Posts tagged with "Ragdale Ring":
Ragdale, the nationally acclaimed artist residency program in Lake Forest, Illinois, invites architects, artists, and designers to apply for the opportunity to design, build, and exhibit the 2019 Ragdale Ring, a temporary theatre to house summer concerts, performances, and events.
We are seeking inventive, site-responsive, large-scale submissions that explore intersections of architecture, sculpture, landscape, public art, and performance disciplines. Proposals that consider contemporary, fanciful, and functional interpretations of the original Ragdale Ring, designed by architect Howard Van Doren Shaw in 1912 as an outdoor garden theatre, are encouraged (see Shaw’s design below).
A jury of architects, artists, and architectural historians will select a single project to realize at full scale on Ragdale’s grounds. The winning designers will receive a $15,000 production grant to fund the project as well as a three-week design-build residency for a team of up to ten individuals. The residency will include a large studio, housing, and three meals per day in May and June 2019. The project must be completed by June 14.Proponents can register online at any time until close of registration on 8 of March 2019. Release of the results will be on 22 of March 2019. More information is available here. Submit your application here.
For the past four years, Ragdale, an artist residency in Chicago’s North Shore, has asked young architects to reimagine a historic garden stage that was once a focal point of its property. In these short years, the Ragdale Ring competition, and the accompanying Adrian Smith Prize, have proven to be architecturally adventurous, and often playfully eccentric.
This year’s iteration will be built by the Ann Arbor, Michigan–based T+E+A+M, a collaboration among young designers Thom Moran, Ellie Abrons, Adam Fure, and Meredith Miller. Their proposal, entitled LIVING PICTURE, superimposes images of the original 1912 Ragdale Ring onto a set of lightweight objects spread throughout the grounds. The scene of the original ring will be an immersive, if not surreal, space for the audience to become part of the theatrical setting. The varied scale of the objects also allows for the audience to position itself in relation to the stage, either sitting on or standing among the installation. The shapes, which make up the stage itself, will blend historic imagery with the lush surroundings of the property.
While the imagery on the installation will mostly be seen as disparate yet related images, audience members approaching from the Ragdale House will see the entire original Ring snap into view. Watching from the other approaches, viewers will discover the scene as a series of separate vignettes of the original.
“At the beginning of this year we suspended our individual practices and committed fully to T+E+A+M, but the fact that the four of us have practiced individually is one of the unique strengths of our collaboration,” Fure explained. “Each of us has different audiences through our previous work’s engagement with conversations inside and outside the discipline.
The objects will range in form, making up seating areas and platforms for performances. Arranged in seven clusters, most of the objects will also be hollow to provide storage. Their arrangement centralizes the audience while providing masked areas where performers can enter from stage-side.
The project will be built in late May, to be ready for four performances starting in mid-July. T+E+A+M, along with a group of workers, will live at Ragdale for 18 days to build the installation. The Adrian Smith Prize, sponsored by Adrian Smith + Gordon Gill Architecture, provides $15,000 for the construction.
The members of T+E+A+M are not strangers to exhibition and installation building. Between the four members, their work has been shown in multiple Venice biennales and at the Beijing International Art Biennale, the Shenzhen and Hong Kong Biennale, the Storefront for Art and Architecture, and the Graham Foundation, to name just a few.
T+E+A+M will join the ranks of past Ragdale Ring designers SPORTS Collaborative, Bittertang, Design With Company, and Stephen Dietrich Lee. Last year’s iteration by SPORTS, entitled Rounds, won The Architect’s Newspaper’s 2016 Best of Design Award for Temporary Installation.
A glimpse of a bright green form caught my eye as I missed the driveway of the Ragdale Foundation estate north of Chicago. A red Ferrari was close behind my rental car, and I couldn’t slow down in time to make the turn. The 50-acre Ragdale estate is situated in the wooded Lake Forest community, home to some of Chicago’s wealthiest families. The green apparition I spotted was this year’s Ragdale Ring.
The Ragdale Ring is a temporary open-air theater designed each year by winners of the foundation’s Adrian Smith Prize. This year’s iteration, designed by Syracuse-based SPORTS, is entitled Rounds. Fittingly, the installation is an undulating arching ribbon creating a perfect 70-foot diameter circle in plan. Nestled in a clearing in the forested front of the estate, the piece ties into its surroundings with curving archways. The arches rise to different heights, forming varied elevated seating areas, passages to the center, and one large space designated for a stage. Each arch responds to different conditions around the site, such as the main house, the residency building, or an entry path. The mint green color is vibrant, yet complementary to its verdant surroundings.
Thanks to engineering assistance from Arup, the piece is constructed out of waffled framed plywood and stands with no visible support. Landscape architects Rosborough Partners prepared the site with subtle rises where the ribbon hits the ground—combined with a meticulous paint job, it is hard to understand exactly how the ring was built, even when standing close. The result is the appearance that the entire ring was brought as one piece, maybe dropped on the site by some playful aliens.
SPORTS is a design collaboration between architects Greg Corso and Molly Hunker, faculty members at the Syracuse School of Architecture. Corso, Hunker, and a small team lived at Ragdale for three weeks in order to construct Rounds. The Adrian Smith Prize provides a $15,000 production grant and Ragdale provides room and board for the entire team, who also takes part in communal dinners and has access to the property’s forest and prairies.
The Ragdale property was originally the country home of Chicago architect Howard Van Doren Shaw. Shaw was also the designer of the original Ragdale Ring in 1912. That first open air theater was specifically designed for his playwright wife. This year’s ring is the fourth since Ragdale initiated a program to reimagine the original in 2013. Now an international competition, it calls for designs that “explore intersections of architecture, sculpture, landscape, design, public art, and performance disciplines.”
Ragdale is not normally open to the public. The property is kept private to provide space for its nearly 200 annual residents to work without interruption. Fortunately, the public can experience Rounds in person—tickets are available to the public for a small number of performances throughout the late summer. The next of these will be a jazz concert August 18. What better way to finish a picturesque drive through Chicago’s mansion-filled north suburbs, than with a jazz concert in an uncannily mint green theater?