After a recent visit we saw that Las Vegas' 18 million square-foot City Center project, with buildings by Daniel Libeskind, Norman Foster, Cesar Pelli, Helmut Jahn, Rafael Vinoly, and KPF, among others, is well underway. In fact despite delays (remedied by foreign investors), the project's web site still claims it will be done by this year. We also noticed that Libeskind's new building is sporting a conspicuous Louis Vuitton logo. Only in Vegas.
Posts tagged with "Rafael Viñoly":
You know that if a trend has hit a major office building, it's really gone mainstream. The pixelated effect that has been seen in hip textiles and interior design is used for the glass facade on this SmithGroup project going up in Mission Bay. For people driving down Third St., it adds a bit of sparkle to the vista, reflecting the blueness of the open sky around it. Compared to the new Rafael Vinoly-designed UCSF cancer research building next to it (which Mitchell Schwarzer twitted for its blandness), it's the sequined cocktail dress next to the Gap khakis.
Rafael Vinoly recently completed a new addition and renovation at the Cleveland Museum of Art, a major encyclopedic collection set in the city’s leafy University Circle area, which includes Case Western Reserve University and cultural institutions like the famed Cleveland Orchestra. The campus includes a 1916 Beaux Arts building and a Marcel Breuer-designed addition from 1971. Vinoly reportedly worked closely with the museum’s then director Timothy Rub, and critics have praised the addition’s galleries and the improved circulation throughout the complex. While I’m not wild about the stripes on the exterior of the new East Wing, which at first seem like an odd echo of postmodernism from Vinoly, Breuer used similar bands of stone in his wing, and Vinoly's substantial proportions in masonry and glass strike a good balance between Beaux Arts and Brutalism. This is the first of a two-phase expansion. Rub recently left Cleveland for the Philadelphia Museum of Art, where he will oversee a major expansion at that museum by Frank Gehry. If it turns out as well as Vinoly’s work in Cleveland, the Philadelphia project will help to put to rest the belief that Gehry’s museums are not very art- or curator-friendly.