On social media PNMPS has dragged the National Trust for Historic Preservation for supporting the project and has posted photos to Instagram of developers and architects working at the site, presumably to expose their identities. Despite the complex explanation of the National Historic Preservation Act and the Section 106 process posted to its website (as well as this bizarre video, including footage from a South Park episode about gentrification and Donald Trump’s inauguration) and other thinly veiled claims attempting to draw attention away from NIMBYism, quotes by Mark Cassello, the president of PNMPS, to the Chicago Tribune in 2016 distill the organization’s real objective: “Pullman doesn’t need to attract artists, they are already here. Pullman doesn’t need affordable housing.” With CNI and Stantec having received all of the necessary approvals, ground is expected to be broken on the Artspace Lofts this fall. Across town, the Evanston City Council recently moved forward with a plan to allow the Evanston Lighthouse Dunes (ELD), to pay for the demolition of the Harley Clarke Mansion, a local historic landmark on Sheridan Road. While the 1927 Tudor revival mansion, designed by architect Richard Powers, boasts impressive architectural features, Evanstonians remember it as the place where they learned to dance, paint, and draw, and when the building was a lakefront art center. Harley Clarke housed the Evanston Art Center for fifty years, providing people of all incomes with their own opulent lakefront mansion. As the city prepared to close the art center over deferred maintenance costs in 2015, several offers were made to take it off the city's hands, including one that proposed a hotel on the property, and another by the Illinois Department of Natural Resources. A committee was formed to study uses for the mansion, and a request for proposals was introduced. Late in 2015, a non-profit volunteer group, Evanston Lakehouse & Gardens (ELHG) formed to restore and repurpose Harley Clarke as a public space, initially working closely with city staff to develop a plan that would work similarly to the lease held by the Evanston Art Center, but would include a stipulation that allowed ELHG to build a capital campaign, as the organization lacked the funds upfront for repairs. The City of Evanston initially approved a lease agreement with ELHG in early spring of 2018, but the plan was redacted at the council level, with the city council claiming that ELHG did not present a sound financial proposal. ELHG counterclaims that the city never allowed them to use pledges as fundraising benchmarks, placing the organization in a difficult position, but one that they worked with the city directly to negotiate. Despite this setback, ELHG continues to advocate for the Harley Clarke Mansion, a contributing property to a National Register of Historic Places landmark district, and a City of Evanston local landmark. In May of 2018, Evanston aldermen introduced a proposal by ELD to pledge $400,000 towards the demolition of the mansion. ELD has justified the demolition as a way to absolve Evanston of the financial burden of deferred maintenance and upkeep, as well as a way to open up the lakefront to the public, restore the natural setting of the beach and dunes, and improve the viewshed of the neighboring Grosse Point Lighthouse. According to ELD, demolition of the mansion would also honor the City of Evanston’s Lakefront Master Plan. Conveniently, the demolition of Harley Clarke would also ensure that no public or private entity could gain ownership or operation of the mansion, be it a boutique hotel or a public art center. While ELD has not disclosed a list of funders, those that have publicly aligned themselves with the organization live nearby, leading to speculation that the demolition of Harley Clarke might provide ELD members with precious views of the lakefront. Views of Lake Michigan would be a boon to real estate values in a neighborhood where home values hover just below $2 million. This has led to the speculation that the 41 individuals, couples, and one family organization that have provided money to ELD may include city leaders, explaining the ability for a previously unknown organization to get out in front of city government so quickly and so easily. The ELD has recently offered to pay for the full price of demolition and restoration of the dunes and Jens Jensen garden, but has stated that the money will only be available to the City of Evanston for two years. Recently softening their preservation ordinance yet still welding substantial power to prevent new construction in historic districts, the City of Evanston needs only to remove the mansion from their list of local landmarks in order to capitalize on private funds for demolition. This differs from the complex matrix in play to review the proposed Obama Presidential Center in Jackson Park, which includes consultation with local and federal agencies. Perhaps the cases in both Pullman and in Evanston echo a larger national political trend of Trumpian normalcy now seeping into historic preservation. Attacking long-standing organizations and entities when they come down with a less than ideal determination is becoming acceptable behavior, and the public sector can be increasingly enticed with private money to do things that affect a greater population that lack the funds to influence political decisions. These changes, combined with historic preservation’s tendency to turn a blind eye to any accusation of NIMBYism, whether accurate or not, weaken the field's ability to protect historic resources for the good of our collective culture. As the larger field of architecture works towards a long-overdue reset of abusive practices within it and associated with it, historic preservation, too must take a timely look at how its tactics are implemented, and who will benefit from them.
