What’s just as pressing as the little building’s demolition is the fact it could potentially be the second project by Hirsh Fleisher to see the wrecking ball. In 2014, her Queen Lane Apartments, a post-war public housing project, was demolished by the Philadelphia Housing Authority to make way for a series of low-lying affordable housing units. That building started suffering serious structural problems only decades after its completion, but the Columbus Square pavilion is forcefully sound; it’s largely built from stone. In a time where projects by prominent female architects are more appreciated than ever, there’s much attention being paid to those that are being taken down by redevelopment and in some cases, capitalism. Last month, JP Morgan Chase filed for the demolition of its headquarters in New York, the Natalie Griffin de Blois–designed Union Carbide Building. The site, 270 Park Avenue, will feature a replacement structure by Foster + Partners. Bringing down Griffin de Blois’s 52-story Manhattan tower—whether you believe it should live on or not—distinctly diminishes the already-small footprint that female architects made on New York during the 1900s. Getting rid of Hirsh Fleisher’s tiny building would do the same in Philadelphia. Luckily, today there is a slew of women-powered practices that are following in her footsteps, such as OLIN, the landscape studio, as well as KSS Architects, a multidisciplinary firm also based out of Princeton, New Jersey. While many Philadelphia firms have significantly more men in leadership positions compared to women, the women are there. Award-winning practice Interface Studio Architects (ISA), along with DIGSAU, EwingCole, and KieranTimberlake have women in top-ranking positions or more women than men on staff.
@PhillyMayor Pls STOP destruction of #PhiladelphiaLandmark, one of the few surviving bldgs of 1st licensed woman architect in Philly.#ElizabethHirshFleisher. Architecture matters! Architectural history matters! Honour the work of #Women! #womenarchitectshttps://t.co/Jm1vMx7Al4— dale b. cohen (@dcdesignstudio) March 11, 2019
Posts tagged with "Philadelphia":
Lyons, France-born Cret (1876-1945) moved to Philadelphia in 1903 to become a professor of design at the University of Pennsylvania and eventually the leader of Philadelphia’s city beautiful movement. He was in France when World War I broke out and served in the army for the next five years before returning to Philadelphia where he resumed his teaching at the University of Pennsylvania and engaged in his architectural practice. He designed bridges, such as the Delaware River Bridge in Philadelphia, as well as museums (the Rodin Museum in Philadelphia, the Barnes Foundation Gallery in Merion, Pennsylvania, and the Detroit Institute of Arts) and the Folger Shakespeare Library in Washington, D.C., and also worked on the architecture of campuses of the University of Pennsylvania, Brown University, and the University of Texas at Austin. In addition, he was the consulting architect for the American Battle Monuments Commission from 1923 to 1945, whose mission was to design memorials, chapels, and cemeteries in honor of the dead of World War I.
Cret’s work is the centerpiece of an exhibition at the Athenaeum of Philadelphia called Professor Cret’s Parkway: One Architect’s Legacy on Philadelphia’s Grandest Thoroughfare. The show features over 30 built and unbuilt designs by Cret, many never before exhibited. The Rodin Museum, located on the parkway and designed by Cret, is simultaneously displaying a 1927 model of its building and gardens with photographs and related material exploring Cret’s design there. Both exhibitions are on display through August 31.
In May the Athenaeum also conducted a symposium on Cret that considered his theory, work on the Rodin Museum, and engineering collaborations, among other subjects. Architecture critic Paul Goldberger delivered the keynote address, asking, “what does the city beautiful mean for the 21st century city?”
Also in May, the American Battle Monuments Commission inaugurated the new Chateau-Thierry American Monument Visitor Center on Hill 204, at a World War I monument designed by Cret overlooking the Marne River Valley. The monument, which was dedicated in 1937, commemorates the sacrifices and achievements of Americans and French people before and during the Aisne-Marne and Oise-Aisne offensives in 1918.In 1922, the art collector Albert C. Barnes contracted Cret to design a gallery and residence in Merion, Pennsylvania. On display through September 30 at the Barnes Foundation, which moved from Merion to Benjamin Franklin Parkway in 2012, are selected letters between the two men, related photography, and Cret’s plans and sketches for the buildings that officially became the Barnes Foundation in 1925.