Posts tagged with "Pictorial":

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Photographer Timothy Hursley shoots the lurid back room scenes of America

This pictorial appears in the October/November print edition of The Architect's Newspaper.

Timothy Hursley has photographed the lofty heights of 20th-century American architecture: Frank Gehry, I. M. Pei, and Philip Johnson all commissioned him to document their designs. But Hursley has also trained his lens on the country’s colorful, lurid, and sometimes tragic underbelly, shooting the basements and back rooms where people struggle to survive, create art, and meet their makers.

The photos below, from the artist’s Tainted Lens collection, show a food storage cave for members of the Fundamentalist Church of Jesus Christ of Latter-Day Saints polygamous sect; a brothel in Tonopah, Nevada; and coffins in a funeral home in Vicksburg, Mississippi.

Above, Andy Warhol stands in the last Factory in the late 1980s.

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Tech-savvy wall coverings and interior surfaces

A 3-D laser scans an amalgam of textures, creating point clouds of data from the tops of wall coverings and interior surfaces. It transmits their exact size and shape into the computer world and reimagines them as digital three-dimensional representations. The four surfaces below encapsulate some of the new manufacturing techniques and the latest developments in synthetic materials.

Images by Dustin O’Neal

Module Carnegie Fabrics

Fabricated by 3-D-printed rollers, this wall panel is embossed with raised relief patterns that are soft to the touch. Notably, the material makeup is not vinyl, but an olefin-based film that is free of PVC, heavy metals, and chemicals.

Romance Evitavonni

Embroidered with a silvery floral jacquard motif, this melange surface makes a pleasantly unexpected wall covering. The cotton-linen blend involves an aged dyeing, a coloring process that yields three neutral hues: soft white, oatmeal brown, and muted turquoise.

Lamberts Mouth-Blown “Reamy” Bendheim

These sheets of glass were mouth-blown and then flattened by the heat of an 800°F oven. The process creates a motif that resembles glassy currents moving across the surface of a lake.

Ultra Carnegie

This soft PVC-free alternative to vinyl is complete with veining and textures found in animal skin. The 50-50 silicone and polyurethane composition makes it perfect for varied surfaces across applications for both residential and commercial typologies.

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Pictorial-ism> Photos from the Architecture League's 2013 Beaux Arts Ball

On Saturday night, New York's architecture community gathered in Manhattan's historic 69th Regiment Armory  to celebrate the Architectural League of New York on the centennial of the original 1913 Armory Show. The sold out party welcomed 1,350 design-minded revelers dressed as their favorite "–ism," the theme of this year's event, representing everything from surrealism, revivalism, Dadaism, classicism, and brutalism. In all, over $100,000 was raised for the League. SITU Studio designed an installation to bring scale to the cavernous armory space, working with Renfro Design Group on an integrated lighting scheme. A series of white fabric prisms were suspended from the ceiling, serving to humanize the space while providing an armature for digital projections. Pulsing music built excitement throughout the night, which culminated in a procession of giant vellum marionettes, each controlled by a team of three performance artists, and a troupe of vellum-clad artists wandering through the armory, encouraging attendees to dance. Photos by Fran Parente.
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Pictorial> Mecanoo Opens New Birmingham Library

Dutch firm Mecanoo’s latest civic building represents a new era in library design. The new Library of Birmingham in the UK replaces the former James Hardin–designed central library, a brutalist concrete structure. The new library is a sleek expression of the evolving nature of education and learning in the 21st century. The modern, metal-clad structure houses a variety of services, including a multimedia center, two cafés, a music library, a performance space, green outdoor terraces, a shop and a gallery. The design vision is that the space will offer culture and entertainment, as well as learning and information. The library’s director, Brian Gambles, told the Guardian that libraries must be relevant to the community, and that the way people learn and use libraries, is changing. The building comprises of a stack of four rectangular volumes for a total of 10 stories and penetrated by a central void. Each rectangular volume is staggered to create various canopies and landscaped terraces. The expansive, open-plan floors are connected with weaving flights of escalators, which ascend from the library terraces, up through floating rings of bookshelves, to the light-flooded atrium above. A series of overlapping metal hoops of the facade create striking patterns of light and shade within the interior of the building. Francine Houben, founder and director of Mecanoo told the Guardian, "the interior is designed to create surprises and stimulate the senses." All photos by Christian Richters.
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Pictorial> Bjarke Ingels' Mantaray Will Soar Over Brooklyn Bridge Park

Bjarke Ingels and Michael Van Valkenburgh are teaming up to design Pier 6 at the southern end of Brooklyn Bridge Park. As AN reported, the pier will feature a pastoral landscape terminated by a triangular viewing pavilion called the Mantaray. The landscape and viewing platform will offer unmatched views of the Manhattan skyline and accommodate special events like concerts. Take a look at the gallery of renderings below or read more about the project here. All renderings courtesy BIG and MVVA.
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Pictorial> Library of Congress Documents Houston's Astrodome in 2004