WALK OF SHAME The developer, representatives from Stantec (project architect), engineers, and a "consultant" on the Pullman Artspace Lofts project site today. The representative from Stantec wasn't aware of the 153' x 33' ruins of Tenement "B" located on the project site. I spoke with them about the history of Pullman's tenement block houses and the importance of this cultural landscape to the Pullman National Monument. Do these companies really want to be associated with the destruction of a 137 year old ruin of the Town of Pullman located within the boundaries of a National Monument and a National Historic Landmark? Time will tell. Learn more about how this project went so wrong... http://www.gofundme.com/savepullman #SavePullman #PNMPS #PullmanNationalMonument #CulturalHeritagePreservation
Posts tagged with "Pullman":
Two controversial community battles in Chicagoland could redefine how historic preservation crusades are fought and won in our overheating national political climate. Both issues highlight how earnest and ethical historic preservation advocacy efforts are being overshadowed by those that are no more than thinly disguised manifestations of NIMBYism supercharged by a culture of divisiveness. In Pullman, originally a planned community outside of Chicago built for Pullman Palace Car Company employees, some residents have banded together to oppose proposed affordable housing for artists over concerns that the construction would destroy an archaeological site: the foundation of ‘Tenement B,’ one of the historic workers' homes. Members of this group, the Pullman National Monument Preservation Society (PNMPS), have gone after public-sector historic preservation entities and the Section 106 regulatory process, arguing the proposed artists' housing will have an ‘adverse effect’ on the site. Pullman became Chicago’s first National Monument in 2015, and it is one of the oldest. At Pullman’s peak, 20,000 factory workers lived and worked under an autocratic system, controlled wholly by the Pullman Palace Car Company, which owned the town's housing, factories, stores, and churches, all planned and designed in the 1880s by architect Solon S. Beman. After workers rioted over wage decreases and the company’s refusal to reduce rents, the Illinois Supreme Court ordered that all non-factory buildings be sold in 1897. Faced with demolition in 1960, the Pullman Civic Organization (PCO) was formed, establishing a foundation for future preservation efforts. By 1973 Pullman had been added to federal, state, and local landmarks lists and the Historic Pullman Foundation was formed, which went on to restore the Hotel Florence and organized the ever-popular house and garden tour. In the summer of 2015, Chicago Neighborhood Initiatives (CNI) along with VOA Associates (now part of Stantec) introduced a plan to construct the first new rental housing in Pullman in over 50 years. Artspace Lofts would bring affordable artist housing and studio space to an empty lot on Langley Avenue just south of 111th Street. The new development would join two existing historic tenement houses, with the overall project scope including the restoration of both tenements to federal historic preservation standards. The project's site was once the home of a tenement building, demolished in 1938. A fragment of the original limestone foundation is present, as the site was never redeveloped. Pullman residents generally supported the Artspace Lofts plan. Pullman’s status as a National Historic Landmark meant that the project required a detailed federal and local review, but a small group of residents called foul, claiming that not enough was being done by historic preservation organizations to prevent the new development from being constructed and that the sanctity of the landmark was now at risk. The PNMPS was formed. Among the PNMPS’s original claims is that the Artspace Lofts will destroy the limestone foundation and “the associated artifacts” of the tenement building, the remnants of which PNMPS believes to be an archaeological resource, yet PNMPS has also stated that they would accept a reconstruction of Tenement B using the existing limestone foundation. Unlike the recent discovery of remnants of Mecca Flats underneath the IIT campus, which revealed never-before-seen colors and textures of the long-demolished building, further investigation or preservation of the remnants of Tenement B would not enhance existing knowledge of Pullman. PNMPS has gone after the regulatory processes of the National Park Service, the Illinois State Historic Preservation Office, and the City of Chicago, calling out staff members by name for what they claim to be a botched Section 106 review for the Artspace Lofts. This includes PNMPS's unsubstantiated claim that the Section 106 review did not include African-American groups as any of the forty local consulting parties, with PNMPS playing a game of virtue signaling within the neighborhood that grew the Brotherhood of Sleeping Car Porters.
