District Review. Blair Kamin reports on the Dallas Arts District - the nation's largest contiguous urban arts district - and finds the architecture inspiring but the street life a bore. In an area where Pritzker-winning architecture abounds, can a new park and residential development create urban vitality? Freeway Down. NPR reports on the mainstreaming of highway teardowns across the country. With skyrocketing infrastructure costs, many cities find removing a mega-road is more affordable while preserving neighborhood character and spurring new business. Public Art Confidential. WNYC takes a look at the story of public art in New York and the controversy that can follow as times and values change. Dueling sides argue the benefits of provoking thought on difficult subjects versus giving artwork an appropriate stage to do so. Among the eight most contested statues in New York is the long-toppled King George III once located in Bowling Green. Multi-Use Metro Cards. Subway Art Blog has a pair of recent galleries showing how you can reuse your old Metro Cards, either by adding to your wardrobe or creating collage artwork.
Posts tagged with "Public Art":
This Friday, three massive billboards will debut along the High Line, but instead of blasting consumerism, the art installation by Kim Beck hopes to provoke visitors to think of public space. From the High Line: "Kim's work will encourage park visitors to reconsider the water towers, exhaust pipes, HVAC systems, roof decks, green roofs, and other building elements that are integral components of the cityscape views along the High Line." Called Space Available, Beck will install three "skeletal" blank billboards. Experiencing the signs from different angles can provide the illusion of three dimensionality, when in fact each sign is really flat.
You won't see German artist Tobias Rehberger's proposed Lighthouse installation at this year's Art Basel exhibition in Miami Beach, but if the city approves the project next week, the towering beacon could be lighting up the night sky by the end of 2011. To be located in South Pointe Park at a cost of $500,000, the 55-foot tall Lighthouse is comprised of stacked cylinders and would represent Rehberger's first public commission in the United States. [ Via The Art Newspaper. ]
Upon first stumbling across this massive array of 2,000 LED lights encased in standard light bulbs in Madison Square Park a few weeks ago, I thought holiday decoration had come a little early to the Flatiron's front yard, but as shadowed figures began moving across the field of light, it became apparent that this installation by artist Jim Campbell was something special. Situated on Madison Square Park's Oval Lawn, Scattered Light consists of a three-dimensional grid of light spanning roughly 80 feet by 16 feet and standing 20 feet tall. When viewing the installation from the front, programmed LED lights flicker in sequence to create the illusion of shadows walking through the park. Moving around the artwork causes the image to blue and abstract as the grid moves in and out of focus. Scattered Light video by specialkrb / YT: Scattered Light video by Craig Dorety / Vimeo: The installation is one of three public art projects by Jim Campbell on display in Madison Square Park. Here's more information about the other two from the Madison Square Park Conservancy:
Broken Window, the second installation, will be situated near the main entrance to Madison Square Park at 23rd Street and Fifth Avenue. An array of LEDs encased in a glass-brick wall (70”h x 70”w x 10”d) will create illuminated images that appear to glide across the glass plane, reflecting the movements of the city around them and echoing the aesthetic poetry of the Scattered Lightinstallation. Situated on the eastern lawn adjacent to Madison Avenue between 24th and 25th street, Voices in the Subway Station, the third installation, will feature LEDs encased in two dozen glass tablets (14” x 18” each) arrayed across the lawn at ground level. The light pulses emanating from each tablet will be rhythmically modulated to represent the voices of individual travelers as recorded in conversation on a subway platform, combining to create a visual symphony rendered in light.Each of the three installations offers an abstracted experience drawn from the urban environment that's at once distant but right at home and it's worth an evening stroll through the park to experience them for yourself. The installations will be on display through February 2011. Interview with Jim Campbell from Switched: Voices in the Subway video by Craig Dorety / Vimeo: Broken Window video by lessthanrita / YT:
An array of glowing orbs has descended on Philadelphia's Schuylkill River to interact with curious passers-by. Light Drift, a temporary installation by Meejin Yoon and Eric Höweler of MY Studio, will pulse blue and green on land and just off shore through Sunday, October 17. Each glowing orb has been outfitted with LED lights and electronic devices that allow communication across the glowing system and engagement with onlookers. Sensors on land detect a person's presence, changing the color of orbs floating in the river. From the City of Philadelphia's Mural Arts Program:
"As viewers engage and occupy the orbs along the park, the grid of lights in the water becomes an index of the activities on land. Multiple viewers can create intersections of linear patterns, encouraging viewers to “play” with each other. These orbs bring the community together by providing gathering spaces for watching the river turn into a flickering constellation, creating new connections on the river’s edge. "Light Drift creates an atmosphere, a field of lights that transform in color and intensity based on the public interaction with it. The resting state of the field is a constant state of green. When a visitor approaches a land orb, the orb will start an “enticement mode” by pulsing between blue and green. If a visitor sits on the orb, the pulsing will transition to a blue state. The water orbs that align with the land orb will change colors at the same time, creating a linear extension of blue lights in the water. Because the orbs are arranged on a diagonal grid, the lines of lit orbs will form a series of intersecting lines in the field. The intersection of lines of lit orbs in the water will encourage different people interacting with the orbs to also interact with each other."An opening reception takes place tonight at 6:30 on the Schuylkill Riverbank between Market and Chestnut Streets. When the temporary installation wraps up Sunday, it could move to Boston's Charles River. Ultimately the non-toxic PETG (Polyethylene Terephthalate Glycol) shells will be recycled. Look for more information about the Light Drift installation in next week's The Architect's Newspaper.
