed extensively of cardboard. Tourism New Zealand announced the inauguration of Cardboard Cathedral, a replica of the original church constructed of cardboard tubes, timber joints, steel, and concrete. Shigeru Ban, a Japanese architect and a leader in "Emergency Architecture,” designed the transitional church as a testimony to the city’s resourcefulness and resolve following the earthquake and aftershocks. The structure involves a triangular profile constructed from 98 cardboard tubes surrounding a colored triangular glass window in the great hall that features images from the original façade’s rose window, which collapsed completely in December 2011. The main hall has a 700-person capacity for events and concerts. To further incorporate recyclable materials, the temporary cathedral also includes eight steel shipping containers that house the chapels. Designed to last for at least the next two decades, Cardboard Cathedral will remain in place while the original cathedral’s fate is determined. Recently, the rebuilding of the damaged cathedral has been a controversial topic, as critics have already shot down two contemporary designs, deeming them “bizarre” and “architecturally illiterate,” and have called for the building to be restored to its gothic form, originally designed by George Gilbert Scott in the latter half of the 19th Century. Projected to open in December of last year, the Cardboard Cathedral was subject to a sequence of construction delays and was not officially opened until last week. To celebrate the opening of the cathedral and its architectural splendor and acoustic potential, Joyfully Un-Munted, a concert series of opera, jazz and traditional music is being held through August 15, 2013.
After creating their 2011 and 2012 graduation pavilions for SCI-Arc, Oyler Wu has once again produced a striking structure LA-based school, this time on the occasion of their 4oth anniversary. Dubbed the Storm Cloud pavilion, the structure salvages the existing steel from the 2011 Netscape, which served as the school’s graduation pavilion two years ago. Looking at Storm Cloud, one can hardly tell it shares much of the bones that made up the older pavilion. “Since the event is in the evening, we wanted create a canopy that has a lantern-like effect when lit, so we came up with the idea of creating funnels that we can place lighting inside of them,” said Oyler Wu principal Jenny Wu of the pavilion’s inspiration. Though the idea was elegant, the couple was challenged by the nature of the stretch fabric itself, which didn’t lend itself to shapes other than a simple rectangle or circle. Oyler Wu overcame this challenge by adopting a “splat” strategy. “This allows us not to have to pattern it,” writes Wu. Instead of cutting uniform, predictable shapes, the pair cut waves at the bottom of the fabric and stretched over the steel structure. Wu provided a clarifying seam drawing explaining her point. The result was a dynamic shade structure that undulated at its based and stretched taut meeting the sky. Lit with colored lights at night, the pavilion was a fitting structure to emphasize the school’s experimental bent and couple’s continually surprising investigations into form.
Chinese architect Wang Shu has been named the 2012 Pritzker Architecture Prize laureate, marking the first time a Chinese architect has been honored prize which brings a bronze medal and $100,000 purse. Wang Shu is known for building with traditional Chinese forms and materials, often recycling bricks and tiles to form a patchwork mosaic in his buildings, which demonstrate a distinct modern sensibility. He is professor and head of architecture at the China Academy of Art in Hangzhou, China and founded Amateur Architecture Studio with Lu Wenyu in 1998 where he has taken an outspoken stance against architecture that he perceives as destroying vast urban and rural landscapes across China. Amateur Architecture Studio derives its name from the traditional building practices of the amateur Chinese builders who have crafted cities for centuries. He spent years learning from these craftsman and brought back the traditional building techniques to mix with his experimental and site-specific practice at Amateur Architecture Studio. “The fact that an architect from China has been selected by the jury, represents a significant step in acknowledging the role that China will play in the development of architectural ideals," said Thomas J. Pritzker, chairma n of the Hyatt Foundation which sponsors the prize. "In addition, over the coming decades China’s success at urbanization will be important to China and to the world. This urbanization, like urbanization around the world, needs to be in harmony with local needs and culture. China’s unprecedented opportunities for urban planning and design will want to be in harmony with both its long and unique traditions of the past and with its future needs for sustainable development.” Wang Shu has previously been awarded the Gold Prize from the French Architectural Academy in 2011, the Schelling Architecture Prize in 2010, and the Holcim Award for Sustainable Construction in 2005. He also received a Special Honor at the 2010 Venice Biennale and was the Kenzo Tange professor at the Harvard GSD, which has previously been held by Alvaro Siza, Peter Zumthor, and Raphael Moneo among others. He delivered the Tange lecture at Harvard last November titled "Geometry and Narrative in Natural Form," which you can watch below. The formal awards ceremony for the Pritzker Prize will take place in Beijing on May 25.