Bauer Latoza Studio and Adrian Smith + Gordon Gill tapped for Pullman National Monument Visitor Center
While the uncanny South Side Chicago neighborhood of Pullman may not look too different since it was named a National Monument in 2015, that is all about to change. The former “utopian” workers town will soon be home to the Pullman National Monument Visitor Center, and the designers for the project have just been announced. The National Park Service (NPS), the Illinois Historic Preservation Agency (IHPA), and Chicago Neighborhood Initiatives (CNI), announced this week that Chicago-based firms Bauer Latoza Studio and Adrian Smith + Gordon Gill Architecture (AS+GG) will act as the lead designers of the project. The new visitor center will be located within the long-vacant Clock Tower Building, which was once part of the Pullman train car factory on 111th street and Cottage Grove Avenue. Once the center of the 203-acre community and factory, the Clock Tower has been nearly destroyed multiple times by fire and neglect over the last few decades. Bauer Latoza Studio is recognized for historic restoration and will be leading the design of the Visitor Center. AS+GG will handle the site design for the project. Other consultants on the project include Site Design, SPACECO, Inc., DAI Environmental, and sustainability consultants CKL Engineers, LLC. “The NPS and the National Park Foundation, the project funder, are thrilled to be moving forward with plans for the adaptive reuse of the historic Clock Tower Building,” said Kathleen Schneider, the superintendent of Pullman National Monument, in a press release. “The Visitor Center, to be located in the first floor of the Clock Tower, will become the heartbeat of the community and primary entry point for many of our Pullman visitors. Once we have introduced the visitors to the nationally significant Pullman stories, we will encourage them to explore the community and visit the other important visitor destinations in the Monument, including the National A. Philip Randolph Pullman Porter Museum and the Historic Pullman Foundation Visitor Center.” The Pullman neighborhood was founded in 1880 by George Pullman for the workers and families of his luxury sleeping train car company. The entire complex, which was once an independent town, was designed by architect Solon Spencer Beman and landscape architect Nathan F. Barrett, two twenty-something designers. The company shut down in the 1960s and the neighborhood saw major drops in population and rise in crime. In recent years, the area has seen something of a resurgence with new retail and living-wage jobs. Whole Foods is in the process of building a large distribution center in the neighborhood, and a community center and live/work art space are also on their way. Nearly from the beginning, Pullman was also the center of worker’s rights conversations, as pointed out in President Barack Obama’s proclamation naming the site a national monument. “By 1937, the Pullman Company had been the Nation’s largest employer of African Americans for over 20 years and Pullman porters comprised 44 percent of the Pullman Company workforce. The 1937 Contract was the first major labor agreement between a union led by African Americans and a corporation and is considered one of the most important markers of the Reconstruction toward African American independence from racist paternalism.”