As enthusiasm continues to build for The Architect Newspaper and YKK AP's Reimagine The Astrodome design ideas competition, which accompanies the launch of the forthcoming AN Southwest edition as well as YKK AP's expansion into the region, we thought we'd take the opportunity to share a collection of excellent black and white photographs of the Astrodome from the Library of Congress. These pictures document the dome as it looked in 2004, after its last tenant, the Houston Livestock Show and Rodeo, had moved out in 2003, before it was used to house refugees from Hurricane Katrina in 2005, and well before it was declared unfit for occupancy in 2008. Take this opportunity to subscribe to AN Southwest and sign up for the Reimaging The Astrodome competition. These pictures show off several of the more impressive architectural and engineering features of the venerable structure, including the trusses and compression ring that support the 642-foot clear span of the lamella roof, the mechanisms that drive the movable seating sections, and the sensual 1960s modernist character of the exterior concrete screen wall with its stacked parallelograms.
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Pictorial> Ross Barney's Colorful Ohio State Chiller Plant

A campus chiller’s prime directive is to pump torrents of cool water, not to look good. But thanks to an inventive skin of dichroic glass fins and high-sheen concrete panels from Ross Barney Architects, the Ohio State University’s south campus central chiller does both. When the project was first announced in 2010, Carol Ross Barney told AN, “Rather than just showing the pipes, we wanted to represent energy itself.” The 95,750-square-foot chiller plant is sprinkled with glazed openings that reveal some of its interior equipment. Because no moving parts are visible, a sense of motion plays out instead on the building’s iridescent glass fins. The recently completed project will pursue LEED certification.
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Slideshow> Organic Architecture Catches Fire in Coachella Valley

Southern California critic Alan Hess tells us more about Ken Kellogg’s GG’s Island Restaurant (formerly the Chart House), which was ravaged by fire on Tuesday morning. The extent of the damage and the potential for repair have not yet been determined. Palm Springs may be best known for sleek steel and glass Modern architecture, but the 1978 Chart House by San Diego architect Ken Kellogg (one of a series he designed for the restaurant chain) makes it impossible to ignore the fact that Organic Modernism is just as much a part of the Coachella Valley heritage. Set along Highway 111 in Rancho Mirage, Chart House's low-slung, serpentine shape hugs the contours of a small, rocky butte. Outside, it's the image of protective desert shelter: the taut vaulted roof stretches down, like the fabric of an umbrella or the shell of a crab, almost to touch the landscape berms rising to meet it. Inside, however, the heavy timber columns, curving glu-lam roof ribs, and rubble stone walls wind their way through the restaurant like a well-designed forest. They create layers of space, naturally lighted by a skylight curving along the spine, with an appealing complexity. Kellogg's fifty-five year career, including residences, churches, and commercial and institutional buildings, continues to show the vitality of organic design. [Photo credits: Keith Daly / Flickr, Michael Smith / Flickr, Desert Sun screenshot, KESQ screenshot.]
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Pictorial> An Architect Paints a Softer Skyline

Are you on KPF's holiday mailing list? If so, think twice before you toss their annual card into the recycling bin. You're now the owner of a limited edition print by an artist who is represented by one of London's poshest galleries, the Belgravia, and whose work was featured this fall in a one-man show in Hong Kong. The signature is in the bottom right corner: Kohn '11. Gene Kohn, the chairman—and K—of KPF, is better known for leading the charge on super-tall glass and steel skyscrapers like the International Commerce Center in Hong Kong, now that city's tallest building. But in his spare time, the architect turns to more solitary pursuits: his easel and palette of watercolors. "When I'm painting, I don't have a client I'm trying to please, no schedule or budget. I do it for myself," said Kohn, noting he enjoyed the speed at which he could finish a watercolor—instant gratification when compared to his firm's complex multi-year projects. Kohn spends time painting a couple of days a week, an avocation he picked up from his mother, who was an artist, and one he is passing along to his young grandchildren, who now paint with him on family vacations. In October selections from Kohn's body of work traveled from west to east to be exhibited and auctioned off in Hong Kong, where KPF has an office and a formidable roster of completed projects. Kohn's proceeds from the auction were given to Memorial Sloane-Kettering Cancer Center and Cancer Research at the University of Michigan, of which Kohn is a longtime supporter, and to the Hong Kong Cancer Fund. The donation held particular significance this year—at the time the exhibition was mounted, two KPF staffers, one in the New York office and one in the London office, were suffering from cancer."We wanted to do this art show in their honor," said Kohn. Sadly, the event also became a memorial when one of the employees succumbed the disease in early October. For a catalogue of the exhibition, contact the Belgravia Gallery, or have a look at our slide show of the skylines and cityscapes featured in Kohn's art show in support of cancer research.
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Slideshow> Apple Takes Bite of Grand Central

