National Geographic’s “Greatest Photographs of the American West” Jordan Schnitzer Museum of Art 1430 Johnson Lane, Eugene, Oregon Through December 31 Throughout its 125-year history, National Geographic has been home to some of the highest quality photojournalism in the world, captivating its audiences with powerful and spectacular imagery. This fall, the Jordan Schnitzer Museum of the University of Oregon is displaying the magazine’s greatest photographs of the American West; a region that has long captivated photographers. The exhibition will run through to December 31. Included are photographs by Sam Abell, Ansel Adams, William Albert, and many other renowned photographers. The exhibition is organized into four sections, each focusing on various aspects of the American West and its significance to the country’s national identity. From spectacular rock formations to cowboys and Native Americans, this exhibition draws from the significant holdings of the National Geographic Archive. The American West was organized with the National Museum of Wildlife Art of the United States and Museums West.
Posts tagged with "Photography":
Beyond the Assignment: Defining Photos of Architecture and Design Julius Shulman Institute 7500 Glenoaks Boulevard, Burbank, CA Through November 1 Beyond the Assignment celebrates the work of ten of today’s leading architectural photographers in the United States who draw inspiration from their image-making predecessors, such as Julius Shulman and Ezra Stoller. The exhibition, curated by Bilyana Dimitrova, is being showcased at the Woodbury University Hollywood Gallery, and will be running from October 5 to November 1. Our experience of architecture is so often shaped by the photographers who document it. These photographers move “beyond the assignment,” helping to immortalize and define architecture and the built environment. Beyond the Assignment pays homage to this fact, casting a spotlight on an art form of great power that is too often overlooked. Featured photographers include Peter Aaron, Bilyana Dimitrova, Joe Fletcher, Timothy Hursley, Alan Karchmer, Jon Miller/Hedrich Blessing, Tim Street-Porter, Undine Prohl, Paul Warchol, and Lara Swimmer.
Of Walking Museum of Contemporary Photography 660 South Michigan Avenue, Chicago Through December 20 The Museum of Contemporary Photography’s exhibition, Of Walking, explores how the simple act of walking gives rise to countless intricate thoughts. Although walking may be perceived as one of mankind’s most simple acts, it triggers a series of emotions and contemplations. Of Walking shows that it is not just about putting one foot in front of the other, nor is it solely the motion from point A to point B. The curators sought to demonstrate how the process of thinking is made possible by the act of walking. To illustrate this concept, the exhibition goes back to the history of photography by showcasing famous streetwalkers and photographers such as Eugène Atget and Garry Winogrand. It focuses on navigation through space to determine how walking becomes a foundation for the human thought process. As such, it looks at movements in the history of art that have addressed the act of walking, and the works of artists such as Sohei Nishino that have evoked how meanderings through the surrounding built environment provoke numerous feelings for the individual. Finally, the exhibition also features the works of artists who have looked at political and social situations through interactions and walks through various landscapes.
Architectural photographer, Adrian Wilson, shared this photo with AN that he snapped during a photo shoot in Mexico City today. The routine work day, this time at Casa Palacio for Jeffrey Hutchison & Associates, was abruptly interrupted by a magnitude 6.1 earthquake epicentered some 250 miles outside the Mexican capital. It was once instance, the usually-steady Wilson said, when he "couldn't avoid camera shake…" According to news reports there was no major damage or injuries reported from the tremor.
With the rise of Instagram and the proliferation of smart phones and digital cameras, we're all amateur photographer's these days. And now's your chance to snap a photo of One World Trade Center in Lower Manhattan for your chance to win a trip to the top of the tower with two friends! The Port Authority of New York and New Jersey is sponsoring the photo competition, calling for cellphone snapshots to be submitted via its Facebook page or with Twitter hashtag #OneWTCBestPhotos through August 25. Snap early and tell your friends, though, as winners will be chosen by the number of popular votes they receive online. For more details, head over here.
Abelardo Morell: The Universe Next Door Art Institute of Chicago 111 South Michigan Avenue Through September 2, 2013 Abelardo Morell is a Cuban-born American photographer who over the past 25 years has used photography and his unique way of looking at the world to create compelling works of art. Morell finds inspiration for his pictures in the environment he is most comfortable in, his home. The subjects of Morell’s photographs are common household objects—still lives of books and money—but the photographer is most known for his Camera Obscura series. To create these unique, large-format photographs, Morell cuts out a small opening in a dark room that reveals a view of the outside world. An upside down image of the outside is then projected back into the interior of the room. Morell then photographs a projection of the outside world set against the common objects that fill a room’s interior, such as a bed, or a table of stacked books. This exhibition features more than 100 of the artist’s works in which he experimented with various techniques, including photograms, still-life tableaux, stop-motion studies, and the tent camera.