As part of the 22nd annual Chicago Neighborhood Development Awards (CNDA), Chicago-based JGMA’s El Centro, along with projects from Chicago-based Landon Bone Baker and Gensler, were awarded Richard H. Driehaus Foundation Awards for Excellence in Community Design. Finished in late 2014, El Centro is a 56,000 square foot satellite campus for Northeastern Illinois University, located along I-90/I-94 on the north side of Chicago. JGMA lead Juan Moreno describes the buildings trademark yellow and blue fins as building promotional, psychological, and sustainable. Promotionally, they function as a billboard for the school. Psychologically, they are a point of pride for the student body. And sustainably, they are a one of the buildings sustainability systems as sunshades, along with solar panels and the darkly tinted glass. El Centro was also awarded an AIA Chicago Distinguished Building Honor Award, and the 2015 Chicago Building Congress Award. Juan Moreno’s commitment to the school goes beyond designing their building though. During moving his acceptance speech, Moreno brought the 1500 person crowd to their feet, and many to tears, as he explained his plan for the award money. Addressing Richard Driehaus, “Four years ago I was on this stage for the first time. It was in my firm’s second year of existence, and what you don’t realize Mr. Driehaus is, that in your celebration of architecture, that award money that we received kept our lights on.” Moreno continued, “I’m very much interested in paying it forward. I’d like to announce that the money we receive for this award is going straight to NEIU El Centro to start a scholarship.” Moreno went on to explain the scholarship, which would be in the name of his Colombian immigrant mother, would be used to help minority students, the majority of El Centro’s students, to travel the world. After Moreno left the stage, Richard Driehaus returned to the mic to announce that he would match Moreno’s gift to the school. Landon Bone Baker and Gensler projects were also honored with the 2nd and 3rd place awards. Landon Bone Baker’s South Side Dorchester Art + Housing Collaborative was commissioned by Chicago artist and community advocate Theaster Gates. Original a series of separate buildings owned by the Chicago Housing Authority, the donated property now includes market-rate apartments for artist, public housing units, and reduced-rent units for limited income families, and community spaces for dance and music. Gensler’s Town Hall Apartments reuse a former Chicago Police station for affordable senior housing for the LGBT community. The Richard H. Driehaus Foundation Awards for Excellence in Community Design is one of eight other awards given out at the CNDAs, which is organized by the Local Initiatives Support Corporation (LISC ) Chicago. The CNDAs honor architects, developers, neighborhood advocates and business leaders who work to improve the city’s neighborhoods through restate development. Aside from the Driehaus Design award, other awards are given out for community planning, non-profit real estate projects, affordable rental housing preservation, for-profit real estate projects, and community development organizations. Winners in these other categories included the Salvation Army Ray & Joan Kroc Corps Community Center, the Oakley Square affordable housing, and the Method Products’ South Side Soapbox. The Method Products’ South Side Soapbox, a LEED Platinum soap factory which, as Mayor Rahm Emanuel stated in the ceremony’s closing remarks, “ is the first factory to be built on the South Side in 30 years.” The brightly adorned factory derives 50 percent of its energy from solar and wind, and includes the largest rooftop greenhouse in the world. Located near the historic Pullman neighborhood, the project has been touted as a symbol of the rehabilitation of the area, which has been economically depressed since the Pullman Palace Car Company ceased operation in the 1960s.
As part of the ongoing preservation efforts surrounding the South Side Chicago neighborhood of Pullman a print and online book has been released reporting the results of a workshop conducted by AIA Chicago and the National Parks Conservation Association (NPCA) in April 2015. Positioning Pullman gives a history as well as a possible way forward for the once flourishing company neighborhood, which has recently been designated a national monument by President Barack Obama. The Pullman neighborhood, once an independent town, was founded by George Pullman in the 1880s to house the workers and their families, of his luxury sleeping train car company. The town, a socially and technically progressive experiment, was designed by architect Solon Spencer Beman and landscape architect Nathan F. Barrett. The community would become a symbol of the industrial revolution and its efficiencies and advancements, as well as its labor tribulations. Pullman would be the site of multiple national policy changing strikes as well as a center for the unionizing movement of the early 20th Century. With the decline of rail travel the company would fold by the late 1960s, with only the name living on as spin off companies into the 198’s. The town's population and its buildings would quickly decline with the company, but a group of community organizers would save the city from total demolition, eventually leading to its landmark, and now national monument, status. The April ideas workshop, and subsequent publication, was charged with outlined a plan to preserve the historic neighborhood, as well as set out guidelines for improving the entire historic site. The workshop was divided into four teams—Park Experience, Historic Preservation, Access and Connections, and Community Development. The teams, organized by AIA Chicago and the NPCA, included architects, landscape architects, city planners, economist and engineers. Community involvement in the front and back ends of the workshop informed and tested ideas on the very people that would be most affected by the neighborhoods development. That development includes the adaptive reuse of historic buildings and sites, new construction, proposed transportation infrastructure and intensive preservation efforts throughout the area. In the next few years the improvements to accessibility, infrastructure, and public amenities, aim to accommodate an expected 300,000 visitors a year. The workshop and publication were supported by The Richard H. Driehaus Foundation, Chicago Community Trust, and Alphawood Foundation.