This morning Apple held a press preview of their new Grand Central store, which is set to open this Friday. The first impression of this glassless emporium, an anomaly for the company, is the respectful handling of the hallowed space. The store fills the space vacated by Metrazur restaurant, which wrapped around the Lexington Avenue side balcony. Apple's showroom takes up half of the northern balcony as well. For Mac fans, the cleaned lined furnishings will be familiar, as are the various stations spread throughout the 23,000-square-foot space. The Genius Bar is still there, as are the iPad and iPod stations, laptops, accessories, and a professional yet casual staff of more than 300. Apple, aided by Bohlin Cywinski Jackson, took sight lines into consideration, as the only real hint that the store is there from the concourse are small strips of table lighting, and, of course, the company's ubiquitous apple which hangs from a grand arch centered on the balcony. It could be argued that logo competes a bit with the world famous clock at the center of the terminal. But otherwise, the interventions appear considerate and reversible.
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Pictorial> CANstruction NYC Builds Awareness for Hunger

The 19th annual CANstruction NYC, a massive canned food drive in the form of an exhibit and design competition, is now on display at World Financial Center at 220 Vesey Street. Over 100,000 cans of food have been configured into 26 sculptures erected overnight (literally) by teams of architects, engineers, and students mentored by designers and architects. This year's designs ranged from video games, to city skylines, to bowling, and even three different pairs of shoes. The fanciful display will stand proud until November 21st when it will be toppled and donated to City Harvest, the world's first food rescue organization, in order to feed thousands of hungry New Yorkers. The exhibition is open daily in the Winter Garden from 10:00am through 6:00pm. The hunger-ending themes behind these canned constructions are visually activated in an array of topical forms ranging from a sinking Titanic ship (TiCANic, above) to Angry Birds (Hungry Birds, below). The formation of this food drive is well crafted and sure to delight all visitors and, of course, the hungry. On November 21st, the final day of the exhibit, judges will tour the display before deliberating over the winner of six awards: jurors' favorite, best label use, structural ingenuity, two honorable mentions, and even the best meal that can be made from the food in the installation. Winners of the design competition will be awarded bragging rights. Most of the canned food was purchased and donated by the teams themselves as they spent an average of 6 to 8 weeks perfecting their designs and one long night on construction. AECOM, the internationally present engineering firm, constructed an homage to Fritz Lang's Metropolis, re-can-figured as "CANopolis." The buildings, built of 2,830 cans, are reminiscant of the film's cityscape and aim to feed over 2,260 people. Another entry titled "Alexander McCAN" by Kohn Pedersen Fox Associates takes the shape of fashion designer Alexander McQueen's famous lobster claw shoe. The powerful display of food needs is at the core of the project and its success is evident. Next to each entry is a sign displaying each entrant's mission statement, title, number of cans used, and number of people the sculpture will feed. While standing in front of CETRA/Ruddy Architects' "STOP Hunger, START Sharing," we overheard several excited children yelling about how many cans comprised each structure. More powerful than the sculptures themselves is the awareness they raise and the amount of people who will be fed at the exhibit's end. So don't forget to bring a can!
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Pictorial> A Nature-Dominated Office in Denver

It might be the latest trend in creative modern eco-office design or, more likely, it's a tongue-in-cheek reminder to avoid letting work take over your life. In the typical modern office with row upon row of geometric cubicles, the closest a worker might get to nature is a small potted plant, a faraway glimpse out a window, or a rainforest background on his or her computer. But a new installation in downtown Denver quite literally breaks down this man-made environment in an effort to promote outdoor activity and a connection to nature during the workday. Boulder-based architecture firm Tres Birds Workshop created the five-part installation called Natural Systems Domination in July from old office furniture covered in live plants, evoking an office—perhaps abandoned by workers who left to find nature—where nature has found a way back into the work environment. From the architects:
Domination implies taking over. If we had it our way, natural systems would dominate entirely. Natural systems operate in perfect efficiency. Humans are both part of those natural systems and also somehow separate (by choice). The further we stray from connections with nature, the more alien we become.
The installation is part of sustainability-minded Keen Footwear's "Recess Revolution Tour" and represents a collaboration with Green Roofs of Colorado and the Fabric Lab. All of the office equipment from chairs and tables to an old copy machine was purchased from second-hand stores and was donated back after the installation was complete. Plants were also reused in the community. (Via TreeHugger.) Click on a thumbnail to launch the slideshow.