At War With The Obvious: Photographs by William Eggleston Metropolitan Museum of Art Howard Gilman Gallery 852 New York Through July 28 William Eggleston, one of the first American photographers to experiment with modern color photography in the 1960s, is known for his ability to capture the essence of southern life through photographs of ordinary people, scenes of everyday life, and commonplace objects, such as a child’s tricycle or a sign reading “Peaches!” set against the backdrop of a cerulean blue sky. Eggleston produced much of his color photography with a dye transfer printmaking process, a technique that was previously used solely for commercial and advertising purposes, and established it as a prominent artistic medium in the American tradition. The Metropolitan Museum of Art exhibition, At War With the Obvious, celebrates Eggleston’s work by presenting together for the first time thirty-six dye transfer prints he created in the 1970s. It also features his first portfolio of color photographs, fifteen prints from his landmark book, and seven other of his most recognized photographs.
Thomas Ruff: photograms and ma.r.s David Zwirner Gallery 525 West 19th Street New York, NY Through May 4 This March, Thomas Ruff’s seventh solo exhibition at the David Zwirner Gallery will be dedicated to two of the late twentieth-century German photographer’s most recent projects: photograms and ma.r.s. Ruff’s photograms series features a unique collection of “camera-less” photography—a technique used by photographers in the 1920s in which objects are placed on photosensitive paper and exposed to light. The outcome is the negative image of the object revealing itself in the form of a grey or white shadow glowing against a black backdrop. Ruff adds layers to his visually intriguing compositions—which mostly depict abstract lines, shapes, and spirals—by adding color and implementing varying degrees of transparency and lighting. To create his ma.r.s series, short for Mars Reconnaissance Survey, Ruff manipulated black-and-white satellite images, taken by a NASA spacecraft of the surface of Mars, and dramatically increased the saturation of the images, creating a striking representation of the planet’s rugged terrain.
Here at AN we have been hearing from the many fans of GA Global Architecture about the passing of its founder and creative force Yukio Futagawa. His long career as a publsiher had many highlights but it was as a architectural photographer that many feel he was most distinguished. William Stout Books, the great San Francisco architecture bookstore, has posted a tribute to Futagawa who worked with the store for many years. The store staff—a group that gets to see all the best architecture books—writes that he along with Julius Shulman were the two great "masters" of the craft of photographing buildings, particularly in black and white. They point out that the "quality of light in his work was truly unique because of his use of natural light," particularly in his older books; The Essential Japanese House + Wooden Houses + Japanese Temples: Sculpture, Painting, Gardens and Architecture. The contrast in the black and white photos is really stunning," they believe, and not unlike that of Aaron Siskind.
A sad but touching note today from Steven Holl informed us that Yukio Futagawa, the founder and impresario of GA Architecture magazine, passed away in Japan on March 5, 2013. Futagawa was 80 years old and was best known as the founder and director of GA Architecture Publishing Group. GA is recognized for seeking out the world's best architects and projects and presenting them in elegant and intelligent formats (GA Houses, GA Documents) that crossed magazines with book publishing. It is understandable that GA would be such a powerful and distinguished publishing house since Futagawa was a much respected architectural photographer and, as Holl writes, "a cultural force for fine architecture globally [who] understood that we must think beyond the provincial beyond the national." GA will continue to operate under the new leadership of Yukio's son Yoshio. The family held a private funeral service for Futagawa in Japan on March 10, but if you are in Beijing, Holl will hold a tribute toast for him at the Opposite House Penthouse on March 17 from 7:00 to 8:00 pm.
Victoria Sambunaris: Taxonomy of a Landscape Museum of Contemporary Photography 600 South Michigan Avenue Chicago, IL Through March 31 Victoria Sambunaris has photographed the American landscape from coast to coast, investigating human interaction with and relationship to the natural environment. Over a decade’s worth of color photographs taken with a 5 by 7 field camera capture the multiple layers of America’s expansive landscapes that are interrupted by human development. Born to Greek immigrant parents driven by the American dream, Sambunaris has become fascinated and identifies with the unease of the Mexico/United States border. Her photographs of over 2,000 miles of these borderlands suggest an innate similarity between the two lands in spite of national boundaries. Taxonomy of a Landscape also includes a complete archive of Sambunaris’ travels with maps, journals, road logs, collected souvenirs, and sketches.
Scrap your afternoon plans and take an amazing aerial tour of Dubai, instead. Photographer Gerald Donovan has created an interactive panorama of the city as seen from the top of the world's tallest building, the Burj Khalifa for the Hamdan Bin Mohammed Bin Rashid Al Maktoum International Photography Award. The view was taken from the top of the tower, some 2,722 feet above the street, reached by climbing nearly 660 feet through the Burj Khalifa's enormous spire. Users can pan around and zoom in to observe the surrounding cityscape with amazing detail. To achieve the stunning effect, Donovan stitched 70 photographs together, each a whopping 80 megapixels, to create a single 2.5 gigapixel panorama. [Via The Telegraph.]