A formal dedication for a creative urban intervention called ARTfarm brings flowers and greenery to a formerly barren step street in the Bronx. Architects Valeria Bianco, Christian Gonsalves, Shagun Singh, and Justin Taylor designed and built the project with help from Architecture for Humanity and the Bronx Museum of the Arts. Drawing inspiration from a nearby farmers' market, ARTfarm recycles wooden cabinet doors and crates into 59 planters for a variety of plants and transforms a concrete and stone stairway into a lush tiered garden. ARTfarm received $5,000 in funding from the New York Department of Transportation Art Program, pARTners. The program seeks to transform New York's public realm through art and design to create a safer, more inviting streetscape. “From concrete step streets to chain link fences on ordinary street corners, we’re bringing art to streetscapes citywide to redefine these in-between spaces,” said Commissioner Sadik-Khan in a release. “With the help of our local partners, New Yorkers are rediscovering slices of neighborhoods near and far through colorful artwork that makes these places more attractive, welcoming destinations for everyone.” ARTfarm was built by local school children, community residents, and Architecture for Humanity volunteers and will be in place for eleven months. The installation is located on Step Street at 165th Street and Carroll Place in the Bronx.
If New York is the city that never sleeps, how come it took us so long to get around to hosting our own Nuit Blanche (French for "Sleepless Night")? The global all-night festival of arts began in Paris, Berlin, and St. Petersburg way back in 1997, and has spread around the world in the years since. This Saturday, October 2, starting at 7:00 p.m., Brooklyn will host our city's first Nuit Blanche, rechristened "Bring to Light" by local organizers DoTank:Brooklyn and producers Furnace Media. Over 50 artists and performers will converge on Greenpoint's Oak St. between Franklin St. and the East River, taking over street corners, galleries, vacant lots, and rooftops to showcase their work. Although the range of media is broad -- some visual, some performative, some interactive -- the common threads running through them are light and sound. Among the highlights are Kant Smith's Small Explosion, a fiery cloud, a trompe-l'oeuil oil painting brought to life with rear illumination. Roselyn Anderson's Giant Puppet in His Natural Habitat is an installation comprising a giant puppet, three sculptures of illuminated meat, and a fluttering crowd of animatronic birds. And for ten percussive minutes, Tom Peyton enlists the help of a dozen drummers to turn Oak Street's scaffolding into a musical instrument. The event is free and open to the public; more info here.
If a whole flock of ghostly animals starts appearing in downtown New York this fall, don't panic. It’ll just mean that the public picked Chris Shelley’s design “…of special concern” as a winner in the Buildings and Cultural Affairs Departments' urbancanvas competition, which solicited ideas for decorating the construction fences, sidewalk sheds, scaffolding and cocoons that act as eyesores on seemingly every New York City street. From today through October 1, you can vote for your favorite of the eight finalist designs, whittled down by a professional jury from a starting pool of over 700 entries, with the most popular four selected to appear around the city later this fall. The range of design strategies is broad, with Jen Magathan’s trompe-l'oeuil sky in “My Urban Sky" making buildings disappear, and Mauricio Lopez and Jesse T. Ross’s kaleidoscopic "Color Mesh" making them jump out from the streetscape. Shelley’s design adds an unusual interactive component, pairing the silhouettes of five local endangered species with a bar-code panel on the corner of the screen. When a visitor scans the bar code with her iPhone, it will take her to a website with the full endangered species list. After voting closes, property owners, contractors and businesses will be allowed to select a design from the four winners and print it on any temporary protective structures installed on City-owned property. (They also have the option of printing their construction screens with an image of the project being built, but where’s the fun in that?)
