A small, twisting airport in Mestia, a medieval town in the Democratic Republic of Georgia manages to capture the essence of the UNESCO World Heritage Site's ancient stone defensive towers while still standing on its own as a skyward-reaching modern structure. Designed by German firm J. Mayer H. Architects, the airport is expected to boost tourism in the historic town and nearby ski resort. Amazingly, the structure was designed and built within three months between October and December 2010.
Posts tagged with "Pictorial":
New York firm Stephan Jaklitsch Architects (SJA) has completed the latest jewel box on Tokyo's premiere shopping street, the Omotesando-dori in the Aoyama shopping district. The richly textured Marc Jacobs flagship store is comprised of three masses each of glass, stone, and perforated metal, the latter two appearing to float above the sidewalk. Defining the 2,800 square foot, three-story store is its tripartite massing depicting void, rock, and lantern. Of the three, the lantern top level is visually most dynamic, especially when backlit at night, while the middle rock level, clad in rough terra-cotta pieces, offers maximum texture. SJA wanted to minimize visual interruption on the sidewalk level to blur interior and exterior spaces. While the building contains three floors, the striated levels can be deceiving as one level is actually underground. Because of zoning limiting building height to two floors above grade, the metal paneled lantern level serves as a visual element, or kosakubutsu, giving the building extra mass and its defining element to differentiate the building from its rather distinguished neighbors including Herzog & de Meuron's Prada store across the street. The project was recently awarded an Award of Excellence from the New York chapter of the American Institute of Architects.
You better run, you'd better take cover! Frank Gehry's is heading down to Australia with a half twisted-brick, half glass-shard business school for the University of Technology, Sydney. The $150 million project draws its inspiration from a tree house, or as Frank puts it, "a trunk and core of activity and... branches for people to connect and do their private work." The undulating 11-story brick facade is designed to reflect the dignified sandstone of brick historic buildings of Sydney while irregularly angled glass planes refract the new building's surroundings. The university also wants to make the new business school sustainable and is considering incorporating efficient HVAC and lighting that turns off when a room is vacant, interior carbon dioxide monitoring, lighting that automatically adjusts depending on the brightness of daylight, and potentially a rainwater-capturing grey water system. Inside, the building will contain classrooms, research space, a 240-seat auditorium, a café, and car and bike parking. The project has already produced returns for four lucky architecture students at the University of Technology, Sydney who have been offered elusive internships at Gehry Partners' Los Angeles offices. Construction is expected to begin in 2012 with a gran opening planned in 2014.
Since opening in 2008, The Green Building in Louisville, Kentucky has been quietly awaiting the verdict on just how sustainable the three-story adaptive reuse project really is. As expected, the 115-year-old former dry goods store designed by California-based (fer) studio announced that the project received LEED Platinum certification, becoming the city's first Platinum building. Owners Augusta and Gill Holland were attracted to the historic building by its potential to transform the once-downtrodden surrounding neighborhood into the city's preeminent arts district dubbed Nulu, or New Louisville. Located just east of downtown, the 10,175 square foot structure houses a mix of uses including a gallery, event space, offices, and a restaurant along the sidewalk. The central focus of The Green Building is, of course, its sustainable features, and the Hollands wanted to create a show piece to demonstrate the full potential of sustainable architecture. Fer Studio peeled away various components of the historic building to create a layered spatial arrangement that maximizes natural lighting and create a modern aesthetic sensibility that pays homage to the building's 19th century craftsmanship. Each piece of the building from the old growth beams and framing to bricks were carefully inventoried and reused throughout the renovation. For instance, structural woodwork was remilled into new flooring and furniture. New materials were locally sourced including Forest Stewardship Council (FSC) certified white maple panels that accentuate the warm hues of old growth beams. Tucked behind the sidewalk café, a 40-foot-tall lobby opens up The Green Building's upper floors and allows for extra daylight to reach interior spaces. Equipment monitors the natural light level in the lobby and automatically turns synthetic lights on or off to minimize electrical usage. A carefully angled clerestory also helps to maximize natural daylighting while providing dramatic space for offices and a conference room. Green systems in the building are both high- and low-tech. A green roof, three large rain barrels, and a rain garden help store and filter rainwater runoff while dually providing water for irrigation. Insulation in the walls is made from recycled jeans and even the concrete block is made from byproducts of coal burning power plants. The brains of The Green Building, however, are concealed out of sight in the basement. A large ice storage system freezes during off-peak hours and distributes cool air through the building at a fraction of the cost of a traditional air conditioner while in winter, the process is reversed to supplement the geothermal system. To round out the green systems, an 81-panel solar array on the structure's roof helps the facility outperform Kentucky energy codes by up to 65 percent. Gill and Augusta aren't resting on their LEED Platinum laurels, however. The duo is part part owner in 16 adjacent properties that are being renovated with sustainability in mind. They are also planning a permanent farmer's market, a recycling center, and an electric car charging station in coming years. [ Click on a thumbnail below to start the slideshow. ]
