Posts tagged with "Rafael Vinoly Architects":

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New renderings revealed for Tribeca’s Pier 26 revamp

Construction on the $30 million renovation of Tribeca’s Pier 26 is slated to start up this summer, and the Hudson River Park Trust and landscape architects OLIN have released a new batch of renderings of the project’s final design. The Hudson River Park Trust went before Community Board 1’s Waterfront, Parks & Resiliency Committee last Tuesday and revealed their finalized design for transforming the 790-foot-long concrete pier. While OLIN had released glimpses of the pier’s programming before (including a playground with two enormous sturgeon-shaped jungle gyms for kids to climb), the latest design incorporates many of the features that the local community had hoped for. A gentle grass lawn and more wildly-planted “forest” area with indigenous trees will guide visitors from the western edge of Hudson River Park, towards the two child-sized soccer fields in the middle of the pier. The fields will be covered in a blue net to stop stray balls from flying into the Hudson River, and surfaced with a plastic grid capable of draining. Further west will be a lounge deck with steps adjacent to scrubby, dune-like landscaping. OLIN has designed a tiered tidal pool planted with native flora at the pier’s westernmost tip, as well as a wooden esplanade that zigzags across the length of the pier. The walkway will rise 15 feet in the air at the tip of Pier 26, giving guests a full view of both New Jersey across the river, as well as the tide pool below. OLIN will be using Kebony for the path, an engineered sustainable softwood. Planned for the space between Pier 26 and 25 is the Estuarium, a two-story, Rafael Viñoly Architects-designed education center. Only $10 million of the center’s required $50 million has been raised so far. While no start date has been set for the Estuarium’s construction, it could imperil the pier’s 2020 opening date; the site chosen for the sturgeon playground will be used a staging area during the education center’s construction (sorry, giant metal fish fans). Construction on the underside of the pier will run from this summer until next year, followed by the work on the structure's topside.
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Rafael Viñoly Architects may bring New York City’s first soccer stadium to the Bronx

Rafael Viñoly Architects is set to design New York City's first soccer stadium. Related is spearheading the 26,000-seat Bronx project, which will be the future home of the New York City Football Club. Similar to Hudson Yards, Related's mega-development on Manhattan's Far West Side, the stadium will be constructed over rail yards by the Harlem River in the South Bronx. While a deal for the site hasn't been finalized, YIMBY got its hands on the preliminary renderings for the RFP, which Related submitted with Somerset Partners. Somerset Partners is working on a major project on an adjacent lot, a development with nearly 1,300 units of market-rate housing along 1,200 feet of the river. Given soccer's popularity in the five boroughs, it's surprising that the Bronx stadium will be the city's first. The renderings right now make the toilet seat–shaped arena look more like a massing diagram than anything, but the design is sure to evolve if the city accepts the developers' proposal. The Architect's Newspaper (AN) reached out to Viñoly's firm and Related for comment, and both declined to share any more details on the project. The stadium will be joined by affordable housing in a project the developers are calling Harlem River Yards.  The New York City Football Club's new home and the 550 units of housing will be joined by a medical facility, retail, and an 85,000-square-foot park. Related and Somerset would lease the 12.8 acre property for $500,000 annually for 99 years, and invest $125 million total in sitework and a planned waterfront park. Harlem River Yards is expected to cost $700 million in total, and it's slated for completion by 2022.
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Dying Cupertino mall could yield 2,400 housing units under Rafael Viñoly-designed plan