Since Wednesday, an aluminum woman is joyfully resting in the grass of City Hall Park. Among her well-set figurative friends are a bronze giant, an octopus man, and a couple of luminous neon creatures. The new sculptures are part of The Public Art Fund's yearly exhibit in the park, an ongoing project for more than 30 years with the aim of making visitors experience art more directly. This year’s show, named Statuesque, brings together a group of six artists from four different nations. The ten works experiment with the sculptural tradition of the human figure, and are installed along the park's pathways and on lawns. “City Hall Park is really a great backdrop for this art,” Mayor Michael Bloomberg said at the opening. “The placement invites people to get up close and personal with these more contemporary figures and sculptures.” The featured artists are Huma Bhabha, Aaron Curry, Thomas Houseago, Matthew Monahan, Rebecca Warren, and Pawel Althamer. Never displayed together before, the pieces all tend towards abstraction over realism, and texture over refinement of finish––some exuberant, many robot-like and other almost gruesome. “It is unfiltered, it is memorable and it is immediate,” chief curator and director of The Public Art Fund Nicholas Baume concluded. New for this year is a free cellphone audio tour via an iPhone app.
Over the weekend, we happened to be biking by the (newly renamed) MoMA PS1 in Long Island City when we noticed something unusual, familiar, even. It was SO-IL's Pole Dance, this year's Young Architects pavilion, taking shape. The museum was closing, so we only snapped one furtive, washed-out photo (let's call it arty) on our cellphone before security made us leave. Fortunately, Frederick Fisher cut some slats in the imposing concrete wall he created as part of the museum's 1997 redesign, so we managed to capture a little bit more of the installation, emphasis on little. Still, it looks like it'll be fun, and we can't help but notice how close it is to the renderings, as you can see after the jump.
Back in February, when the Bloomberg administration announced it would be making the closure of Broadway in Times Square permanent, Transportation Commissioner Janette Sadik-Khan told us, basically, that she had been very impressed with the Dutch dots she had seen adorning closed roads in the Netherlands. In the end, the Department decided on something a little more complex for the installation that will adorn the roadway for the next 18 months, before permanent renovations can begin sometime in 2012. Beating out 149 artists, designers, and aesthetes is Brooklyn's Molly Dilworth, whose Cool Water, Hot Island is an abstracted representation of Manhattan's heat island effect, that extra blanket of warmth that plagues most urban areas. The piece should be installed by mid-July “This exciting new design for Times Square marks an important next step in the evolution of one of New York’s most storied streets,” Sadik-Khan said in a press release. “This temporary treatment will refresh Times Square and enhance its reputation as a place to see and be seen while we work on the permanent designs for the plazas.” In addition to providing some visual oomph to the blasé square, the installation will serve somewhat like a white roof, reflecting heat instead of absorbing it and thereby making Times Square a little bit cooler of a place to hang out, if not exactly cool. Dilworth is an appropriate choice for the project as she has a good bit of experience dumping paint on expansive urban sites. Much of her recent work consists of pour paintings on rooftops throughout the city and elsewhere, with the intended audience being satellites, particularly those of Google Earth. Following in the path of conceptual artists, there are rules to be followed, as detailed on Dilworth's Flickr profile including that the paint must be recycled and available the day of installation and the shapes are not premeditated but determined by the flow of paint on an open roof. DOT will probably take a firmer hand in the installation at Times Square, but the results should be no less impressive from the air.
Starting today, New York’s Flatiron District will host British artist Antony Gormley’s Event Horizon, a temporary installation of 31 life-size human figures. The nude figures, modeled after the artist, will be situated at ground level, on rooftops, and even as high as 57 stories. The installation, sponsored by the Madison Square Park Conservancy’s Mad. Sq. Art., is the group’s first project to extend beyond the boundaries of Madison Square Park. “It’s really about New York City,” says Debbie Landau, President of the Madison Square Park Conservancy. “Some of the locations were selected because they’re landmarks and other because they’re beautiful architecture, but they’re all places that people are going to want to stop and look.” Four of the figures will be on the ground but most will be on rooftops, situated as close to the edge of buildings as possible. More prominent locations include icons like the Flatiron Building, the New York Life Building, and the Empire State Building. The figures are designed to inspire viewers to pause and consider the skyline and the city as it surrounds them. Event Horizon is an adaptation of a Gormley project of the same name installed in London in 2007. The figures were placed in a similar fashion in the project’s earlier incarnation on building rooftops and other provocative locations. The 31 figures used for the New York installation are the same figures employed previously in London. While the formal opening date for the exhibition is today, many of the figures have been installed and on view since last week. A map and accompanying list of locations can be found on the project’s website.