MVRDV just completed "Le Monolithe," a mixed-use project in Lyon, France featuring social housing, apartments, disabled residences, offices, and retail organized along a central exterior axis of courtyards. The 350,000 square foot structure overlooks the confluence of the Rhône and Saône rivers and represents a collaboration of several architects and landscape architects. The MVRDV-designed portion of Le Monolithe includes aluminum sun screens, drawing on Lyon's vernacular architecture. Each shutter carries a letter, and when closed, the building facade reveals the first article of the European Constitution:
The Union is founded on the values of respect for human dignity, liberty, democracy, equality, the rule of law and respect for human rights, including the rights of persons belonging to minorities. These values are common to the Member States in a society in which pluralism, non-discrimination, tolerance, justice, solidarity and equality between women and men prevail.Le Monolithe was designed with sustainability in mind. The complex features environmentally sensitive rainwater management practices and uses renewable energy for 80% of the total energy consumed, including the use of photovoltaics. MVRDV designed the project master plan and the front portion of the building, but subsequent layers were each designed by different architects, lending a variegated feel to the overall design commonly achieved through the organic addition of architecture over time. Participating designers include Pierre Gautier, Manuelle Gautrand, ECDM and Erik van Egeraat. Landscape architects West 8 designed the public plaza.
Abandoned and nearly lost, the Zonnestraal Sanatorium in Hilversum, Netherlands has been meticulously restored to its former glory by Bierman Henket architecten and Wessel de Jonge architecten. In honor of their efforts, the two firms were awarded the 2010 World Monuments Fund / Knoll Modernism Prize. Alan Brake penned an article for the print edition of The Architect's Newspaper:
Designed in 1926–1928 by Johannes Duiker and Bernard Bijvoet and completed in 1931, the sanatorium is considered a seminal work of early modernism. Though it was well known when it was built, the structure was eventually abandoned, and since then nearly subsumed by the surrounding landscape. Portions of the three-building complex were almost completely lost, so many parts of the sanatorium had to be meticulously reconstructed, including formerly mass-produced elements that had to be recreated by hand.Read the entire article from The Architect's Newspaper.
The Architect's Newspaper's Sam Lubell tells us about revitalization plans for Los Angeles' once bustling Inglewood. Architects Christopher Mercier and Douglas Pierson of (fer) Studio see a vibrant future for Market Street:
“Nobody knows about Market Street,” said Mercier. “But it already has the infrastructure to be something special.” The street is narrow, pedestrian-friendly, and lined with shops, rich plantings, small islands, and beautiful (if not well-kempt) historic buildings along its entire length. “Everyone wants to save downtown, but they don’t have the faith in what it can be,” added Pierson.Read the entire article about revitalizing Inglewood at The Architect's Newspaper.
We've already mentioned the opening today of Pier 1, the first piece of Brooklyn Bridge Park. But for those of you less concerned with park governance and public-private funding mechanisms—most of you, really—than with the actual park itself, herein is our guided tour (click the photo above to begin). While the rain may have dampened the mood of some New Yorkers today, not here in the park, which seemed brighter for the downpour, verdant as Ireland and twice as lucky for having opened after a 25-year struggle. The park, and even this first sliver of it, is magnificent and majestic, a transformative place so different and particular—not unlike the High Line—that it can change your entire perception of the city. Dan Kramer, chair of the BBP Conservancy, agrees. "When I walk around, I get the same feeling I get walking around the High Line" he said at today's ribbon cutting. "This park feels like it was always here, like it always belonged here." Michael Van Valkenburgh sees the park as a civics lesson. "I'm always reminded when a park opens that there's nothing more democratic or important to the city than a park," he said. "I'm always struck how this is for everyone." He and principal-in-charge Matt Urbanski said they expected the newly empowered to city to keep on building, and the opening would only help boost their momentum. "It's like serving the entree without all the fixings," Urbanski said. "This is a big slice of roast beef, and it's gonna be good, and everyone'll want more." Regina Myer, head of the park development corporation and maestro of its construction, certainly believes New Yorks will like their first taste of the place. "It's a park like none other, given its place on the water and in the city," Myer said, "but really, it's extraordinary for the way it embraces beautiful design and sustainability and I think that, maybe after the bridge, is what people are going to notice."