Posts tagged with "Philadelphia":
• • •Each team will receive a stipend of $20,000 to develop a plan and budget for the challenge. The final designs will be showcased at the Philadelphia Horticultural Society's annual Flower Show from March 3 – 11, 2018, at the Pennsylvania Convention Center at 12th and Arch Streets in Philadelphia. The winning design will then help to raise funds and take further steps in implementing the project.
The City of Philadelphia's Historical Commission approved the installation of the modern pavilion last month, paving a spot for the artist to build on an iconic rocky outcrop behind the museum. The pavilion is being built with Philadelphia-based KSK Architects and is a part of Turrell’s Skyspace series. Every Skyspace varies, but they all feature a proportioned chamber with an aperture in the ceiling and computerized light installations that are meant to evoke meditation and contemplation.
This new pavilion will be a free-standing structure with an opening in the canopy for a framed view of the sky. A twice-daily show at sunrise and sunset with colored lights will be projected onto the underside of the canopy. There are already two other pavilions on the outcrop, and Turrell’s will be the third—a modern, 21st-century piece. It is being paid for by an anonymous donor and is only the second commission the museum has installed (the first being Sol Lewitt’s garden composition).
According to the Philadelphia Inquirer, the pavilion was initially denounced as an “alien spaceship” by one Historical Commission member; a National Park Service official also warned that it could ruin the iconic landscape. (The site overlooks the historic Fairmount Water Works.) After several changes, including blending the canopy more into its environment and obscuring the lights, the pavilion gained approval from both commissions.Despite initial objections, Dan McCoubrey, head of the commission’s Architectural Committee, said that “it’s a very logical place for a pavilion,” as reported in Plan Philly. “It’s a pavilion that’s contemporary in style. We have a rustic pavilion, a neoclassical pavilion, and now a wonderful contemporary pavilion.”
Inga Saffron's article in the Inquirer pointed out that while the museum did get approval from the Art and Historical Commissions, there was little public engagement process for the pavilion.
There are more than 80 Skyspace installations across the world, including Turrell's first Philadelphian one in the Chestnut Hill Friends Meeting House. There is no set timeline for the project yet.
- Knox White – Mayor, Greenville, SC
- Kimberly Driggins – Director of Strategic Planning, City of Detroit Planning and Development Department, Detroit, MI
- David Lee, FAIA – President, Stull and Lee Incorporated, Architects, Boston, MA
- Willett Moss – Principal, CMG Landscape Architecture, San Francisco, CA
- Deidre Schmidt – President & CEO, CommonBond Communities, Minneapolis, MN
- Scot Spencer – Associate Director for Advocacy and Influence, Annie E. Casey Foundation, Baltimore, MD
- Drexel Square will feature an elliptical lawn and supposedly represent the "continuation of William Penn’s original vision for the city’s 'public room.'" The area will be active during the day and night and is set to "serve as the gateway into University City from Center City and 30th Street Station."
- JFK Boulevard is due to be transformed into a "shared esplanade" linking 30th Street Station with the Armory building. This space will act as an overspill area for commuters and visitors leaving the station, safely integrating pedestrians, bikes, and cars in the same space, "while providing a rich new greenway for the public."
- Market Street, a well-known thoroughfare in Philly, will receive new bicycle and pedestrian lanes, as well as trees that will line the street to counteract noise and pollution.
- The Wintergarden. Renders for the space show an elevated, balustrade-encased area overlooking the streets filled with greenery and families. The surrounding area appears to be laboratories, so it is unclear if this is a specific public space. The Architect's Newspaper (AN) reached out to the developers (Brandywine Realty Trust and Drexel University) for clarification and is waiting to hear back.
1100 Architect combines an 1851 cottage with a modern research center on University of Pennsylvania’s campus
In 1865, “hat and cap merchant” Robert D. Work purchased a Gothic Revival cottage at 3803 Locust Walk in West Philadelphia, riding the wave of the migration to the suburbs. This cottage, designed by prolific architect and author Samuel Sloan, was built in 1851. It now forms part of the Perry World House—a new destination on the University of Pennsylvania’s campus courtesy of New York studio 1100 Architect.
Work’s cottage 165 years ago featured fake limestone—stucco scored to look like a French stone chateau in suburban Philadelphia. Today, the new structure, which officially opened September 20, employs a closed facade featuring real limestone blocks hanging from a steel, barn-like perimeter cage.
“The project presented the challenge of putting history adjacent to modernity in the most blunt and direct way,” said cofounder of 1100 Architect David Piscuskas. Though limestone carries connotations of weight, the facade respectfully resists falling flush to the cottage’s shingles, following this sight-line down the rest of the front elevation.
In addition, a cage structure facilitates a more or less column-free interior. This provided freedom when mapping out areas of circulation and spaces for interactivity. (The building has a capacity of 554.)
“Any structural columns that are there are hidden very well,” said Piscuskas, the soon-to-be AIA president of the New York chapter. Despite the closed facade, the building maintains a sense of transparency from both outside and within. “The way that you move through this building is celebrated and is on view at all times,” Piscuskas added. From the outside, wide, metal-framed oriel windows facing the street allow passerby to see inside: Bridges, staircases, and open social spaces are all on display.
Elements of the original structure can be found inside, too. An original wall from the cottage is near the foyer. On the second floor, a meeting room translates the language of the facade as an extrusion through the space. A pitched ceiling creates a sense of verticality resulting from combining the cottage’s original second floor and attic and restructuring the roof.
On South 38th Street, the Wharton School’s imposing building once jarred with the quaint stylings of this 19th-century cottage six lanes of traffic away. Now, its impact is less severe, thanks to the new massing that still manages to mirror and echo the former suburban vernacular. Made up almost entirely of glass fenestration, the double-height venue gets a generous dose of daylight, making it an attractive place to meet. The roof comprises a series of pitches, all varying in height, which creates a contemporary expression of the original gables.
Form was also guided by inconveniences, such as a manhole encroaching on the building’s footprint. “We saw this as an opportunity to have more fun,” said Piscuskas, who described how a chunk carved from a corner was a workaround that aligned with the rest of the building’s similar geometry. The site’s topography, too, falls in line with the angular aesthetic as open space in the rear slopes down to the street.