Chicago's VOA Associates will design artist housing and community studio space in the Pullman, community group Chicago Neighborhood Initiatives announced last week, signaling another step in the resurgent neighborhood on the city's far South Side. President Barack Obama in February named the area a national monument, citing its historic significance as a formative environment for American industrial might and organized labor, including the country's first African-American union. In spite of economic decline over much of the 20th century, the neighborhood retains a handsome collection of Romanesque and Queen Anne–style architecture, as well as a strong sense of community. The new project, dubbed Pullman Artspace, includes 45 artist apartments at 111th Street and Langley Avenue near the new McDonough + Partners-designed Method manufacturing plant, a forthcoming community center, and the Walmart-anchored shopping plaza that in 2010 became the first major development there in years. Artspace is a nonprofit, national chain of art galleries based in Minneapolis. VOA's involvement is the latest news in a long process of revitalization. Earlier this year The National Parks Conservation Association (NPCA) and AIA Chicago mulled the changing neighborhood's future in a design charrette titled "Position Pullman." Chicago Neighborhood Initiatives and others have been working for years to turn around the neighborhood, successfully rehabbing dozens of historic row-homes and inviting attention—along with new investment—to the area.
The story surrounding plans for a new Walmart on Chicago's Far South Side keeps changing faster than the retailer's prices. Last week we noticed that its attempts to break into Brooklyn were eerily similar to those in the Windy City, though we failed to mention how the linchpin of the current argument, that no one would dare locate in Pullman, does not hold true in East New York, as the Gateway Center already has a Target and a few other big box stores. But according to the Chicago Reader, that may not be the case in Pullman either. The paper did the unthinkable and—gasp!—called up the other retailers who the local alderman said he contacted, including IKEA, Dominick's, and Jewel-Osco, to confirm that they had turned Alderman Anthony Beale down. None said that was the case, though a few said they could neither confirm nor deny. Walmart, however, remains undeterred, and the Sun-Times reports it has even gone to the unprecedented step of setting up a meeting with local labor leaders to try and broker a last minute deal that will save its plans for a South Side development from being scuttled yet again.
In the last Midwest issue, we recounted Walmarts struggles to infiltrate urban centers, notably in Chicago. But the world's largest retailer and the nation's largest employer has also been eying New York for years, and the Daily News reports that it is making a new push in Brooklyn, which has already met resistance from locals and labor without even being officially announced. The weird thing, though, is how eerily similar there approach is in East New York as with the Pullman project on Chicago's Far South Side. Both are meant to be the anchor tenant in a larger mixed-use development that involves affordable housing (the former is part of Gateway II, the latter Pullman Park) located in the fringes of their respective cities, places that have been historically economically depressed. This puts Walmart in a better position of arguing that the area is in need of jobs, any jobs, not to mention affordable housing, so how dare politicians and unions try to stop it. Whether it works in Brooklyn or the Far South Side, only time will tell, but if Kingsbridge is any indication, it probably won't happen in the Five Boroughs any time soon. Pullman, however, might be an entirely different story, as Mayor Daley continues to agitate for the project's approval.