Edvard Munch: Symbolism in Print Princeton University Art Museum McCormick Hall, Princeton, NJ Through June 8 Edvard Munch is best known for his 1893 painting The Scream. Like the majority of his work, this piece deals with psychological themes that were mainstays of late nineteenth century symbolist art, which greatly influenced German Expressionism. The symbols that Munch used contain universal meanings, but also meanings specific to his life. It is frequently forgotten that Edvard Munch was also one of the most skilled printmakers of his era. Edvard Munch: Symbolism in Print: Masterworks from the Museum of Modern Art, New York, showcases twenty six of Munch’s most poignant prints drawn from MOMA’s collection of lithographs and illustrated books. Munch used printmaking to refine complicated imagery and symbols that continue to speak to bedrock human concerns. Edvard Munch’s works echo his personal philosophy. He “[did] not believe in the art which is not the compulsive result of Man’s urge to open his heart.”
Posts tagged with "Princeton University":
Through Stormproof, an open international design competition for building resilient cities, Terreform One has pursued many viable solutions for a stormproof future. Students and professionals were challenged with preparing cities for imminent confrontations of extreme climate change. Twenty finalists were chosen from 168 teams comprised of 310 participants based in over fifteen countries, and by employing complex designs such as barrier islands to mitigate storm and flood impact, participants have recommended solutions that revive and repurpose present infrastructure. Finalists include SLIDE, a resilient scheme for stabilizing mudslides in Los Angeles by recycling debris to produce an opportunity for open ended growth, and Hybrid Edge, an approach that suggests the re-invention of the coastline edge of Dowtown Miami by conflating urban and wetland ecologies. Others, such as A Working Waterfront for NY Harbor utilize shipping infrastructure as coastline defense through an ecologically-minded tactic. The jury involves a renowned panel of designers including Stan Allen, Principal, SAA, former Dean of Princeton University School of Architecture, Michael Arad, partner of Handel Architects, and Dan Barasch, Co-Founder of The Low Line, among several others. Jurors will meet to select the winners by the end of the month. Explore all of the finalists here.
Winded. Popular Science has the story of a bridge concept in Italy called Solar Wind featuring an array of wind turbines capable of generating 40 million kilowatt hours annually. If that weren't enough, the proposal also incorporates a solar roadway for an added green boost. Juiced. The Times of Trenton reports that Princeton University is converting 27 acres in West Windsor, New Jersey into a field 16,500 photovoltaic panels able to generate 8 million kilo-watt hours of clean, green energy every year. The project will begin in 2012 and is expected to generate 5.5% of electricity for the university. Stripped. Citiwire considers the downfall of the suburban commercial strip and it doesn't look good for sprawl. As shopping trends evolve and consumer taste retreats from the generic strip landscape, hybrid shopping centers resembling main streets could be the future. TOD or not TOD. Residents of an award-winning transit-oriented development in Maryland featuring a wide median where a light rail line was planned have turned their backs to their neighborhoods original lofty goals. StreetsBlog sums up the latest high-profile case of NIMBY-ism.