Sometimes you just have to go for broke and hope for the best. At least, that seems to be the route the developers behind a massive Rafael Viñoly Architects-designed project slated for the dying Vallco mall in Cupertino, California have in mind, as they push forward with a new, denser version of their long-stalled Vallco Town Center project. Developer Sand Hill Property Company unveiled a new vision for the 55-acre site yesterday that invokes the recently-passed SB-35 state law, a measure that allows developers to override local opposition and certain environmental controls for projects that meet local zoning code and set aside a specified percentage of their proposed housing units as affordable homes. In the case of Vallco Town Center, Sand Hill Property Company is proposing a total of 2,402 units, with 1,201 of those set aside for extremely low- and low-income residents. The eye-catching project proposes replacing the city’s cratered mall with a sprawling mixed-use town square-style district containing 400,000 square feet of retail and entertainment functions, 1.81 million square feet of offices, as well as the aforementioned housing element. The entire thing, according to new renderings unveiled in tandem with the SB-35 plan, will be capped by a parabolic, publicly-accessible rooftop garden. According to a project website, the community park will feature walking and jogging trails, playing fields, picnic areas, orchards and organic gardens, children’s play zones as well as a “refuge for native species of plants and birds.” A series of public squares will also populate the retail areas, while super-sized entry portals will demarcate the development from adjacent, single-family home areas. Regarding the decision to take the SB-35 path, Reed Moulds, managing director of Sand Hill, told The Mercury News, “It has now gotten to a point where we do not have any confidence that this process can come to a conclusion in a timely manner,” adding, “This housing crisis needs to be resolved in a manner that actually provides near-term solutions, and sites like this have an opportunity to do a lot of good for the housing situation.” Under the latest plan, the Vallco development would help Cupertino surpass a state-mandated affordable housing production goal set of building 1,064 affordable units by 2022, The San Francisco Chronicle reports. The city has so far approved just over 800 affordable units via other projects. The developers have been working with community stakeholders and municipal authorities since 2015 on various versions of a proposed redevelopment plan, with the most recent reboot prior to the latest effort occurring in late-2016. Although the developers are pushing for aggressive expansion and a faster timeline with their latest version of the project, Sand Hill “does not intend for its SB-35 application to upset the ongoing planning process,” according to the project website. Under the new SB-35 regulations, local authorities have between 90 and 180 days to approve compliant projects. That gives the municipality three to six months to hammer out a compromise with Sand Hill, a prospect that is unlikely given the strong anti-housing bias city residents and officials have taken to this and similar projects. An updated construction timeline has not been provided.
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First look at Rafael Viñoly’s space-age Upper East Side tower

The first rendering for a Rafael Viñoly Architects-designed residential tower at 249 East 62nd Street in Manhattan has been unveiled, and it looks like the building will feature rings of upper-floor condo units arranged around an octagonal core for maximum views. While the rendering of 249 East 62nd Street recently surfaced on the website of the Hudson Meridian Construction Group, the contractors responsible for building the tower, the building’s odd massing had been making the rounds after the Department of Building’s original approval in September of last year. At 510 feet tall and only 32 stories, Viñoly’s tower will telescope upwards in the middle, resulting in two disparate sets of upper and lower living areas. By shunting the mechanical spaces to the 13th through 16th floors and boosting the upper half of the building, the top floors will be able to see well over their neighbors and into Central Park, as well as across the East River. Grey concrete columns will run from the building’s base to the roof along the angled edges of the eight-sided superstructure. The building’s base will contain a townhouse and 2,588 square feet of retail, while residential units will rise until the 12th floor. After the extending “stem” portion, floors 17 through 29 will contain three units each, and it’s expected that the prices of each will rise in tandem. At 98,526 square feet of residential space, the more expensive units at the top will average well over 1,200 square feet each, andwith 83 apartments listed for the building in total, the remaining units in the bottom half will likely be more densely packed. The compression is likely the result of Viñoly trying to design around New York’s zoning codes; in this instance, 55 percent of the floor area must be located below 150 feet. Developers Real Estate Inverlad and Third Palm Capital are funding the tower. While no completion date has been announced, construction permits were issued at the end of 2017, so work should be starting shortly.
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The Wharf, D.C.’s massive waterfront development, is now open

The Wharf–a $2 billion new development on a former industrial stretch of the D.C. waterfront–has finally opened. The developers are Madison Marquette and PN Hoffman, and the master architect and planner is Perkins Eastman. Previously the site was a mile-long stretch of boat storage, industrial space, and some back-door barbecue joints. At its northern end, it also includes the oldest fish market in the United States. Before the Wharf could be built, the existing seawall and promenade were torn up and replaced by an underground, two-story parking garage spanning the length of the development. The garages connect from below into an array of luxury residential structures with ground-level commercial space–restaurants, yoga studios, and other amenities. Last week all of these opened to the public–in total, 1.2 million square feet of mixed-use space including office structures, luxury and affordable residential space, a marina, and waterfront parks. The fish market was the only structure preserved as-is. The Anthem, a new 6,000-person theatre venue, is a cornerstone development of the Wharf. Designed by New York-based Rockwell Group, the venue is essentially a concrete volume hedged in by two L-shaped residential structures. The Anthem has a warehouse-like interior and two levels of balconies split into smaller, drawer-like extrusions. Massive steel panels flank the stage, laser cut and illuminated with the pattern of two enormous curtains drawn back, resembling the velvet drapery of Baroque theaters. The space is managed by a 30-year old staple organization in D.C. entertainment–the 9:30 Club–to whom the Wharf reached out in the initial stages. The building’s board-form concrete paneling and industrial facade are intended as a nod to the Club’s famed punk-laden lineups. In the lobby, one can look up through an installation of floating cymbals to four rectangular skylights three floors up. If you look closely, the skylights ripple with water–the underbelly of a pool for a residential structure stacked above. A key design challenge for the Anthem was its siting between two residential structures. To address the noise issue, Rockwell spent several million dollars designing a multi-layered sound barrier between the structures, which are reportedly so effective that amplified concerts are inaudible from the interiors of apartments less than a hundred feet away. Supposedly, a resident could sleep soundly while Dave Grohl shredded away on opening night. The Anthem's neighboring structures include designs by FOX Architects, Kohn Pedersen Fox, Perkins Eastman, Parcel 3A, Cunningham Quill Architects, BBG_BBGM, Handel Architects, WDG Architecture, Studio MB, SmithGroup JJR, MTFA Architecture, SK&I, and Moffatt & Nichol. Only Phase One has opened. Phase Two will add an additional 1.2 million square feet to the overall site footprint, mostly extending south. The roster of new structures will include designs by firms such as SHoP Architects, Rafael Viñoly, Morris Adjmi Architects, Hollwich Kushner (HWKN), ODA, WDG Architecture, and Michael Van Valkenburgh Associates (MVVA). The expansion will include increased office and residential space, an additional pier and marina, as well as increased park space. Phase One is notably without much public greenery. The construction of Phase Two is slated to begin in 2018, with a projected opening of 2021.
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New renderings revealed for Rafael Viñoly’s latest Manhattan cloudbuster

