Posts tagged with "Public Art":
The proposal, however, was recently rejected by the Sydney Harbour Federation Trust, the organization that currently owns the island, stating that the move could negatively affect the site's historical presence. “When we were set up 20 years ago,” Joseph Carrozzi, chairman of the trust, told the Art Newspaper, “the concept of the trust was to protect, rehabilitate and preserve the historical sites. We want the government to say the trust should have an ongoing role in managing these sites because they are unique. We want all the assets to be fundamentally community assets, and (used) for the purpose of telling the story of Australia in a very specific way[...] rather than a commercialized enterprise.”The island is currently locked in an ongoing tension between its historic past and its potential future as a haven for contemporary art. At the very least, Cockatoo Island will continue its participation in the Biennale of Sydney, including its 22nd iteration taking place throughout the city starting March 14.
The majority of those presenting in this year's festival, however, are newcomers that will likely bring fresh ideas to the site. Included on the roster is Oana Stănescu, a New York-based architect and cofounder of Family, whose most notable experience includes stage designs for Kanye West and retail spaces for Virgil Abloh's clothing brand Off-White. Dutch designer Kiki Van Eijk and multidisciplinary artist Cristopher Cichocki will both bring their trademark interests in natural forms to their installations. Buenos Aires-based architecture firm Estudio Normal will likely adapt their materially-sensitive practice to the grounds, while New York- and Rome-based firm Architensions will likely create an experiential space unique to their practice’s research on social behaviors. The art installations have been an integral part of the three-day music event since 2010, when festival owner Goldenvoice Productions decided to commission art after increasing their arts budget. A wide range of artists and architects have been given the opportunity to design installations in previous years, including architects Bureau Spectacular, Francis Kéré, and Office Kovacs, as well as artists including Olalekan Jeyifous, Dedo Vabo, and Sofia Enriquez. “Building on our art program with designers, architects and visual artists from around the world and from the Coachella Valley allows festivalgoers to explore shared global interests and perspectives through the experience of ambitious and one of a kind, large-scale installations”, said Paul Clemente, art director of Coachella Valley Music and Arts Festival, in a press release. “The artists and designers invited this year are all active and respected voices in their communities at the nexus of today’s cultural conversation. Their works have rigor–challenging urgent issues and ideas while balancing the requirements of scale and function with playfulness and wonder.” All of the installations will be on display and in use during both weekends, from April 10 to 12 and April 17 to 19.
Two Somewhat Different Epigrams (1957) I Oh, God of dust and rainbows, help us see That without dust the rainbow would not be. II I look with awe upon the human race And God, who sometimes spits right in its face.“This poem, a meditation on adversity and a prayer for transformation, inspires FRONT 2021’s curatorial approach. The exhibition’s title extends Hughes’ original invocation to signal a plurality of beliefs, stories, places, and people,” said the artistic team in a statement announcing the launch of the 2021 edition of FRONT. “FRONT 2021’s curatorial framework connects Cleveland’s storied past with a polyvocal present, exploring healing as an ongoing cycle of repair, spanning crisis and recovery. This approach treats the exhibition as a process of long-term change, embracing the region's range of cultures in need of attention, investigation, and care.” The co-artistic directors are Prem Krishnamurthy, founding principle of Project Projects and director at Wkshps, and Tina Kukielski, executive director and chief curator of Art21, who will work in collaboration with the artistic team of Evelyn Burnett (ThirdSpace Action Lab, Cleveland), Courtenay Finn (MoCA Cleveland), Emily Liebert (Cleveland Museum of Art), Dushko Petrovich (SAIC New Arts Journalism, Chicago), Kameelah Janan Rasheed (artist, Brooklyn), Tereza Ruller (The Rodina, Amsterdam), and Murtaza Vali (independent curator, Brooklyn/Sharjah), as well as associate curator Meghana Karnik and curatorial assistant Lo Smith. The artistic team has also revealed its first commission for the upcoming triennial, a public dance space in Akron designed by the Stockholm collective Dansbana!. With the success of FRONT's inaugural triennial in 2018, which included 120 international artists and over 90,000 visitors, expectations remain high for the upcoming edition.