It didn't take long, but Rafael Viñoly has a new Manhattan tower. 125 Greenwich Street isn't as tall as 432 Park Avenue, a sleek supertall that looms over its neighborhood like the first kid in the class to hit puberty. But Viñoly's FiDi skyscraper is still plenty stringy: Rising 88 stories, the 912-foot-tall glass-shrouded tower just south of the World Trade Center will house luxury condos with interiors by March & White, a British firm that built its reputation designing superyachts. Perhaps because Greenwich Street is so close to the Hudson River, or maybe because rich people like fancy boats, the interiors of the 273 units are inspired by the same leisure vessels that gave March & White its start. The building's top three floors are devoted to nice things like a spa, a 50-foot lap pool, and a fitness center, complete with a yoga studio and training room.  And what's a tall land-yacht without a place to entertain? Residents will have access to a private dining room, events space, and screening room.

Dual exposed concrete columns with a zipper of windows run the length of the wasp-waisted tower, creating almost column-less floorplates, while the curved glass curtain walls should offer sweet views on the diagonal. While the renderings show off plenty of height, there are no images of the ground condition, leaving questions unanswered about the building's relationship with the street.

Here's what Viñoly had to say about the design: "125 Greenwich Street takes an unconventional approach to current residential tower design in New York City. The landmark tower's structure is essentially two giant upended I-beams that facilitate a nearly column-free interior for highly flexible residential configurations. A curtain wall system with rounded corners that efficiently mitigate wind pressure—and take full advantage of the panoramic views—completes an elegant structural solution. Two I-beams have never been more productive." Although the tower was announced back in 2014, the new renderings accompanied the building's sales launch today. Prices start at $1.2 million for a studio, with prices for three bedrooms (the largest apartments) starting at a little over $4.6 million.
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Chicago’s new Viñoly tower breaks ground and gets new name

Construction has begun on the 76-story Rafael Viñoly-designed tower in Chicago’s South Loop Neighborhood. Located at the southern end of Grant Park, the new tower has also been given a name: One Grant Park. The new skyscraper will go a long way to completing the urban wall that lines three sides of the large park and museum campus in Chicago’s downtown. It's one of the last major portions of the Central Station master plan, which has been underway for over 25 years. Currently approved as a single tower, plans have already been floated to build a second adjoining tower, which would over double the size of the complex. “To have the opportunity to bookend this remarkable open space is a responsibility that we continue to be aware of every day,” Viñoly said in a recent press release. “One Grant Park takes on the structural clarity, and the logic of purpose, that characterizes Chicago’s great high-rise building tradition.” The 829-foot-tall tower will bring 792 new apartments to the booming South Loop. The form of the tower echoes that of the iconic Willis Tower. Units will range from studios to three-bedroom apartments, with many having balconies. The large setbacks that define the building's silhouette will be used as terraces and its 17-story plinth will contain amenities including a community space, a pool, fitness center, and retail space.
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Richard Meier, Rafael Viñoly, and KPF will each design a tower in this Manhattan development

Located between 61st Street and 59th Street, and next to the Henry Hudson Parkway, the newly-announced multi-tower "Waterline Square" development will stand among an interesting set of neighbors. On the other side of 61st Street is One Riverside Park of "poor door" infamy; across 59th street is the IRT Powerhouse, a massive Stanford White-designed steam production facility operated by ConEd (it was originally a subway power station). And just south of the IRT building—with its massive 240-foot-tall smokestack, the last of six originals—is Bjarke Ingles Group's hyperbolic paraboloid Via 57. Waterline Square—which is being developed by the Boston-based GID Development Group, owner of two nearby residential developments—will feature three glassy towers: One Waterline Square (Richard Meier and Partners Architects), Two Waterline Square (Kohn Pedersen Fox Associates (KPF)), and Three Waterline Square (Rafael Viñoly Architects). "Together, we are transforming one of the last remaining waterfront development sites on the Upper West Side of Manhattan, into a new, vibrant neighborhood," said James Linsley, president of GID Development Group, in a press release. Waterline Square will occupy the final large empty lot on Riverside Park South, which stretches from 72nd to 59th Street. The towers' luxury condominiums will be accompanied by "100,000 square feet of best-in-class sports, leisure, and lifestyle amenities, as well as a beautifully landscaped park and open spaces spanning nearly 3 acres," according to the press release. The new park will contain "a playground, fountains, and waterfalls." Construction actually began on Waterline Square in 2018 but this appears to be the first major release of the project's details and renderings. For more details, see the development's website here.
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Rafael Viñoly gears up redesign of office space on Manhattan’s Auto Row

Rafael Viñoly Architects will lead the redesign of—and two-floor addition to—an office building at 787 11th Avenue on Manhattan's "Auto Row." Viñoly's $100 million renovation will add 86,000 square feet of office space over two floors to the 10-story building, owned by the Georgetown Company. The additions will bring the structure's size to over half a million square feet. The work space, recessed from the building's original footprint, will have wide open floor plates and oversize windows to flood the space with natural light. Renovations will include a two-story penthouse and a 12,000-square-foot roof deck, accessible only to office tenants. Currently, Jaguar Land Rover, Nissan, and Infiniti have showrooms and offices in the space; post-renovation, BNF Automotive Group and Nissan North America will lease 265,000 square feet for their flagships on the building's lower floors. Viñoly, whose recent New York projects include the Rockefeller University Campus Master Plan and supertall 432 Park Avenue, offered unvarnished praise for the developers in a statement. He added: “The opportunity to combine the building’s historic architecture with a sleek and modern design is one I could not pass up.” The building is one of many new projects outside of Hudson Yards to blossom on Manhattan's Far West Side. A block away from Hudson River Park and the West Side Highway, tenants will have access to a private subway shuttle service, and a CitiBike station across the street. Work is expected to be complete by the end of 2017.
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This unit in Vinoly’s 432 Park skyscraper goes for baroque with interior design

Love it or not, Rafael Viñoly's 432 Park makes a statement on the New York City skyline. The 88-story, 1,396-foot-tall skyscraper will be home to some of the world's richest people (and/or their faceless LLCs). One soon-to-be-resident is bringing the public's prying eyes inward by bucking the less-is-more aesthetic of contemporary interior design for a maximalist, marble-on-marble pad designed by Brooklyn–based Atelier & Co. Atelier & Co. went for baroque with the design of a 4,000-square-foot residence on the tower's 40th floor. The building's structural tube design allows for open, no-column layouts, allowing residents to configure the space freely from a standard skyscraper layout. Atelier & Co.'s plan removes the sitting room to create a combined dining and living area, divided only by a bookcase lifted from the set of Downton Abbey. Meanwhile, the size of the master bathroom is doubled, presumably to accommodate the owner's collection of marble busts, vases, or anachronistic glass globes. The colonnaded entryways, ornate wood floors, and coffered ceilings do right by Joan Rivers and Louis XIV. Atelier & Co. notes that the design was influenced by 19th century Prussian architect and painter Karl Friedrich Schinkel as well as Leo von Klenze, the German painter, writer, and architect. The designers do recognize that their creation is inside a supertall, not Versaillies. They claim that the aesthetic draws on Viñoly's geometry, perhaps in the patterning of the living room's coffered ceiling. As this monumental throwback interior takes shape, it's a good time to note that the Council on Tall Buildings and Urban Habitat, the organization in charge of keeping tabs on the world's supertalls, recently recognized 432 Park as the world's 100th supertall. The tower clocks in as the second tallest building completed in 2015, per the organization's numbers. While living in this apartment may cause irreparable damage to your taste, that's not the only danger it poses. A recent study in the Canadian Medical Association Journal suggests that living on a building's upper floors increases the risk of dying from cardiac arrest.
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Rafael Viñoly’s car-melting Walkie-Talkie Tower named Britain’s worst building of the year

After roasting cars and carpets, London's 20 Fenchurch Street, nicknamed the Walkie-Talkie Tower, has itself been roasted as the winner of the Carbuncle Cup, British architecture's least desirable award. Building Design magazine, which organizes the award, described the tower as a “gratuitous glass gargoyle.” The structure, designed by Rafael Viñoly, has struggled for any form of critical acclaim since it opened in 2010. “It is a challenge finding anyone who has something positive to say about this building,” said BD editor Thomas Lane. The Guardian's architecture critic, Oliver Wainwright, was just as unforgiving when he likened the structure to a "sanitary towel." Londoners have claimed that the Walkie-Talkie, nicknamed for its visual resemblance to the handheld communication device, has blown them away—and into the street. Twenty Fenchurch Street's embarrassing wind problem has prompted the City of London to look at "changing the way it works with developers." Knocking people off their feet isn't the only accusation lobbed at Viñoly's design. In what is becoming a growing list of misdemeanors, developers of 20 Fenchurch Street have had to pay £946 ($1,500) in compensation after the tower burnt a Jaguar and a hole into a shop carpet. A screen has been built to halt the reflective death-ray. In its turbulent start to London life, the building's reflective power has been harnessed by the locals, as one resident was able to fry an egg with the building's glare. That led to another nickname, the "fryscraper." "When I once described Rafael Viñoly as a menace to London," tweeted ex-RIBA president George Ferguson, "I didn't think he was going to burn it." The architect's proposal has prompted equally vicious responses during its planning stages. UNESCO voiced its distaste for the design and English Heritage bestowed it as a "brutally dominant expression of commercial floor space" with an "oppressive and overwhelming form." Peter Wynne Rees, chief planner of the City of London, has since admitted he made a mistake for the building's location, saying that he was persuaded by the project's public element, a 525-foot-high garden. Even this signature feature has been the subject of scourge. Wainwright, who is clearly not the building's biggest fan, wrote in the Guardian that it "feels like you’re trapped in an airport, you can barely see the city because of a steel cage – and the more money you shell out, the worse it gets." Twenty Fenchurch Street's issues with sun glare are nothing new to modern architecture however. In Las Vegas, the Vdara Hotel startled Bill Pintas, a Chicago lawyer and businessman, when he started to smell his hair burning.  "I actually thought that, Oh my God, we've destroyed the ozone layer because I am being burned," Pintas told NBC's TODAY show back in 2010. "My head was steaming hot... I could actually smell my hair burning." In Dallas, too, the Museum Tower by Scott Johnson has been subject to criticism as it fried artwork at its neighbor, the Nasher Sculpture Center. And of course, Gehry's Disney Concert Hall in Los Angeles, drew international attention for sizzling surrounding buildings and blinding drivers. Blustery conditions from skyscrapers are also no new problem. New York City's Flatiron Building caused an "ankle-revealing sensation" in the early 20th century with winds it sent rushing to the sidewalk. In 1983, engineering consultant Lev Zetlin asked for laws to halt the wind-tunnel-effect termed "downdraught" in New York.
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British architects are now deciding which one of these six finalists is the worst building of the year

Six of the worst buildings in Britain, shortlisted by British magazine Building Design, will battle it out to claim British architecture's least wanted trophy. The projects were chosen by a panel comprising BD editor Thomas Lane; architectural critic Ike Ijeh; writer, broadcaster, and historian Gillian Darley; and architectural designer Eleanor Jolliffe. The list was whittled from ten projects put forward by readers who felt compelled enough to voice their distaste about the structures that rudely entered their view. The Carbuncle Cup is in its ninth successive year and is proving to be a humorous, tongue-in-cheek response to the Stirling Prize awarded by RIBA. Pedigree, it seems, won't save you from being shortlisted for the prize. Foster+Partners and Rogers Stirk Harbour+Partners have previously made the list for their Moor House office development and One Hyde Park projects in London. Past winners include the Strata SE1 building in south London by BFLS and the Cutty Sark renovation in Greenwich by Grimshaw Architects. Last year, Sheppard Robson's Woolwich Central took the prize. The winner of the Carbuncle Cup will be announced next Wednesday, September 9. Take a look at this year's finalists below. 20 Fenchurch Sreet (aka The Walkie-Talkie Tower) London Rafael Viñoly Architects Woodward Hall North Acton, London Careyjones Chapmantolcher Whittle Building Peterhouse, University of Cambridge John Simpson Architects Waltham Forest YMCA London Robert Kilgour Architects City Gateway Swaythling, Southampton Fluid Design Parliament House Lambeth, London Keith Williams Architects